Asbjoern Andersen


Steve Lee – who’s worked on the sound for classics such as The Lion King, Apollo 13 and many more – is doing something I haven’t heard of before:

He’s going on a road trip from Los Angeles to San Francisco with a small team of sound pros, to interview legendary sound artists, and to record new sound effects along the way.

Here are the plans and ideas for the trip – and how you can help make the project happen:

 

Hi Steve, what’s the idea behind the Radiophonic Road trip – and who is on the team?

When I started the Hollywood Radiophonic Laboratory – my little independent sound design place – I wanted one of our missions to be sharing of the knowledge behind the craft of sound effects. In fact one of the jobs we’re working on is restoring and archiving the sound library belonging to the late great Kay Rose, who was the first woman to win an Oscar for sound editing – and we’re hoping to produce a documentary on the process.

While I was thinking of what else we could do to promote ourselves and the craft, I got a call from a friend up north, inviting us to tour his facility. I immediately thought it would be fun to gather up some of our crew and go on a roadtrip, and use the opportunity to record things as we went up the coast.

Then we realized, to help fund the trip, we would offer these recordings to whoever wanted to contribute

I was thinking about the route we’d take and looking at a map, when I realized we’d be passing through where some of our former colleagues and heroes in sound design were living now – so I asked a few of them if we could meet with them and sit down for an interview. Then we realized, to help fund the trip, we would offer these recordings to whoever wanted to contribute! It just seemed like a good way to get the word out about us, share some great stories about our craft, record some new sounds, and have a fun adventure with my crew!

We’re still not completely sure who’s coming along, because we’re all independents, and not sure of everyone’s schedule. But we’re hoping to have Chriss Horgan, who is a very talented sound editor. She’s volunteered to drive most of the way, and she also created the brilliant logo we’re using on our T-Shirts that are available through the fundraiser. Sara Evans is a production recordist, who I hope will be booming for us while we record. Charles Maynes is a brilliant sound designer I hope can join us, too. And another name in the hat is Eric Potter, who is one of the best sound effects recordists in the business, whom I’ve worked with for 25 years or so. Oh, and we’ll be meeting our intern Laura Wilcox in the bay area. We found her studying Foley through our pal John Roesch. She’s awesome.
 

Do you have a route and schedule in place yet?

Tentatively now, we’ll be heading up Pacific Coast Highway from Santa Monica, stopping along the way. We’re hoping to go the weekend of December 5th.
 

Want to make this project happen? Support the team here:

If you want to help Steve and the team make this unique road trip become reality – and to get some interesting interviews and SFX out of it too – hop on over to their GoFundMe page.

 

What are some of the sounds you’re looking to record along the way?

Whatever we find! We have a few plans, but we’re going to stop wherever we find something interesting. I hope to get some really good surf, of course – different textures, perspectives, and maybe some multi-channel recordings. We’re hoping to stop in Monterey and meet some sea lions. And in San Francisco I’d like to spend some time recording Cable Cars – and I want to get some of the motors under the road that pull them along. They have a great sound.
 

What happens with the sounds you record on the road trip?

We’re going to make them all available to those who donate. At the basic levels, you can get a bunch of them online. At the higher levels we’ll have CDs with even more material. Oh, and let’s not forget the interviews!
 


Popular on A Sound Effect right now - article continues below:

 

Latest releases:  
  • Destruction & Impact Medieval Battle Play Track 100 sounds included $26

    Medieval Battle contains a wide variety of sounds taken straight from the battlefield. Unleash the full force of your army with effects from a diverse range of medieval weaponry, crowds, horses and battle charges. There are also battle cries, screams and shouts to make the audience feel like they are right there on the frontlines. To bring you the most organic and natural battle sounds, we recorded actors performing in a quiet exterior location. All sounds were recorded in 24Bit 96kHz, allowing for further sonic manipulation.

    If you think your sound collection is in need of some reinforcements then this is the library for you! Medieval Battle is ideal for use in Film, TV and Game projects, and will make a perfect addition to your sound design arsenal.

    Here are the included folders:

    Crowds: Crowd rushes and static battle cries in a natural exterior location make these effects perfect for building the bed of a huge Medieval warzone.

    Female Voices: 4 individual female actors perform multiple vocalisations including screams, grunts and efforts.

    Sword & Shield Hits: A variety of sword and shield hits performed by weapons and combat experts.

    Male Voices: 4 individual male actors perform multiple vocalisations including screams, grunts and efforts.

     

    Add to cart
  • Cars Vehicles Pass-by Play Track 90 sounds included, 23 mins total $15

    Cars, trucks, motorcycles at different speeds on a rural road in the middle of nowhere during summer.
    From left, from right, from both sides, single vehicle or several at the same time.

    Recorded simultaneously with an ORTF and a AB microphone stereo pairs.

