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Home Sound Effects

Katrine Amsler

 

  • Cinematic & Trailer Sound Effects Abandoned Oil Tank Play Track 327 sounds included $50

    On a recording trip to the smaller Danish port town Struer, I came across an abandoned empty oil tank. Inside I found two giant wires attached to the floor and the ceiling of the tank, almost like a huge 2 stringed double bass. I’m telling you the reverb in there was longer than the Eiffel Tower on a cloudless day !

    On the outside this was just an empty abandoned building, but it turned out it was not empty at all because it was full of sound and a few dead birds. I’m glad I was curious enough to go inside for a closer investigation and not just pass by.

    After several hours of concentrated recording, it was nice to get my ears back out in dry air. I’m happy there are no open sends to Valhalla in real life but experiencing the eternal resonance on the low frequencies from the wires was absolutely amazing.

    Abandoned Oil Tank was recorded with a LOM basic Ucho stereo pair, a Zoom H6 and the LOM Geofon. All files are in 96 kHz/24 bit and contain the original recordings.

    The result is a unique sound effect library including balloon pop impulse responses from a truly unique location that very recently became even more unique since word says that the oil tank is no more and has abandoned this world.

    327 individual sounds – all tagged with Universal Category System (UCS) metadata.

    www.katrineamsler.com

  • Finalist – Best Sound Effects Libary – Indie Sound Awards 2022

    The sound ‘Kind Creature’ made with the V7 library won the British Sound of the Year Award presented by The Museum Of Sound and The New BBC Radiophonic Workshop.

    Custom made sounds made with the V7 are used in the scores for Control, Wolfenstein and newer projects by award winning game composer Martin Stig Andersen.


    V7
    is a home-built metal spring sound-tool made from an old measurement-unit found at a flea market. Now – disassembled, rebuilt and mounted amongst other things with a 33 foot long Giant Spring that connects the measurement box to an open metal staircase and creates a natural spring reverb.

    I Played with a bow, friction rubber clubs, metal slides, whipped cream gas cartridges and a souvenir Eiffel Tower.

    The result is a unique sound effect library of massive metallic hits, gongs, scrapes, squeaks, friction, rumbles and rattles. From subtle, soft squeaks and harsh, brutal metal shrieks to long and deep musical metal moans.

    V7 is recorded with an Ehrlund EHR-E microphone placed inside the metal box. All files are in 96 kHz/24 bit and contains the original acoustic recordings.

    73 files with 700 + individual sounds – all tagged with detailed Universal Category System (UCS) metadata.

    www.katrineamsler.com

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