Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
This library is quite self explanatory, ” Planes – Takeoffs & Landings ” is a collection of various commercial jets taking off and landing on a runway.
We recorded as close as possible to the airport fences with a multi microphones setup giving you different sonic perspectives.
The “Source” folder contains 130 files corresponding to 34 different recordings :
– AB stereo (LOM Usi)
– Cinela LCR array (Sennheiser MKH8040 ORTF + MKH8050 Center)
– a shotgun mic following the plane (Neumann KMR81)
The “ Designed” folder contains 46 files / 28 processed sounds such as fast jet fly by or sonic boom.
All the files are 96kHz /24bits and embedded with rich metadata ( Soundminer, Basehead, iXML ) .
Planes Passbys is a quick pack of 20 pass-bys from interior and exterior perspectives.
These recordings are clean of distractions like birds, traffic, wind, and crowds, and they gracefully pan for a realistic sounds image. Rather than spend all day chasing planes with Plane Finder, give this library a listen.
Perfect to use and tweak if you need a spaceship flying (or another flying transportation) over your head!
This sound library delivers 20 unique ambiences suited for space, planets or anything else science fiction. Each sound is 5 minutes in length giving you plenty of range to choose from. Featuring many different kinds of ambiences, ranging from calm winds to busy rain forests this library will be a great addition to any extra terrestrial atmosphere edit.All sounds were recorded using the Sound Devices Mix Pre 6 and a stereo pair of Sennheiser MKH 8020s.
In-depth recording of a Plymouth Cuda Convertible from 1971 with the extremely rare 426 Hemi engine and a 4-speed transmission.
Only two of these with the manual transmission were produced in 1971 so this car is obviously a clone but a very well built one. An original 1971 HemiCuda convertible is today extremely valuable, selling prices up to $5 million. The engine has 2 x 4-port Carter carburator and is (under)rated 425 horsepower by the factory.
The recording contains eight onboard microphones for interior, engine, intake and exhausts, and eight channels of exterior material.
It includes startup, idle, shutdown, driving at steady rpms, steady rpms in neutral, cruising, ramps, accelerations and decelerations through gears, approaches, passbys, aways as well as some foley like doors, hoods and knobs. Total recording length is 37m 39s.
A very in-depth multitrack recording of a Plymouth Road Runner 440 Sixpack from 1970.
The car has the 440cubic inches engine with the famous 3 x 2 barrel setup. The rating from factory was 390 horsepower. This car has the three geared automatic transmission.
The recording has eight onboard microphones, L+R interior, two engine, intake, L+R exhausts and finally a back center exhausts microphone. Exterior recording consists of four different stereo pairs, all in sync with the onboards.
The recording includes startup, idle, shutdown, blips, standing steady rpms, cruising, driving at steady rpms, various accelerations & decelerations, ramps, passbys, approaches, stops, aways and more.
It also contains foley recording of doors, hoods, gear shifter, switches and horn. Total recording time is 32min 7s.
Recording of an American Polaris Indy Trail Deluxe snowmobile from 1991 with a Fuji fan-cooled, oil injected 488cc Indy Trail engine with 2 Mikuni 34 mm carburetors.
Recording of the American 2017 Polaris Ranger EV. Powered by an electric utility vehicle’s 48-volt high-efficiency AC-induction motor.
The American 2017 Polaris Industries Ranger EV sound collection shares 44 sounds in 3.49 gigabytes of audio. It showcases the sound of an electric utility vehicle’s 48-volt high-efficiency AC-induction motor in 4 channels with 2 custom stereo mixes.
The sound pack includes 4 synchronized takes of onboard driving. 4 channels of audio capture the engine and onboard perspectives, with 2 custom stereo mixes provided. Performances include driving slow and fast, with steady RPMs and ramps, starting, stopping, and more.
The package includes Pro Tools and Reaper mixing sessions, full professional metadata, and metadata import files in 7 languages.
Recording of a Polaris RZR all-terrain vehicle from 2017 with a XP 1000 EPS engine with a ProStar 1000 HO 2-cylinder 4-rate DOHC 999cc with EFI fuel system and automatic variable transmission.
The Polaris RZR sound fx collection includes 195 clips in 16.9 gigabytes of audio from a 2017 American all-terrain vehicle. It showcases the sound of its XP 1000 EPS engine with a ProStar 1000 HO 2-cylinder 4-rate DOHC 999cc with EFI fuel system and automatic variable transmission.
The bundle collects 9 synchronized takes from 30 channels of audio. The 11 onboard perspectives mount microphones at the engine, exhaust, and in various positions on the frame as the car drives with throttling, steady RPMs, and ramps. Three custom stereo mixes of the onboard channels allow for easy editing. The 8 exterior perspectives document departing, passing by, and arriving at slow, medium, and fast speeds.
The package includes Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately. Also included are 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments.
The Audio Hero Police collection features 60 professionally recorded sound effects, ready for use in your productions. Included in this library are police cars, sirens, handcuffs, batons, whistles, helicopters and much more! These sounds are all hand-picked from the Sound Ideas General HD, Emergency, Classic TV and Digiffects libraries.
