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Home Weapon Sound Effects Firearms Sound Effects Page 6

Firearms Sound Effects

Sound effects from a wide range of guns, rifles, machine guns, sci-fi weapons, black powder weapons and bullet & projectile whizz-bys and impacts

  • Create high quality air rifle sound collages with this foley-based sound library, filled with multiple one-shot sounds of handling, jiggling, dropping, grabbing; as well as what you’d expect from a BB gun library, including compression chamber pumping, cocking sounds from the piston drive compartment and good old-fashioned clean pellet shots on a neutral environment.

  • Recording of a .45cal M1928A1 Thompson submachine gun from World War II, consists of about 20 channels and distances from 0 to 300 meters. Firing includes single shots, double shots, bursts of various lengths and wild foley.

  • Firearms Sound Effects Antique Rifles Play Track 981 sounds included, 127 mins total $119

    Antique Rifles is a comprehensive selection of historic long barrel black powder firearms. This library features heavy weight military and civilian weapons commonly used throughout the 1800s into the mid 1900s.

    The coach gun, known as the cut-down shotgun, was made famous in the American Wild West by historical figures like Wyatt Earp and Doc Holiday. Coach Guns were also used on stage coaches by shotgun messengers and were commonplace amongst homestead farmers, landowners and outlaws alike.

    The Enfield 1861 Artillery Carbine with smooth bore barrel was a popular weapon during the mid 1800s with military forces in Europe and America. Enfield carbine rifles were used extensively in the American civil war.

    The black powder hammer gun is manufactured by legendary gunsmiths Westley Richards. This 1864 design of breech loading shotgun was instrumental to the advancement of firearms in the 19th century.

    The 1872 Snider Enfield .577 rifle was favoured by the British army and used in the Zulu war of 1879. The Snider Enfield was also used by the British Indian army until the end of the 19th century.

    This library features 29 channel HD recordings, spread over a 500m private gun range. The recordings have been provided without dynamic processing at 96KHz 24bit, a selection of range recordings are also included at 192KHz 24bit. The 5.1 recordings give an excellent sense of depth and space across the 500m range as each of the shots are fired. Stereo and mono microphone positions add further detail, spread out at various distances between 1-50m away from the shooter. The collection features designed and mixed sound effects from black powder antique rifles alongside all of the original recordings used. In addition to a full workup and mixed sound set of these antique firearms, the library also includes a further extension to the Foley with recordings from a San Cristobal Americana and Valmet Sako rifles. A Pro Tools session is included that takes all the effort out of arranging the content for mixing. You can drop in your own routing, processing and mixing touches according to taste and quickly establish a new sound set for the picture or video game you are working with.

  • The ultimate weapon sound design solution, Weaponiser Fully Loaded extends the power of Weaponiser Basic by offering our most comprehensive library of professionally recorded weapon sounds.

    Weaponiser Fully Loaded offers a total of 2288 assets, 1596 edited Weapon recordings, 13 weapons, 692 sweeteners and 39 IRs and 135 presets. It also allows you to import your own assets.

    Library highlights:
    • 1596 weapon recordings
    • 13 weapons
    • 692 sweeteners and 39 irs
    • 135 presets

    Formats (64-bit only): AAX Native/AudioSuite, VST, AU. An iLok account (available for free at ilok.com) is required to activate and use the software. A dongle is not required, but if you want to use one, an iLok 2 or later is the one to use.

  • The Pistol [GameDev Edition] is a streamlined version of the UCS Edition – crafted specifically for developers who need high-impact, ready-to-use pistol sounds without the bulk of raw source material.

    This edition focuses entirely on designed and polished content, making it ideal for anyone who wants plug-and-play firearm sounds directly in their game.

    At its core are recordings based on two real handguns:
    Glock 17 (9mm, blank-firing)
    Glock 23 (.40 S&W)

    Optimized at 48kHz/16-bit, these assets are tailored for in-engine performance without sacrificing punch or clarity.

    You get a wide selection of powerful shots, mechanical details, stylized weapons, and immersive spatial elements – structured for modular implementation.

