Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
The Black Hawk UH-60M sound fx collection features 1,145 sound clips in 44.39 GB from an American military helicopter performing during a military exercise. This bundle gathers 44 takes of tandem maneuvers from two General Electric T700-GE-701D engines with cowling.
This sound library includes both onboard and exterior field recordings. The onboard recordings include 3 perspectives of the vehicle idling with rotors and turbine at low, high, and medium speeds, including an Ambisonic take. The 22 exterior perspectives include 49 channels of the chopper starting, taking off, passing by, landing, and shutting off. There are also a wide selection of stationary idles from close, medium, and distant perspectives in front, behind, and to the side of the Black Hawk at high to low RPMs. Ambisonic, surround, and double MS perspectives join stereo and mono takes. The collection is complimented by a wide variety of cockpit instrument performed effects, doors, and more.
Bonus: Pro Tools and Reaper session files align each take for easy editing and mixing. Over 18 fields of professional metadata embedded in every clip.
Resonating metallic creaks, groans, impacts, rattles and tremors from two variations of the BlueBird cargo bicycle.
This library covers all the possible perspectives, featuring recordings from the metallic box interior, exterior and contact.
All sounds were recorded using DPA 4060 stereo pair, Jez Riley French C-Series contact microphones, Schoeps CCM4/CCM8 Mid-Side microphone and the Sound Devices 788T.
Mid-Side recordings are presented in their raw, uncoded format as well as decoded stereo files for efficient editing. Recordings have been processed using the Control V2 plugin by Brainworx.
This library features a Soviet tank BMP-1 with a 6 cylinder water cooled diesel engine. The recordings consist of 13 channels, 7 interior (front and rear), 2 exhaust, 1 track, 1 air intake and 2 from the turret pointing forward. It contains startups, stops, idling, blips, driving, as well as exterior surround drive aways, approaching and more. Add a little history to your sound design with this Eurasian AFV.
Want the engine sounds of a BMW? THe BMW 114i sound effects library features 47 WAV files with total length of 125 minutes, recorded in 96kHz/24bit using Sound Devices 702, Oktavas MK012, Rode NTG and Sony PCM-M10. This library includes the sound of the engine.
You will find sound of different driving styles, slow rpm increase and decrease for game implementation, steady rpms, casual driving, and aggressive accelerations with sudden gear shifting.
In addition to the engine sound, You’ll find foley like opening/closing doors, windows, hood, turning lights, horn and more. The last thing are passes and accelerations recorded from the outside. Different speeds and perspectives recorded in mono and stereo at the same time. Every file was tagged in ProTools 11 for quick and easy searching.
BMW 325i – 2006 contains various engine sounds from interior and exterior revs, single rpm revs from 1-6k, and engine starts and stops. This library also contains a variety of Foley sounds of the car's trunk, hood, doors, windows, ashtrays, seat belts, and more.
The BMW 420D Gran Coupe sound library delivers 72 files recorded with a Zoom F8, Sound Devices 702, two Sennheisers MKH 8040, two DPA 4061 microphones and Rode NTG3.
Inside you’ll find engine recorded under the hood, exhaust and inside drivers cabin (all in sync), exterior passes recorded in mono following a car and static stereo ORTF perspective.
Pass-by sounds cover different speeds, from 15kmph up to 140, reverse, engine on and off, stopping and driving away.
In addition there are foley recordings included, covering opening and closing doors, back, windows, handbrake and the seat belt mechanism.
Attention petrol heads and sound producers! FLYSOUND brings you the sound library for the BMW 520i, 1990 model. This classic ‘boomer/beemer’ (depending on your culture’s pronunciation of course) has been recorded with our top-class Neumann, Schoeps, and Sennheiser microphones, revving through a full range of speeds, including top speed. We also recorded it drift! For all relevant projects, enjoy.
