Introducing SoundMorph’s Sinematic – a sound pack featuring cutting edge impacts, stutters, sub sonic bass, mega horns, stingers, risers, whooshs, bowed cymbals, and source recordings.
Get this collection of cinematic sounds to cater to the most modern and cutting edge productions out there.
Sinematic Highlights:
• Stutter Risers
• Sub Sonic Bass
• Mega Horns
• Hits and Impacts
• Stingers
• Risers
• Simple Design
• Statics
• Whoosh Bys
• Bowed Cymbals
• Raw Source Recordings
A complete collection of sonic exploration by Slava Pogorelsky.
Grow your sound arsenal with an ever evolving collection of high-end cinematic and fresh sound effects!
Here’s what to expect:
STEAMPUNK VINTAGE MACHINERY AND MECHANISMS introduces a fresh sound palette for steampunk soundscape of machinery and mechanisms that sound huge, gritty and full of character, totaling 1454 sound effects.
RESONATING METAL FORCE offers a fresh sound palette of reverberant aggressive metal rampage, totaling 680 sound effects. Featuring creeping evolving metal pressure and resonating rattle, massive rumble, explosive impacts and nerve-racking squeaks.
HORROR SERIES VOL.1: EVIL STRINGS TORTURED WIRES offers a unique toolset for nightmarish designs, totaling 564 sound effects. Featuring creeping dread of bowed metal wires, strings and double bass, providing exciting opportunities for unique layering.
CINEMATIC MAGICAL ICE is offering a unique toolset for ice-cold freezing designs, totaling 267 sound effects. Great for fantasy genre with ice based magic, motion graphics, time lapse and flow motion freeze sequences.
CINEMATIC WATER WHOOSHES AND TEXTURES is offering a unique toolset for water and underwater designs, totaling 285 sounds. Great for hyper realistic designs, water based magic, surreal underwater movement or motion graphics with liquid elements.
CINEMATIC WOOD SYMPHONY is offering a variety of wood based recordings that were morphed into a unique audio experience that bends the boundaries between recognisable source and unusual wooden textures, totaling 611 sound effects.
SCI – FI ELEMENTS VOL.1 is offering a variety of carefully crafted futuristic sound effects that vary from pleasant and musical to unpredicted and glitchy, totaling 364 sound effects.
CINEMATIC METAL WHOOSHES is offering a unique collection of aggressive roaring metal whooshes and transitions with cinematic feel and mind bending characteristics, totaling 120 sound effects.
WHAT SOUND PROFESSIONALS SAY:
Philip Eriksson – Audio Director (It Takes Two, Battlefield V, Star Wars: Battlefront I & II) “Slava has some pretty kick ass sound libraries!”
Victor Mercader – AAA Sound Designer (Apex Legends) “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine. The Sci-fi Elements sound library is the perfect library to use and blend into my UI designs in Apex Legends.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror) “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ) “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Stefan Kovatchev – Audio Director (MultiVersus) “Slava has put together an impressive collection of high quality source assets, recorded cleanly, and at high sample rates. It’s always refreshing to find a new purveyor of good source material. I particularly enjoyed Resonating Metal Force, which is comprised of very useable, unique tonal textures and impacts.”
Shane Tetro – AAA Sound Designer (Remnant II) “Slava’s libraries feature high-quality, adaptable recordings and designs. There is plenty to dig through in every pack, making each library extremely dynamic for various applications. Their exceptional textures have significantly enhanced my workflow; consider me a fan!”
Samuel Gagnon-Thibodeau – Sound Designer/Sound Effects Editor (Dream Scenario, The Watchers, Hunting Daze) “Slava’s Cinematic Wood Symphony detailed textures and movements blend so well in what I’m usually looking for in terms of sound design. It really brings proximity and sensitivity to the action while feeling real and natural. The creative blend of the wooden sounds with whooshes and impacts also makes them very unique. I’m finding myself coming back to them more and more as they fit in many situations.”
