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Home Sound Effects

McDSP

  • Dialog. The focal point of any movie, television show, documentary, or for that matter, any creative media production involving the spoken word. Add to the mix a sweeping musical score, dozens of foley effects, and plenty more – and it becomes clear the job of dialog mixing is a tall order. After all, if you can’t hear what the actors are saying, why watch it at all!!

    The SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.

    The SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.

    Features

    • Five independent bands of strategic active equalization
    • Multiple process modes for a variety of applications
    • Unique signal reduction metering
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • Dialog. The focal point of any movie, television show, documentary, or for that matter, any creative media production involving the spoken word. Add to the mix a sweeping musical score, dozens of foley effects, and plenty more – and it becomes clear the job of dialog mixing is a tall order. After all, if you can’t hear what the actors are saying, why watch it at all!!

    The SA-2 Dialog Processor is based on hardware originally conceived by Academy Award winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.

    The SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.

    Features

    • Five independent bands of strategic active equalization
    • Multiple process modes for a variety of applications
    • Unique signal reduction metering
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
    The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
    The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.

    The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
    Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage and multi-band peak detection and limiting
    • Unique limiter Knee, Mode, and Focus controls
    • Snap function instantly sets multi-band thresholds to signal levels
    • Double precision processing
    • Low latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
    The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
    The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.

    The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
    Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage and multi-band peak detection and limiting
    • Unique limiter Knee, Mode, and Focus controls
    • Snap function instantly sets multi-band thresholds to signal levels
    • Double precision processing
    • Low latency
    • Mono and stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available.
    The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs. Additional modules are already in the works.
    The 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.
    The 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.

    Features
    • Largest Collection of processing options of any module-based plug-in
    • Easy Drag & Drop on the fly module
    • Split mode operation for two separate parallel signal paths.
    • Analog Saturation Modeling
    • Durable precision processing
    • Ultra low latency

    Requirements
    • 4GB RAM minimum
    • Mac: OS X 10.8.5 or later
    • PC: Windows 7 or later

    Formats
    • Native v6: AAX Native, AU, VST

  • The 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available.
    The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs. Additional modules are already in the works.
    The 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.
    The 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.

    Features
    • Largest Collection of processing options of any module-based plug-in
    • Easy Drag & Drop on the fly module
    • Split mode operation for two separate parallel signal paths.
    • Analog Saturation Modeling
    • Durable precision processing
    • Ultra low latency

    Requirements
    • 4GB RAM minimum
    • Mac: OS X 10.8.5 or later
    • PC: Windows 7 or later

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • Summary
    The 4040 Retro Limiter combines a look-ahead brick wall limiter function with several subjective treatments to make the limiting action subtle, and yet vintage.
    All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.
    Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.

    Features
    • Unique original algorithms with transparent yet vintage sound
    • Up to 36 dB of signal gain
    • Anti-Clip Output Stage Topology
    • Analog Saturation Modeling
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The 4030 Retro Compressor is a new dynamic range control topology coupled with a wet/dry mix control to balance compressed and uncompressed signals. An active attack and release design allows aggressive compression settings with minimal artifact generation.
    All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.
    Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.

    Features
    Unique original algorithms with transparent yet vintage sound
    • Mix control
    • Side chain support
    • Anti-Clip Output Stage Topology
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.
    All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.

    Features
    Unique original algorithms with transparent yet vintage sound
    • Variable slope filtering
    • Variable Q/slope Shelving and Parametric EQ
    • Anti-Clip Output Stage Topology
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v7: AAX DSP/Native, AU, VST

  • Retro plug-ins are designed for the ultimate vintage vibe using new and original designs based on McDSP’s decades of industry experience.

    Retro Pack plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else. Retro Pack is packaged with three plug-ins – the 4020 Retro EQ, the 4030 Retro Compressor and the 4040 Retro Limiter. These plug-ins provide the fundamental tone shaping tools required for any production, with a unique tone that is all their own.

    Includes:

    • 4020 Retro EQ
    • 4030 Retro Compressor
    • 4040 Retro Limiter

    Formats
    • Native v7: AAX DSP/Native, AU, VST

  • Retro plug-ins are designed for the ultimate vintage vibe using new and original designs based on McDSP’s decades of industry experience.

    Retro Pack plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else. Retro Pack is packaged with three plug-ins – the 4020 Retro EQ, the 4030 Retro Compressor and the 4040 Retro Limiter. These plug-ins provide the fundamental tone shaping tools required for any production, with a unique tone that is all their own.