Recording of an American 1969 Pontiac Firebird with a 7.4 liter Chevy 454 V8, with cam and long tube headers mods.
The American 1969 Pontiac Firebird sound fx collection includes 422 clips in 28.16 gigabytes of field recordings. It presents the sound of 7.4 liter Chevy 454 V8, with cam and long tube headers mods in 12 synchronized takes.
Both exterior and onboard perspectives total 35 channels of audio. The 13 onboard perspectives include recordings from the interior (including an Ambisonic perspective), the engine, and exhaust as the muscle car drives with ramps, gearshifts, and steady RPMs. The 9 exterior perspectives feature passes, reversing, departures, and arrivals at slow, medium, and fast speeds from four track positions. The collection provides bonus Altiverb and Waves impulse responses, custom mixes of the onboard perspectives, and performed effects.
The package downloads with complete professional embedded metadata, metadata translations in 7 languages, and Pro Tools and Reaper mixing sessions.
The Pontiac GTO sound fx collection includes 606 sounds in 27.05 gigabytes of audio. It features the sound of a 400 c.i. 335 horsepower V8 engine from a 1967 model of the American car.
A total of 26 takes depict both onboard and exterior perspectives. 14 onboard perspectives (15 channels) share exhaust, engine, and interior microphone recordings (including an Ambisonic POV) of steady RPMs, gearshifts, and ramps. The 8 exterior perspectives (18 channels) include departures, arrivals, and passes by at slow, medium, and fast speeds. The collection also showcases a variety of performed effects (doors, horns, etc).
The sound bundle includes Pro Tools and Reaper sessions with all takes pre-aligned, raw impulse responses of the interior cabin, and 3 ready-to-use designed stereo mixes of the interior, exhaust, and engine microphones. Every clip is embedded with 18 fields of professional metadata.
Recording of a 1984 American Pontiac Firebird Trans Am with a 5 litre V8 engine in a variety of maneuvers.
The American Pontiac Firebird Trans Am sound fx library includes 486 clips in 32.8 gigabytes of sound. It presents the sound of a 1984 5 litre V8 (305cu) engine in a variety of maneuvers.
The bundle includes 46 synchronized channels of exterior and onboard recordings. The 13 onboard perspectives include recordings from the interior (including an Ambisonic perspective), exhaust, and engine while driving with steady RPMs, ramps, and gearshifts, with 3 extra stereo mixes of the onboard perspectives. 16 exterior perspectives share driving at fast, medium, and slow speeds while departing, arriving, and passing by, with an Ambisonic microphone at the starting position. There are also impulse responses of the interior cabin, as well as performed effects of doors, dashboard instruments, and more.
The collection downloads with Reaper and Pro Tools mixing sessions, full professional metadata, and metadata keyword import files in 7 languages.
Very in-depth recording of a Porsche 911 SC 1981 with the 3.0 liter engine. It is rated 204 horsepower at 5900rpm. The car has the 5-speed 915 gearbox. The recording includes all kinds of driving at different speeds, cruising, startups, shutdowns, reversing, driving at constant rpms, various accelerations and decelerations, ramps and even faked unsteady bad driving. Lots of foley is also included like doors, hoods, switches and knobs, horn, seatbelt, electric windows and more.
Approx 25 channels out of which 8 channels are inboards covering interior, engine and exhausts.
The exterior microphones are positioned at different spots around the recording location and covers approaches, aways, passbys and more at different speeds.
A fun trivia is that this library was used for the main character’s car in the Swedish version of the TV-series “The Bridge”. Total recording time is 75min 28s.
Recording of a 1972 Porsche 911 ST vintage sports car with a 2.5 liter 6 cylinder boxer dual ignition engine and race car tuning 280 hp.
The German 1972 Porsche 911 ST sound fx collection includes 468 sound files in 45.46 gigabytes of audio. It features the sound of a vintage sports car with a 2.5 liter 6 cylinder boxer dual ignition engine and race car tuning 280 hp.
The bundle gathers 20 synchronized takes from both onboard and exterior perspective. The 18 onboard takes feature microphones positioned in the interior (including an Ambisonic perspective), engine, and at the exhaust while driving with gearshifts, ramps, and steady RPMs. The 7 exterior perspectives showcase departing, arriving, passing by, and reversing at slow, medium, and fast speeds. Also included are idles, performed effects of doors, gearshifts, pedals, and more, and impulse responses of the cabin interior.
The package downloads with Pro Tools and Reaper mixing sessions, custom mixes of the onboard microphones, professional embedded metadata, and translation import files in 7 languages.
A German 2008 Porsche 997.1 GT3 RS with a 4.0 liter, flat-6 cylinder, gas engine.
The German 2008 Porsche 997.1 GT3 RS sound collection features 146 clips in 15.31 gigabytes of field recordings. It presents the sound of a 4.0 liter, flat-6 cylinder, gas engine in 9 synchronized takes.