    The Sound of Calculated Precision – Watch the Trailer

    The Pistol - Trailer

    Whats in “The Pistol”?

    • Polished & Designed SFX from authentic Handgun Recordings – Captured from real Glock 17 and Glock 23 pistols.
    • Designed Guns – Reimagined firearm sounds

    • CRYO-17 – Frosty, sharp, and cold.
    • G18 – Fast-firing tactical pistol.
    • G24 Titan – Heavy, deep, and powerful.
    • G35 Cyclone – Rapid-fire, high-RPM beast.
    • GLOOM-66 – Crunchy, lo-fi, and straight from the past.
    • STRIKE-9 – Cinematic, bold, and impactful.

    • Gunshots – Dry & Tails – Isolated shots, indoor & outdoor tails, and modular components.
    • Mechanical Actions – Reloads, mag inserts, racking, handling and more.
    • Bullet & Shell Sounds – Pass-bys and shell drops.
    • Designed Ambiences – First-order Ambisonic and Binaural soundscapes for immersive spatial sound.

    Key Features

    48kHz/16-bit WAV – High-resolution audio for professional-grade production.
    • Powerful Gunshots – Includes dry shots, environment-based tails, and designed variations.
    Detailed Firearm Mechanics – From subtle handling to aggressive tactical interactions.

    Streamlined. Stylized. Built for Impact.

    The Pistol [GameDev Edition] delivers what matters: tight, punchy firearm sounds ready to drop straight into your game.

  • Expand your project’s arsenal with hundreds of cutting-edge weapon sounds of the future, designed by our team of AAA-industry veterans and huge fans of games like Doom, Halo, BioShock, Half-Life, Crysis, StarCraft, Mass Effect and movies like Star Wars, Terminator, Guardians of the Galaxy, Star Trek and many more.

    This unique library includes sounds for both heavy battle-worn industrial and classic clean high-tech weapons. From machine guns, rocket launchers, grenades, and flamethrowers, to lasers, blasters, tasers, lightsabers, energy shields, futuristic bows and arrows, and display-oriented weapons, this massive collection of sounds will make your users want to yell “lock and load!” From big and bad to small and light, FUTURISTIC WEAPONS is the most realistic SFX library and a Must Have for your project!

    With over 800 audio files and nearly 300 original cinematic-quality sounds, we went the extra mile by creating multiple sound variations for each weapon, alternate sound sequences, and looping versions of automatic fire. We also included audio for beams and energy, remote-controlled weapons, display interfaces, and sound effects for reloading, charging, and weapons handling of all shapes and sizes. All files are meticulously labeled, categorized and organized for maximum efficiency and ease of use, requiring absolutely no editing, labeling or splicing! And as always, we have included HD WAV, SD WAV and HQ MP3 versions of each sound for your convenience!


    ENHANCE YOUR SCI-FI PROJECTS WITH CUTTING-EDGE WEAPON SOUNDS – GET THE FUTURISTIC WEAPONS SOUND PACK NOW!


     

    PERFECT FOR:

    • Video Games
    • Slot Games
    • Film / Animation
    • Ads / Trailers
    • YouTube Videos
    • Live Events
    • Sound Design

    …and all other audio-visual productions

    KEY FEATURES:

    • Huge variety of big and small weapons, mechanical industrial and modern clean sounds, different types and intensity variants
    • Ready to use – requires no editing, labeling or splicing
    • Categorized, organized and individually labeled files for maximum use efficiency
    • All files are included in Hi-Rez WAV, SD WAV and HQ MP3 formats
    • FREE Updates to higher versions, FOREVER!

    TECHNICAL DETAILS:

    • 825 Audio Files (275 original sounds)
    • WAV Format: 24 Bit, 96 kHz and 16 Bit, 44.1 kHz
    • MP3 Format: 320 Kbps
    • Unpacked Size: 404 MB
    • Total Run Time: 25m 12s

     


    GET THE FUTURISTIC WEAPONS SOUND PACK TODAY AND TAKE YOUR CREATIONS TO NEW FRONTIERS WITH PROFESSIONAL-GRADE SCI-FI WEAPON SOUND EFFECTS!


