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Home Sound Effects

Flysound

Flysound is an independent sound post production team from Moscow, Russia.

Mainly focused at feature film postproduction, we are trying to bring our unique quality and signature into every recording.

We are using A-class equipment such as AATON Cantar X-2, Sounddevices 788T, wide variety of microphones, including Neumanns U87s, Sennheisers MKH416s and others.
Flysound

  • The Avtomat Kalashnikova needs no introduction, so let us at Flysound instead draw your attention to the intricate treatment we gave this iconic assault rifle at the outdoor range, and also back at the studio for handling foley.

    Our all-angle library includes the recording of distant shots on Neumann U87s in quadro formation. Our mic-ing and capturing process has been varied enough to give you all the sound versatility you'll need for a fully dynamic project. An official Russian military shooter handled the weapon – standard issue AK-74M, and manipulated it for us to record all the relevant sounds manifested by its celebrated engineering design.

    Also included are several pre-designed mixed sounds for quick-use without additional mixing needed. We offer this comprehensive library of fire, single-round and automatic, and all the accompanying handling factors that you will need when it comes time in your project for the ting to go skrrrrra!

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  • Attention petrol heads and sound producers! FLYSOUND brings you the sound library for the BMW 520i, 1990 model. This classic ‘boomer/beemer’ (depending on your culture’s pronunciation of course) has been recorded with our top-class Neumann, Schoeps, and Sennheiser microphones, revving through a full range of speeds, including top speed. We also recorded it drift! For all relevant projects, enjoy.

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  • The car is a beast and we recorded it in all its beastliness, at varying speeds from its soft metal purr to its ferocious roar, on the test track, inside and out, with all the very best equipment. From many angles, we used the following microphones: Interior – Neumann U 87 and Sennheiser Ambeo; Engine – Schoeps CMC6 MK4, Neumann KM 184; Exhaust pipes – Electro Voice ND 868, DPA fastening; Outside points – Sennheiser MKHs 70 & 416, and also again the Neumann U 87. If your project needs the sound of a great car, recorded in a great way, get it here.

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  • 'BMW X5M' by Flysound is a comprehensive sound catalogue for this highly-tuned performance champion. The suite of 328 recordings is a systematic compilation authored by a dedicated full service post-production team, deploying Neumann U87s, Neumann USM69, Sonosax, Sound Devices 788Ts, Aaton Cantar-X2s, and further top quality recording equipment.

     

    The subject of the suite is a 750 horsepower high-performance road dominator, while also remaining the dream car for suburban soccer moms. Our BMW X5M and its professional driver have been tracked from a myriad of angles and distances, both external and onboard, from the moment the doors close and a seatbelt fastens, right down the gamut of revs, take-offs, turns, passes-by, skids, pedal slams, handbraking, gearshifting, and panel buttoning galore with all the corresponding actions as the BMW's fabled “M” division  SUV variant peels away fast, chugs along slow, or just cruises an everyday commute. In short: Everything you'll need, all the maneuvers manifested by the immensely powerful and versatile 4.4 litre bi-turbo gasoline engine, here in this suite.

     

    The symphonic grace of this German masterpiece in motion is captured with orchestra-grade studio equipment and field kit, by professionals, for professionals, ready to be used as authentic sound, ready to be arranged into seamless edits and proper 5.1 post-production. The 96kHz/24bit synced and multi-channel recordings have comprehensive metadata tags giving full position, microphone, and action detail. This catalogue constitutes the canon of sound for BMW X5M (M for motorsport), whether you seek the sound of a high-octane road ruckus, or an everyday trip to the supermarket. The suite is parked here, ready to give you the exact audio you need.

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  • An 800cc metal beast growls past you… What’s that?! It’s Flysound’s latest drop: the Ducati Scrambler Café Racer 2019 model, the sound library that is. Driven on asphalt both in an autodrome and then in city centre traffic, we’ve recorded this great bike with Neumann U 87 and Sennheiser MKH 416 mics, from all the angles you’ll need, at all the speeds you’ll want. The two-valve purr and roar has been catalogued riding, braking, accelerating, and doing cool maneuvers. If your project needs top audio for a motorbike, go on, speed into a new surprise.

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  • “Ice Fury by Flysound” is a sound library of ice breaking to pieces in as full a variety of ways as possible. This is a thesaurus of the various ways ice gets undone, with blasts and crashes as well as scrapes and swishes and cracks and splinters too.

    Ice Fury is recorded on two superb ultra low-noise Neumann D-01 digital mics at 96k/24bit in a fantastic foley studio. Our equipment and processing make it ideal for downpitching and other tweaking to match your project.

    The full range of 348 sounds from the ice is thanks to a spread of massive and moderate ice blocks, that have been obliterated by a variety of implements such as a kettle bell, saws, picks, bars, drills, and a bat! If your project involves the sound of frozen water, allow us to break the ice…

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  • Cars Land Rover Defender Play Track 290+ sounds included From: $29

    'Land Rover Defender' by Flysound is a comprehensive sound catalogue for this best-of-British diesel beast. The suite of 290 recordings is a systematic compilation authored by a dedicated full service post-production team, deploying Neumann U87s, Sennheiser MKH416s, Sound Devices 788Ts, Aaton Cantar X-2s, and further top quality recording, editing, sound design, and mixing equipment.

