MATERIAL IMPACTS
Included in the Construction Kit is the entirety of the cannon’s action, from blast to impact. There is a huge variety of Foley recording for impact materials that could be needed in any cannon battle scenario, including water, sand, stone, rock, wood, sails, dirt, and more.
The sounds were captured on a hill-top near a forest; the natural outdoor reverb providing ultra-crisp and full tails. With our array of modern mics – including shotguns to omnidirectional mics in AB, XY, ORTF configurations plus Ambisonics and ORTF 3D spatial audio setups – we were able to capture every sound in their full, rich intensity.
Across the smoky battlefield, cannons reign supreme. These high-quality sounds don’t include just the blasts, but also the mechanical noises, impacts, and flybys (group shots) – everything you need for total audio realism in your production, whether it’s a film, game, or podcast. With the Construction Kit there are 8 variations for each cannon, and a sampling of a range of cannons of different sizes and types.
Recorded at a military base and an archery range, the hillside settings provided the perfect natural reverbs for these cannon blasts. Though with many sounds you might want a dry recording, with cannons (and other firearms) a nice, appropriate tail ensures it has a measure of realism.
A CANNON FOR EVERY OCCASION
Whether needing carronades or 16-pounders for your British naval vessels hunting pirates, bombards to take out castle fortifications, or culverins to unleash an inferno against oncoming troops, this library has got it. We’ve gone further with the Designed pack to make sure that each sound is polished and ready to use.
We’ve designed for your immediate use 5 sets of 15 cannons with 6 variations each. Including:
Distant: The sound of cannons blasting somewhere in the distance through the smoke.
Mechanic: Cannons move and rock a lot when they go off – these include all that extra motion and are truest to the full sound of the cannon’s action.
Crisp: Processed to be more in-your-face than realistic, perfect for trailers and experimental uses.
Loud: Designed with an extra boost of volume.
Soft: For when you need dialogue over the cannons.
Our Designed sounds are always crafted with true drag-and-drop use in mind. Each of the 5 sets of cannon blasts should be more than enough for your production requirements, without you having to worry about any extra sound design. Combined with the Construction Kit to add the impacts, you will be fully locked and loaded for any cannon battle
Cannons – The Bundle
THE BUNDLE – The best of both worlds at a discounted price.
The Construction Kit and Designed truly stand out when used together. In the Designed part, the Mechanical Shots were crafted to provide the full process of firing the cannons. While the Construction Kit comes with all the source material so that any Foley sound you might want for further customization can be used.
Creating such an extensive library of cannons is no easy thing. Accurate-to-the-era replicas had to be found, along with spaces that allowed the intense work that we needed to do. Luckily, the locations we found – a military base and an archery range – provided the perfect environment for our recording needs, creating the right reverb tails for any cannons featured in quality productions.
Cannons included:
Impact materials included:
This cannon library stands alone as the most extensive of its kind. There are no other libraries out there that come loaded with such a long list of cannons, mechanical sounds, flybys, and impacts. All cannon blasts were made using accurate replicas – a necessity, since using original-period pieces would mean warped steel or other flaws leading to an inaccurate sound. Using replicas, the blasts sound just like they would have during their use.
We used a 26-channel microphone system to record CANNONS. This wide placement allows you to put the point of view almost anywhere in relation to the firing cannon. The 26 distinct channels are only available in the Construction Kit. In the Designed edition, we used various combinations of the 26-channel array to craft ready-to-use sounds in a variety of styles.
With so many available channels in your DAW, you can blend the various microphones to get the precise effect you’re looking for. For example: Do you need a more mechanical sound? Simply boost the mic’s recording the mechanical aspects. Need something with more distance? The Sennheiser AMBEO VR Mic captured the sound from 100 meters away. With this set up, you have unlimited sonic possibilities.
This BOOM Library of World War II firearms sounds comes as WAV files, meaning you can import and work with them in any software that can handle this file type. Here are the most common audio and video editing software tools that work perfectly with our sound FX:
Audio Software
Video Editing Software
To provide you with the fastest and easiest workflow possible, all files contain extensive metadata like file description & keywords to quickly find the sounds you’re looking for. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata. Here are the most common audio management tools:
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