     

     

    futuristic sci-fi sound effects library bundle - FUTURISTIC WEAPONS SOUND PACK Royalty Free Sci-Fi Future Weapon [SFX Pack]
    MASSIVE SAVINGS: The Sci-Fi Sound Effects Bundle combines essential futuristic sounds—weapons, spaceship engines, vehicles, robots of all shapes and sizes, ambiences, alien creatures, voiceovers, and more—into one comprehensive package. Save significantly by purchasing the bundle instead of individual packs. Click here to explore the bundle and save!

     

  • The Colt Python 357 Magnum sound effects library includes 52 channels of multi-take gunshots, performed effects of cocking, loading, movement, and more.

    The Colt Python 357 Magnum sound effects library includes 158 clips in 4.01 gigabytes of audio. It shares the sound of a .357 1955-2005 American revolver firing as well as performed effects of loading, unloading, cocking, de-cocking, movement, and handling.

    The gunshots feature multiple shots in three takes from 25 perspectives ranging from close to over 150 meters distant. 52 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.

    The collection includes 18+ fields of mule-format embedded metadata as well as Reaper and Pro Tools sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • Destruction & Impact Sounds Real Firearms Firing Play Track 618 sounds included, 19 mins total $34.99

    34 different firearm sound effects: revolver, pistols firing, pistols firing with silencer, Assault rifles, MG and Sub MG firing, and firing with Suppressors, Sniper rifle firing, Missile launcher firing and missile flyby sounds,
    Shotguns firings and firing sounds with suppressors, Grenade Launchers firing sounds.

    5 Single shots for each weapon, firing loops, rapid shots, reloads, magazine eject and insert sounds, gun handling sounds, shell dropping sounds for different weapon, bullet whiz sounds and bullet hits, ricochets on different surfaces.

    Also collection includes bullet whiz sounds, ricochets and bullet impacts on different surfaces: Human body, glass(big, medium, small), pottery, soft surfaces, plastic, car windshield, concrete, ground, metal, tinplate, wood. 4 hit sound samples for each.
    The sound files were cleaned and prepared for use.

  • Experience the firepower of our Firearm sound effects pack, featuring 200 meticulously recorded audio clips. Perfect for filmmakers, game developers, and audio enthusiasts, this comprehensive collection covers a wide range of firearms—from pistols to rifles and beyond. Each sound is expertly crafted to capture the intensity and realism of gunshots, reloads, and handling noises, ensuring authenticity in every scene. Whether you’re creating a high-octane action sequence, a gritty war drama, or a tactical shooter game, these versatile sounds add depth and immersion to your projects. Dive into a world of cinematic gunfire and elevate your sound design with our extensive library of firearm sound effects, enhancing the impact and realism of your storytelling.

     

    Visit our full range of SFX packs at www.amplar.io

  • Ultrasonic recordings of real firearms because your game doesn’t need to sound like NERF guns.

  • This collection offers high-quality recordings of 14 different ammunition casings falling, from shotgun gauges and handgun shells to sniper cases and artillery rounds. Captured on 20 distinct surfaces, this library provides the versatility you need for any project.

    With recordings of single shell drops, multiple shells drops and rolling shells, you’ll find the perfect sound for any scene. Each action has been meticulously recorded using two microphone configurations – a Shotgun mic and a Mid-Side stereo mic setup. This ensures to delivers multiple perspectives and mono compatibility.

    The library is delivered in two versions: GLUED (multiple variations in one file) and SEPARATED (one variation per file). Go check the metatada PDF to find more details about available calibers and surfaces.

    Whether your project involves antique pistols, modern assault rifles, large caliber snipers, or even cannons and tanks, this sound library has got you covered.

