This library features a French armoured personnel carrier VAB manufactured by Renault, equipped with a 320 hp Renault MIDR engine. The recording consists of 15 onboard channels covering the engine, exhaust, fans, interior front and rear, and 17 exterior channels positioned around the recording location. It also contains startups, idling, blips, steady RPMs in neutral, driving and reversing at slow, medium and fast speeds, aways, approaches, passbys, stops, shutdown, horn and more.
Get the sounds of an Aston Martin DB9 with a 5.9 litres V12 engine and 456 hps. The recording consists of eight channels, interior left and right, exhausts left and right and four engine channels.
It contains start, stop, idle, blipping, revving on constant rpms without gear, accelerations, decelerations and driving. Full surround drive away and drive by added in the end. The recording length is 11 min 59 s.
For recordings of a hot-tempered ATV (All-terrain vehicle) with a two-stroke engine, check out this sound pack. It consists of a two and a half minute 4-channel recording with two mics on the engine and two on the exhaust. Great for your zipping, sputtering, and revving needs of a fun ride.
Get unique recordings of the Avro Lancaster, the iconic British World War II heavy bomber, equipped with four Rolls-Royce Merlin V12s! The extensive recording covers two startups on the ground, including steady rpms, throttle movement, taxiing, foley and more, and one flying session with take off, fly bys and landing.
The on-ground session contains 10 onboard channels from various perspectives inside and onboard the plane, and 20 exterior channels from perspectives around the plane. The flying session contains 12 onboard channels and 20 exterior channels covering flybys.
A Dutch barge equipped with a 2-cylinder 1941 Bronz diesel engine with Dutch fuel injection system and 80 horsepower.
The Black Hawk UH-60M sound fx collection features 1,145 sound clips in 44.39 GB from an American military helicopter performing during a military exercise. This bundle gathers 44 takes of tandem maneuvers from two General Electric T700-GE-701D engines with cowling.
This sound library includes both onboard and exterior field recordings. The onboard recordings include 3 perspectives of the vehicle idling with rotors and turbine at low, high, and medium speeds, including an Ambisonic take. The 22 exterior perspectives include 49 channels of the chopper starting, taking off, passing by, landing, and shutting off. There are also a wide selection of stationary idles from close, medium, and distant perspectives in front, behind, and to the side of the Black Hawk at high to low RPMs. Ambisonic, surround, and double MS perspectives join stereo and mono takes. The collection is complimented by a wide variety of cockpit instrument performed effects, doors, and more.
Bonus: Pro Tools and Reaper session files align each take for easy editing and mixing. Over 18 fields of professional metadata embedded in every clip.
This library features a Soviet tank BMP-1 with a 6 cylinder water cooled diesel engine. The recordings consist of 13 channels, 7 interior (front and rear), 2 exhaust, 1 track, 1 air intake and 2 from the turret pointing forward. It contains startups, stops, idling, blips, driving, as well as exterior surround drive aways, approaching and more. Add a little history to your sound design with this Eurasian AFV.
The Bristol Blenheim propeller bomber sound effects library includes 233 clips in 15.46 gigabytes of audio. This 1934 British plane – also known as the Beaufort and Fairchild Bolingbroke – features recordings of two 905 horsepower Bristol Mercury XV radial piston engines.
The sound bundle gathers 17 tandem takes of interior and exterior recordings. The 7 onboard perspectives arrange microphones in the cockpit, turret, and cannon flying at fast, medium, and slow speeds. The exterior microphones include 9 perspectives and 19 channels of audio. Those takes depict the aircraft starting, idling, taxiing, taking off, flying by, and landing and turning off. Also included are static recordings of idling at various RPMs with additional exhaust perspectives. The collection also offers a variety of performed effects of hatches, brakes, throttle, and more, with every take embedded with Soundminer, BWAV, and MacOS Finder metadata.
This library consists of two different sessions where we dropped cars from a crane onto other cars and onto the ground. The first session contains lots of windows being smashed and sounds of car body debris from two hanging cars scratching against each other. During this session, microphones were positioned inside the vehicles as they were dropped from the crane as well. The left side of the onboard recorder comes and goes, but we decided to leave it in the library since it has some very nice bits in it.