    Gear used:
    Sound Devices 788T
    MKH8020 stereo pair
    MKH8040 stereo pair
    Add to cart
  • Destruction & Impact Rocks & Debris Play Track 160 sounds included $40 $30

    Crisp, clean, crunchy and closely mic’d impacts with various types of pebble and dust debris.

    I recorded all these sounds with my brothers during a trip home to Ireland.
    Close to our home (out in the middle of nowhere), there is a little quarry with a lot of sand, dust, stones, rocks and some grass. There was also a broken plough there that gave some nice stone on metal impact sounds.

    Equipment:
    2 Line Audio OM1s
    2 Line Audio CM3s
    Røde NTG3
    Tascam DR100

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  • Motorcycles BSA M20 1940 Motorcycle Play Track 322 sounds included $249

    Recording of a BSA M20 WW2 motorcycle with a 1 cylinder 500cm3 engine with 4 gears.

    The BSA M20 WW2 motorcycle sound collection features 322 sounds in 12.02 gigabytes of audio. It showcases a British 1940 Birmingham Small Arms Company military bike and the sound of its 1 cylinder 500cm3 engine with 4 gears.

    The sound bundle offers 20 synchronized recordings of onboard, exterior, and performed sound fx. The 7 onboard perspectives record sounds from the engine, exhaust, and onboard locations such as the seat and frame, all of which are also mixed into three pre-rendered tracks with driving at steady RPM, ramps, and gearshifts. The 9 exterior perspectives include turning on and off, departing, arriving, and passing from multiple perspectives and distances from slow to fast speeds. These are paired with performed Foley of handlebar clutch and brake, kickstarting, and more.

    The package includes Pro Tools and Reaper mixing sessions, as well as full metadata embedded in every clip.

    Add to cart
  • Destruction & Impact Sci-Fi Guns Sounds Play Track 146 sounds included $20 $14.99

    Sci-fi Guns Sounds

    146 modern guns sound effects divided into more than 15 different types of guns:

    – Electric Revolver
    – Cannon Gun
    – Blaster Rifle
    – Low Gun
    – Alien Guns
    – Automatic Gun
    – Old Shotgun and Old Cannon Shots
    – Explosive Gun
    – Grenades
    – Compressed Air Gun
    – And many more… Check the Tracklist PDF to see the full list of sounds included in the pack

    Soundcloud Preview
    Tracklist PDF

    More about the pack:

    – Apart from shot sounds, there are reloading & handling sounds

    – There’s also the ”Stab” sound and the ”Hit Marker” sound.

    – There are single-shot sounds but also loops (Rotary cannon)

    – These SFX are suitable for Sci-Fi games but also for warfare, modern warfare ones.

    – Intuitive file naming

    – All you’ll ever need regarding Sci-Fi Gun Sounds

    [Format]
    All files are in:

    WAV – Stereo  44.1 Khz, 16bit
    OGG – Stereo  44.1 Khz, 16bit

    [Use them again & again]

    Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.

    [Professional audio services]

    For custom music, sound design, sound engineering or any other game audio services, please send a mail to: audioalchemiststore@gmail.com

    25 %
    OFF
    Ends 1579647599
    Add to cart


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You’re also looking to do some interviews during the trip – who are you planning on interviewing?

I’m really excited about this part.. we’re going to be meeting and interviewing a few friends, experts in the field of sound effects design, who will be tell stories about the craft. We’re thrilled to be meeting Richard Anderson, whom I worked with for 25 years. He’s an Oscar winner for his work on “Raiders of the Lost Ark.” We’ll be talking about “Raiders,” and his work on “Poltergeist,” “Star Wars,” “Star Trek.”

We’re thrilled to be meeting Richard Anderson, whom I worked with for 25 years. He’s an Oscar winner for his work on “Raiders of the Lost Ark.”

We’re also going to sit down with Ann Kroeber, a very talented sound designer, who was married to the late great Alan Splet – the two of them worked on many films with David Lynch. We’ll also be recording interviews with ourselves on the way, talking about our own work and offering little tips and tutorials about out process. And all these recordings will be offered to donors as well!
 

Are you open to ideas on things to record and people to interview?

Absolutely! We can’t guarantee we’ll get to everything, but we’d certainly love to hear suggestions and ideas!
 

What do you most look forward to about the trip?

There’s so much about it I’m excited about, actually. Getting out with my crew, recording stuff on the fly, talking with some of our heroes… and getting to share it with everyone. It’s going to be a lot of fun.
 

If people want to support the project, how can they do that?

They can visit our GoFundMe page and read more about it there, see our updates, and hopefully donate! We’d love for everyone interested to follow us on Twitter as well.

A big thanks to Steve Lee for sharing the story behind the Radiophonic Roadtrip!
 

