Wild Rain is a collection of rain soundscapes recorded in 4 rainforests across 3 continents: the Amazon rainforest, the Borneo rainforest, the Congo basin rainforest and the Ethiopian cloud forest. The library features rain falling on vegetation and forest floor, from sparse drops to moderate and heavy rain. Several recordings of rolling thunder are also included. All recordings also include the sound of the forest and wildlife to varying degrees. Cicadas, frogs, birds and even an elephant can be heard in the background. Lastly, Wild Rain comes with extensive metadata and is UCS compliant.
Download the Surround demo here
Amazon Jungle is a collection of unique ambiences recorded in the Amazon rainforest on the border between Peru, Bolivia and Brazil. The library was recorded during the rainy season when birds are vocal and humidity is at its highest. These recordings feature species such as the Screaming Piha, Toucans, Howler Monkeys, Trogons, Tinamous, Owls, very vocal Bamboo Rats and a multitude of insects and frogs.
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African Wild West is a collection of lush and immersive ambiences recorded in Senegal over the course of a 3-week trip in 2017. The library consists of 70 recordings totaling more than 6 hours, available both as stereo and surround. The recordings have been captured with a Sennheiser Double Mid-Side rig both at all times of day and night in the following locations:
- Djoudj National Bird Sanctuary, an immense wetland teeming with wildlife
- savanna areas in Northern, Eastern and Central Senegal
- desert oases at Desert de Lompoul, Western Senegal
- arid forests in Central Senegal
- tropical forests in Niokolo-Koba National Park, South Eastern Senegal
- the banks of the river Gambia
- mangrove forests in the Saloum Delta, on the Atlantic coast
Download the Surround demo here
Wetland Atmosphere is a collection of pristine ambiences recorded at wetlands, marshes, bogs, lakes and other similar areas around Europe.
The library consists of 33 recordings ranging from 3 to 10 minutes in length, available both as stereo and surround. The recordings have been captured with a Sennheiser Double Mid-Side rig which was left out overnight in remote locations. This was to make sure that man-made noise and human interaction was kept to a minimum.
Locations include but are not limited to:
- Remote islands in the Danube Delta, the best preserved Delta in Europe
- Swamps in Northern Romania, teeming with frogs and far away from civilization
- Marshes and bogs in Central Sweden
- Lakes surrounded by trees in Central Sweden
- Wetlands in the Somerset Levels, England
The library is accompanied by a comprehensive species list covering 68 birds and 7 amphibians in total.
Highlights include Bitterns with their booming calls, Common Loons and their wails being reflected off of trees, geese, ducks and swans making a racket, the insect-like clicking of Savi’s Warbler and the incessant croaking of various frogs and toads.
Download the Surround demo here
Woodland Atmosphere is a collection of clean and immersive natural ambiences recorded in forests around Europe by George Vlad. The library is updated with new content on a regular basis, all free for existing users.
Get more than 5 hours of pristine nature recordings and birdsong with this SFX library.
African Jungle is a huge collection of unique ambiences recorded in Central Africa’s Congo Basin rainforests. To my knowledge, these are the first surround field recordings made in this area. Last year I spent a whole month off the grid, listening to and recording a variety of habitats at all times of day and night, at the height of the rainy season when birds are most vocal. It took me many days of travel to get to these places, from using trains, boats, cars and planes to hiking on foot in the jungle.
Download the Surround demo here
African Desert is a collection of immersive stereo soundscapes recorded in the remotest parts of the Namib desert. It covers a variety of locations, from sand dunes and canyons to desert pavement and rocky outcrops. Subjects include sand movement recorded with hydrophones, soft to medium wind blowing over the surface of the dunes, and insects, birds and reptiles creating a sparse ambience full of minute detail.
The purpose of this collection is to portray the soundscape of the Namib desert in all its sparseness and beauty. Some of these recordings are not much more than very soft wind. A few of the included soundscapes feature sand being blown over the surface of dunes. There’s a variety of wildlife calls too, from insects like cicadas, crickets or flies to barking geckos and occasional birds. This is not a wildlife library though, as the focus is more on the lifeless beauty of this mostly barren landscape.
Wilderness Americas : Amazon Rainforest is a collection of sounds captured in the West part of the Amazon basin (El Oriente) across 3 South American countries : Bolivia, Ecuador and Colombia.
This library focuses on the wildlife and wilderness sounds of the Amazon rainforest/jungle.
