Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
Vehicles: Transit Train Sound Effects features 230 sound clips of dozens of transit trains: subways, monorails, people movers, streetcars, and more, totalling 4.66 gigabytes
Includes recordings from Toronto, Vancouver, Berlin, New York City, and Mexico City.
Looking for authentic ambient sounds of Japanese transportation? Look no further! Field recordist and composer Ryan Ayers travelled to Japan in April of 2019 and captured this wonderful collection. His journey took him from Osaka to Tokyo to Fukuoka and all points in-between. Travel aboard the trains of the JR, the famous Shinkansen, the Hanyu Ferry and more! Explore the train platforms and station terminals of Osaka. Get lost in the Kansai International Airport. There is a subway noodle shop as well as specialty food markets. Authentic walla and natural activity give this collection the ear candy necessary to be an integral part of great soundscapes.
This is a purely recorded sound pack. Nothing is synthetic or layered here. What you hear is exactly what was captured on location. We edited and mastered the files to bring out the best parts of the recordings. Most of the recordings have been ready-made into loops for ease of use. As always, we have embedded the files with detailed metadata for easy database searches.
This sound pack features the perfect transition and movement sounds for any film, tv or animation project. With 91 sounds in total, they have all been carefully sound designed using a variety of top class plugin processors.
All files are meta tagged in Soundminer so you can easily find them with simple search terms. See a full list of the sound pack below:
• Ambient Sub Movements
• Shutter Oscillations
• Whooshes & Swishes
62 High Quality WAVS (8:30 mins)
Size Unpacked: 540MB
Sample Rate: 96kHz/24bit
Gear Used: Sennheiser MK416, Soundtoys, Altiverb, Pro Tools
Other Info: Meta-Tagged
Transport features dozens of vehicles recordings – cars, trains, trucks, planes, motorbikes, etc., – that have taken place in a urban environment, covering your needs for background transportation. The goal of this library is to help sound editors quickly find that background traffic that is often needed. All the recordings are ready to be used in a non-intrusiveness way in any media where vehicles play a remote or central role.
Kicking off our brand-new series “Noisy Places”, TRANSPORTATION is a comprehensive ambient collection with a broad spectrum of crystal-clear vehicle recordings.
Background Vehicle Recordings
All recordings – often loopable – have been either performed from a distance or exhibit enough subtlety, atmosphere and unobtrusiveness to be perfectly suited for all kinds of background settings and applications, giving them a serene, almost naturalistic feel.
Authentic Ambience Toolkit
Build your acoustic backdrop that sounds organic and grounded while keeping the familiar human touch and making the listener more aware of their acoustic surroundings. While a good soundtrack can help in introducing a world to the audience, a believable acoustic setting completes the arrival, especially when standing on its own – one of this library's major strenghts, next to its ability to blend in with more frontal sound design and its varied line-up of motorized vehicles: On the road, rails, water and airborne with both interior ambiences and exterior recordings.
Acoustic Purity and Flexibility
TRANSPORTATION is one of the most flexible ambient libraries, thanks to its acoustic purity and isolation of targeted sounds, allowing you to design exactly what you need without any unwanted, arbitrary noise to worry about. A strong addition to your sound pool that will enhance, or perhaps even replace earlier designs.
Only ground transportation. Sounds of cars, engines and bikes. 63 sounds to enhance your story telling
Transportation – Ambiance
A great collection of ambisonic ambient recordings performed at various transportation locations.
It is aimed to provide you with great spherical content to wrap your dialogue or main-focus content, allowing you to create a convincing and immersing soundtrack.
You will find recordings such as a Train car interior, Jet airliner interior, multiple cars interior under different driving conditions, Bus interior, public transportation stations and much more.
This package includes 68 Samples.
A total 2h 37m of content.
Stereo files sampled @ 96Khz / 24bit.
Recording of a 12-meter trawler fishing boat with a Hundestedt Hotbulb 2-cylinder, 78 horsepower engine with a range of 80-480 RPM per minute.
Get up close and personal with British engineering in this superb motorcycle sound library!
This library is sampled from a brand new 2017 Triumph Street Twin 900 cc motorcycle. It combines classic motorcycle engineering with modern technology to create a truly unique sound.
In this library you get a large variety and perspectives of revs, idles, drive bys up to 50 mph, drive ups, drive aways, engine breaking, onboard driving, accelerating and more! Enjoy feeling like you’re riding this brand new modern vintage motorcycle!
Recording of a 1927 tugboat with a Deutz VM 145 4-cylinder engine with 200 horsepower at 300 RPM in 30 synchronized takes.
Get the sound of the Tunturi Maxi ‘Pappatunturi’, a Finnish moped model from 1974 with 2 gears and pedals. The library features external, onboard and foley recordings. OnBoard recordings feature 3 different channels: Engine1, Engine2 and Exhaust. All 3 channels of OnBoard sounds can be layered and will line up nicely in your audio editor.