Yarron Katz – AAA Composer and Sound Designer “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Swish & Whoosh is an extensive high quality collection of organic light and hard swishes and whooshes. The library consists of 62 individual objects ranging from a small metal sieve to a medium sized didgeridoo and covers fast, slow, fast multiple and slow multiple articulations.
The main reason I recorded this library was to create a library that covers not only the normal and fast swish whoosh sounds but also the more subtle, minimal soft sounds that are usually missing from other commercial sound effect libraries. The library also comes with bonus content: 22 minutes of metal slinky sounds, including slinky laser sound effects.
Swish & Whoosh was recorded with Sound Devices 702 and a XY stereo pair of Sennheiser MKH8040 microphones in acoustically treated studio environment. The whole library was recorded in 96KHz 24bit quality so these sounds are really flexible if you want to experiment with pitch, stretch and other audio tools. For example pitching down the didgeridoo and plastic tube hollow item sounds by two octaves I found really cool and useful low drone sweeps.
You get the sounds in two formats: 96 kHz, 24 bit and in 44.1 KHz, 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Objects included:
Badminton Racket • Baking Paper Sheet • Beach Bat • Big Drum Stick • Cardboard Box Lid • Cardboard Box • Cleaning Duster • Cloth Large Flag • Cloth Leather Piece • Coat Hanger Metal • Coat Hanger Wood • Cricket Bat • Didgeridoo • Dish Brush • Drum Stick • Floorball Ball • Floorball Stick Large • Floorball Stick Small • Horse Whip • Jump Rope Breaded • Kitchen Knife • Leather Belt Light • Leather Belt • Magazine • Metal Frying Pan • Metal Grater • Metal Sieve Large • Metal Sieve Small • Metal Slinky • Metal Spatula • Microphone Windshield • Paper Sheet • Plastic Box Lid Large • Plastic Carpet Beater • Plastic Cord Taped End • Plastic Cord • Plastic Fruit Squeezer Juicer • Plastic Garbage Bag Large • Plastic Garbage Bag Small • Plastic Mouse Pad • Plastic Pipe Small Angled • Plastic Pipe Small • Plastic Shoe Spoon • Plastic Swim Fin Flipper • Plastic Tube Hollow • Plastic Tube With Metal String • Plastic Wire • Plastic Vuvuzela • Pom Pom • Rope Light • Styrofoam Ball Large • Tennis Racket • Tin Foil Sheet • Umbrella Large • Violin Bow • Wood Branch Large Leafs • Wood Branch Large • Wood Branch Small Leafs • Wood Branch Small • Wood Rack • Wood Stick • Wood Strip Small
Bonus content:
As bonus content you will get over 22 minutes worth of recordings using the legendary metal slinky! The bonus content covers swishes, rattles, stretching and collisions. And as mentioned, I also recorded light and heavy metal slinky laser zap sounds (technique made famous by Ben Burtt in Star Wars movies).
Electromagnetic informations are invisible and omnipresent. In every city, especially the big ones, an infinite number of electromagnetic waves is hidden: we can’t hear them, but they’re everywhere! Unseen Noises explores the “invisible” noise pollution transducing electromagnetic fields into audio signals with a telephone pickup: it acts like a radio antenna for hum and weird electromagnetic noises.
“We used telephone tap coils that receive electromagnetic signals around us and convert them into audible information to discover invisible and surprising aspects of the environment in which we live in.
To widen our sound palette, we explored cell phones, tablets, light systems, automated teller machines, wireless communication systems, anti-theft security devices, surveillance cameras, computers, navigation systems, wireless Internet routers, neon advertisings, public transportation networks.
We just used the system of electromagnetic induction as way of amplifying musical sounds. Our efforts were focused on finding “articulated” behaviours and other musical qualities in them.