    The 4×4 and its professional driver have been tracked from a myriad of angles and distances, both external and onboard, from the moment the doors close and a seatbelt fastens, right down the gamut of revs, take-offs, turns, passes-by, skids, pedal slams, handbraking, gearshifting, and panel buttoning galore with all the corresponding actions as this hardy off-roader peels away fast, chugs along slow, or just cruises an everyday commute. In short: Everything you'll need, all the maneuvers manifested by this 2.4 litre diesel icon, here in this suite.

    The symphonic grace of a Defender in motion is captured with orchestra-grade studio equipment and field kit, by professionals, for professionals, ready to be used as authentic sound, ready to be arranged into seamless edits and proper 5.1 post-production. The 96kHz/24bit synced and multi-channel recordings have comprehensive metadata tags giving full position, microphone, and action detail. This catalogue constitutes the canon of sound for the Land Rover Defender all-terrain vehicle. The suite is parked here, ready to give you the exact audio you need.

    A lite and mixed version of this suite is also available, comprising 41 authentic stereo files, designed, mixed, and studio packaged on best-of-breed equipment for simpler tasks which would have a preference for a package of ready made stock sounds of the Defender.

  • Designed in Imperial Russia, spread around the world, this is the rifle of Zaitsev and millions of other Soviets and non-Soviets alike, sounding off through the bloodier moments of the 20th century, and sometimes this century too.

    Shooting was recorded at the outdoor range, with additional handling foley taken at the studio. The all-angle library includes the recording of distant shots on Sennheiser Ambeo, and on Neumann U87s in quadro formation. Our mic-ing and capturing process has been intricate enough to give you all the sound versatility you'll need for use in a fully dynamic project, and also for the ability for these sounds to pass for not just authentic Mosin fire, but also for a generic bolt-action internal magazine-fed 'old rifle' sound.

    Also included are several pre-designed mixed sounds for quick-use without additional mixing needed. Our comprehensive library of this WW1, WW2, and freedom fighting classic weapon stands ready to fire!

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  • The Siemens Valero is a high-speed train that is an engineering marvel and a staple of modern high-grade national and transcontinental rail transport, with various versions zipping across the UK, the EU, Russia, and the far reaches of Asia including China. This is a train capable of 290 kilometres per hour (180 mph), it is the high-speed joiner of distant cities such as Moscow and Saint Petersburg. For our recording project, we captured it across a comprehensive range of its speeds. Sennheiser Ambeo microphones were used throughout.

    Recordings were made inside carriages, inside a compartment, down gangways, across the ever-dramatic space connecting railcar vestibules, and also less glorified but vital locations, e.g., the loo. All relevant background sounds are there, including door movements, passenger chatter, objects in motion, and the sounds of the restaurant car. For the characteristic sounds of a great ‘iron horse’, inside and out, this is it. Flysound… Putting the ‘track’ into soundtrack!

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  • Sirens wail! Russian Authentic police, fire brigade, and ambulance siren systems, captured and catalogued for media production use. The recordings were made at distances ranging from 1.5 to 5 meters. Each siren has several subtypes of sound. For all of life’s emergencies, within are the sounds that signal. Neumann U87 microphones were used for the recordings.

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  • Tank T-44: The great hulking mass that would spell doom for the Red Army’s enemies has been captured in all its glory trudging along, with every turn of its metal treads and gears recorded masterfully.

    The sound capture equipment used were best-in-breed Neumann U87 and Schoeps M4 microphones, and the tank’s authoritative rumbles and clangs were recorded from various positions, and at various speeds as the treads grip the ground and transfer the power of its mighty engine, transmission, and parts. There are also stereo recordings for the tank’s engine and the tank’s exhaust pipe.

    We at Flysound have dusted off the cobwebs and taken this 30 tonne beast for several victory laps to record its belligerent brilliance. The T-44: one of the great patriotic tanks! In a time when action productions are all to often devolving into the fake and unrealistic, this sound package is an authentic antidote of epic proportions. Tank you!

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  • 'Toyota Chaser' by Flysound is a comprehensive sound catalogue for this Japanese turbo monster. The suite of 168 recordings is a systematic compilation authored by a dedicated full service post-production team, deploying Neumann U87s, Sennheiser MKH416s, Sound Devices 788Ts, Aaton Cantar-X2s, and further top quality recording equipment.

    The Toyota Chaser JSX90 and its professional driver have been tracked from a myriad of angles and distances, both external and onboard, from the moment the doors close and a seatbelt fastens, right down the gamut of revs, take-offs, turns, passes-by, skids, pedal slams, handbraking, gearshifting, and panel buttoning galore with all the corresponding actions as the 2.5 litre turbo engine peels away fast, drives slow, or just cruises mid-speed. In short: Everything you'll need, all the maneuvers manifested by 280 horsepower car, here in this suite.

    Our '99 model Toyota Chaser is captured with orchestra-grade studio equipment and field kit, by professionals, for professionals, ready to be used as authentic sound, ready to be arranged into seamless edits and proper 5.1 post-production. The 96kHz/24bit synced and multi-channel recordings have comprehensive metadata tags giving full position, microphone, and action detail. This catalogue constitutes the canon of sound for a mid-sized car, capable of speed. The suite is parked here, ready to give you the exact audio you need.

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  • Iconic military truck recorded from all sides and at various distances. There are slow, medium and fast drive-bys, departures and arrivals. The interior was recorded quadraphonically. The exhaust system was taped, as was the engine from under the hood. Microphones used were the Neumann U87, Sennheiser MKH 70, Sennheiser MKH 416, Violet Design’s ‘Amethyst’, and the Schoeps CMC MK4. Also recorded were the doors, gas pedal, wipers, gearbox and ventilation system of this general-purpose off-road beast.

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