     

    Calibers

    .22 LR • .38 Special • .44 Magnum • .50 BMG • 9x19mm • 5.56x45mm • 7.5x54mm • 20x110mm • 65x172mm • 57x438mm • 75x597mm • 20 Gauge • 12 Gauge • 25mm Armor-piercing Bullet


    Surfaces

    Dirt • Gravel • Grass Dry • Grass Green • Leaves • Glass Resonant • Glass Hard • Concrete • Stone • Wood Resonant • Wood Floor • Tiles • Sand • Mud • Carpet • Metal Hard • Metal Plate • Metal Grid • Ammunition Box Metal • Ammunition Box Wood


    Gear used

    Sound Devices MixPre-6 II • Sennheiser MKH 8040 • Sennheiser MKH30 • Sennheiser Mkh416 • Rode NTG5


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundminer, Soundly and Basehead.

  • Library of a Saiga SR-1, 5.56x45mm semi-automatic rifle manufactured by the Kalashnikov Concern (formerly Izhmash). This variant of the AK-107 for the civilian market features a rotating bolt and two counter-rotating gas pistons to reduce recoil.

    Using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range near Warsaw. We then moved to our studio to capture an extensive range of foley, including mag in and out, chamber cycles, selector switches, trigger actions and more.

    This library also comes with carefully designed assets in stereo and 5.1, created from our raw files. It includes powerful shots, 3 meticulously crafted types of tails (Wide, Urban and Interior) and punchy foleys.

     

    Multiple mic perspectives

    The raw shots feature a total of 16 recording positions, from shooter perspective up to 80 meters, with a total of 25 channels. Among these you will find high SPL microphones attached to the weapons for mech sounds, CO-100k for ultrasonic content, large-diaphragm microphone close to the ground for punchy low ends, ambisonic perspective and much more! We also recorded the foley with multiple microphones, including a CO-100k for drastic pitch changes.


    Designed and Game Ready assets

    The library also includes “game ready assets”, which are edited versions of our designed sounds, with individual variations allowing easy implementation into your game engine or audio middleware.


    Gear used

    Sound Devices 722 • MixPre-6 II • Zoom F6 • Sanken CO-100K •  NTG1 • MKH416  • TLM103 • Usi Pro • MikroUsi • MKH 8040 • MKH30 • MK012 • SM57 • MK21 • CM4 • KmrB1i • DPA 4062 • NT-SF1


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundminer, Soundly and Basehead.

  • Introducing our sound library of a SF19 4.5″ TB OSP, a cal. 9x19mm semi-automatic pistol manufactured by HS Produkt. This modernized and improved version of the popular XDM handgun features a polymer frame, 19 rounds magazine, forged slide and hammer forged barrel.

    Using a large array of various microphone configurations, we recorded shots from several distances both with and without silencer. We then moved to our studio to capture an extensive range of foley, including mag in and out, chamber cycles, selector switches, suppressor, trigger actions and more.

    This library also comes with carefully designed assets in stereo and 5.1, created from our raw files. It includes powerful shots with and without suppressor, 3 meticulously crafted types of tails (Wide, Urban and Interior) and punchy foleys.

     

    Multiple mic perspectives

    The raw shots feature a total of 16 recording positions, from shooter perspective up to 80 meters, with a total of 25 channels. Among these you will find high SPL microphones attached to the weapons for mech sounds, CO-100k for ultrasonic content, large-diaphragm microphone close to the ground for punchy low ends, ambisonic perspective and much more! We also recorded the foley with multiple microphones, including a CO-100k for drastic pitch changes.


    Designed and Game Ready assets

    The library also includes “game ready assets”, which are edited versions of our designed sounds, with individual variations allowing easy implementation into your game engine or audio middleware.


    Gear used

    Sound Devices 722 • MixPre-6 II • Zoom F6 • Sanken CO-100K •  NTG1 • MKH416  • TLM103 • Usi Pro • MikroUsi • MKH 8040 • MKH30 • MK012 • SM57 • MK21 • CM4 • KmrB1i • DPA 4062 • NT-SF1


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundminer, Soundly and Basehead.

  • Introducing the Gun Mechanics: Assault Rifles Sound Effects Pack, an indispensable collection of precisely captured mechanical sounds for an unparalleled warfare gaming experience. From the satisfying clicks of magazine insertion and removal to the precise clunks of weapon adjustments, this pack offers a diverse array of sounds, encompassing the most common weapons found in modern combat games and action films. Recorded with the Rode NTG4 and the Sennheiser MKH8050 microphone, capable of capturing up to 50 kHz—beyond the upper limit of human hearing—each sound has been meticulously crafted to ensure an unmatched level of detail and realism.