The BMW 530D vehicle sound effects library was recorded with two track Sound Devices 702 recorder on the streets of Poland. Foley was captured with mono Rode NTG3 microphone. The engine sounds were recorded with two DPA 4061 omni microphones set under the hood.
The car sound effects were captured during regular driving, accelerating and decelerating. Engine was recorded in two different configurations with one mic in engine compartment and exhaust, and other one with two microphones set under the hood.
In addition to designed files, this library features RAW sounds pulled straight out of the recorder. In this 124-minute sound library you will find engine recorded onboard and outside, passby sounds, foley and engine recorded inside vehicles cabin.
The car is a beast and we recorded it in all its beastliness, at varying speeds from its soft metal purr to its ferocious roar, on the test track, inside and out, with all the very best equipment. From many angles, we used the following microphones: Interior – Neumann U 87 and Sennheiser Ambeo; Engine – Schoeps CMC6 MK4, Neumann KM 184; Exhaust pipes – Electro Voice ND 868, DPA fastening; Outside points – Sennheiser MKHs 70 & 416, and also again the Neumann U 87. If your project needs the sound of a great car, recorded in a great way, get it here.
This bundle features recordings of sounds from 4 BMW cars:
The recording of a real BMW E-36 racecar with a Toyota Supra 2JZ engine, captured in a dynapack. Features ignitions, idles, low and hi accelerations and revolution sweeps.
The library features 7 and 9-channel recordings:
3 engine channels: AudioTechnika 8015, Sennheiser 416, Sennheiser 840
4 exhaust channels: Sennheiser 418S (MS), Shure SM 58, Octava 015
and interior 2 channels recorded with Neumann 185 MT stereo pair (not for all)
Gear Used: AudioTechnika 8015, Sennheiser 416, Sennheiser 840, Sennheiser 418S, Shure SM 58, Octava 015 and Neumann 185 MT stereo matched microphone pair with Taskam HS-P82 and Sound Devices 702 recorders
Recording of a German BMW E30 318i from 1988 with a M50b25 2.5 liter, straight-6 cylinder, gas turbo tuned engine with custom 3” exhaust.
The German BMW E30 318i sound collection gathers 194 clips in 18.87 gigabytes of audio. It shares the sound of a 1988 M50b25 2.5 liter, straight-6 cylinder, gas turbo tuned engine with custom 3” exhaust.
A total of 10 takes share both onboard and exterior field recordings of driving. The 9 exterior perspectives catalog departing, arriving, and passing by at slow, medium, and fast speeds. An additional 10 interior perspectives showcase recording from the engine, exhaust, and interior while driving with steady RPMs, ramps, and gearshifts.
The sound library includes three custom stereo mixes of the onboard recordings, Pro Tools and Reaper mixing sessions, 18+ fields of Soundminer metadata, and text files of translated search keywords in 7 languages, ready for import into your favourite metadata app.
Get the sounds of a BMW F12 640D with a twin turbo 313HP diesel engine. The recordings covers different driving sound effects like regular driving, accelerations, reverse, engine on/idle/stop. In addition to engine recorded onboard (two microphones under the hood, exhaust and interior in sync) there are exterior passes covering different speeds, from 30 up to 180 kmph, stopping, driving away slowly and fast, reverse. Last but not least there are a few foley files as a bonus. The whole library was recorded with Sound Devices 702, Zoom F8, 2x Sennheisers MKH 8040 and 2x DPAs 4061.
The BMW K100 rs Motorcycle library was recorded by placing 2 dpa 4060s on the engine, and two ME4 on the bike itself.
I then used a pair of cm3s to catch drive bys, and a few takes of driving with the boom pointed at the muffler while riding.
It contains wild foley of clicks and gear changes and sound of engine servo before ignition starts.
It is straight forward and has many different varieties so that you will be able to us it for all of your applications. Feel free to inquire about special sounds or takes before you buy here.
Recording of a German 2014 BMW M4 luxury car with a 3L turbocharged straight-six petrol engine modified with cat back.