Note that the files contained in “Unseen Noises” are real performances executed on different devices without editing.” – Matteo Milani
Here you find a composite collection of designed, frightening Whooshes, creepy Transitions and haunting Movements to spice up your Trailers, Cut Scenes, Games and Movies.
From ancient fantasy to futuristic horror projects, here you’ll find the appropriate sound that brings out the goose bumps.
Subtile haunting movent sounds, roomy squeaks, harsh disurbing noises, magical whooshes, soaking reversed horror, terryfying stingers, …
All sounds in this bundle were created by heavy sound design, layering and automation. Using hundreds recorded sounds of impacts, scrapes, swishes and anything else that has a unique motion envelope.
Even breaks, endings and transitions of all different kinds of music will get that extra kick with this sound library – it gets you the sounds that’ll bring out the goosebumps.
Impact is a 100 sound collection of light and heavy abstract hits sourced from lo-fi recordings of the destruction of laptops, mobile phones and a handheld games console. The sounds have been manipulated with extreme editing and digital processing – leaving little to no trace of the original recordings behind – to bring a series of production elements ready to drop into your latest trailer, environment or Industrial/EDM music production. Featuring huge sonic eruptions, metal on metal collisions, robotic movement, found sound snare drums, tech debris and more, this versatile array of sound effects may be just what you need to give your latest production that extra bit of Impact.
Exclusive to A Sound Effect, this library comes with 100 bonus source material sounds featuring hammer hits, drops and debris scrapes!
Charge up on magical energy with our Spells Variations Vol 1 sound library! We’ve designed this collection to give you a wide range of magical effects, allowing your project to shine with an extraordinary variety of sounds. With 361 fully categorized and carefully named magic sounds, you’ll have everything you need to create an immersive and magical atmosphere.
Explore categories such as arcane magic, water magic, electric magic, zaps, whooshes, celestial magic, dark magic, summons, and much more. Each effect has been meticulously recorded,edited and distributed at 192 kHz and 24-bit, ensuring exceptional sound quality. Whether you’re a professional sound designer or just looking for magic effects to drag and drop into your projects, you’ll find what you need here.
Our files have been named to reflect the essence of each magic, making it easy to intuitively find the perfect sounds for your creation.
More about the pack
– Intuitive file naming
– All you’ll ever need regarding magical elemental sounds [Use them again & again
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
– For any questions or problems: [email protected]
Features
– 361 spell sounds
– Number of Audio Waves: 361
– Format: 192KHz / 24 bits
– Do Sound FX loop yes
– Minutes of audio provided: 12 minutes and 31 seconds
This pack contains a selection of kinetic whooshes and growls designed to be used to underline and characterize every weapon motion sound you could be working on.
Every sample is carefully synthesized to bring a specific feedback and tone, but there’s also room for a lot of customization.
Massive 1.4.2 patches [with macros] are also included for further customization on the direct source.
Databending: A digital art form where flaws in digital systems are exploited and used for creative purposes.
Data Disruption contains 200 sounds sourced from raw computer files which have been interpreted as audio data. Bitmaps, executables, plugin files and more have been exploited to bring you a unique, varied collection of sound effects and atmospheres ready for a range of productions.
This sound collection has 100 'raw' files which include harsh, random data noises, intense drones and a versatile selection of glitch one shots as well as 100 processed sounds which were subject to extreme editing and mangling to deliver an array of abstract sonic artefacts.
Most useful for scenarios where computer technology – known or otherwise – is glitching out, these sounds are best suited to Science Fiction productions which call for the noise of broken communications, signal failures, ailing machines, industrial settings, planetary ambience and dystopian soundworlds.
That's not to say they won't also come in handy for Glitch/IDM music producers looking to build up an original collection of sounds for their latest kit, or for the creative sound designer to further shape these sounds into anything from user interface clicks, blips and bleeps to surreal soundscapes and beyond.
Want the ultimate collection of Magic Sound Effects?