    Includes:

    • 4020 Retro EQ
    • 4030 Retro Compressor
    • 4040 Retro Limiter

    Formats
    • HD v7: AAX DSP/Native, AU, VST

  • McDSP brings its award winning plug-in arsenal from the studio to the stage with the Live Pack II bundle.

    McDSP plug-ins ultra low latency, great sonic flexibility, and seamless integration on the Avid VENUE S6L live sound system make Live Pack II a must-have for any FOH or monitoring engineer.

    The McDSP Live Pack II plug-ins can also operate in Pro Tools as an AAX DSP or AAX Native plug-in, or as an AU, VST, or VST3 plug-in on other DAWs for both Mac OS and Windows.

    Includes:

    • Channel G
    • AE600 Active EQ
    • 6050 Ultimate Channel Strip
    • ML8000 Advanced Limiter
    • ML4000 Mastering Limiter
    • NF575 Noise Filter
    • NR800 Noise Reduction
    • EC-300 Echo Collection
    • 6034 Multi-Band Compressor
    • DE555
    • FutzBox
    • SA-2 Dialog Processor

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • For those who need to have it all, Everything Pack is the ticket.

    All McDSP’s channel strips, compressors, equalizers, virtual tape machines, multi-band dynamic processors, reverbs, de-essers, mastering limiters, noise filters, and ‘futz’ tools are included.

    Everything Pack contains all the plug-ins from Emerald Pack, Retro Pack, Classic Pack, plus all the latest McDSP plug-ins including the 6060 Ultimate Module Collection, NR800 Noise Reduction Processor, the 6034 Ultimate Multi-band, and the Emmy Award winning SA-2 Dialog Processor.

    The Everything Pack is the complete bundle for the user who needs powerful plug-ins to make their production sound its very best.
    Includes:

    • 6020 Ultimate EQ
    • 6030 Ultimate Compressor
    • 6034 Multi-Band Compressor
    • 6050 Ultimate Channel Strip
    • 6060 Ultimate Module Collection
    • 4020 Retro EQ
    • 4030 Retro Compressor
    • 4040 Retro Limiter
    • AE400 Active EQ
    • AE600 Active EQ
    • Analog Channel
    • Channel G
    • Channel G Compact
    • CompressorBank
    • DE555
    • EC-300 Echo Collection
    • FilterBank
    • FutzBox
    • MC2000 Multi-Band Compressor
    • ML4000 Mastering Limiter
    • ML8000 Advanced Limiter
    • NF575 Noise Filter
    • NR800 Noise Reduction
    • Revolver Convolution Reverb
    • SPC2000 Serial/Parallel Processor
    • SA-2 Dialog Processor

    Formats
    • Native v6: AAX Native, AU, VST

  • For those who need to have it all, Everything Pack is the ticket.

    All McDSP’s channel strips, compressors, equalizers, virtual tape machines, multi-band dynamic processors, reverbs, de-essers, mastering limiters, noise filters, and ‘futz’ tools are included.

    Everything Pack contains all the plug-ins from Emerald Pack, Retro Pack, Classic Pack, plus all the latest McDSP plug-ins including the 6060 Ultimate Module Collection, NR800 Noise Reduction Processor, the 6034 Ultimate Multi-band, and the Emmy Award winning SA-2 Dialog Processor.

    The Everything Pack is the complete bundle for the user who needs powerful plug-ins to make their production sound its very best.
    Includes:

    • 6020 Ultimate EQ
    • 6030 Ultimate Compressor
    • 6034 Multi-Band Compressor
    • 6050 Ultimate Channel Strip
    • 6060 Ultimate Module Collection
    • 4020 Retro EQ
    • 4030 Retro Compressor
    • 4040 Retro Limiter
    • AE400 Active EQ
    • AE600 Active EQ
    • Analog Channel
    • Channel G
    • Channel G Compact
    • CompressorBank
    • DE555
    • EC-300 Echo Collection
    • FilterBank
    • FutzBox
    • MC2000 Multi-Band Compressor
    • ML4000 Mastering Limiter
    • ML8000 Advanced Limiter
    • NF575 Noise Filter
    • NR800 Noise Reduction
    • Revolver Convolution Reverb
    • SPC2000 Serial/Parallel Processor
    • SA-2 Dialog Processor

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • McDSP’s world-renowned equalizers, compressors, tape machine and analog signal path emulators, mastering limiters, multi-band dynamics processors, convolution reverbs, de-essers, noise filters, and ‘futz’ tools are available together as the McDSP Emerald Pack v5.