Reaching the Amazon region is not easy and need many resources and time.
Also the weather conditions are very bad for people and audio equipment: Extreme humidity, rain and heat don’t work great with microphones and recorders.
We have always focused on places where they protect and respect the “Selva” (Forest), especially places like National Parks, Research Stations or community places.
Each sound recording are tagged with GPS coordinates and full Soundminer metadata.
“Wilderness Americas: Geyser and Volcano” is a collection of sounds focused on geothermal phenomena of Central and North America.
We recorded geysers in the Yellowstone National Park (USA) and two very actives volcanoes: the Fuego in Guatemala, and the Masaya in Nicaragua.
To complete this sound library, we added natural sound elements which are very efficient for sound design as designed sound material:
“Super volcano” eruption sounds, magma lake ebullition sounds, lava movement, and landslide sounds.
The geyser and Masaya volcano sounds (magma lake, lava movement) were recorded with the Telinga Parabola with a Sennheiser MKH 8040. The Telinga was used for its powerful ability to focus on sound details at a reasonable distance.
The explosions and eruptions of the Fuego volcano were recorded in surround with a Sennheiser DMS setup (MKH 8040-30) and also with the Telinga Parabola + MKH 8020.
For this sound effects library, we traveled across Alaska, from the extreme north to the south coast to capture the spirit of these nordic and wild landscapes: Boreal forests, arctic and alpin tundras, glaciers, rivers, and lakes.
Here the soundscapes reflect the extreme weather conditions: Silent ambiances punctuated by the elements: Wind, snow, rain, serving the erosion.
In this wilderness, animals remain discreet. We had the chance to capture many birds with our microphones: Owls, ducks, seagulls, trumpeter swans, bald eagles, common ravens, migratory birds, and many other species – and a few other animals: Hoary marmots, arctic marmots, squirrels and moose.
Many years of trekking in the Dovre mountains (Dovrefjell) at heights from 900 to 1200 masl. and temperatures reaching down to -20°C, has led to many unique recordings.
My main goal when on Dovrefjell was to capture the “sound” of the harsh climate that dominates up there. Subsequently it was hard to avoid the ever restless wind. But it can be quite tricky to capture the sound of wind (or rather the sound of wind on or through objects) and there are only some “sweet spots”, in this vast high altitude climate scattered with rocks and tiny trees, that will generate a good recording.
These recordings were done crouching behind rocks, on cliff sides, on top of summits, behind weathered shelters, old mountain farms and bushes. Partially freezing my hands of, operating recording equipment.
This collection features a wide selection of wet sounds recorded over many years. Including over 5 hours of high quality recordings: streams, rivers, waterfalls, hydro electric power plants, ocean waves, lake atmospheres, water scenes, boat scenes, car scenes, rain, thunder storms, hail and also dripping and trickling close perspective sounds. Locations all over Norways coast, islands and inland including a few mountains.
Torrential rains, soft trickling mountain streams, breaking waves and gushing waterfalls!
Also including unique recording of spring melt ice floating down a mountain river 1000 masl., a couple of start to stop thunderstorms, and water dripping on, listening from within, a wheelbarrow.
Bonus content: Mini Icelandic hot spring pack, including: Geysir (Strokkur) eruption, Hot bubbling water/steam and mud.
Here you can find 61 HD quad surround ambiences of the wild North European nature. They were recorded during a two-week recording trip on foot and by rowing boat in the hot July of 2018 at the heart of the national park in Karelia, North-Western Russia. Spacious, transparent, immersive and absolutely free from any technogenic and anthropogenic sounds. Still air and wind through grass or trees. Birds and insects from single and sparse at the cloudy morning to dense and busy at the hot sunny noon, a mosquito chorus at dawn and ear-piercing grasshoppers at sunset. Distant thunder rolls and disturbed Arctic Loon, huge old trees creaking and grumbling in the wind.
10 % of the library’s revenue goes to nature preserves and animal shelters.
This second volume comprises 71 quad surround ambiences of the hot summer at the national park in Karelia, North-Western Russia. Carrying you away into the land of Mother Nature, untouched with technogenic and anthropogenic sounds. Busy morning of birds and insect in a marsh, streams in forests and a beaver’s dam, a rapid roaring river in a canyon. Mystically whispering and aggressively chattering winds through reed. A swallow feeding their nestlings in front of the microphone. Still evening over lakes with echoing voices of a Hobby falcon, Arctic Loon calls and splashy takeoff runs. Otherworldly silent night with Longhorn beetle larvae creaking communications in the trees at the shore, a bat at 30 kHz and a large beetle cruising around the mic like a helicopter with rumble down to infrasound.
