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Home Sound Effects

Pole Position Production

  • Birdsong from the countryside of the Swedish rural region of Värmland.

  • The Maderian Water sound effects library features a mix of water recordings from the archipelago of Madeira.

  • The 100 Pass Bys sound effects library features various speeds of cars, vans, trucks, motorcycles, and more passing by.

  • The Compressed Air sound effects library features sonic textures of air blasts, bursts, and sprays into and over a mix of household objects.

  • The wind in trees sound effects library features wind blowing through 5 tree types both from the ground and in the canopy with multiple strengths.

  • The Hämmerli 280 22LR sound effects library features 24 perspectives of gunshots, plus performed effects of bolt moves, magazine slaps, rattles and movement, and more.

  • The Beretta 1201 F sound effects library includes multi-take gunshots as well as performed effects.

    The Beretta 1201 F sound effects library features firing and performed effects from a 1990 Italian semi-automatic 12-gauge shotgun in 55 clips and 1.73 gigabytes of audio.

    The collection includes 22 perspectives across 44 channels of audio (including an Ambisonic perspective) of firing, failed ranking movements, grabbing, handling, movement, rattling, and safety movements, and more. The gunshots were captured from close to over 150 distant from mono, stereo, up to 8-track Holophone recordings.

    The sound library includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, as well as Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • The Indoor Gun Acoustics 2 sound effects library features gunshot sounds from 6 different weapons in five room types.

  • The Aircraft Ambient Sound Effects library features jets, planes, and vintage fighters flying in the distance with a sense of spaciousness.

  • Specially recorded for sound design, The Guitaresque Power Tools Library include clips featuring bizarre whines, grinding, hums, and more as power tools are “played” on guitar necks and bridges. Clips include rising and falling tones and one-shots.

  • The Smith & Wesson .38 Chiefs Special Model 60 revolver sound effects library features firing and performed effects of loading, drum spinning, dry fire, and more from a .38 Special revolver.

  • The Desert Eagle sound effects library features multiple takes of gunshots, as well as performed effects of magazine moves, loading, unloading, and more.

    The Desert Eagle sound effects library includes 174 clips in 4.25 gigabytes of audio. It showcases the sound of a .44 2010 American pistol firing as well as performed effects of handling, loading, unloading, and magazine movement.

    The gunshots feature multiple shots in two takes from 24 perspectives ranging from close to over 150 meters distant. 50 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Neumann, Sanken, Sennheiser and other professional microphones.

    The collection includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, and Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • A library of Lynx 50 sniper rifle sound effects including 23 perspective of gunfire, as well as performed effects.

    The Lynx 50 sniper rifle sound effects library includes 189 clips in 3.27 gigabytes of audio. It showcases the sound of a Finnish mod. 50 rifle made by Pirkan Ase Oy using 50 BMG Ammunition with A-MAX bullet and a high ballistic coefficient 1.050, made by Hornady.

    The collection includes 2 takes of firing with 23 mono, stereo, Ambisonic AmbiX, and multichannel microphones from nearby up to 160 meters away. The sound library features performed effects of magazine handling, reloading, and more.

    Also packaged with the collection are editing sessions in Pro Tools and Reaper formats, as well as complete embedded metadata support.

  • The Metal Hit Sweetener sound effects library features metal hit sound effects, drops, bashes, and more with shovels, containers, pots and pans, and others.

    The Metal Hit Sweetener Library gathers over 80 multi-sample strikes, hits, impacts, drops and other clips in 1.18 GB of 192 kHz sound-design friendly field recordings.

    The metal hit sound effects include strikes with hammers, drumsticks, forks, and other implements hitting over 22 types of props: from bowls to pots and pans, oil barrels to wheelbarrows, shovels and spades, trailers, and much more. Every recording has multiple performances in each file to allow for a variety of sound design tools created to sweetener hits, blasts, bursts, breaks, and other impactful sound effects.

    Includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments.

  • The grass trimmer sound effects library features field recordings of working, idling, ramps, steady RPMs, and performed effects.

    This collection features a Jonsered GC 2125 grass trimmer with a 2-stroke engine 25 cm3. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The SPAS-12 combat shotgun sound effects library includes nearly 50 channels of two types of gunshots, performed effects of loading and pump action sounds, and more.

    This Franchi SPAS-12 combat shotgun sound effects library features 293 sound clips in 5.73 gigabytes of sound. It showcases field recordings of the Italian dual-mode weapon wth a folding stock and uses 12 gauge 2 3/4 inch shells.

    The collection gathers 24 perspectives and 47 channels (including an Ambisonic perspective) of both pump action and semi-automatic firing, as well as performed effects of loading, pump action, rattling, the safety, and others. The perspectives range from close to 150 meters distant.

    The sound library includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, as well as Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • The Tonal Colors Sound Effects Library shares a sonic palette of hits, impacts, rattles, and clatters from metal, glass, and ceramic objects in one-shots and continuous resonant tones.

  • The clearing saw sound effects library features field recordings of working, idling, ramps, steady RPMs, and performed effects.

    This collection features a Husqvarna 245RX clearing saw with a 2-stroke engine 45 cm3. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • A library of Glock 17 sound effects including multiple gunshots and performed effects of handling, rack slides, magazine moves, and more.

    The Glock 17 sound effects library includes 171 clips in 4.55 gigabytes of audio. It shares the sound of an Austrian Glock 17 9mm semi-automatic pistol with 9×19mm Parabellum cartridge.

    Performances include 3 takes of firing from 29 mono, stereo, Ambisonic AmbiX and multichannel microphones from close to over 170 meters away. The recordings also include performances of rack movement, handling, rattles, magazine movement, and more.

    Also packaged with the collection are editing sessions in Pro Tools and Reaper formats, as well as complete embedded metadata support.

  • The large chainsaw sound effects library features field recordings of a chainsaw working, idling, ramps, steady RPMs, and performed effects.

    This collection features a Husqvarna 372 XPG chain saw with a 2-stroke engine 72 cm3 and a 28″ sword. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The small chainsaw sound effects library features field recordings of a chainsaw working, idling, ramps, steady RPMs, and performed effects.

    This collection features a Husqvarna 338 XPT top handle chain saw with a 2-stroke engine 38 cm3 engine and a 12″ sword. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The lawn mower sound effects library features field recordings of working, maneuvering, idling, and performed effects.

    This collection features a Husqvarna Master 46 lawn mower with a Briggs & Stratton 3,75 hk Sprint 4-stroke engine with a cutting width 46 cm. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects. It also shares driving from three exterior positions, as well as microphones mounted on the exhaust, overhead, and at the engine, with additional custom mixes of the onboard perspectives.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The leaf blower sound effects library features field recordings of working, idling, ramps, steady RPMs, and performed effects.

    This collection features a Husqvarna 170 BT leaf blower with a 2-stroke engine 65 cm3 with air volume 16m3/min and air speed 78 m/s. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The riding lawn mower sound effects library features field recordings of working, maneuvering, idling, and performed effects.

    This collection features a Mower Husqvarna Rider Proflex 21 riding lawn mower with a Kawasaki Twin 21hk engine with a cutting width 122 cm. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects. It shares driving from three exterior positions, as well as microphones mounted on the exhaust, overhead, and at the engine, with additional custom mixes of the onboard perspectives.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

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