    Includes:

    • 6030 Ultimate Compressor Native v5
    • Analog Channel Native v5
    • Channel G Native v5
    • Channel G Compact Native v5
    • CompressorBank Native v5
    • DE555 Native v5
    • FilterBank Native v5
    • FutzBox Native v5
    • MC2000 Native v5
    • ML4000 Native v5
    • NF575 v5
    • Revolver Native v5

    Formats
    • Native v6: AAX Native, AU, VST

  • McDSP’s world-renowned equalizers, compressors, tape machine and analog signal path emulators, mastering limiters, multi-band dynamics processors, convolution reverbs, de-essers, noise filters, and ‘futz’ tools are available together as the McDSP Emerald Pack v5.

    Includes:

    • 6030 Ultimate Compressor HD v5
    • Analog Channel HD v5
    • Channel G HD v5
    • Channel G Compact HD v5
    • CompressorBank HD v5
    • DE555 HD v5
    • FilterBank HD v5
    • FutzBox HD v5
    • MC2000 HD v5
    • ML4000 HD v5
    • NF575 v5
    • Revolver Native v5

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • McDSP’s legendary emulations of vintage equalizers, compressors, tape machines and channel amplifiers are available together as McDSP Classic Pack v5.

    Includes:

    • Analog Channel Native v5
    • CompressorBank Native v5
    • FilterBank Native v5
    • MC2000 Native v5

    Formats
    • Native v6: AAX Native, AU, VST

  • The SPC2000 Compressor features multiple parallel and serial compression combinations.

    SPC2000 is 3 plug-ins:

    • SPC202 – two-band configuration
    • SPC303 – three-band configuration
    • SPC404 – four-band configuration

    Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.

    Features

    • Multiple parallel and serial compression combinations
    • Compression curve modeling
    • Multiple peak detection circuits
    • Multi-compressor control linking
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency

    Formats
    • Native v6: AAX Native, AU, VST

  • The SPC2000 Compressor features multiple parallel and serial compression combinations.

    SPC2000 is 3 plug-ins:

    • SPC202 – two-band configuration
    • SPC303 – three-band configuration
    • SPC404 – four-band configuration

    Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.

    Features

    • Multiple parallel and serial compression combinations
    • Compression curve modeling
    • Multiple peak detection circuits
    • Multi-compressor control linking
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • Revolver is a high-powered convolution reverb that operates like no other, providing total impulse response control, dedicated and routable EQ, two sync-able delay lines, a reverb decay crossover network, and specialized stereo imaging for unprecedented flexibility.

    Revolver provides the most compelling impulse library to date, with hundreds of sounds from rare holy grail out of production reverbs and acoustic spaces. Additional acoustic spaces and outboard gear can be modeled in a few minutes with Revolver and the Revolver impulse response tools.

    Controls for the total reverb time (in percent and RT60 values), wet and dry levels are always displayed. The remainder of the Revolver plug-in interface is separated into several control pages and views. Graphical representations of signal flow, impulse response data, EQ responses, and even images of the impulse response source are available
    All parameter adjustments are heard immediately, and the outputs are not muted during any control updates. The user does not need to wait while the reverb is re-rendered.
    Revolver is what convolution reverb was always meant to be.

    Features

    • Huge library of presets of out of production reverbs, rare vintage reverbs, and acoustic spaces
    • Total impulse response manipulation
    • Pre-delay (positive or negative)
    • Two-band dedicated reverb EQ
    • Three-band routable EQ
    • Two sync-able delay lines
    • Tools for creating custom impulse responses
    • Reverb decay crossover network
    • Double precision processing
    • Low Latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.

    The NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.

    The NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.
    Several noise reduction modes can be selected from the NR Mode control to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). An ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.
    Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.

    Features

    • HPF and LPF pre-filtering
    • Eight bands of focusable noise reduction
    • Noise reduction mode and bias options
    • Overall noise reduction range and response control
    • McDSP Emmy Award winning engineering

    Formats
    • Native v6: AAX Native, AU, VST

  • The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.

    The NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.

    The NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.

    Several noise reduction modes can be selected from the NR Mode control to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). An ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.
    Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.

    Features

    • HPF and LPF pre-filtering
    • Eight bands of focusable noise reduction
    • Noise reduction mode and bias options
    • Overall noise reduction range and response control
    • McDSP Emmy Award winning engineering

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
    Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.

    Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.

    Features

    • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
    • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
    • Five bands of notch filtering with linkable frequency control
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
    Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.

    Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.

    Features

    • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
    • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
    • Five bands of notch filtering with linkable frequency control
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

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