Here you go! Pick your version below:
MAGIC - DESIGNED:
A powerful collection of ready-made, designed magic sounds, divded into categories like fire, ice, water, acid, electricity, healing and more. A total of 450 ready-to-use Magic sound effects are included!
This pack features 130+ files and 450 magic sound effects (full tracklist (PDF))
MAGIC - CONSTRUCTION KIT:
Design your own magic sounds, from the more than 2300 sounds included in this bundle. It features a huge selection of sound elements like zzling, sparkling, explosions, fire whooshes, water splashes, ice crackles, bubbles, chimes, humming, wobbling, squeaks, choirs, drones and more to build from.
This pack features 430+ files and 2300+ magic sound effects (full tracklist (PDF))
MAGIC - BUNDLE:
The ultimate collection of magic sounds, featuring BOTH the DESIGNED and CONSTRUCTION KIT versions. This gives you access to a fantastic selection of ready-made magic sounds + a wealth of sound components so you can design and sweeten your own magic sounds. Unleash some truly magical sound design with this strong bundle – and save money in the process.
This pack features 570+ files and 2700+ magic sound effects!
“Tiny Transitions 2” is the successor to the very popular Tiny Transitions sound effects library.
Re-load your ammo belt with not-so-intrusive production elements that come in very handy for any Sound Designer, All-In-One Film Editor or Web-, App- and Game-Developers.
If you already knew the first library you know what to expect: even more, even better and more versatile to bring instant sonic support for all kinds of small animations, motion graphics, pass-bys, menues, projectiles, …
All the subtle motion elements that you need in your everyday work for games, apps, commercial, films or general motion designs.
You get 350 ready to use designed sounds + a composite selection of 320 cleaned and edited source sounds that were used to design the Tiny Transitions. These sounds are mostly different props that are scraping or sliding on different surfaces and also some vocalized whoosh attempts.
All source sounds were recorded with Sonosax SX-R4+ with a Sennheiser MKH8050+MKH30 M/S rig, a Sound Devices MixPre-6 with a MK8060+ATE208 M/S rig and a Sony PCM-D100.
‘Cinematic Transitions’ by Cinematic Sound Design delivers a collection of more than 100 high-definition, hand-crafted transition sound effects. We have employed a range of techniques in the process of designing this library to deliver this highly usable collection of whooshes, swooshes, flybys, spaceships, snaps, falls, splats, crushes and more. This library serves a wide range of applications, such as film, games, multimedia projects, music productions, podcasts, even company logos.
Welcome to the first in our new Element Series: FIRE. The Element series will feature highly designed sounds as well as expertly recorded raw source recordings. With FIRE we spared no expense to experiment with tons of different props and sources. From a double ended fire staff all the way to a “plasma gun” fire tube. Can you ever have enough FIRE? We don’t think so. FIRE is a collaboration between SoundMorph, Jason Cushing, Tibo Csuko & Boris Karekine. FIre contains more than 3.4GB / 675+ files.
WHAT’S INSIDE
All files are 24bit/96khz .WAV stereo files, all meticulously embedded with Soundminer & Basehead metadata. FIRE contains the following folder categories:
GHOSTLY AIR is a collection of 33 horror-inducing, voice whooshes, tremolo stutter, soundscapes
and diabolic vocalizations.
Perfect for all kinds of horror projects.
All SFX have baked-in Soundminer’s meta data
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + ATE 208 EDITED AND CREATED WITH: iZotope RX, Reaktor, Adaptiverb, Eventide, Soundtoys, Waves, Pro Tools.
This library delivers a super-versatile collection of Whoosh and Impact sound effects. And yes, as the name suggests, this is the sequel to the very popular “Whooshes & Impacts“ Sound Effects Library from SoundBits. Two versions are available + a bundle:
Whooshes & Impacts 2:
It features everything you need to give your projects the sonic impact they deserve, from fantasy-style battles to intense sci-fi space combat. You get fireballs, magical projectiles, asteroids, space ship pass-bys, missiles – and of course a vast variety of designed impact sound effects from very organic metal hits to abstract, distorted, screaming strikes.
