This library features a French armoured personnel carrier VAB manufactured by Renault, equipped with a 320 hp Renault MIDR engine. The recording consists of 15 onboard channels covering the engine, exhaust, fans, interior front and rear, and 17 exterior channels positioned around the recording location. It also contains startups, idling, blips, steady RPMs in neutral, driving and reversing at slow, medium and fast speeds, aways, approaches, passbys, stops, shutdown, horn and more.
Get the sounds of an Aston Martin DB9 with a 5.9 litres V12 engine and 456 hps. The recording consists of eight channels, interior left and right, exhausts left and right and four engine channels.
It contains start, stop, idle, blipping, revving on constant rpms without gear, accelerations, decelerations and driving. Full surround drive away and drive by added in the end. The recording length is 11 min 59 s.
For recordings of a hot-tempered ATV (All-terrain vehicle) with a two-stroke engine, check out this sound pack. It consists of a two and a half minute 4-channel recording with two mics on the engine and two on the exhaust. Great for your zipping, sputtering, and revving needs of a fun ride.
The Audi S6 sound effects library features 240 clips in 16.41 gigabytes. The aspirated 5.2 liter V10 435 horsepower engine and a distinctive Milltek exhaust system combine to portray an extensive snapshot of this 2007 European hatchback. The engine is similar to a Lamborghini Gallardo, Huracan, and an Audi R8.
Slow, medium, and fast performances are catalogued in 19 onboard and exterior perspectives, covering approaches, aways, passbys and more. The collection also includes engine recordings at steady RPMs, ramps, and gear shifts, and is complimented with bonus takes of idles and horns.
Get unique recordings of the Avro Lancaster, the iconic British World War II heavy bomber, equipped with four Rolls-Royce Merlin V12s! The extensive recording covers two startups on the ground, including steady rpms, throttle movement, taxiing, foley and more, and one flying session with take off, fly bys and landing.
The on-ground session contains 10 onboard channels from various perspectives inside and onboard the plane, and 20 exterior channels from perspectives around the plane. The flying session contains 12 onboard channels and 20 exterior channels covering flybys.
A Dutch barge equipped with a 2-cylinder 1941 Bronz diesel engine with Dutch fuel injection system and 80 horsepower.
The Black Hawk UH-60M sound fx collection features 1,145 sound clips in 44.39 GB from an American military helicopter performing during a military exercise. This bundle gathers 44 takes of tandem maneuvers from two General Electric T700-GE-701D engines with cowling.
This sound library includes both onboard and exterior field recordings. The onboard recordings include 3 perspectives of the vehicle idling with rotors and turbine at low, high, and medium speeds, including an Ambisonic take. The 22 exterior perspectives include 49 channels of the chopper starting, taking off, passing by, landing, and shutting off. There are also a wide selection of stationary idles from close, medium, and distant perspectives in front, behind, and to the side of the Black Hawk at high to low RPMs. Ambisonic, surround, and double MS perspectives join stereo and mono takes. The collection is complimented by a wide variety of cockpit instrument performed effects, doors, and more.
Bonus: Pro Tools and Reaper session files align each take for easy editing and mixing. Over 18 fields of professional metadata embedded in every clip.
This library features a Soviet tank BMP-1 with a 6 cylinder water cooled diesel engine. The recordings consist of 13 channels, 7 interior (front and rear), 2 exhaust, 1 track, 1 air intake and 2 from the turret pointing forward. It contains startups, stops, idling, blips, driving, as well as exterior surround drive aways, approaching and more. Add a little history to your sound design with this Eurasian AFV.
The Bristol Blenheim propeller bomber sound effects library includes 233 clips in 15.46 gigabytes of audio. This 1934 British plane – also known as the Beaufort and Fairchild Bolingbroke – features recordings of two 905 horsepower Bristol Mercury XV radial piston engines.
The sound bundle gathers 17 tandem takes of interior and exterior recordings. The 7 onboard perspectives arrange microphones in the cockpit, turret, and cannon flying at fast, medium, and slow speeds. The exterior microphones include 9 perspectives and 19 channels of audio. Those takes depict the aircraft starting, idling, taxiing, taking off, flying by, and landing and turning off. Also included are static recordings of idling at various RPMs with additional exhaust perspectives. The collection also offers a variety of performed effects of hatches, brakes, throttle, and more, with every take embedded with Soundminer, BWAV, and MacOS Finder metadata.
This library consists of two different sessions where we dropped cars from a crane onto other cars and onto the ground. The first session contains lots of windows being smashed and sounds of car body debris from two hanging cars scratching against each other. During this session, microphones were positioned inside the vehicles as they were dropped from the crane as well. The left side of the onboard recorder comes and goes, but we decided to leave it in the library since it has some very nice bits in it.
