Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
Get the sounds of a powerful excavator – the Excavator MF 860 – covering both interior and exterior recordings.
The Excavator library gets you the sound of the engine recorded on-board (under the hood + interior from the cabin) while driving on the different roads, exterior engine with passes in mono and stereo recorded on asphalt, hard ground and dry grass and foley. Engine sounds comes in two versions, designed and RAW, so you can design it on your own.
The ‘Excavator MF 860’ sound library is a result of two full day recording sessions. The first session covered the sound of the engine, recorded under the hood with two DPA 4061 microphones, and exterior digging sounds recorded in mono and stereo with Rode NTG3, 2 Sennheiser MKH 8040 and Sony PCM-M10 recorder. The second recording session covered the exterior passes, interior sounds, foley and digging, since we had to dig our machine from the mud.
The library gets you 83 files and has a total length of 145 minutes. Everything was recorded in 96 kHz, edited, cleaned and meta tagged.
Recording of a Extra 330LX aerobatic monoplane with a Lycoming AEIO-580-B1A, 315 hp, 6 cylinder engine.
The German Extra Flugzeugbau 330LX aerobatic monoplane sound fx collection includes 461 clips in 30.63 gigabytes of field recordings. It features the sound of its Lycoming AEIO-580-B1A, 315 hp, 6 cylinder engine, a Muehlbauer, MTV 9-B-C/C198-25, 3-blade propeller, and Gomolzig, 6-in-1 exhaust system.
Performing as an air show Red Bull acrobatic airplane, the sound library includes a total of 25 synchronized takes of onboard and exterior perspectives. The 7 onboard perspectives feature recordings from the cockpit, engine, and exhaust as the plane flies with steady RPMs, turns, cruising, acrobatic flying, race simulation, and more. The 7 exterior perspectives include recordings of flyovers passing by, taxiing, take offs, and touchdowns, as well as stationary idles from a variety of distances. Also included are a mixture of performed effects of switches, the canopy, pedals, and more.
The sound library downloads with Pro Tools and Reaper mixing sessions, custom mixes of the onboard perspectives, 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, and text files of translated search keywords in 7 languages, ready for import into your favourite metadata app.
The Extreme Drift SFX library includes 360 HQ (24bit/96kHz) close and distant range perspective, auto racing recordings. Audio material of vehicles, drifting and maneuvering around race tracks at various speeds and densities taking corners and speeding on long straightaways.
You will find idle engine sounds, powerful engine revs, slow and fast starts, crazy accelerations and wild breaking, roaring overtakings, tandem battles, tire screeches and skids echoing beautifully in the air. The audio found in our library is not limited to startups, shutdowns and gear shifts, but also offers ambiences of pit lane and working team crews.
Finally a SFX library that delivers authentic Formula 1 recordings! This F1 Williams FW29 was driven by Nico Rosberg in the 2007 Formula 1 World Championship. It has a Cosworth V8 engine with 650 hps. The recording consists of both onboard and exterior material, and covers acceleration through gears, driving at steady rpms, ramps, passbys, approaches and aways, startup, idle, blips and shutdown. The onboard channels are two exhaust, two cockpit, intake, rear wing and two in the engine.
The F16 Maneuvers library features 36 recordings of F16 Fighter jets, captured at three different locations from the ground perspective. In addition to those, we included :
– 22 flight formation sounds (up to six aircrafts), designed using Sound Particles 3D software.
– 8 recordings captured using contact microphones, attached in a nearby parked vehicle, leading up to some low tones and rumbles, that could be useful as sweeteners in aircraft or other complex sounds.
– 4 mixing sessions, combining ambient and contact mic recordings.
The product includes a total of 45 minutes of HQ material (24bit/96kHZ) and a total of 70 sounds, including 17 Soundminer metadata fields, such as description, keywords, category/sub-category, microphones and more.
If you want to get a behind-the-scenes look of how we captured those sounds, head over to our blog here
This fan sound effects library delivers the sounds of a floor fan, a wall-mounted bathroom fan and a hairdryer. It includes sounds such as starts, stops, idle and fans at different speed levels. Need the sounds of actual fans, motors, whirling winds – or imagined flying vehicles – that's what you get 42 minutes of right here.
The 2020 update to Farm Equipment features modern and older tractors, smaller motors including gators and mowers, as well as farm atmos elements like parlor motors and pumps.
All recorded on farms across Devon, uk.
An Italian 1985 Ferrari 308 GTB with a 240 horsepower, 2.9 liter, V8 gas engine.
The Italian 1985 Ferrari 308 GTB sound library shares 290 clips in 18.04 gigabytes of sound. It features the sound of a 240 horsepower, 2.9 liter, V8 gas engine.
11 synchronized takes include both onboard and exterior driving in 34 channels. 13 onboard perspectives detail driving with ramps, steady RPMs, and gearshifts from microphones places in the engine, at the exhaust, and in the interior (including an Ambisonic perspective). The 7 exterior perspectives share arriving, departing, passing, and reversing at fast, medium, and slow speeds.
The field recordings are packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. Also included are 3 custom mixes of the onboard microphones, 18+ fields of professional embedded metadata, and metadata keyword import files in 7 languages.