All sounds are 100% dry. No reverbs were applied.
This pack contains 266 files split in 116 Impacts with at least 2 versions of one sound per file and 150 Whooshes with at least 3 versions of one sound per file. Giving you total amount of 607 sounds.
Whooshes & Impacts 2 – ELEMENTS:
The ‘Whooshes & Impacts 2 – Elements’ Sound Effects Library features a re-designed and further processed selection of the sound layers from ‘Whooshes & Impacts 2’.
Split into 3 frequency bands, this composite collection brings you production elements to spice up your own whoosh and impact sounds, or easily create new ones from scratch. You have a transition that sounds good but just needs some interesting movement in the low end for that extra weight? Just choose from 1 of 50 low frequency whooshes and layer it with your existing elements.
You get 150 Impacts and 150 Whooshes. The Whooshes come with one variation per sound, giving you a total of 450 design elements for your productions in this library.
Whooshes & Impacts 2 – BUNDLE:
You can also get both versions in a bundle – with a great discount.
This sound library was carefully recorded, processed and crafted to offer a unique toolset for your water and underwater design needs.
Great for hyper realistic or abstract designs, fantasy genre with water based magic, creature or surreal underwater movement, motion graphics with liquid elements and textures.
Victor Mercader – AAA Sound Designer (Apex Legends) “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror) “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ) “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine “Cinematic Water Whooshes and Textures’ is great for anything. You won’t be hearing recordings of calm rivers or relaxing streams, but cinematic whooshes and textures for soundtrack works and media projects. Whether you’re into this type of sounds, this pack was recorded quite well, professionally edited and processed with Slava’s own flair.”
Yarron Katz – AAA Composer and Sound Designer “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Abstract Aqua sound effects library is a result of different field recording sessions with more experimental approach.
It features 208 192kHz WAV files, 92 designed sound effects and 116 RAW recordings. It was recorded with a Sound Devices 702 and Sony PCM-D100, Sennheiser MKH 8040 microphones, Rode NTG3 and Aquarian Audio hydrophone. Total length of the files is 334 minutes.
The designed files have more abstract feel to it, so you’ll find aqua whooshes, different underwater sounds and big sounding waves. The RAW files includes different wave recordings from the Baltic Sea, water foley sounds and effects recorded with hydrophones. You can find more informations in the library sound list.
Bloody Nightmare is a modern horror cinematic library aimed at the most cutting edge bone chilling productions out there.
Whether you work in sound design, as a composer, trailer editor or as an electronic musician, Bloody Nightmare is a valuable new wave of Horror sounds that will surely cause visceral moments of terror and dread!
SOUNDS FOR TRANSITIONS AND MOVEMENT The Transition Whooshes Vol.1 library contains a large variety of whoosh sounds designed for the most common uses in audio post production. From white noise whooshes over to doppler whooshes, tonal whooshes, wood stick swishes and unique designed special whooshes for that extra spice. The sounds work great for transitions such as camera cuts, movement support but also pass-bys, fight scenes and more, making it perfect for YouTubers, video editors, advertisement and radio. Also, if you’re just getting started with sound design, this library is a good choice for you, because it covers whoosh sounds for almost every need – but even advanced sound designers will find one or the other gem in this sound pack!
Included are 104 sound files each containing several variations, all carefully metadata tagged, recorded and edited in 96kHz, 24bit giving you the opportunity to manipulate the sounds without loosing quality.
Fireballs is a powerful high-definition collection of whooshing, roaring, bursting, sparking, whipping, zipping, sizzling and crackling fireballs, fire sound effects and infernos – created in collaboration with flame effects expert Cary Sparx.
Aside from the flaming staves, rope darts, fire swords, meteors and flamethrowers that you’d hope for, you’ll also get some additional, unusual, tonal flame effects.