The German 2014 BMW M4 luxury car sound bundle includes 189 clips in 15.67 gigabytes of audio. It showcases the sound of a 3L turbocharged straight-six petrol engine modified with cat back.
The sports car library includes 10 synchronized takes of onboard and exterior driving. The 11 onboard perspectives collect recordings from the engine, interior, and exhaust as the car drives with steady RPMs, gearshifts, and ramps. A total of 7 exterior perspectives feature slow, medium, and fast driving as the sports car departs, arrives, and passes, along with idling, starting, and turning off.
Also included are custom stereo mixes of the onboard recordings, Pro Tools and Reaper mixing sessions, 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments, and metadata keyword import documents in 7 languages.
'BMW X5M' by Flysound is a comprehensive sound catalogue for this highly-tuned performance champion. The suite of 328 recordings is a systematic compilation authored by a dedicated full service post-production team, deploying Neumann U87s, Neumann USM69, Sonosax, Sound Devices 788Ts, Aaton Cantar-X2s, and further top quality recording equipment.
The subject of the suite is a 750 horsepower high-performance road dominator, while also remaining the dream car for suburban soccer moms. Our BMW X5M and its professional driver have been tracked from a myriad of angles and distances, both external and onboard, from the moment the doors close and a seatbelt fastens, right down the gamut of revs, take-offs, turns, passes-by, skids, pedal slams, handbraking, gearshifting, and panel buttoning galore with all the corresponding actions as the BMW's fabled “M” division SUV variant peels away fast, chugs along slow, or just cruises an everyday commute. In short: Everything you'll need, all the maneuvers manifested by the immensely powerful and versatile 4.4 litre bi-turbo gasoline engine, here in this suite.
The symphonic grace of this German masterpiece in motion is captured with orchestra-grade studio equipment and field kit, by professionals, for professionals, ready to be used as authentic sound, ready to be arranged into seamless edits and proper 5.1 post-production. The 96kHz/24bit synced and multi-channel recordings have comprehensive metadata tags giving full position, microphone, and action detail. This catalogue constitutes the canon of sound for BMW X5M (M for motorsport), whether you seek the sound of a high-octane road ruckus, or an everyday trip to the supermarket. The suite is parked here, ready to give you the exact audio you need.
Welcome to the first comprehensive collection of BMX extreme sport riding sound effects. Diverse environments, surfaces, obstacles and bikes are at your fingertips now.
Captured at 192 kHz 24 bit high resolution with a gear such as ultra-bandwidth Sanken CO100K microphone, the files are ideal source for awesome slow motions, as well as for realistic and creative sound design in general.
• rides, pass bys, jumps, bumps, lands, crashes, tricks, grinds, squeaks, skids and other effects
• divided into Big Ramps and Street Freestyle folders
• both indoor hall and outdoor street locations
• gravel to smooth surfaces
• usually several variations in each file
• natural dynamic range
• professional gear used – Sanken CO100K, Sennheiser MKH 416, MKH 30, Sound Devices 788T, Zoom F8
Also included in LT Underwater Bundle 2!
The library has been recorded on small and medium-sized trip motorboats in Montenegro, Adriatic Sea. Rather than image of a specific boat model, this collection includes a set of universal elements with plenty of variations and perspectives, both realistic sources and stylized designs.
Boat ride / overwater – engine roar with more or less rushing water hiss, mic onboard
Boat ride / overwater – without the sounds of engine – universal rushing water around a fast moving object
Boat ride / underwater – sounds of a fast movement underwater
Waves splashing on a hull / underwater – boat is not moving, different wave intensities
Designed underwater – adding more interesting variations and emotions to the previous categories – stylized / multi-layered / spacious / diffused / distant / deep / eerie
Ambient Sound Fish 1 MKII hydrophone – includes ultrasonics
Aquarian H2A hydrophone
Sound Devices Pre6 recorder
Sony PCMD100 handheld recorder
Rode SoundFiled NT-SF1
• 94 files – 19 source overwater, 20 source underwater, 55 designed underwater
• 24 Bit / 96 kHz native resolution mono/stereo
• meta-tagged in Soundly
• each filename includes the full tag line
This library gets you both the sounds of a tugboat / motor engine boat, as well as a sailboat.