  • GUNSHOTS FOR ANY PROJECT
    The SB103 GUNSHOTS Sound Effects Library has a variety of mixed gunshots ready for your project.

    YOUR SECRET WEAPON FOR REALISTIC GUNSHOTS
    Gunshots from Revolvers, Semi-Automatics, Automatics, Bolt Actions and a 12 Gauge Shotgun — ready to drop into your project. We spent days recording a Smith and Wesson .38 Special, Glock 40, AK-47, AR-15 M4, Browning Automatic 308, M1921 Submachine Gun, Enfield British 303, Remington 700 7mm Mag and a Remington 870 Shotgun. After recording, we edited and mixed our favorite sounding gunshots, and now they’re available for you. From single shots to full auto mag dumps — close up single shots and distant single shots with natural decay — you’ll find the gunshot you need for your project. There are even some custom recordings you won’t find anywhere else, like shooting from the interior of a covered truck bed. Every file has Soundminer compliant metadata embedded, and a structured organized file naming structure. Use these sounds as is, or layer and manipulate them to take your movie, show or video game to the next level.

    Special thanks to the Bechthold family for helping with the safety and handling of the firearms and providing a quiet outdoor space to record.

  • Introducing our first firearm sound library, with the iconic SVD Dragunov. Here in its civilian version, the Tigr-SVD from Izhmash is a semi-automatic sniper rifle chambered in 7.62×54 R, with a detachable 10-round magazine. Developed in the 60s, the SVD has become the standard squad support weapon of several countries’ military.

    Using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range near Warsaw. We then moved to our studio to capture an extensive range of foley, including mag in and out, chamber cycles, selector switches, trigger actions and more.

    This library also comes with carefully designed assets in stereo and 5.1, created from our raw files. It includes powerful shots, 3 meticulously crafted types of tails (Wide, Urban and Interior) and punchy foleys.

     

    Multiple mic perspectives

    The raw shots feature a total of 16 recording positions, from shooter perspective up to 80 meters, with a total of 25 channels. Among these you will find high SPL microphones attached to the weapons for mech sounds, CO-100k for ultrasonic content, large-diaphragm microphone close to the ground for punchy low ends, ambisonic perspective and much more! We also recorded the foley with multiple microphones, including a CO-100k for drastic pitch changes.


    Designed and Game Ready assets

    The library also includes “game ready assets”, which are edited versions of our designed sounds, with individual variations allowing easy implementation into your game engine or audio middleware.


    Gear used

    Sound Devices 722 • MixPre-6 II • Zoom F6 • Sanken CO-100K •  NTG1 • MKH416  • TLM103 • Usi Pro • MikroUsi • MKH 8040 • MKH30 • MK012 • SM57 • MK21 • CM4 • KmrB1i • DPA 4062 • NT-SF1


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadatas compatible with Soundminer, Soundly and Basehead.

  • A library of Lynx 50 sniper rifle sound effects including 23 perspective of gunfire, as well as performed effects.

    The Lynx 50 sniper rifle sound effects library includes 189 clips in 3.27 gigabytes of audio. It showcases the sound of a Finnish mod. 50 rifle made by Pirkan Ase Oy using 50 BMG Ammunition with A-MAX bullet and a high ballistic coefficient 1.050, made by Hornady.

    The collection includes 2 takes of firing with 23 mono, stereo, Ambisonic AmbiX, and multichannel microphones from nearby up to 160 meters away. The sound library features performed effects of magazine handling, reloading, and more.

    Also packaged with the collection are editing sessions in Pro Tools and Reaper formats, as well as complete embedded metadata support.

  • A library of Glock 17 sound effects including multiple gunshots and performed effects of handling, rack slides, magazine moves, and more.

    The Glock 17 sound effects library includes 171 clips in 4.55 gigabytes of audio. It shares the sound of an Austrian Glock 17 9mm semi-automatic pistol with 9×19mm Parabellum cartridge.