This library features a beautiful Cessna from the '70s with a 6 cylinder engine. With one mic close-up on the engine, another on the propeller, one channel from a distant VCR, and one in the cockpit.
Equipped with two Mercury 496 engines, this mean machine takes us for a 60 knots ride! This library contains one exhaust channel and three engine channels for a 4-channel recording that is just under 14 minutes long.
This plane sound effects library features the American World War II transport aircraft Curtiss C-46 Commando, equipped with two Pratt & Whitney R-2800 Double Wasp engines.
The library contains two stationary ground runs, and covers startup, idle, steady rpms ranging from low to high, ramps, throttle movement to simulate broken engine and shutdown, recorded to more than 24 channels from different perspectives, both onboard and exterior.
An in-depth recording of a Dodge Challenger 426 Hemi from 1970. This engine is the all-time most-famous American V8.
It is a 426 cubic inch engine with hemispherical combustion chambers and it is rated 425 horsepower from the factory.
The recording consists of eight onboard channels, intake, two engine, three exhaust and interior, and eight exterior channels.
It contains startups, shutdowns, idle, driving at different speeds, accelerations and decelerations, kickdowns, burnouts, aways, approaches, stops, passbys, foley and much more. Total recording time is 25min 58s.
This is a recording of the unmistakeable 1943 military Dodge pickup with its six cylinder and 72 horsepower engine. This eight-minute recording consists of engine starts, idling, revving, and engine stops, a stereo drive-by and driving at various speeds and on different road surfaces. In this sound pack you get four channels: left and right interior, engine and exhaust for detailed recordings of this WWII treasure.
Finally a SFX library that delivers authentic Formula 1 recordings! This F1 Williams FW29 was driven by Nico Rosberg in the 2007 Formula 1 World Championship. It has a Cosworth V8 engine with 650 hps. The recording consists of both onboard and exterior material, and covers acceleration through gears, driving at steady rpms, ramps, passbys, approaches and aways, startup, idle, blips and shutdown. The onboard channels are two exhaust, two cockpit, intake, rear wing and two in the engine.
Get authentic vintage car sounds with these recordings from a nice, original Ford 1932. This is the first year with Ford's famous sideoiler V8. The car has three gears of which 2nd and 3rd are synchronized. The recording includes engine start, idle and driving at different speeds. At the end of the recording there is also some revving and different rpm's without any gear. The channels are left and right interior surround, engine and exhausts. The recording length is 10 min 20 s.
This library has an extensive collection of sounds from a well-used 1990 Ford Ltd Crown Victoria with a 4-speed AOC automatic transmission. With its 302 cubic inch, 5 liter, V8 engine, rated 152 horsepower, you'll get thick beefy growls from this Ford. The library includes all kinds of driving at various speeds, cruising, startups, shutdowns, reversing, driving at constant RPMs, gearing, various accelerations and decelerations, and long and short ramps.
Some foley is also included: doors, hood functions, parking brake and gear shifter, and IR sweeps. With 12 onboard channels covering several interior, engine and exhaust perspectives, and 13 exterior channels with microphones positioned at different spots around the recording location, you'll get up-close approaches, aways, passbys and more at different speeds.
Get up close and personal with the Grumman F6F Hellcat and its Pratt & Whitney R-2800 engine.
These recordings were captured during a private session which consisted of two stationary runs on the ground and they feature startups, idling, constant RPMs, ramps, throttle movements, and shutdowns from onboard and exterior microphones. The library also has foley from the cockpit—to include sounds of switches and canopy functions—as well as fly bys, landing and taxing from both exterior and onboard microphones. Get the authentic sounds of a WII American fighter aircraft with this library.
Get the real Harley Davidson sound from two recording sessions of a Harley Davidson Fat Boy with a 1449 cc V2 engine. The first recording consists of five channels, two exhaust, one engine, one intake and one from a microphone in the sidepocket. It contains start, stop, idle, driving, accelerations, decelerations and more. A surround driveby is added in the end. The recording length is 19 min 23 s.
The second is the older of our two Fat Boy recordings. The classic Harley sound, delivered to you on three channels, two exhaust and one engine. The recording contains several starts, stops, revs, driving and horn. The recording length is 16 min 32 s.