The sounds are also great for more textured whooshes and swishes, or adding punch to impacts, or generally getting that extra bassy oomph out of your badass sound creations.
819 8-bit retro gaming sound effects covering all aspects of a games design, UI, character motion, collections, coins, power-ups, achievements, dialogs and more!
You’ll find achievements, alerts, attacks, lasers, bells, blips, bloops, bleeps, bombs, bubbles, button clicks, chirps, explosions, impacts, jumps, shots, sending, receiving, magic spells, reactions, stun guns, space junk, summoning, glitches, confirms, collects, notification, open menu, close menu, connect, disconnect, engage, lock on, whoosh, power on, power off, and swipe to just name a handful but so much more! A total of 12 minutes and 33 seconds of pure 8-bit delights!
Music is only heard in the demo. Downloads are ultra high resolution and without background music.
Need the sound of vehicles passing by? This sound pack is a composite collection of pass-bys, featuring (Suburban-, Passenger-, Freight-) Trains, Trucks and Cars that I on various freeways and railroads. These sounds come in handy not only for for the obvious purpose of giving the right sonic feel for trains, trucks and cars passing by – but also as design elements ans a great starting point to create a vast number of sci-fi style whooshes and pass-by effects.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
Gabriel Guy
Re-recording Mixer, Walt Disney Animation Studios: Frozen, Big Hero 6
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
David Farmer
Sound designer: Lord of the Rings & The Hobbit trilogies
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
Zdravko Djordjevic
founder of The Audio Spotlight
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
Afghanistan
Åland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antarctica
Antigua and Barbuda
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belau
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bonaire, Saint Eustatius and Saba
Bosnia and Herzegovina
Botswana
Brazil
British Indian Ocean Territory
Brunei
Bulgaria
Burkina Faso
Burundi
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos (Keeling) Islands
Colombia
Comoros
Congo (Brazzaville)
Congo (Kinshasa)
Cook Islands
Costa Rica
Croatia
Cuba
Curaçao
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Eswatini
Ethiopia
Falkland Islands
Fiji
Finland
France
French Polynesia
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guam
Guatemala
Guernsey
Guinea
Guinea-Bissau
Haiti
Honduras
Hong Kong
Hungary
Iceland
India
Indonesia
Iran
Iraq
Ireland
Isle of Man
Israel
Italy
Ivory Coast
Jamaica
Japan
Jersey
Jordan
Kazakhstan
Kenya
Kiribati
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macao
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Myanmar
Namibia
Nauru
Nepal
Netherlands
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
North Korea
North Macedonia
Northern Mariana Islands
Norway
Oman
Pakistan
Palestinian Territory
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Pitcairn
Poland
Portugal
Puerto Rico
Qatar
Romania
Russia
Rwanda
São Tomé and Príncipe
Saint Barthélemy
Saint Kitts and Nevis
Saint Lucia
Saint Martin (Dutch part)
Saint Vincent and the Grenadines
Samoa
San Marino
Saudi Arabia
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
South Sudan
Spain
Sri Lanka
Sudan
Suriname
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timor-Leste
Togo
Tokelau
Tonga
Trinidad and Tobago
Tunisia
Turkey
Turkmenistan
Turks and Caicos Islands
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom (UK)
Uruguay
Uzbekistan
Vanuatu
Vatican
Venezuela
Vietnam
Virgin Islands (British)
Virgin Islands (US)
Western Sahara
Yemen
Zambia
Zimbabwe
STEAMPUNK VINTAGE MACHINERY AND MECHANISMS
RESONATING METAL FORCE
HORROR SERIES VOL.1: EVIL STRINGS TORTURED WIRES
CINEMATIC MAGICAL ICE
CINEMATIC WATER WHOOSHES AND TEXTURES
CINEMATIC WOOD SYMPHONY
SCI – FI ELEMENTS VOL.1
CINEMATIC METAL WHOOSHES
