Home Weapon Sound Effects Firearms Sound Effects Page 8
Sound effects from a wide range of guns, rifles, machine guns, sci-fi weapons, black powder weapons and bullet & projectile whizz-bys and impacts
TAKE YOUR AUDIENCE TO THE BATTLEFIELD
THEY HAVE NEVER EXPERIENCED BEFORE.
Get 1000s of the highest-quality modern warfare weapons and vehicle sounds, all battlefield ambient environments you can think of, explosions / demolition sound effects, and exhaustive soldier voiceovers, with just one click of a button!
INCLUDED LIBRARIES (Total Value: $500!):
WHAT’S INSIDE:
SAVE TIME, SAVE EFFORT, SAVE MONEY
Instead of buying individual products and paying $500 USD for entire collection, or spending countless hours handpicking sounds that your projects need from all over the internet, download this collection of all the highest-quality warfare audio you will ever need with one click of a button!
Designed by our team of industry veterans with 1,000+ games worth of experience, every included sound has been carefully mastered and is drag-and-drop ready for your project. Entire content is meticulously labelled and easily keyword-searchable, and as always with us, all sounds are included in 3 most common audio formats for your convenience.
TECHNICAL DETALS:
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ONE OF A KIND WARFARE AUDIO SOLUTION FOR YOUR PROJECT NOW!
The Master Gun FN FNX45 contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun HK G36E Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun Barrett M107A1 Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun Barrett M99 Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun Marlin Model 1894 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata. (54 Total Files, 2.64GB Total).
The Dan Wesson .445 SuperMag revolver sound effects library includes clips of dry firing, cocking, handling, and more.
The Dan Wesson .445 SuperMag revolver sound effects library includes 170 clips in 3.27 gigabytes of audio. It shares the sound of a 1995 American revolver firing as well as performed effects of cocking, unlocking, loading, opening and closing the chamber, and many more.
The gunshots feature many multiple shots in three takes from perspectives on the gun to over 150 meters distant. 53 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.
The package includes Reaper and Pro Tools sessions with all performances aligned for easy editing, and complete embedded metadata support.
The Colt Python 357 Magnum sound effects library includes 52 channels of multi-take gunshots, performed effects of cocking, loading, movement, and more.
The Colt Python 357 Magnum sound effects library includes 158 clips in 4.01 gigabytes of audio. It shares the sound of a .357 1955-2005 American revolver firing as well as performed effects of loading, unloading, cocking, de-cocking, movement, and handling.
The gunshots feature multiple shots in three takes from 25 perspectives ranging from close to over 150 meters distant. 52 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.
The collection includes 18+ fields of mule-format embedded metadata as well as Reaper and Pro Tools sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
The SPAS-12 combat shotgun sound effects library includes nearly 50 channels of two types of gunshots, performed effects of loading and pump action sounds, and more.
This Franchi SPAS-12 combat shotgun sound effects library features 293 sound clips in 5.73 gigabytes of sound. It showcases field recordings of the Italian dual-mode weapon wth a folding stock and uses 12 gauge 2 3/4 inch shells.
The collection gathers 24 perspectives and 47 channels (including an Ambisonic perspective) of both pump action and semi-automatic firing, as well as performed effects of loading, pump action, rattling, the safety, and others. The perspectives range from close to 150 meters distant.
The sound library includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, as well as Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
The Desert Eagle sound effects library features multiple takes of gunshots, as well as performed effects of magazine moves, loading, unloading, and more.
The Desert Eagle sound effects library includes 174 clips in 4.25 gigabytes of audio. It showcases the sound of a .44 2010 American pistol firing as well as performed effects of handling, loading, unloading, and magazine movement.
The gunshots feature multiple shots in two takes from 24 perspectives ranging from close to over 150 meters distant. 50 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Neumann, Sanken, Sennheiser and other professional microphones.
The collection includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, and Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
A library of Glock 17 sound effects including multiple gunshots and performed effects of handling, rack slides, magazine moves, and more.
The Glock 17 sound effects library includes 171 clips in 4.55 gigabytes of audio. It shares the sound of an Austrian Glock 17 9mm semi-automatic pistol with 9×19mm Parabellum cartridge.
Performances include 3 takes of firing from 29 mono, stereo, Ambisonic AmbiX and multichannel microphones from close to over 170 meters away. The recordings also include performances of rack movement, handling, rattles, magazine movement, and more.
Also packaged with the collection are editing sessions in Pro Tools and Reaper formats, as well as complete embedded metadata support.