Get authentic military-grade blasts with these recordings of the 76mm M18 Hellcat cannon from the World War II era. This beast fires five blanks that are captured with 20 channels of varying distances, perspectives ranging from 0 to 150 meters, and microphones, such as Sound Devices and Zaxcom. This library also features foley from the hatch. Don't miss out on some 76mm power!
Recording of a 105mm Howitzer cannon from World War II firing blanks. The library consists of about 20 channels with distances and perspectives ranging from 0 to 150 meters, and a big variation of microphones and recorders used, such as Sound Devices and Zaxcom. It contains 5 shots and wild foley.
This library features the original Hummer with the model name H1. The Hummer was originally designed for military use, the Humvee M998, but became popular also on the civilian market. This vehicle has the bigger V8 turbo diesel engine with 195 horsepower. The recordings consist of eight onboard channels, four engine, two exhaust, interior left & right and twelve exterior channels. It contains startups, idle, shutdowns, blips, steady RPMs, accelerations and decelerations, passbys, approaches, aways, and more.
Get the sounds of actual industrial robots – and more – in this special sound effects library. In addition to industrial robot SFX, it delivers hydraulic and pneumatic sounds from various machines at different speeds, such as lathes, plastic molding machines, tank turrets and other sources. Various microphones have been used such as lavs, shotguns, contact and induction microphones etc.
This library contains a number of guns, AK4, AK5, AK47, MP5, Walther PPK and Sig Sauer, being fired in a number of acoustically different indoor locations, a big stone hall, a cafeteria, a catacomb-like area, and a long corridor.
Recording of an Iveco Daily van from 2012 with a 2.3 l diesel engine. The recording consists of eight onboard channels and 10 exterior channels covering startups, shutdowns, idle, blips, steady rpms in neutral, driving at steady rpms, accelerations and decelerations, ramps, pass-bys, approaches, aways and much more.
A collection of extremely rare jet fighter recordings from a JAS 39 Gripen jet fighter, containing Auxiliary Power Unit (APU) startup and shutdown, take offs with and without afterburner, hood opening and closing, fly bys and cockpit during flight. Various microphones and positions.
Very in-depth recordings of this 4-wheel drive with an inline six cylinder engine.
The first part consists of eight onboard microphones, two interior, three engine and three on exhausts. The exhaust on this vehicle has been modified and has a really rich sound. The second part is 8 channels of external microphones in surround. The total recording time is about 48 minutes (internal 42 min, external 6min).
It consists of real traffic driving, startup, idle, blips, shutdown, steady rpm:s without gear, steady rpms driving with load, accel/deceleration ramps at different speeds and even horn, switches and doorslams recorded.
Pro Tools session and cue list included. The recording length is 47 min 54 s.
A recording of a fantastic Koenigsegg Agera with a 4.7 litres twin supercharged V8 and about 900 hps. It consists of seven channels, exhaust left and right, three different engine channels and interior left and right. The recording contains start, stop, idle, blips, revving at constant rpms, door slam, accelerations, decelerations, driving and a surround drive by. The recording length is 32 min 33 s.
Authentic recordings of a Swedish tank, the Leopard 2 or Stridsvagn 122, fitted with a 1500 hp´s diesel V12 during a sharp shooting exercise. The recording is done in two takes. Take one (7 mins 37 s) consists of three channels, engine, exhaust and the aggregates with snow-feet. It covers several starts and stops, idle and lots of driving.
Take two (5 mins 45 s) consists of four channels, inside left and right, closeup on the machine gun muzzle and a distant microphone on the shootings. This take contains driving with lots of rumble and machine gun shooting. The recording length is 7 min 37 s.
This pack includes a four-channel onboard recording of a real long-tail Asian boat captured in Thailand.
With one microphone on a handheld pole and the other three capturing its diesel engine, the boat goes through a series of maneuvers which it repeats three times. This library covers these maneuvers from different positions every time for sounds of starting, stopping, idling, driving, and constant RPM, which are just as unmistakeable as the boat's characteristic body.