Recording of an Italian Ferrari 458 from 2013 with a 4.5 L F136 F V8i engine with 7-speed dual clutch.
The Ferrari 458 sound effects collection gathers 197 clips in 14.2 gigabytes of audio. It features a 2013 version of the Italian sports car with a 4.5 L Ferrari F136 F V8i with a 7-speed dual-clutch.
A combined total of 29 channels of audio and 10 synchronized takes capture onboard and exterior perspectives of the luxury car. Microphones placed at the engine, exhaust, and in the interior capture 9 perspectives onboard to capture driving at fast, medium, and slow speeds with ramps, steady RPMs, and gearshifts. Nine further perspectives arrange microphones at four positions to gather starting, stopping, departing, passing by, and arriving.
Packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. In addition, each clip is embedded with 18+ fields of Soundminer, BWAV, and MacOS Finder metadata, with keyword translation import files available in 7 languages.
Recording of a Ferrari 488 from 2016 with a 3.9-litre twin-turbocharged V8 661 horsepower engine.
The Ferrari 488 exotic car sound collection features 302 clips in 19.39 gigabytes of audio. It features the sound of the 2016 Italian sports car’s 3.9-litre twin-turbocharged V8 661 horsepower engine performing in 17 takes.
The sound bundle includes 9 onboard and 10 exterior perspectives. The 21 exterior channels capture the car travelling at fast, slow, and medium speeds on straightaways and around corners at close and distant perspectives. The 10 onboard channels recorded engine, exhaust, and interior driving at steady RPMs, with gearshifts, and with ramps. Also included are starting, stopping, passing, and other exterior maneuvers.
Every sound effect is embedded with over 18 fields of Soundminer, BWAV, and MacOS Finder metadata. In addition, every take is provided aligned and ready for tandem-track mixing and editing in Reaper and Pro Tools session.
Get the roaring sounds of a 1974 Ferrari Dino. This Daytona 246 GT edition Italian made exotic car is a 5 speed manual mid-engine v6, and it's known to be The Ferrari without an exterior Ferrari badge.
53 wave files were captured in 24 Bit, 96 kHz – and the combined recorded driving time is more than 28 minutes.
Channel 1 = Exhaust 1, Channel 2 = Exhaust 2, Channel 3 = Engine 1,
Channel 4 = Engine 2
External Passby Settings:
Stereo in Left and Right Channels
Recording of an Italian 2016 Ferrari F12 with a 140 FC V12, 6.3 litre, gas engine with performance exhaust.
The 2016 Italian Ferrari F12 sound bundle includes 278 clips in 16.87 gigabytes of audio. It showcases the sound of its 140 FC V12, 6.3 litre, V12, gas engine with performance exhaust.
The collection includes 34 synchronized channels of exterior and onboard recordings. 8 exterior perspectives provide driving at slow, medium, and fast speeds while passing by, arriving, and departing. The 12 onboard perspectives include recordings from the interior (with an Ambisonic perspective), engine, and the interior while driving with gearshifts, ramps, and steady RPMs. Also bundled are 3 stereo mixes of the onboard perspectives.
The collection includes Soundminer, BWAV, and MacOS Finder metadata, keyword import files for 7 languages, and Reaper and Pro Tools mixing sessions.
Recording of a super rare Ferrari F40 LM (Le Mans) from 1991 with a V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
The Ferrari F40 LM (Le Mans) sound effects collection features 335 clips in 21.65 gigabytes of audio. The sound library showcases the sound of a 1991 version of the Italian luxury sports car’s V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
A total of 20 synchronized takes depict both onboard and exterior perspectives. The 9 exterior perspectives arrange microphones at multiple locations and distances to record departing, arriving, passing at slow to fast speeds, as well as starting and stopping, and backfire. The 12 interior perspectives arrange microphones at the exhaust, engine, and in the interior to share recordings of driving at steady RPMs, with gearshifts, and ramps. Three mixes of the interior perspectives are also available.
The package includes Soundminer, BWAV, and MacOS Finder metadata in every clip, as well as Reaper and Pro Tools mixing sessions.
This sound collection covers a wide range of sounds produced by this colorful characteristic car. Not only extensive driving sounds but also foley (doors, windows, body tapping, …), horn blasts and engine loops. All in high quality 96/24 BWAV-files, recorded with high end equipment.
The recordings are multitrack. For the onboard recordings you’ll find synchronized recordings of engine, exhaust, cabin. For the roadside recordings you’ll find an ortf stereo pair (on a stand) and a long shotgun mic (handheld, tracking movement)
The Fiat 500 sound fx collection features 263 clips and 17.73 gigabytes of the 2016 Abarth 595 version of the Italian vehicle. The collection gathers 18 synchronized takes of the car’s 1.368 L l4 turbo engine with 158 horsepower and a 5750 Akrapovic exhaust system.
The sound library includes both onboard and exterior perspectives. 10 channels from microphones mounted in the engine, interior, and at the exhaust depict driving at slow, medium, and fast speeds. Performances include steady RPMs, gearshifts, and ramps. The 18 exterior channels share 9 perspectives of the small car starting, stoping, departing, passing, and approaching on straightaways and around corners.