It delivers powerful boat engine sounds such as accelerations, stopping and idle sounds. You also get radio VHF chatter, cabin roomtone, splashing waves, the sounds of anchors being dropped and handled and mainsail hoisting sounds. There’s also lots of ropes creaking and squeaking, winches, furlers, genoas flapping and raising, sailboat interiors with light swells. Finally, it includes some quiet ambiences from a big city marina.
So if your project calls for boat sounds, there’s lots to work with here:
Vehicles: Boats 1: Ferry Sound FX is a sound library of three types of ferry boats: a 7-ton, 12,000 horsepower car and passenger ferry, a 400-person SeaBus ferry, and a small 12-person AquaBus ferry.
This collection highlights field recordings captured while riding the vehicles. There are a variety of tracks from holds and positions on the boats: upper, lower, and mid-holds, as well as recordings at the prow and stern. These tones can also work as industrial tones as well. This boat sound library also includes maneuvering and bow wash tracks. Includes over 15 fields of Soundminer metadata.
Recording of a 1945 Boeing B-17G Flying Fortress from World War II, an American heavy bomber with four Wright R-1820 Cyclone engines.
The Boeing B-17G Flying Fortress sound fx collection includes 190 clips in 10.81 gigabytes of audio. It showcases the sound of the Sally B, a 1945 American heavy bomber with four Wright R-1820 Cyclone engines.
A total of 26 synchronized field recordings share 9 onboard and 9 exterior perspectives. The onboard microphones were placed in the cockpit, the bomb bay, nose, and engine to capture multiple steady RPMs and engine swells. Exterior microphones were arranged around the bomber and airstrip to record flyovers, takeoffs, landings, and taxiing. Also included are performed effects of switches, cawl flaps, alarms, switches and more.
The collection includes Reaper and Pro Tools sessions for easy mixing, as well as full Soundminer, BWAV, and MacOS Finder metadata in every clip.
40 professionally recorded aircraft – features the Red Arrows, RAF Tornado jet fighter, Hurricane and Spitfire aircraft, and many more.
Brazillian Airports & Plane Journeys is a comprehensive collection of various ambiences and environments. All of the main areas of the airports are covered, including check-in, baggage check, food halls and departure gates. In addition to this, all of the major interior plane phenomena such as coasting, take off, landing and in flight are also included.
The majority of sound files in the library are over ten minutes in length, giving you a huge pool to source your audio from.
With Brazilian Airports & Plane Journeys you will never be left wanting for airport or passenger ambiences again.
Recording of a Polish/Russian 1964 BRDM-2 armoured personnel carrier from the Cold War-era with a 4-gear V8 gasoline 5500cm3 engine in a total of 28 synchronized channels.
The 1964 BRDM-2 armoured personnel carrier sound library features 355 clips in 27.49 gigabytes of audio. It showcases the sound of a Cold War-era APC and its 4-gear V8 gasoline 5500cm3 engine in a total of 28 synchronized channels.
The 14 onboard perspectives include microphones placed inside (including an Ambisonic track), on the engine, and at the exhaust to capture driving at steady RPMs, with gearshifts, and ramps. 12 exterior perspectives arrange multiple microphones to record departing, arriving, and passing by at slow, medium, and fast speeds. Also included are performed effects of levers, switches, the turret, and more, as well as 3 stereo mixes of the interior perspectives.
The sound library is packaged with Pro Tools and Reaper mixing sessions, Waves, Altiverb, and starter pistol impulse responses of the interior, and full professional metadata in every clip.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
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