TURBINE is a revolutionary sound design plug-in that gives you access to a wide range of authentic virtual engines based on their real-world counterparts. Over the last 4 years of intense research and development we shaped this breakthrough software tool that revolutionizes the way we do sound design. TURBINE is here to blow your mind and to simplify your work in so many ways.
You can change and automate all parameters in real-time, giving you full control over the final result.
1. A free license management software
2. A portable USB device that must be purchased separately. Please note that a lot of software plug in creators use the iLok system, so if you already own a 2nd generation (or newer) iLok USB device, you don’t need to purchase another one and if you purchase an iLok USB device now you can use it with software from other manufacturers (one iLok to rule them all).
An iLok device can be purchased directly at ilok.com or – if you want to purchase from outside the USA – here. Additionally, you can get an iLok device from the most music or audio software retailers.
A 2nd generation (or newer) iLok USB device must be plugged into your workstation to run our TURBINE software. Without a 2nd generation (or newer) iLok device, the TURBINE software will not load. This applies to both editions, the free trial and the full version. When plugged into your workstation, our software will recognize your license and you can work with it.
A collection of ambiences from underneath every railway bridge crossing the Thames in London. Most recordings are dynamic enough to allow for easy isolation of train sounds for use as an individual effect, with periods of quieter urban and suburban soundscapes in between – 2 kinds of library for the price of one, essentially.
All recordings made with a pair of DPA 4060s into a Tascam Dr-100mk3.
An underground parking is a place where you don’t feel safe. A squeaky door, a car in approach or simply someone playing with keys. Once again you will have a lot of possibility with those surround sounds for creating space and depth.
Electromagnetic informations are invisible and omnipresent. In every city, especially the big ones, an infinite number of electromagnetic waves is hidden: we can’t hear them, but they’re everywhere! Unseen Noises explores the “invisible” noise pollution transducing electromagnetic fields into audio signals with a telephone pickup: it acts like a radio antenna for hum and weird electromagnetic noises.
“We used telephone tap coils that receive electromagnetic signals around us and convert them into audible information to discover invisible and surprising aspects of the environment in which we live in.
To widen our sound palette, we explored cell phones, tablets, light systems, automated teller machines, wireless communication systems, anti-theft security devices, surveillance cameras, computers, navigation systems, wireless Internet routers, neon advertisings, public transportation networks.
We just used the system of electromagnetic induction as way of amplifying musical sounds. Our efforts were focused on finding “articulated” behaviours and other musical qualities in them.
Note that the files contained in “Unseen Noises” are real performances executed on different devices without editing.” – Matteo Milani
This library features a Ural 4320, a Russian 6×6 off-road military truck equipped with a 14.9 litres diesel V8 engine. The recordings consist of 10 onboard channels (interior left and right, three engine, two exhaust, intake, airfilter and air pipes) and 8 exterior tracks covering various perspectives. The library contains startups, idling, blips, shutdowns, steady RPMs in neutral, driving at various speeds, accelerations, decelerations, gearing, reversing, aways, approaches, passbys, foley and more.
Iconic military truck recorded from all sides and at various distances. There are slow, medium and fast drive-bys, departures and arrivals. The interior was recorded quadraphonically. The exhaust system was taped, as was the engine from under the hood. Microphones used were the Neumann U87, Sennheiser MKH 70, Sennheiser MKH 416, Violet Design’s ‘Amethyst’, and the Schoeps CMC MK4. Also recorded were the doors, gas pedal, wipers, gearbox and ventilation system of this general-purpose off-road beast.
Recording of the Russian 1944 IMZ-Ural Dnepr M-72 motorcycle with a 2 cylinder boxer 750cm3 engine with a 3 gear transmission.
The IMZ-Ural Dnepr M-72 motorcycle sound fx library features 377 clips in 15.35 gigabytes of audio. Also related to the BMW R-71 and Chinese CJ750 Chang Jiang, it features a 1944 version of the World War 2 Red Army bike with a 2 cylinder boxer 750cm3 engine with a 3 gear transmission.
A total of 20 synchronized takes share onboard, exterior, and performed Foley effects. The 9 onboard perspectives place microphones on the headlight, seat, exhaust, engine, and in the sidecar to record driving with steady RPMs, ramps, and gearshifts. Three pre-rendered mixes of the engine, exhaust, and onboard microphones are also available. A total of 10 exterior perspectives share idling, starting, stopping, departures, passes by, and arrivals at slow to fast speeds.
The package also offers Pro Tools and Reaper mixing sessions with professional metadata embedded in every clip.
The Ural M72 1943 is 750 cc Soviet WWII motorcycle that is bleeding with class. This sound pack captures this hog with a 4-channel that is nearly six minutes in length. With two mics on its exhaust, one on the engine and one onboard, you get the engine starting, stopping, revving, driving and a surround pass by. This motorcycle sounds just as it looks—beefy!
The Urban Elements sound effects library delivers all of the sonic ingredients you need to seamlessly customize your city environments. Fill out your metropolitan soundscape with over 300 city recordings captured by sound designer Eric A. Norris (Ford v Ferrari, Spider-Man: Homecoming), including vehicles like cars, buses, and motorcycles, plus tire squeals, isolated horn honks, pedestrian vocalizations, emergency sirens, and more.
