Home Sound Effects
Founded and run by Christian Hagelskjaer From in 2011, Hzandbits Sound Effects releases mostly small, but sharply focused sound effects downloads ranging from field recordings and full coverage of everyday objects – to more abstract and experimental sounds.
Recording wind is one of my specialties, and my wind sounds have found popularity among many sound designers.
All my libraries are UCS-compliant (Universal Category System).
Urban Winds II gets you 65 minutes (2 GB) of medium and high-wind sounds in 29 separate files – recorded in 24bit/96kHz M/S stereo (decoded to X/Y stereo and mono), using Sennheiser MKH micophones. All files are UCS-compliant.
You get empty streets and alleys, office exteriors and a marina. You get steel wires that whistle and whip in the wind, pipes and cavities resonating in the gusts. You get ambiances and a few specifics. I have tried to strike the balance between variety and nuance, to give you sound pros something to build a scene around. In that sense, this really is a construction kit of sorts. This collection picks off where Urban Winds left off.
You will hear very little human activity – other than distant traffic. I recorded mostly at night, and in large, undisturbed areas.
In some of the recordings, you will hear wind buffeting – more of the windscreen than the microphones – but there is some. In some cases, I opted to tame the most violent events, but others I left in. In many cases, wind noise reduction simply took away too much of the forcefulness, so I left it as is.
Some specifics appear in both mono and stereo versions, where the stereo version are X/Y derived from the M/S source files and the mono versions are simply the Mid channel. I did this, because most people seem to prefer X/Y files for post-work, rather than M/S – but a down-mix of X/Y to mono would be inferior to using the original Mid-mic signal. All sounds were captured in Aarhus, Denmark.
Construction Ambiances II is just over 2,4 Gb of loud and lively recordings of modern construction sites, a total of 78 minutes/31 files, all in 24bit/96kHz quality and UCS-compliant
Just like Construction Ambiances, this sound effects collection is stuffed with clean, ambient recordings of excavators, trucks, cranes, pile-drivers, drilling concrete, cutting re-bar, shoveling rubble, etc, etc. Recorded in Denmark, but with intelligible Danish words edited out, so should be very clean. Many individual sounds are over 3 minutes in length and recorded from more than one perspective, giving you more flexibility in your productions.
Construction Ambiances and Construction Ambiances II contain sounds from the same locations and sessions, which makes them perfect together – but each can be used on it’s own as well.
As always, you get searchable filenames and comprehensive metadata in CSV and ODS (OpenOffice) format. This allows you to import the metadata into your favorite librarian software.
• Clean, lively ambient recordings of construction sites – internal and external
• BWAV metadata embedded with even more included in CSV and ODS (OpenOffice) formats
Bells & Bowls – a collection of 86 files/100MB glass & ceramic bell sound effects in 24bit/96kHz mono – all UCS-compliant.
I give you 14 different bell-like objects, each multi-sampled for maximum expressiveness, tuned to the nearest musical note and ready to drop into your favorite sampler and play away. Ranging from only slightly complex sine waves, to strange wobbles and beat frequencies, these actual physical bowls, plates and vases had some pretty amazing musical sounds in them. Many of them took surprisingly little pitch-alterations to reach a musical note – almost as if some glassware factory wanted them to be struck with mallets and recorded!
You get:
Berlin Ambiances I is 114 minutes/3,69 GB of pure Berlin in 31 separate files – recorded mostly in 24bit/96kHz quasi-binaural stereo, with Primo EM172 omni capsules. All files are UCS-compliant.
This collection contains stealth recordings of various Berlin locations, including a good deal of train sounds and, well, Berliners!
I went to locations such as the Bodemuseum (crazy natural reverbs), the Hauptbanhhof (enormous, diffuse train station-ambiance) and Haus der Kulturen der Welt (great restaurant vibe and busy foyer). All this captured during January 2015, with a head-worn set of near- or quasi-binaural microphones.
Why quasi? Because the microphone elements are not entirely behind the Pinna (that thing protruding in front of the ear-canal), which means the true, 3-dimensional binaural experience isn’t there. In this setting, my head shadow acted more like a Schneider disc or such, which means these recordings should translate better to speakers than, say, a Neumann dummy head. Btw: the non-binaural recordings were done in October 2013, using just my Sony PCM M10 recorder.
All in all, a collection of useful ambiances for your next Berlin-esque project.
You get:
Money is just over 21 Mb of coins and notes/bills being handled. You get 34 files in 24bit/96kHz quality. All files are UCS-compliant.
This collection contains sounds of coins being handled, counted, poured, dropped – in hands, on tables and in a cash register drawer. There are also a few sounds of bills/notes/paper money being handled and counted. The whole thing was recorded in the studio, meaning a nice, dry sound to build on. The coins and bills used were a mixture of various international currency.
You get:
Urban Winds is 49 minutes / 1.33 GB of medium and high-wind sounds in 38 separate files – recorded in 24bit/96kHz M/S stereo (decoded to X/Y stereo and mono), using Sennheiser MKH micophones. All files are UCS-compliant.
You get empty streets and construction sites, office exteriors and the port of Aarhus. You get plastic that flutters or thrashes, metal fences that clatter and vibrate, pipes and cavities resonating in the gusts. You get ambiances and specifics. I have tried to strike the balance between variety and nuance, to give you sound pros something to build a scene around. In that sense, this really is a construction kit of sorts.
You will hear very little human activity – other than distant traffic. I recorded mostly at night, and in large, undisturbed areas – and on one occasion in the aftermath of a violent storm (the kind that rips the tiles off the roofs). Had a good time standing in the relative safety of my doorway, recording stuff getting blasted down the street! All sounds were captured in Aarhus, Denmark.