Recording of a .45cal M1928A1 Thompson submachine gun from World War II, consists of about 20 channels and distances from 0 to 300 meters. Firing includes single shots, double shots, bursts of various lengths and wild foley.
The 2015 German MAN Lion’s Coach tourist bus includes 760 clips in 41.05 gigabytes of audio. It features the sound of a 6-cylinder 460 hp Euro 6 diesel engine.
The collection includes a total of 29 synchronized takes from exterior and onboard microphones. The exterior microphones captured departures, passes, arrivals, ignition, shutting off, idles, and doppler horns from 9 microphones at 4 positions. The onboard microphones were placed inside, at the exhaust, in the engine, the luggage hold, and in the washroom in 15 perspectives (including an Ambisonic perspective) as the coach drives at steady RPMs, with gearshifts, and ramps. Also provided are 4 designed mixes of the interior, exhaust, engine, and luggage compartment.
The package comes complete with performed effects of doors, wipers, fans, and more, Pro Tools and Reaper mixing sessions, impulse responses, and full Soundminer, BWAV, and MacOS metadata embedded in every clip.
Recording of a 2018 Mercedes AMG GT R sports car with a twin-turbocharged V8 petrol engine.
Get the authentic sound of a Mini Cooper S with a turbocharged 1.6 litres inline 4 engine.
The recording consists of eight channels, interior left and right, exhaust left and right, three engine and one turbo air intake channel.
It contains start, stop, idle, revving, constant rpms without gear, driving, horn and a full surround driveby. The recording length is 13 min 58 s.
The 1960 British Narrowboat sound fx library of a Northwich trader-
class barge with a 4-cylinder Gardner 4LW engine producing 75 horsepower at 1500 RPM.
Recordings of a heavily modded Nissan GT-R with a turbocharged 3.8 litres V6 and 500 hp. The recording consists of eight channels, interior left and right, exhaust left and right, three engine and one turbo.
It contains startup, idle, blips, revving at constant rpms without gear, engine stop, horn, door slams, accelerating and decelerating at different speeds, driving and a eight channel surround drive by. The recording length is 22 min.
Get the sounds of an authentic WW2 bomber plane: This library delivers a recording of the historic twin-engine World War II bomber, the B-25 Mitchell with the air-cooled 14 cylinder Wright R-2600 Cyclone radial engines. The recording cover two stationary ground runs and a flying session.
The stationary runs cover startup, idle, steady rpms, throttle movement and shutdown, with 22 exterior tracks and 6 onboard tracks. The flying session covers startup, taxiing, takeoff, several flybys, landing and shutdown, with 15 exterior tracks and 8 onboard tracks.
The library also includes some foley, such as bomb door opening and closing, flaps, horn, breaks and switches, and engine maintenance with mechanics pumping oil and electrically turning the propellers. Finally it includes the plane being towed.
The Panzer IV Ausf. G medium tank sound fx collection of a Maybach HL 120 TRM 12-cylinder gasoline engine with 296 hp.
This massive Peterbilt Model 379 from 1988 is the trucker's truck with a “big cam” Cummins engine. The model has been featured in several classic car movies such as The Fast and the Furious, Gone in 60 Seconds, and Black Dog.
Now you can get the 7-channel recordings of this beast for your own projects, which consist of L+R exhausts, L+R interior, two engine channels and one compressor channel. Total driving time is 11:46. The library also contains start, stop, idle, revving without gears, lots of driving and the legendary jakebrake.
In-depth recording of a Plymouth Cuda Convertible from 1971 with the extremely rare 426 Hemi engine and a 4-speed transmission.
Only two of these with the manual transmission were produced in 1971 so this car is obviously a clone but a very well built one. An original 1971 HemiCuda convertible is today extremely valuable, selling prices up to $5 million. The engine has 2 x 4-port Carter carburator and is (under)rated 425 horsepower by the factory.
The recording contains eight onboard microphones for interior, engine, intake and exhausts, and eight channels of exterior material.
It includes startup, idle, shutdown, driving at steady rpms, steady rpms in neutral, cruising, ramps, accelerations and decelerations through gears, approaches, passbys, aways as well as some foley like doors, hoods and knobs. Total recording length is 37m 39s.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.