Both onboard and exterior perspectives total 25 channels of audio. The 8 exterior perspectives share recordings at 4 track positions as the departs, reverses, approaches, and passes at slow, medium, and fast speeds. The 7 onboard perspectives provide recordings of the interior, engine, and exhaust as the luxury car drives with gearshifts, ramps, and steady RPMs. Also included are 3 custom mixes of the onboard recordings.
The collection is embedded with 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments and Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
Get the sounds of a 1999 Porsche Carrera, captured by recording specialist Watson Wu. The German-made Porsche Carrera is a 6 speed manual, 3.4 liter, Flat 6, weighing in at only 2,900 pounds. The combined recorded driving time is more than 45 minutes long.
Channel 1 = Exhaust 1, Channel 2 = Exhaust 2, Channel 3 = Engine, Channel 4 = Cab
Stereo in Left and Right Channels
The Porsche Cayenne 4.8 V8 sound library features 58 high quality files recorded with multi mic setup. The engine was recorded in sync with cabin interior ambients, and you’ll find different styles of driving – from casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio.
In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road related sounds recorded in mono and stereo. Last but not least, there are foley recordings that covers interior and exterior perspectives of different activities.
The Porsche Macan S 3.0 V6 sound library features 198 high-quality files recorded with a multi-mic setup. The Engine was recorded in sync with interior cabin ambient, and you can expect different styles of driving. From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio.
In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road-related sounds recorded in mono and stereo on dry asphalt.
Last but not least, different foley were recorded to cover exterior and interior activities. In addition to designed onboard recordings, there are also premixed stems for the engine, intake and exhaust and RAW files, of each microphone without any post-processing.
This is a collection of recordings of industrial/farming make-and-break engines from the end of the 19th beginning of the 20th century.
It features small clockwork type clinks and clicks, larger gears and pistons, and huge exhaust pipe chugs and blasts.
Whooosh! What was that? A pass by from a train? A bus? A tram from the 60s? The longest escalator in all of Sweden!?
Essential sounds from different types of transports for your production. A great starting point for new sound designers or to complement your existing library.
We have recorded buses, trains, trams, subways, ferries, escalators and freight trains in this library spanning over 100 files. Arrivals, Despartures, Pass Bys, Internal Rides, Doors and a toilet flushing on a train. It’s all there, for your essential transport needs.
All files have meta data and are easily searched for in any database search engine. Everything is recorded with Sound Devices 633 and MixPre-10T with Sennheiser MKH50, Neumann KM184 and DPA 4060 in 96 kHz 24 Bits with a total size of 6,7 Gb.
Ultra-high resolution Sea Doo recordings utilizing on-board microphone techniques, from multiple perspectives (driver perspective (mid-side) exhaust perspective & engine perspective).
This library provides perfectly seamless loops at every 500RPM interval from IDLE to MAX speed, giving you insanely detailed control for interactive dynamics in game audio, or film sync. Not only that but also start-ups, shut-offs, revs, both dry and wet.
This unique SFX library gets you the close-up engine/rotor sounds of the DJI Phantom 2 multirotor quadcopter. And whether you are working on project that needs the engine sounds of an actual quadcopter drone, or intend to use the recordings as source material for sound design of all kinds of machines – this collection will come in handy:
We recorded static sound perspectives at different speeds, intensities and rotor combinations. The collection includes long recordings at constant speeds, variations on accelerating and decelerating, various maneuvers and random rotor movements.
For even more variety we recorded all of the above with a mix of contact and coil microphones giving you a less realistic, more futuristic sound perspective to the drone’s engine itself, rather than the air movement caused by the rotors. Mix those recordings with the MKH 8040 recordings to create your own blend of engine sounds: be it a drone, spaceship or other types of futuristic vehicles.
Quadcopter Drone CX10 is a small radio controlled toy with a feisty character that could be described as a robotic version of an angry bee.
This library covers in detail everything you can do with this little neat quadcopter drone. You get sounds of acceleration, deceleration, steady engine fly loops of various speeds, engine revs, fast turns, ground hoppings and takeoffs. In case you need them I also recorded collisions and landings on various surfaces like carpet, metal, rock, plastic etc. Surprisingly these sounds are quite suitable for user interface sounds too.
The steady engine fly loop sounds are really useful when you want to create your own flyby / passby sounds. I can also imagine using this library to add some unique flavour to winged insecty characters in a game or just to richen otherwise bland engine sounds.
The whole library was recorded in 96KHz 24bit quality so these sounds are really flexible if you want to experiment with pitch, stretch and other audio tools.
You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Ultra High-Res Binaural QuadCopter Drone Flight Sound FX Elements
Quadcopter Drone Flight in Binaural shows off these buzzing electronics from near and far captured with a precision microphone as well as a binaural stereo microphone system. You’ll get that hair raising ASMR tingle on the back of your neck as you feel the wind from the drone pass-by from left to right in this very unique drone flight recording. Recorded in ultra-high resolution of 192kHz / 24-Bit, you’re sure to have the highest quality drone recordings ever captured.
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