    Performances include 3 takes of firing from 29 mono, stereo, Ambisonic AmbiX and multichannel microphones from close to over 170 meters away. The recordings also include performances of rack movement, handling, rattles, magazine movement, and more.

    Also packaged with the collection are editing sessions in Pro Tools and Reaper formats, as well as complete embedded metadata support.

  • including:

    – External recording

    – 5 Spots, 8 mics

    – AK74 5.45, Glock 17 gen 4 + silencer, Sako TRG m10 7.62×51, PKMN (Kalashnikov’s) machine gun 7.62, Hk mp 5 9×19 silencer

    – Single, flash, auto

    – 48 KHz, 24 bit

    – 6 x schoeps ccm4 (card), AKG C414 XLS (card+pad), AKG C460 (pad), sys AB, Zoom F8 with lim

  • Add some serious fire power to your arsenal.

    Over 5,000 files – 18GB of samples – 6 libraries


    You get a great bang for you buck with the SoundMorph “Warfare Bundle”.

    Matter Mayhem – Destruction, Debris, Massive Explosions, Multiple materials and perspectives.
    Intervention – Real SWAT weapons, 26 different weapons and foley recorded by Hollywood pro Charles Maynes.
    Future Weapons – One of the most advanced weapon sound effects libraries ever created.
    Future Weapons 2 – All new weapons and recordings, with a focus on specialized weapons.
    Solar Sky – State-of-the-art sci-fi spaceship sounds.
    Rupture – Game and filim ready destruction soundpack.

  • Weaponiser is the only all-in-one solution for weapon sound design; providing a powerful and efficient workflow, a comprehensive library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis and unparalleled sound quality – making it the ultimate ‘go to’ tool-kit for creating dynamic assets.

    Weaponiser Basic gets you started with an introductory library of professionally recorded weapons, carefully designed presets with high-end, real-time synthesis and unparalleled sound quality – making it the ultimate ‘go to’ tool-kit for creating dynamic assets.

    Weaponiser Basic offers a total of 952 assets, 515 edited Weapon recordings, 4 weapons, 398 Sweeteners and 39 IRs and 70 presets. It also allows you to import your own assets.

    Need more firepower? Be sure to check out Weaponiser – Fully Loaded, featuring 13 weapons and much more.

    Library highlights:
    • Fully functional version with +900 audio samples
    • 515 weapon recordings
    • 4 weapons
    • 398 sweeteners and 19 irs
    • 90 presets

    Formats (64-bit only): AAX Native/AudioSuite, VST, AU. An iLok account (available for free at ilok.com) is required to activate and use the software. A dongle is not required, but if you want to use one, an iLok 2 or later is the one to use.

  • Get rare weapon recordings off the AA12 Full Automatic Shotgun (12 gauge). It gets you 14 foley sounds in mono and 56 firing sounds in stereo, captured in 24 bit resolution and 96 kHz sample rate.

  • Firearms Sound Effects European Pistols and Sidearms Play Track 49 sounds included, 4 mins total $22.88

    This sound library is a collection of pistols & sidearms from Europe that were recorded at an outdoor shooting range in Sweden in August of 2024.

    This library contains the fired set of vintage handguns from Germany and Italy (delivered at 96 kHz sample rate), which consists of: Smith & Wesson 66 Revolver, Luger P08, Walther GSP, Walther PP, and Beretta 92F. These sounds have been captured with the Audio-Technica AT2020 and the Shure SM57 microphones.

    It also contains a set of foley actions that have been performed and recorded with the same weapons as well as the Swedish Mauser 1938, a German Geco shotgun, and the Swedish AG42B Ljungman automatic rifle. These sounds have been captured with the EM258 ultrasonic microphone by Micbooster (delivered at 192 kHz sample rate).

    The weapon shots are provided in stereo, while foley elements are mono files. Some recordings have been provided in polywav format in situations where various perspectives of the weapons firing were captured at the same time.

    Thank you for checking out my library! I hope you enjoy working with these sounds as much as I enjoyed capturing and creating them. Attribution is always appreciated, but is not a requirement.

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