Home Weapon Sound Effects Firearms Sound Effects Page 9
Sound effects from a wide range of guns, rifles, machine guns, sci-fi weapons, black powder weapons and bullet & projectile whizz-bys and impacts
The Master Gun IWI Tavor X95 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun VHS-2 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun AK-12 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata (81 Total Files, 7.40GB Total).
The Master Gun LWRC REPR MKII AR10 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun AKS-74U Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun The Fix Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun Kel-Tek KSG Shotgun contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun Nodak RPK Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun AK-101 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun AK-103 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun FN FAL Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun Savage 110 BA Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Smith & Wesson .38 Chiefs Special Model 60 revolver sound effects library features firing and performed effects of loading, drum spinning, dry fire, and more from a .38 Special revolver.
The first pack of designed sound effects from Sky River Sound provides you with over 80 sound effects I’ve created taking inspiration from video games in the Sci-Fi and Fantasy genres. Types of sounds you’ll find include ranged and melee weapons, magic spells and rituals, vehicles, UI elements and creature sounds. The sound effects were designed to be ready to be used as they are now, but can also easily be used as building elements for further sound design.
Sale Policy: To keep things simple, I never put any of my libraries on sale or offer any kind of discount. I sell them at a reasonable price given the effort to record and compile them, I find this is the most honest and transparent approach to the sale of sound effects.
The Tommy Gun sound effects library features 42 recordings of the historic weapon, ready to electrify your projects with this iconic American firearm. While the Thompson Submachine Gun was used primarily in the 1920’s and ‘30’s, the firing, bullet pass-bys, and ricochet sounds from the ‘Chicago Typewriter’ can be used for guns of any time period.
Recorded to tape by renowned sound artist Andy Aaron (Scarface, Apocalypse Now, Return of the Jedi), these characterful gunshot sounds feature both single shots, bursts of various lengths, and fully automatic gun fire. The collection was recorded in a secluded forest in Woodstock, NY, complete with firing targets including cans, broken furniture, a washing machine, and glass bottles of “shooting beer” (not to be confused with “”drinking beer””) The session came to an abrupt end when a stray bullet severed an audio cable near a target.
Complemented by sounds of metal impacts, glass and dirt debris, bullet pass-bys, these gun recordings will add explosive energy to your scenes that feature old-school gangsters, mob/mafia members, World War II soldiers — as well as contemporary gun-wielders. Each sound file is embedded with rich, descriptive metadata for fast, intuitive search results to help increase efficiency and sustain creativity.
Andy Aaron
Blacktone Studio is a boutique post-production studio and a leader in sound design for film and television, with a track record of over ten years dedicated to creating soundscapes that enrich the narrative of the stories we work on.
Based in Madrid, our studio features advanced facilities, including a Dolby Atmos mixing stage equipped for cutting-edge post-production, designed to deliver the highest quality in every project. From our earliest productions to our work on major international films and series, our passion for sound, pursuit of technical perfection, and commitment to storytelling have established us as one of the most prominent studios in the industry.
“Blacktone Studio Master Collection Vol. 1” marks this decade of excellence in sound design and field recording by the Blacktone team, representing our sonic legacy—a collection that encapsulates the essence of our work over the years. This generalist library, with over 250 GB and more than 5,000 high-quality files, offers an immense variety of sounds, organized into more than 300 categories and subcategories under the international UCS classification system. Each file is meticulously cataloged and includes metadata in both English and Spanish, optimized for seamless integration into international projects and aligned with industry standards.
For the release of this library, Blacktone Studio has partnered with Surround Sound Lab, our label specializing in field recordings and sound library distribution, to ensure that every file is fully prepared for professional use. With over 50 sound libraries already in its catalog, Surround Sound Lab brings not only experience in editing, mastering, and distribution but also a shared commitment to quality and innovation. This collaboration allows the “Blacktone Studio Master Collection Vol. 1” to reach the market through Surround Sound Lab’s infrastructure, offering professionals a unique, trusted tool used daily in our own studio.
This collection is a unique and special collaboration, created specifically to capture and share the essence and legacy of our sonic work over the past ten years.
Although it is not part of the “SSL Complete Collection” bundle, which includes the full catalog of SSL series libraries, current bundle users will receive access to this exclusive edition at a special price as a token of our appreciation for their continued support.
“Blacktone Studio Master Collection Vol. 1” is a sonic celebration combining the best of Blacktone Studio with Surround Sound Lab’s expertise in distribution, available to those seeking quality and authenticity in their sound design.
Library of a SAIGA-12 IPSC, 12-gauge semi-automatic shotgun manufactured by the Izhmash weapons division. This rotating bolt, long-stroke gas piston operated firearm is visually modelled on the Kalashnikov assault rifle series.
Using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range near Warsaw. We then moved to our studio to capture an extensive range of foley, including mag in and out, chamber cycles, selector switches, trigger actions and more.
This library also comes with carefully designed assets in stereo and 5.1, created from our raw files. It includes powerful shots, 3 meticulously crafted types of tails (Wide, Urban and Interior) and punchy foleys.
Multiple mic perspectives
The raw shots feature a total of 16 recording positions, from shooter perspective up to 80 meters, with a total of 25 channels. Among these you will find high SPL microphones attached to the weapons for mech sounds, CO-100k for ultrasonic content, large-diaphragm microphone close to the ground for punchy low ends, ambisonic perspective and much more! We also recorded the foley with multiple microphones, including a CO-100k for drastic pitch changes.
Designed and Game Ready assets
The library also includes “game ready assets”, which are edited versions of our designed sounds, with individual variations allowing easy implementation into your game engine or audio middleware.
Gear used
Sound Devices 722 • MixPre-6 II • Zoom F6 • Sanken CO-100K • NTG1 • MKH416 • TLM103 • Usi Pro • MikroUsi • MKH 8040 • MKH30 • MK012 • SM57 • MK21 • CM4 • KmrB1i • DPA 4062 • NT-SF1
Metadata
This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundminer, Soundly and Basehead.
The Master Gun HK VP9 contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun SR-25 AR-10 Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun SVD-S Dragunov Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun PM Md.63 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun PSL-54 Dragunov Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun Savage 110 Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata. (64 Total Files, 3.03GB Total).
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