Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
Recording of a super rare Ferrari F40 LM (Le Mans) from 1991 with a V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
The Ferrari F40 LM (Le Mans) sound effects collection features 335 clips in 21.65 gigabytes of audio. The sound library showcases the sound of a 1991 version of the Italian luxury sports car’s V8 3 litres, double water-cooled F1 turbo engine with 720 hp and a 5-gear transmission.
A total of 20 synchronized takes depict both onboard and exterior perspectives. The 9 exterior perspectives arrange microphones at multiple locations and distances to record departing, arriving, passing at slow to fast speeds, as well as starting and stopping, and backfire. The 12 interior perspectives arrange microphones at the exhaust, engine, and in the interior to share recordings of driving at steady RPMs, with gearshifts, and ramps. Three mixes of the interior perspectives are also available.
The package includes Soundminer, BWAV, and MacOS Finder metadata in every clip, as well as Reaper and Pro Tools mixing sessions.
This sound collection covers a wide range of sounds produced by this colorful characteristic car. Not only extensive driving sounds but also foley (doors, windows, body tapping, …), horn blasts and engine loops. All in high quality 96/24 BWAV-files, recorded with high end equipment.
The recordings are multitrack. For the onboard recordings you’ll find synchronized recordings of engine, exhaust, cabin. For the roadside recordings you’ll find an ortf stereo pair (on a stand) and a long shotgun mic (handheld, tracking movement)
The Fiat 500 sound fx collection features 263 clips and 17.73 gigabytes of the 2016 Abarth 595 version of the Italian vehicle. The collection gathers 18 synchronized takes of the car’s 1.368 L l4 turbo engine with 158 horsepower and a 5750 Akrapovic exhaust system.
The sound library includes both onboard and exterior perspectives. 10 channels from microphones mounted in the engine, interior, and at the exhaust depict driving at slow, medium, and fast speeds. Performances include steady RPMs, gearshifts, and ramps. The 18 exterior channels share 9 perspectives of the small car starting, stoping, departing, passing, and approaching on straightaways and around corners.
Each track is embedded with Soundminer, BWAV, and MacOS Finder metadata, with bonus metadata import files for Chinese, French, German, Japanese, Korean, and Spanish. The collection also includes carefully mixed quick-access, all-in-one blended stereo versions of the interior, exhaust, and engine stems. The Fiat 500 library is packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
Fiat Panda 169 sound library delivers vehicle sounds of a usual mass production car. The featured model was manufactured in late 2009 and has run about 40.000 miles at the time of recording. With the small 1.1 litre / 55 HP engine it is a lively compact size city car for daily use. The rear muffler already showed some rusty traces of age so that the entire car emits some very characteristic sounds, especially from the exhaust.
For the library the Panda was recorded to 18 takes with 6 onboard mics. These takes feature the car in various driving situations on asphalt, dirt road and gravel. Each take comes as Reaper set with time-aligned tracks from 2 mics in the engine bay, 2 interior mics, 1 wheelhouse and 1 exhaust microphone.
The exterior sounds – that encompass engine on, off, acceleration, approach, stop etc. – are recorded with Sennheiser MS Setup.
Additional foleys of doors, switches, wipers, windows, seat belts etc. are recorded separately with the car´s engine turned off.
Get the sounds of switches, buttons, knobs and handles – recorded inside an old, retired flight simulator donated to the Danish Technical Museum.
This machine used to make aspiring pilots sweat in their seats, putting them through all sorts of mechanical failures, emergency landings, and just plain flying.
There is basically a switch, button, knob or handle to start every single possible emergency situation a pilot and crew may encounter when flying.
When the sound recording started, some of them were partly broken, and others missing, some did not turn or switch, but most of them were still there and worked beautifully. The variety is surprisingly great, and very different from today's modern switch sounds.
91 tracks, recorded with a Sennheiser 416 onto a Sounddevices 702, all tracks Metadata tagged.
Part of the WW Audio Mini SFX Series, for those who want quality recordings without having to buy large libraries, Flypast brings you 10 different models of aeroplane, flying overhead, about to land into Heathrow Airport.
Each model of aeroplane has its own unique sound. If you want that great flypast sound, this library is a must for your collection.
The Fokker D.VII German warplane sound library includes 174 sound effects in 7.44 gigabytes of audio files. The collection features recordings from the 1918 fighter biplane and its 200 horsepower 6 cylinder Daimler D III aü engine.
The sound bundle collects 23 tandem takes. The exterior microphones (4 perspectives) were placed at various locations on the airstrip to capture taking off, flying by, and landing at fast and slow speeds. The onboard microphones (5 perspectives) were placed in the cockpit and engine to record steady flying, starting, flying, taxiing, and stopping. Also included are static engine recordings at various RPMs from all microphone perspectives with additional exhaust recordings. Performed effects of cockpit instruments are also included.
Every clip is embedded with 18+ fields of Soundminer, BWAV, and MacOS Finder metadata.
The Fokker Dr. 1 1917 World War 1 triplane sound fx library includes 200 clips in 8.09 gigabytes. The collection of the famous German aircraft features field recordings of maneuvers from a 9-cylinder Le Rhône 110 horsepower 9J rotary engine.