• Howling, moaning, whistling wind sounds
• Wind-battered city ambiances
• X/Y Stereo and Mono sounds (decoded from M/S)
• Metadata included in CSV and ODS (OpenOffice) formats
Get the sounds of everyday life in Tokyo, Japan. A quiet neighborhood with moderate traffic, birds singing and a dog barking in the distance. Recorded in densely populated, but quiet and civil Setagaya Ward, Tokyo. All files are UCS-compliant.
Sounds include traffic in the form of cars, trucks, lots of bicycles and pedestrians, commuters at Kyodo Station, cicadas at night, Japanese crows cawing, as well as the unmistakable sounds of a Buddhist cemetery in a light breeze (!). In short; just the right sounds to make Japanese suburbia come alive in your productions.
Recorded exclusively using stealth methods (near-concealed microphones), this is a slice of life, as lived by the locals of this rather pleasant middle-class neighborhood.
Get almost 2.4 GB of loud, lively recordings of modern construction sites in Construction Ambiances. All files are UCS-compliant.
This sound effects collection is packed with clean, ambient recordings of excavators, trucks, cranes, pile-drivers, drilling concrete, cutting re-bar, shoveling rubble, etc, etc. Recorded in Denmark, but with intelligible Danish words edited out, so should be very clean. Many individual sounds are over 3 minutes in length and recorded from more than one perspective, giving you more flexibility in your productions.
You get:
• Clean, lively ambient recordings of construction sites – internal and external
• Bonus pile-driver recordings!
• UCS-compliant, searchable file names
• BWAV metadata embedded with even more included in CSV and ODS (OpenOffice) formats
Howling Winds – Interior is 1.4 GB of high-velocity air molecules in 42 separate files – recorded in 24bit/96kHz stereo – from an interior perspective. All files are UCS-compliant.
It is a collection of highly expressive, sometimes vocal, sometimes violent gusts of wind, squalls of rain and sleet – as heard from within the safety of a home.
KEY FEATURES
• Howling, moaning, whistling wind sounds
• Roofs and windows pummeled with rain and sleet
• Bad weather in an urban setting
Here are the chaotic, squealing, squelching insides of everyday electronic apparatus, such as cell phones, laptops, MiniDisc (I’m so old) players and battery drills. All files are UCS-compliant.
Sounds that drone, sounds that buzz – sounds that go “YipYipYiiiipfffrrrszz…”. No kidding. Recorded with induction coils/telephone pickups or whatever you want to call them, these sounds are excellent sound design material.
In fact, I couldn’t help “performing” a bit when recording some of them, just to add a little extra movement.
Hvac Drones & Tones gets you the noisy insides of hotel rooms, bathrooms and much more; recordings of large ventilation and filter units, cooling compressors and whining fans. All files are UCS-compliant.
Some of the sounds are completely pristine and unprocessed, while others have been tampered with to reveal hidden qualities. This collection contains both noir and noise!
Metal Bars & Bells: 49 shimmering, oscillating bell-like sounds from various metal objects. UCS-compliant.
No actual bells were harmed in the making of these sounds – but several other metal objects were. Crow bars and stainless steel soap trays are some of the sources of these beautiful, resonant sounds; ranging from clear, distinct glockenspiel-ish, to shimmering, modulated otherworldliness. If you’ve ever wanted to add square tubular bells or wrought-iron percussion to your mix, then this is your thing.
You get:
• Clean, high quality sounds
• All files trimmed to start, for ease of use in samplers
• Several variations per recorded object = organic and expressive productions
• Metadata included in CSV and ODS (OpenOffice) formats
• Add delay & reverb, put on headphones and…Heaven…
Rubber Stamps: 7 different stamps – 45 files. UCS-compliant. Great office sounds and mechanical sound design material.
You get self-inking mechanical stamps made of steel or plastic, as well as simple wooden stamps with no moving parts. Models include danish office classics Alpo 40 and 50, which make some very rich mechanical sounds – pitch them down for heavy machine sounds. Lots of interesting mechanical content – good for specifics or as sound design elements.
Rubber Stamps highlights:
• Clean and dry quality recordings – many are loopable
• Sounds ranging from glacially slow to downright busy
• Wooden stamp recordings include authentic sticky ink-pad action (yay!)
• Metadata included in CSV and ODS (OpenOffice) formats
• Just like being back in the cubicle…
There’s lots of variation in performance here; several different sounds for each stamp.
Modern Cash Register is a pack of 16 mono sound effects recorded in 24 bits/96 kHz quality, from a Sharp-brand cash register.
All files are UCS-compliant.
Not your average, old fashioned cash register sound collection here, but a full set of sounds from the kind of machine you’d see in your local convenience store.
• Keystrokes
• Drawer open and close
• Printing and receipt tear-off
• Coins handled in and out of the drawer
Performances are varied, to make it easier for you to match a certain mood or intensity.
There’s even a recording from the inside of the drawer!
Cylindrical Gong is a collection of high quality, 24bit/96kHz, UCS-compliant stereo recordings from a strange, cylindrical, gong-like sheet metal object I came across once. I use the word gong, but there is none of the cymbal-like sheen in this object. Instead, you get more of a ring-modulated, atonal texture – perhaps more like a broken bell. Definitely not your typical gong sound effect.
The 27 different gong sound recordings included provide loads of nuance of sound from this object – I used mallets, knuckles and fingernails to play it! Load them into different velocity ranges on your favorite sampler, pitch them up and down, add effects, etc.
Use them for musical effects, for layering with other sounds, or perhaps mangle them beyond recognition.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.