High Desert Chainsaw contains the many sounds of a chainsaw as it chews through live oak tree trunks and branches. Recorded outdoors in a high desert valley, these resonant and detailed samples capture every crunch and whine of this powerful machine, from engine ignitions, to purring idles, to splintering roars. Whether you’re designing the sound of a deadly weapon for a horror film or a spaceship engine in a video game, watch out for this small pack of dangerously sharp chainsaw sounds!
2% for the Planet:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• 25 chainsaw audio clips
• Engine cranks, ignitions, and shutoffs
• Rumbling idles
• Small, medium, and large log cuts
Mastered Stereo + RAW Mid/Side:
• All 25 sounds included as decoded LR stereo files
• All 25 sounds included as RAW Mid/Side files
• The RAW MS audio files are the same sounds as the mastered stereo, just in their original uncut/unmastered/undecoded form.
• Specs: 2.5 GB – 192 kHz / 24-bit WAV – 50 files, 100+ sounds, approx. 36 min total
The sound of historical battlefields was loud and dominated by the explosive charges of smoky muskets, carbines, cannons and revolvers. HISTORICAL FIREARMS brings you the exact sound of these old-fashioned weapons. Loud, deadly, uncompromising and from the times where no one even thought about things like silencers or ammo clips.
Create great epic battles from the Civil War, the Napoleonic wars or design the grand finale of a thrilling pistol duel.
HISTORICAL FIREARMS DESIGNED is your best choice for high quality sound effects of cannons, pistols, revolvers and rifles from the good old times. Whether you need some precise single shots or a group of up to 100 rifles. Scale it to your needs and let your audience reminisce the old days.
Each file contains four variations of a single sound – and to improve your workflow even more, all files contain well-grounded Soundminer metadata to quickly and exactly find the sound you need.
We captured the sound of historical battle during a reenactment happening in Czechia.
With this pack, you’ll get ambiences of war / battle, but also isolated firearm shots, with and without reflection.
Take a look a the file list for the detail of the content.
We believe these sounds can be very useful in many scenarios, film or video game.
Learn more about the process of recording these sounds: https://soundxplorer.com/the-sound-of-battle
Recording of a 105mm Howitzer cannon from World War II firing blanks. The library consists of about 20 channels with distances and perspectives ranging from 0 to 150 meters, and a big variation of microphones and recorders used, such as Sound Devices and Zaxcom. It contains 5 shots and wild foley.
Hybrid Game Sounds is the latest, greatest and most advanced crossbred collection from Epic Stock Media. Hybrid Game conveys a cutting-edge audio asset collection with more than 4400 sound files: over 2000 source and organic audio assets, over 2200 synthetics and designer sounds, plus 20 high fidelity music loops as a bonus to help you add a finishing touch to your project. + Includes embedded Soundminer meta data.
Hybrid Game Sounds has been produced and curated specifically for game producers and sound designers – but it’ll be a source of inspiration and excitement in any audio for video and motion graphics production and anywhere action, movement and gameplay are setting the scene.
All sound files are 24bit / 96 kHz resolution – and to speed your production and save you time, the complete set of pre-converted files in 44.1/16bit are included with every purchase too.
Hyperdrive is a collection of powerful energy sounds inspired by a variety of futuristic vehicles and weapons. The sounds contained range in texture from more traditional to extremely chaotic. The collection will lend itself well for use as standalone effects or as exciting elements to be further manipulated and layered in your projects.
Great care was taken during the recording and editing process to ensure the maximum flexibility of these sounds. All source material was recorded at 24/192kHz using the Sennheiser MKH 8050 mic which captures frequencies up to a minimum of 50kHz. All processing and design for this collection has been done at 24/192kHz.
If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map. The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.
This collection encompasses the foundations of a blacksmith audio library. Hits, grinds, machinery, tools, and squelches are all included.
Implosion is a sound effects collection of buildings being destroyed with explosives. It features 10 unique building implosions recorded across the country.
Each implosion was recorded with 4 to 14 channels of audio. To offer multiple perspectives, mics were placed as close as 150ft (~50m) and as far away as 2000ft (~600m) from the various explosive demolitions.
This library contains a number of guns, AK4, AK5, AK47, MP5, Walther PPK and Sig Sauer, being fired in a number of acoustically different indoor locations, a big stone hall, a cafeteria, a catacomb-like area, and a long corridor.
This pack contains eight different indoor environment shot and explosion acoustics, together with three different distance layers for each sound.
The sounds can be used as they are or paired with other layers to give the sounds more unique characteristics (such as layering in a close recording of a gun etc).
All of the files are mixed and mastered and ready to use immediately in any type of media production. All sounds in this pack made with material in the source version of this library.
• Bathroom Explosion
• Bathroom Shot
• Corridor Explosion
• Corridor Shot
• Hall Explosion
• Hall Shot
• Room Large Explosion
• Room Large Shot
• Room Medium Explosion
• Room Medium Shot
• Room Small Explosion
• Room Small Shot
• Stairwell Explosion
• Stairwell Shot
• Warehouse Explosion
• Warehouse Shot
All shots and explosion categories have close, distant and far layers.
For those who need to design indoor explosions and gunshot acoustics this pack is for you! Contains 773 source sounds, with a minimum of three distance layers for each bang environment.
Perfect for designing guns and explosion sounds that need to have different characteristics depending on distance — it’s how the pros do it!