A combined twenty-two synchronized channels showcase all angles of the fighter plane. Nine exterior perspectives recorded the Fokker idling, taxiing, landing, and passing by both fast and slow. Five onboard perspectives from various locations around the cockpit and engine capture high, medium, and low RPMs while idling, and extended takes of flying at various speeds. Also includes prop spinning performed effects.
Every clip includes 18+ fields of embedded metadata.
Foley Plus is a massive collection of Foley-related sounds including new and unusual footsteps, clothing movement, household/kitchen/bathroom/office sounds, wood and metal creaks, squeaks, scrapes, and so much more you’ll have to check out the track list! Add a big PLUS to your FOLEY library!
Get authentic vintage car sounds with these recordings from a nice, original Ford 1932. This is the first year with Ford's famous sideoiler V8. The car has three gears of which 2nd and 3rd are synchronized. The recording includes engine start, idle and driving at different speeds. At the end of the recording there is also some revving and different rpm's without any gear. The channels are left and right interior surround, engine and exhausts. The recording length is 10 min 20 s.
Get the sounds of a Ford F-150 2013 truck, captured by Watson Wu. Metadata is included with over 52 minutes of combined recording time split into 85 ready to use wave files. There are onboard, external, and foley sounds, all in high quality 24 bit resolution, 96khz sample rate. This is the right library when you need truck sounds for your film, TV, or game projects. Note that are no interior cab recordings in this package.
Onboard multi-track recordings are in 4 separate mono wave files. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recordings are in stereo wave files. The download is a 1.5gb compressed .rar file (3.45gb Uncompressed).
Channel 1 = Engine, Channel 2 = Near Air Intake, Channel 3 = Exhaust 1, Channel 4 = Exhaust 2
Stereo in Left and Right Channels
A full library of recordings from a 2009 Ford Fusion Plus with a 1.6 litre Duratec petrol engine. Includes door opens and closes, windows up and down, seatbelts, switches, buttons, engine turn key, start and idle, revs and more. Recordings made using Sennheiser MKH416, 8050 and Rode NT5 mics into a Zoom F8 and F4, plus some additional recordings using a JRF contact mic.
Also includes three 7+ minute continuous driving interior ambisonics (Ambix B format) recordings with synced mono engine bay recordings. Covering turn key and start, driving through the countryside up to 60mph on dual carriageway, into the city and stopping. Made with Sennheiser Ambeo and ME2 mics.
If you need a no-nonsense, great quality library of an ordinary car, not a fancy flashy sports car as I often do, then this is the library for you! Everything is delivered in 24 Bit / 192 kHz making it useful for sound design purposes too. Need a massive metal impact? Pitch down one of those doors!
All files contain extensive metadata in both Soundminer and BWAV formats.
This library has an extensive collection of sounds from a well-used 1990 Ford Ltd Crown Victoria with a 4-speed AOC automatic transmission. With its 302 cubic inch, 5 liter, V8 engine, rated 152 horsepower, you'll get thick beefy growls from this Ford. The library includes all kinds of driving at various speeds, cruising, startups, shutdowns, reversing, driving at constant RPMs, gearing, various accelerations and decelerations, and long and short ramps.
Some foley is also included: doors, hood functions, parking brake and gear shifter, and IR sweeps. With 12 onboard channels covering several interior, engine and exhaust perspectives, and 13 exterior channels with microphones positioned at different spots around the recording location, you'll get up-close approaches, aways, passbys and more at different speeds.
Extensive recording session of a 1970 Ford Mustang ” Mach 1 ” . The Mach 1 is a performance-oriented model of the Ford Mustang, its 351 cu in (5.8 L) Cleveland V8 produces 300 HP.
This library contains onboard ( up to 8 mics ) , exterior and all the spot effects and foley you’ll need ( doors, windows, seatbelt, trunk, indicators… )
For greater edit possibilities, the exterior tracks were recorded with various microphones setups :
– static wide AB array
– static Cinela LCR array ( ORTF + Center )
– Neumann KMR81 shotgun mic following the car
For the onboard setup, here’s what you’ll find:
– 2 mics in the engine ( static omni + dynamic cardioïd )
– 3 mics on the exhaust ( lavalier + static cardioïd + dynamic omni )
– MKH 8040 ORTF + a hidden lavalier inside the cabin
Foley and spot FX were recorded with the Neumann KMR81 and Sennheiser 80XX LCR setup
All the sounds are 96 kHz / 24 bits and most importantly embedded with exhaustive metadata for improved search results, including a detailed description, microphone names/setup, etc…
Metadata compatible with Soundminer, Basehead, etc…
A selection of recordings of a 1960 Ford Prefect, including starts, stops, passes and ride.
The first mini-library from Immersive FX – all you need for a nice old UK car scenario:
Recording of an American 1995 Ford Probe with a 2.0 litre 118 horsepower (88 kW) I4 4 cylinder engine with a 5-speed manual gearbox performing a variety of maneuvers in 12 synchronized takes.