The Car Destruction sound effects collection contains chassis scrapes, dragging, flipping, road rail scratching, multiple car chassis dropping takes include rolling down a slope, falling onto the ground, and impacting other cars.damaged engine idling and slow to fast driving with gearshifts, ramps, and steady RPMs from both onboard and exterior perspectives both on two cylinders and without oil and more.
This library features a beautiful Cessna from the '70s with a 6 cylinder engine. With one mic close-up on the engine, another on the propeller, one channel from a distant VCR, and one in the cockpit.
The Chevrolet Silverado Tow Truck fx collection features 25 takes of a 2012 American heavy-duty pickup truck. Also known as the GMC Sierra and Chevrolet Cheyenne, the sound library includes 556 sound effects and 18.65 gigabytes of varied perspectives from its 6.6 litre V8 Duramax diesel engine.
The package synchronizes 34 channels from exterior (22 channels) and onboard (12 channels) perspectives. The onboard microphones (8 perspectives) at the interior, exhaust, and engine capture driving at slow, medium, and fast speeds. The exterior microphones (10 perspectives) are located in four distinct positions to record passes, departures, arrivals, and idles. Also included are driving at steady RPMs and ramps, as well as idles with blips and steadies in neutral. Additionally included are a variety of performed effects of doors, windows, and more. The sound library includes an Ambisonic AMBEO recording of the car interior performance, as well as 18+ fields of metadata (Soundminer, BWAV, MacOS Finder).
Equipped with two Mercury 496 engines, this mean machine takes us for a 60 knots ride! This library contains one exhaust channel and three engine channels for a 4-channel recording that is just under 14 minutes long.
This plane sound effects library features the American World War II transport aircraft Curtiss C-46 Commando, equipped with two Pratt & Whitney R-2800 Double Wasp engines.
The library contains two stationary ground runs, and covers startup, idle, steady rpms ranging from low to high, ramps, throttle movement to simulate broken engine and shutdown, recorded to more than 24 channels from different perspectives, both onboard and exterior.
An in-depth recording of a Dodge Challenger 426 Hemi from 1970. This engine is the all-time most-famous American V8.
It is a 426 cubic inch engine with hemispherical combustion chambers and it is rated 425 horsepower from the factory.
The recording consists of eight onboard channels, intake, two engine, three exhaust and interior, and eight exterior channels.
It contains startups, shutdowns, idle, driving at different speeds, accelerations and decelerations, kickdowns, burnouts, aways, approaches, stops, passbys, foley and much more. Total recording time is 25min 58s.
This is a recording of the unmistakeable 1943 military Dodge pickup with its six cylinder and 72 horsepower engine. This eight-minute recording consists of engine starts, idling, revving, and engine stops, a stereo drive-by and driving at various speeds and on different road surfaces. In this sound pack you get four channels: left and right interior, engine and exhaust for detailed recordings of this WWII treasure.
Finally a SFX library that delivers authentic Formula 1 recordings! This F1 Williams FW29 was driven by Nico Rosberg in the 2007 Formula 1 World Championship. It has a Cosworth V8 engine with 650 hps. The recording consists of both onboard and exterior material, and covers acceleration through gears, driving at steady rpms, ramps, passbys, approaches and aways, startup, idle, blips and shutdown. The onboard channels are two exhaust, two cockpit, intake, rear wing and two in the engine.
The Fokker Dr. 1 1917 World War 1 triplane sound fx library includes 200 clips in 8.09 gigabytes. The collection of the famous German aircraft features field recordings of maneuvers from a 9-cylinder Le Rhône 110 horsepower 9J rotary engine.
A combined twenty-two synchronized channels showcase all angles of the fighter plane. Nine exterior perspectives recorded the Fokker idling, taxiing, landing, and passing by both fast and slow. Five onboard perspectives from various locations around the cockpit and engine capture high, medium, and low RPMs while idling, and extended takes of flying at various speeds. Also includes prop spinning performed effects.
Every clip includes 18+ fields of embedded metadata.
Get authentic vintage car sounds with these recordings from a nice, original Ford 1932. This is the first year with Ford's famous sideoiler V8. The car has three gears of which 2nd and 3rd are synchronized. The recording includes engine start, idle and driving at different speeds. At the end of the recording there is also some revving and different rpm's without any gear. The channels are left and right interior surround, engine and exhausts. The recording length is 10 min 20 s.
This library has an extensive collection of sounds from a well-used 1990 Ford Ltd Crown Victoria with a 4-speed AOC automatic transmission. With its 302 cubic inch, 5 liter, V8 engine, rated 152 horsepower, you'll get thick beefy growls from this Ford. The library includes all kinds of driving at various speeds, cruising, startups, shutdowns, reversing, driving at constant RPMs, gearing, various accelerations and decelerations, and long and short ramps.