Each track is embedded with Soundminer, BWAV, and MacOS Finder metadata, with bonus metadata import files for Chinese, French, German, Japanese, Korean, and Spanish. The collection also includes carefully mixed quick-access, all-in-one blended stereo versions of the interior, exhaust, and engine stems. The Fiat 500 library is packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
Fiat Panda 169 sound library delivers vehicle sounds of a usual mass production car. The featured model was manufactured in late 2009 and has run about 40.000 miles at the time of recording. With the small 1.1 litre / 55 HP engine it is a lively compact size city car for daily use. The rear muffler already showed some rusty traces of age so that the entire car emits some very characteristic sounds, especially from the exhaust.
For the library the Panda was recorded to 18 takes with 6 onboard mics. These takes feature the car in various driving situations on asphalt, dirt road and gravel. Each take comes as Reaper set with time-aligned tracks from 2 mics in the engine bay, 2 interior mics, 1 wheelhouse and 1 exhaust microphone.
The exterior sounds – that encompass engine on, off, acceleration, approach, stop etc. – are recorded with Sennheiser MS Setup.
Additional foleys of doors, switches, wipers, windows, seat belts etc. are recorded separately with the car´s engine turned off.
Get the sounds of switches, buttons, knobs and handles – recorded inside an old, retired flight simulator donated to the Danish Technical Museum.
This machine used to make aspiring pilots sweat in their seats, putting them through all sorts of mechanical failures, emergency landings, and just plain flying.
There is basically a switch, button, knob or handle to start every single possible emergency situation a pilot and crew may encounter when flying.
When the sound recording started, some of them were partly broken, and others missing, some did not turn or switch, but most of them were still there and worked beautifully. The variety is surprisingly great, and very different from today's modern switch sounds.
91 tracks, recorded with a Sennheiser 416 onto a Sounddevices 702, all tracks Metadata tagged.
Part of the WW Audio Mini SFX Series, for those who want quality recordings without having to buy large libraries, Flypast brings you 10 different models of aeroplane, flying overhead, about to land into Heathrow Airport.
Each model of aeroplane has its own unique sound. If you want that great flypast sound, this library is a must for your collection.
The Fokker D.VII German warplane sound library includes 174 sound effects in 7.44 gigabytes of audio files. The collection features recordings from the 1918 fighter biplane and its 200 horsepower 6 cylinder Daimler D III aü engine.
The sound bundle collects 23 tandem takes. The exterior microphones (4 perspectives) were placed at various locations on the airstrip to capture taking off, flying by, and landing at fast and slow speeds. The onboard microphones (5 perspectives) were placed in the cockpit and engine to record steady flying, starting, flying, taxiing, and stopping. Also included are static engine recordings at various RPMs from all microphone perspectives with additional exhaust recordings. Performed effects of cockpit instruments are also included.
Every clip is embedded with 18+ fields of Soundminer, BWAV, and MacOS Finder metadata.
The Fokker Dr. 1 1917 World War 1 triplane sound fx library includes 200 clips in 8.09 gigabytes. The collection of the famous German aircraft features field recordings of maneuvers from a 9-cylinder Le Rhône 110 horsepower 9J rotary engine.
A combined twenty-two synchronized channels showcase all angles of the fighter plane. Nine exterior perspectives recorded the Fokker idling, taxiing, landing, and passing by both fast and slow. Five onboard perspectives from various locations around the cockpit and engine capture high, medium, and low RPMs while idling, and extended takes of flying at various speeds. Also includes prop spinning performed effects.
Every clip includes 18+ fields of embedded metadata.
Foley Plus is a massive collection of Foley-related sounds including new and unusual footsteps, clothing movement, household/kitchen/bathroom/office sounds, wood and metal creaks, squeaks, scrapes, and so much more you’ll have to check out the track list! Add a big PLUS to your FOLEY library!
Get authentic vintage car sounds with these recordings from a nice, original Ford 1932. This is the first year with Ford's famous sideoiler V8. The car has three gears of which 2nd and 3rd are synchronized. The recording includes engine start, idle and driving at different speeds. At the end of the recording there is also some revving and different rpm's without any gear. The channels are left and right interior surround, engine and exhausts. The recording length is 10 min 20 s.
All files are recorded 24bit, 96 kHz, with Rode NTG1 and Shure VP88 microphones. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds.
Get the sounds of a Ford F-150 2013 truck, captured by Watson Wu. Metadata is included with over 52 minutes of combined recording time split into 85 ready to use wave files. There are onboard, external, and foley sounds, all in high quality 24 bit resolution, 96khz sample rate. This is the right library when you need truck sounds for your film, TV, or game projects. Note that are no interior cab recordings in this package.
Onboard multi-track recordings are in 4 separate mono wave files. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recordings are in stereo wave files. The download is a 1.5gb compressed .rar file (3.45gb Uncompressed).
Channel 1 = Engine, Channel 2 = Near Air Intake, Channel 3 = Exhaust 1, Channel 4 = Exhaust 2
Stereo in Left and Right Channels
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