The 1995 Ford Probe sound effects library includes 304 clips in 20.35 gigabytes of audio. It showcases the classic car’s 2.0 litre 118 horsepower (88 kW) I4 four-cylinder engine with with a 5-speed manual gearbox performing a variety of maneuvers in 12 synchronized takes.
9 exterior perspectives arranged at four locations capture departures, arrivals, and passes at slow, medium, and fast speeds. The 10 onboard perspectives and three mixes tracks capture recordings from the interior (including an Ambisonic perspective), exhaust, and engine while the car drives with gearshifts, ramps, and at steady RPMs. The package also includes a handful of door, turn indicator, and other performed fx. Each track is recorded to professional recorders using microphones from DPA, Sennheiser, Neumann, and others.
The bundle is delivered with Reaper and Pro Tools mixing sessions, and 18+ fields of professional Soundminer, BWAV, and MacOS Finder metadata.
If you are looking for some specific minivan sounds or just some good allround truck/minivan sound, look no further !!
This soundpack contains everything from car foley (windscreen sounds, seatbelts, gears, … …) to driving sounds on different surfaces, at different speeds and from different angles.
The driving sounds each have an interior perspective as well as motor and wheel perspective.
Recording gear: Sound Devices 633 / DPA 4017B/ Schoeps CMC5MK41 / Nevaton MC403 / Tram TR50 / DPA 4060 .
Old and new types of freight trains recorded with a high quality binaural dummy head. All tracks are recorded up close to capture all the characteristics of each freight train.
This sound library gathers the heavy, powerful sounds of freight trains, and the scream and chatter of transport rail cars.
Takes include idling, approaching, departing, and passing by. There are rail squeaks, screeches, and clatters. Each engine is carefully documented with its locomotive type and version, and is listed in full Soundminer metadata.
Recording of a Polish FSC Lublin-51 military truck from 1951 with a 4-gear, inline 6 cylinder, 3.5L gasoline engine. Also known as the GAZ-51, North Korean Sungri-58, and Chinese Yuejin NJ-130.
The FSC Lublin-51 truck sound fx bundle includes 390 clips in 33.2 gigabytes of audio. The collection showcases the sound of a Russian-licensed Polish 1951 military truck and its 4-gear, inline 6 cylinder, 3.5L gasoline engine, also known as the GAZ-51, North Korean Sungri-58, and Chinese Yuejin NJ-130.
A total of 12 synchronized takes depict recordings from both onboard and exterior perspectives. The 10 exterior POVs include departures, passes, and arrivals from multiple positions and distances. The 16 onboard perspectives arrange microphones at the exhaust, in the engine, and interior (including an Ambisonic perspective) to record driving at steady RPMs, gearshifts, and ramps. Also included are custom mixes of the interior perspectives and performed sound effects of doors, switches, horns, and more.
Bonus materials include Pro Tools and Reaper mixing sessions, 19+ fields of professional embedded metadata, impulse responses, and import documents for keyword translations in 7 languages.
The Polonez 1500 police car sound fx library features 649 clips in 28.01 gigabytes of audio. It showcases the sound of a 1984 Polish FSO car with an inline 4, four-stroke engine running at 75 horsepower.
The collection includes 30 tandem takes from onboard and exterior perspectives, as well as 4 stereo mixes of the engine, interior, onboard, and siren tracks. Ten exterior perspectives document driving at slow, medium, and fast speeds while departing, passing, arriving, and starting and stopping. The 11 onboard perspectives feature ramps, gearshifts, and steady RPM driving from the interior (including an Ambisonic perspective), engine, onboard, and exhaust. Also included are ready-to-use designed mixes of the interior, engine, and exhaust perspectives as well as performed effects of doors, horns, sirens, brake pedals, and more.
The package includes full Soundminer, BWAV, and MacOS Finder metadata, Pro Tools and Reaper mix sessions, and impulse responses of the interior.
This collection features 111 interior and exterior stereo recordings of the FV432 Armored Personnel Carrier Tank as it is put through its paces. These effects have hand picked from the Sound Ideas Military Tanks library.
Game Audio Engines sound library was built from 311 WAV files, with a total length of 193 minutes. It features recordings of 22 different cars. Inside you’ll find engine on / off sounds, idle loops, rpm loops, rpm ramps, interior recordings and stems. Each car features a different set of recordings, and you can see the exact specification in the table down below. Cars that are part of this library:
Need airport sounds and ambiences? This collection provides good coverage of the common and domestic areas of a modern airport. In total, 19 different recording locations inside the Norwegian airport of Gardermoen have been recorded. A picture from every location is also included for reference.
All files that contain PA announcements have added metadata with a short description of the message. This makes it easier to find the correct announcement for your project. The majority of the announcements are done in both Norwegian and English which is convenient for non-Norwegian speaking sound editors.
Gardermoen airport is the largest airport in Norway, located 35 kilometres northeast of Oslo. Gardermoen is the main international airport in Norway and acts as the main domestic hub. It is also the second busiest airport in the Nordic countries, connecting around 30 domestic and 120 international destinations. In 2014 more than 24 million passengers traveled through Gardermoen.
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