• Bathroom Large
• Bathroom Medium
• Bathroom Small (only close distance)
• Corridor A
• Corridor B
• Corridor C (has 4 distances)
• Corridor D
• Corridor E
• Elevator (only close distance)
• Entrance (has 2 distances)
• Room Large A
• Room Large B (has 4 distances)
• Room Medium A (has 5 distances)
• Room Medium B (has 2 distances)
• Room Small A
• Room Small B
• Stairwell A (has 5 distances)
• Stairwell B (has 5 distances)
• Stairwell C (has 5 distances)
• Stairwell D (only close distance)
All shots and explosion have close, distant and far layers, except where noted.
Intervention is the most complete and researched SWAT sound effects library ever made, featuring 26 weapons recorded by Hollywood’s premier weapons recordist, Charles Maynes.
We've compiled a collection of the most frequently used weapons by American SWAT units, offering you a complete sound set to work on modern films, television or games.
We’ve even included the source recordings for you to design your own gunshots, and plenty of additional foley, utilities, boots, explosives, gun handling and gear body movements, making this the most developed soundpack library in its genre.
All files are 24bit/96khz stereo files, meticulously embedded with Soundminer & Basehead metadata, including:
• 26 weapons commonly used by US SWAT teams
• Suppressed and burst variations for most weapons
• Shot variations for dry, open exterior, interior and urban locations
• 4 source layers for each weapon, allowing you to design your own shots
• 14 gun foley weapon sets including reloads, magazine inserts and cocking
• SWAT body gear movements
• Utilities like night vision goggles, batons, battering rams and more
• Large explosives and explosive sweeteners
• Designed gun handling files for gun movements
Charles Maynes' work includes Spider-Man, Tom Clancy's Ghost Recon: Future Soldier and Resident Evil 5, and he is regarded as one of the go-to people in Hollywood and games for weapons recording. Intervention also contains gun foley recorded by another Hollywood sound pro, Matthew E. Taylor
Welcome to the Bloodfeast. Welcome to 496 files containing over 820 goregeous bone breaking, blood soaking and flesh slicing Splatter SoundFX.
This huge hardgore, construction kit contains all the sounds of gore you need for your horror-, action-, thriller-, slasher-, monster-, martial-arts-, zombie- or fantasy-, movie or video-game.
…and, there is a chainsaw too, of course.
The ‘Just Impacts – Extension I’ sound effects library features 237 sound effects of mainly metal and wood impacts, metal armor hits, crashes, door slams, heavy metal drops, shield blocks and metal wall hits.
All sounds are were recorded with RODE NTG-3 and a NT55 microphones into a Sound Devices 702 recorder. Each sound was edited and cleaned, so there’s no noise or other unwanted sounds. The sounds were EQ’ed and compressed for that extra punch.
You can use the sounds right away – no further editing needed. But you could, of course…
All sounds are delivered as BWF tagged, 24Bit, 96kHz wav-files
JUST WHOOSH 4 sends forth an armada of highly trained and bloodthirsty Whoosh Sweeteners, ready to take over and beef up any feeble Whooshes, spineless Pass-Bys and wimpy Transition sound effects in no time.
So they finally do what they should: intensifying the sense of motion and velocity of anything that moves on screen.
From short, fast pass-bys, through magical fireballs to massive, droning, portly passing spaceships – This Whoosh Sweetener Toolkit does the job.
To strike with even more precision and efficiency, the fleet splits up into three squadrons:
|JUST WHOOSH 4
Noise & Interference
Rattle & Mechanics
Spacecrafts & SciFi
537 Sounds | 1,84 GB
|JUST WHOOSH 4
Abstract & Fantasy
Engines & Motors
Projectiles & Ballistics
545 Sounds | 1,82 GB
JUST WHOOSH 4
Friction & Organic
Metallic & Dystopian
Synthetic & Artificial
Water & Bubbles
532 Sounds | 1,58 GB
You can never have too many laser blast sounds! And just when you thought you'd heard every type of Laser Blast SFX out there, here comes an all-new gut punching Laser Blast Collection that will.. well, blast you into smithereens. Recorded and designed from scratch at 24bit, 96kHz – and also includes a few bonus kid-friendly zap sounds. Enjoy, if you survive the blast.
The Lethal Energies sound effects library gets you a powerful and versatile collection of designed sci-fi guns and weapons. We work as game sound designers and are huge sci-fi fans, and our aim with this SFX library was to build the ultimate, self-contained sci-fi weapon library – in the sense that it includes everything you need to create powerful weapon sounds.
It comes with a range of designed weapons, divided into Light, Medium and Heavy weapon categories. Also included in the library are weapon construction kit sound effects like aiming sounds, laser blaster shots, shot punches, electricity sounds, foley sounds, force fields, sensors, servos, transitions and more.
Recording of a .45cal M1928A1 Thompson submachine gun from World War II, consists of about 20 channels and distances from 0 to 300 meters. Firing includes single shots, double shots, bursts of various lengths and wild foley.
This library contains the source recordings of an M3 Grease Gun using several microphones at 4 different distances!
238 total sounds of multiple variations for your sound design needs!
Multiple firing mods recorded! Single shots with tail/report ring-out. Burst fire, and automatic fire, all from 4 different perspectives/distances!
This collection features 98 interior and exterior stereo recordings of the M4 Sherman Easy 8 Tank as it is put through its paces. These effects have hand picked from the Sound Ideas Military Tanks library.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.