Please share this:


 


 
 
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  • Aircraft - Jet/Propeller Planes Sounds Of Flight Play Track 110 sounds included $25

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Explore the full, unique collection here

Latest sound effects libraries:
 
  • Destruction & Impact Medieval Battle Play Track 100 sounds included $26

    Medieval Battle contains a wide variety of sounds taken straight from the battlefield. Unleash the full force of your army with effects from a diverse range of medieval weaponry, crowds, horses and battle charges. There are also battle cries, screams and shouts to make the audience feel like they are right there on the frontlines. To bring you the most organic and natural battle sounds, we recorded actors performing in a quiet exterior location. All sounds were recorded in 24Bit 96kHz, allowing for further sonic manipulation.

    If you think your sound collection is in need of some reinforcements then this is the library for you! Medieval Battle is ideal for use in Film, TV and Game projects, and will make a perfect addition to your sound design arsenal.

    Here are the included folders:

    Crowds: Crowd rushes and static battle cries in a natural exterior location make these effects perfect for building the bed of a huge Medieval warzone.

    Female Voices: 4 individual female actors perform multiple vocalisations including screams, grunts and efforts.

    Sword & Shield Hits: A variety of sword and shield hits performed by weapons and combat experts.

    Male Voices: 4 individual male actors perform multiple vocalisations including screams, grunts and efforts.

     

  • Cars Vehicles Pass-by Play Track 90 sounds included, 23 mins total $15

    Cars, trucks, motorcycles at different speeds on a rural road in the middle of nowhere during summer.
    From left, from right, from both sides, single vehicle or several at the same time.

    Recorded simultaneously with an ORTF and a AB microphone stereo pairs.

    Gear used:
    Sound Devices 788T
    MKH8020 stereo pair
    MKH8040 stereo pair
  • Destruction & Impact Rocks & Debris Play Track 160 sounds included $40 $30

    Crisp, clean, crunchy and closely mic’d impacts with various types of pebble and dust debris.

    I recorded all these sounds with my brothers during a trip home to Ireland.
    Close to our home (out in the middle of nowhere), there is a little quarry with a lot of sand, dust, stones, rocks and some grass. There was also a broken plough there that gave some nice stone on metal impact sounds.

    Equipment:
    2 Line Audio OM1s
    2 Line Audio CM3s
    Røde NTG3
    Tascam DR100

    25 %
    OFF
  • Motorcycles BSA M20 1940 Motorcycle Play Track 322 sounds included $249

    Recording of a BSA M20 WW2 motorcycle with a 1 cylinder 500cm3 engine with 4 gears.

    The BSA M20 WW2 motorcycle sound collection features 322 sounds in 12.02 gigabytes of audio. It showcases a British 1940 Birmingham Small Arms Company military bike and the sound of its 1 cylinder 500cm3 engine with 4 gears.

    The sound bundle offers 20 synchronized recordings of onboard, exterior, and performed sound fx. The 7 onboard perspectives record sounds from the engine, exhaust, and onboard locations such as the seat and frame, all of which are also mixed into three pre-rendered tracks with driving at steady RPM, ramps, and gearshifts. The 9 exterior perspectives include turning on and off, departing, arriving, and passing from multiple perspectives and distances from slow to fast speeds. These are paired with performed Foley of handlebar clutch and brake, kickstarting, and more.

    The package includes Pro Tools and Reaper mixing sessions, as well as full metadata embedded in every clip.

  • Destruction & Impact Sci-Fi Guns Sounds Play Track 146 sounds included $20 $14.99

    Sci-fi Guns Sounds

    146 modern guns sound effects divided into more than 15 different types of guns:

    – Electric Revolver
    – Cannon Gun
    – Blaster Rifle
    – Low Gun
    – Alien Guns
    – Automatic Gun
    – Old Shotgun and Old Cannon Shots
    – Explosive Gun
    – Grenades
    – Compressed Air Gun
    – And many more… Check the Tracklist PDF to see the full list of sounds included in the pack

    Soundcloud Preview
    Tracklist PDF

    More about the pack:

    – Apart from shot sounds, there are reloading & handling sounds

    – There’s also the ”Stab” sound and the ”Hit Marker” sound.

    – There are single-shot sounds but also loops (Rotary cannon)

    – These SFX are suitable for Sci-Fi games but also for warfare, modern warfare ones.

    – Intuitive file naming

    – All you’ll ever need regarding Sci-Fi Gun Sounds

    [Format]
    All files are in:

    WAV – Stereo  44.1 Khz, 16bit
    OGG – Stereo  44.1 Khz, 16bit

    [Use them again & again]

    Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.

    [Professional audio services]

    For custom music, sound design, sound engineering or any other game audio services, please send a mail to: audioalchemiststore@gmail.com

    25 %
    OFF
    Ends 1579647599
 
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