Recorded above the constant sonic energy of the iconic Hollywood & Vine intersection in Los Angeles, these pristine, indirect city sound effects were captured with a natural reverb that blends perfectly into any city background. Build your urban environment with the sounds of helicopter flyovers, street drummers, trash can clatters, car alarms, and more. Create sonically rich and realistic downtown cityscapes with the flexibility of clean, individual elements of urban life.
Descriptive embedded metadata helps you find exactly the sound you need to quickly find the components you need to start creating your bustling boroughs and active city-centers.
Welcome to the world's biggest explosion sound effects library:
When you carry the word „BOOM“ in your company name, your first dedicated explosion sound effects library should be a decent one. For the recordings, we teamed up with the sound department of EA DICE (Battlefield, Star Wars Battlefront) and we created the biggest explosion sound FX library ever. DICE uses the recordings heavily to impressively blow up the world in their AAA title Battlefield V and now you can get the recordings and our ready-to-use designed sounds in stereo and 5.1 surround for your very own projects. It’s a highly explosive pack with 13.4GB of explosion sound effects.
Recorded in real urban environments
Why Urban Explosions? Most explosions in movies, games or trailers don’t happen out on a plain field, they happen in urban environments with buildings around them that shape the character of the explosion sound in a very specific way. The special thing about our urban explosions sound FX library is that it has been recorded in a real urban environment, so you get super-realistic reverbs and tails instead of artificially processed post-production reverbs or tails that don’t sound urban at all. For the sake of completeness, we also recorded a non-urban explosion on a plain field, so you’re covered here as well.
Multi-Channel Recordings with up to 42 Channels
We had a lot of microphones with us and we placed them in all possible positions around the explosion spot. We have very close mics, close mics, medium distance mics, distant mics, mics in front of buildings, mics behind buildings, mics inside of buildings. Each explosion in the URBAN EXPLOSIONS CONSTRUCTION KIT comes with a minimum of 24 channels, including a 4 channel ambisonic file, so you can simply drag all channels to your DAW and easily mix the sound exactly as you want.
You’re looking for a more supernatural sound or your mix misses a bit of impact, smack, punch, tail, cackling, rumbling or character? No problem, the CONSTRUCTION KIT has a lot of great high-quality sweeteners that will easily enrich your mix in the desired way.
Our DESIGNED edition comes with a myriad of ready-to-use explosion sound FX in the categories INDOOR, NEUTRAL & URBAN, each of them in SMALL, MEDIUM & LARGE explosion sizes. Beyond that, you have the choice between MEDIUM and FAR distances, FAST or SLOW explosions and a MODERN, SOFT, CRISP or DISTORTED character. With this range of sounds, you’re certainly sure to find the right one for your scene.
Stereo & 5.1 Surround
In addition to the stereo version our sound designers created 5.1 surround versions for each sound so you are fully prepared to implement your creative surround vision with ease.
Designed by 4 Award-Winning Sound Designers
We consider sound design as a craftsmanship and we’re very happy and proud to rely on the talent of four awesome sound designers that really know their trade.
THE BUNDLE – The best of both worlds at a discounted price
The Bundle gives you the full sound design power as it contains both – the DESIGNED and the CONSTRUCTION KIT edition at a discounted price.
Urban Passes By delivers hundreds of different vehicles passing by in an urban environment, covering all your needs for traffic scenes, especially to edit cars in the background or vehicles passing by your main character’s car during an onboard scene.
No need to search through your numerous traffic recordings to find the one “pass by”, we gathered hundreds of them from very slow to fast, dry cobblestones to very wet asphalt.
This library aims to help sound editors quickly find the whooshin’ vehicles they need, it includes passes by of cars, motorcycles, mopeds, trucks, etc…
All the sounds are 96 kHz / 24 bits and most importantly embedded with exhaustive metadatas for improved search results, including a detailed description, surface type, microphone setup, etc…
Metadata compatible with Soundminer, Basehead, etc…
The “Source” folder contains 337 files corresponding to 183 different recordings with various microphones setups :
– Cinela LCR array ( ORTF + Center )
– Some sounds are simultaneously recorded from inside and outside a car, giving you extra edit possibilities
The “ Designed” folder contains 59 stereo files with processed sounds such as :
– Interior “whoosh” passes
– Isolated wet asphalt textures
– Resonant bass vehicle textures
Urban Traffic is a collection of 34 vehicle soundscapes recorded mainly in and around Newcastle upon Tyne in the North-East of England, featuring the sounds of various engines passing by in the busy city centre as well as sparse, suburban traffic. You’ll hear all kinds of cars, lorries, motorcycles, buses and more with close-up and some distant perspectives.
Bonus Content: A further 16 sounds including bus station, train station, cafe and crowd ambiences.
Need helicopter sounds? The Bell 407 and Bell 429 are *THE* helicopters used in police, news, rescue, military and private fleets. Over 1 hr and 45 minutes of beautiful recordings.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.