10 % of the library’s revenue goes to nature preserves and animal shelters.
The acoustic beauty of the savanna has been revealed in this voyage across the African continent’s southern climes. Travel through soundscapes from the BUSH to the COAST, with an array of natural ambiences including WATERFALLS, WEATHER, and more. Your viewers will be fully immersed using these effects from mother nature.
A collection of stereo-ambient and mono-bird recordings made in spring, at the edge of the Saharan Atlas Mountains in eastern Morocco, and reflecting the sound of the deserts and other arid habitats of North Africa and beyond into the Middle East.
This first library from Fleeting Sound was recorded in early 2015 in the far south-eastern corner of east-Morocco. The land here is at the far western point of the plateau which extends 1500km east to west and at the foot of the north-western limit of the Saharan Atlas Mountains – the southern-most range of the Atlas Mountains, with the overall recording area at an elevation of around 800-1000m.
Forget endless, empty, arid desert plains – whilst wildlife is relatively sparse, and conditions are harsh, this is a stunningly varied region, with every day revealing new and different landscapes. The 10-day expedition captured the start of spring, with larks and wheatears coming into song, briefly, before winter unexpectedly hit back with a rare dusting of snow and below-freezing nighttime temperatures. Before long though the temperature had rebounded to 25º, the first crickets were chirping gently in the sun, and the biting wind dropped to a light breeze, stirring tufts of vegetation as flocks of chorusing fulvous babblers passed through and larks displayed above…
A premium collection of cinematic sound effects of wind and water recorded in the semi-desert habitats of the North Sahara.
“Geophony, from the Greek prefix, geo, meaning earth-related, and phon, meaning sound, is one of three sonic components of a soundscape … geophony refers to the sounds of natural forces, such as water, wind, and thunder, occurring in wild, relatively undisturbed habitats.”
This collection of 12 low-noise, cinematic sound effects features purely geophonic wind and water recordings from the Saharan Atlas Mountains – a feature-rich desert landscape of dry habitats sparsely dotted with periodic lakes and rivers (for wildlife-rich recordings see its partner-library North African Desert, Steppe and Scrubland).
The west is still wild. A collection of clean and loopable natural ambient atmosphere elements – each 3 minutes long. This collection represents my best content and works great in multitrack layers.
The core of this collection are natural sounds captured in the wilds of Oregon, USA – Western North America. The wildlife in the forests, streams, lakes, coast, and deserts of Oregon are a good substitute for most US and Canadian states west of the Rocky Mountains, including Washington, California, Nevada, Idaho, Montana, New Mexico, Utah, Arizona, Colorado, British Colombia, Alberta, Alaska, and Wyoming.
These recordings are from a pristine environment that avoid any human caused sounds.
Here is the thunder I recorded in 1988, to DAT with an ORTF pair of Schoeps MK-4s, which includes a strike from ~12′ away! Hair standing up on end and everything. You may know some of this material as what I released through “The Hollywood Edge Signature Series” back in 1993. Well, a lot has changed. More than half the material was then unusable back then due to rain ‘ruining’ the recordings. Not so with Izotope RX 7 Advanced. Rain? What rain? Not a drop survived. Not. A. Drop.
Painstakingly remastered to 96kHz 32-bit floating-point (no shortcuts padding it with useless zeros: That would be cheap and lazy). Embrace it; it’s our near-future and everything I publish from here on out will be as such.
Hundreds and hundreds of mic capsule failures were repaired along with plenty of distortion – without removing any time; so if you line up the old with the now new, they won’t hold sync for long. Back then all I could do was cut out time. No more. Come hear the utter clarity and crispness of this thunder as it should be. To differentiate and make it quick and easy for people to cut, I’ve called the very close strikes “Lightning” and the not-as-close strikes “Thunder”. Already prepped in/for Soundminer ready to go, and a spreadsheet document for those using other systems.
Need high-quality volcanic audio from a film featured by National Geographic? You can hear it pop and snap, and occasionally rocks forming, shearing, and breaking apart. Thankfully – I didn’t melt the recorder!
Need high-quality volcanic audio from a film featured by National Geographic? You can hear it pop and snap, and occasionally rocks forming, shearing, and breaking apart. Thankfully – I didn’t melt the recorder!
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