Some foley is also included: doors, hood functions, parking brake and gear shifter, and IR sweeps. With 12 onboard channels covering several interior, engine and exhaust perspectives, and 13 exterior channels with microphones positioned at different spots around the recording location, you'll get up-close approaches, aways, passbys and more at different speeds.
The Polonez 1500 police car sound fx library features 649 clips in 28.01 gigabytes of audio. It showcases the sound of a 1984 Polish FSO car with an inline 4, four-stroke engine running at 75 horsepower.
The collection includes 30 tandem takes from onboard and exterior perspectives, as well as 4 stereo mixes of the engine, interior, onboard, and siren tracks. Ten exterior perspectives document driving at slow, medium, and fast speeds while departing, passing, arriving, and starting and stopping. The 11 onboard perspectives feature ramps, gearshifts, and steady RPM driving from the interior (including an Ambisonic perspective), engine, onboard, and exhaust. Also included are ready-to-use designed mixes of the interior, engine, and exhaust perspectives as well as performed effects of doors, horns, sirens, brake pedals, and more.
The package includes full Soundminer, BWAV, and MacOS Finder metadata, Pro Tools and Reaper mix sessions, and impulse responses of the interior.
Get up close and personal with the Grumman F6F Hellcat and its Pratt & Whitney R-2800 engine.
These recordings were captured during a private session which consisted of two stationary runs on the ground and they feature startups, idling, constant RPMs, ramps, throttle movements, and shutdowns from onboard and exterior microphones. The library also has foley from the cockpit—to include sounds of switches and canopy functions—as well as fly bys, landing and taxing from both exterior and onboard microphones. Get the authentic sounds of a WII American fighter aircraft with this library.
Get the real Harley Davidson sound from two recording sessions of a Harley Davidson Fat Boy with a 1449 cc V2 engine. The first recording consists of five channels, two exhaust, one engine, one intake and one from a microphone in the sidepocket. It contains start, stop, idle, driving, accelerations, decelerations and more. A surround driveby is added in the end. The recording length is 19 min 23 s.
The second is the older of our two Fat Boy recordings. The classic Harley sound, delivered to you on three channels, two exhaust and one engine. The recording contains several starts, stops, revs, driving and horn. The recording length is 16 min 32 s.
Get authentic military-grade blasts with these recordings of the 76mm M18 Hellcat cannon from the World War II era. This beast fires five blanks that are captured with 20 channels of varying distances, perspectives ranging from 0 to 150 meters, and microphones, such as Sound Devices and Zaxcom. This library also features foley from the hatch. Don't miss out on some 76mm power!
Recording of a 105mm Howitzer cannon from World War II firing blanks. The library consists of about 20 channels with distances and perspectives ranging from 0 to 150 meters, and a big variation of microphones and recorders used, such as Sound Devices and Zaxcom. It contains 5 shots and wild foley.
This library features the original Hummer with the model name H1. The Hummer was originally designed for military use, the Humvee M998, but became popular also on the civilian market. This vehicle has the bigger V8 turbo diesel engine with 195 horsepower. The recordings consist of eight onboard channels, four engine, two exhaust, interior left & right and twelve exterior channels. It contains startups, idle, shutdowns, blips, steady RPMs, accelerations and decelerations, passbys, approaches, aways, and more.
Get the sounds of actual industrial robots – and more – in this special sound effects library. In addition to industrial robot SFX, it delivers hydraulic and pneumatic sounds from various machines at different speeds, such as lathes, plastic molding machines, tank turrets and other sources. Various microphones have been used such as lavs, shotguns, contact and induction microphones etc.
This library contains a number of guns, AK4, AK5, AK47, MP5, Walther PPK and Sig Sauer, being fired in a number of acoustically different indoor locations, a big stone hall, a cafeteria, a catacomb-like area, and a long corridor.
Recording of an Iveco Daily van from 2012 with a 2.3 l diesel engine. The recording consists of eight onboard channels and 10 exterior channels covering startups, shutdowns, idle, blips, steady rpms in neutral, driving at steady rpms, accelerations and decelerations, ramps, pass-bys, approaches, aways and much more.
A collection of extremely rare jet fighter recordings from a JAS 39 Gripen jet fighter, containing Auxiliary Power Unit (APU) startup and shutdown, take offs with and without afterburner, hood opening and closing, fly bys and cockpit during flight. Various microphones and positions.
Very in-depth recordings of this 4-wheel drive with an inline six cylinder engine.
The first part consists of eight onboard microphones, two interior, three engine and three on exhausts. The exhaust on this vehicle has been modified and has a really rich sound. The second part is 8 channels of external microphones in surround. The total recording time is about 48 minutes (internal 42 min, external 6min).
It consists of real traffic driving, startup, idle, blips, shutdown, steady rpm:s without gear, steady rpms driving with load, accel/deceleration ramps at different speeds and even horn, switches and doorslams recorded.
Pro Tools session and cue list included. The recording length is 47 min 54 s.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
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There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
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A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.