In this library you will find a variety of sounds intended to be used as laser or sci-fi gunfire.
These sounds are perfect to use in movies, games, documentaries, etc.
These sounds were all created by me on virtual synthesizers.
After working these sounds in post-production, this library comes with 50 single and burst shot sounds.
Add some serious fire power to your arsenal.
Over 5,000 files – 18GB of samples – 6 libraries
You get a great bang for you buck with the SoundMorph “Warfare Bundle”.
Matter Mayhem – Destruction, Debris, Massive Explosions, Multiple materials and perspectives.
Intervention – Real SWAT weapons, 26 different weapons and foley recorded by Hollywood pro Charles Maynes.
Future Weapons – One of the most advanced weapon sound effects libraries ever created.
Future Weapons 2 – All new weapons and recordings, with a focus on specialized weapons.
Solar Sky – State-of-the-art sci-fi spaceship sounds.
Rupture – Game and filim ready destruction soundpack.
Weaponiser is the only all-in-one solution for weapon sound design; providing a powerful and efficient workflow, a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis and unparalleled sound quality – making it the ultimate ‘go to’ tool-kit for creating dynamic assets.
Weaponiser Basic gets you started with an introductory library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis and unparalleled sound quality – making it the ultimate ‘go to’ tool-kit for creating dynamic assets.
Weaponiser Basic offers a total of 952 assets, 515 edited Weapon recordings, 4 weapons, 398 Sweeteners and 39 IRs and 70 presets. It also allows you to import your own assets.
Need more firepower? Be sure to check out Weaponiser – Fully Loaded, featuring 13 weapons and much more.
Library highlights:
• Fully functional version with +900 audio samples
• 515 weapon recordings
• 4 weapons
• 398 sweeteners and 19 irs
• 90 presets
Formats (64-bit only): AAX Native/AudioSuite, VST, AU. An iLok account (available for free at ilok.com) is required to activate and use the software. A dongle is not required, but if you want to use one, an iLok 2 or later is the one to use.
This sound library is a collection of pistols & sidearms from Europe that were recorded at an outdoor shooting range in Sweden in August of 2024.
This library contains the fired set of vintage handguns from Germany and Italy (delivered at 96 kHz sample rate), which consists of: Smith & Wesson 66 Revolver, Luger P08, Walther GSP, Walther PP, and Beretta 92F. These sounds have been captured with the Audio-Technica AT2020 and the Shure SM57 microphones.
It also contains a set of foley actions that have been performed and recorded with the same weapons as well as the Swedish Mauser 1938, a German Geco shotgun, and the Swedish AG42B Ljungman automatic rifle. These sounds have been captured with the EM258 ultrasonic microphone by Micbooster (delivered at 192 kHz sample rate).
The weapon shots are provided in stereo, while foley elements are mono files. Some recordings have been provided in polywav format in situations where various perspectives of the weapons firing were captured at the same time.
Thank you for checking out my library! I hope you enjoy working with these sounds as much as I enjoyed capturing and creating them. Attribution is always appreciated, but is not a requirement.
‘Shoot ‘em up’ has never been this exciting! From powerful laser and plasma blasts, to specialised sounds such as fire, rain and laser circles, Sci-Fi Weapons: Bullet Hell adds intensity to virtual battles. With our trusty Vaemi’s El-Ma electromagnetic field mic, we’ve captured some wild electronic shenanigans, blending them with our synthetic sounds to cook up weapon effects that’ll make your players go, “Whoa!”
The Hämmerli 280 22LR sound effects library features 24 perspectives of gunshots, plus performed effects of bolt moves, magazine slaps, rattles and movement, and more.
The Master Gun Maxim 9 contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun SIG P320 contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun UZI SMG contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun GM6 Lynx Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Beretta 1201 F sound effects library includes multi-take gunshots as well as performed effects.
The Beretta 1201 F sound effects library features firing and performed effects from a 1990 Italian semi-automatic 12-gauge shotgun in 55 clips and 1.73 gigabytes of audio.
The collection includes 22 perspectives across 44 channels of audio (including an Ambisonic perspective) of firing, failed ranking movements, grabbing, handling, movement, rattling, and safety movements, and more. The gunshots were captured from close to over 150 distant from mono, stereo, up to 8-track Holophone recordings.
The sound library includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, as well as Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
The Master Gun HK MP5A2 SMG contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun Blaser LRS2 Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
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