Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
Motherships delivers a variety of mind-blowing interstellar mothership drones, transmission noises, inspiring indoor and outdoor ambiences.
It also features detailed computer room sounds with modern beeps and buttons, disturbing mechanical devices, machine room atmospheres, sci-fi radars, laser pulse and energy beams, heavyweight reactor rumbles and many more.
Get the sounds of a motorboat, with a Tohatsu 3.5 hp 4-Stroke engine mounted. It features sounds such as starting, neutral and forward speeds, false starts, engine offs, constant forward speed, and more. More than 18 minutes of motorboat sounds are included.
The Motorboat 2 library gets you recordings of a motor boat with a Honda BF 5A 5-HP 4-Stroke engine. Includes starts, idling, forward speeds, false starts, and engine shutoffs.
1951 Minks motorcycle from Soviet times.
We used close up mics (dpa 4006, mkh 416), medium dist mics (OM1) and distant mics (Audio Technica BP4025). Large variation of exterior recordings (many bys, stops, aways, various speeds, with horn and without etc). Also some onboard recordings.
Machine: Minsk/Moskva 1951 Motorbike, CCCP
DPA 4006 x 2 – for Close up sounds and close up bypasses
mkh 416 from 1-3 meters away and close passes
OM1 omni 1-3 meters away and close passes
Audio Technica BP 4025 XY- 20 meters away, so from a bit of distance
AKG c391 rigged on the bike (has some rattle and connection problems) since we didn’t have spa 4061 or anything small on us that day.
SD Mixpre + Sony PCM D100
SQN 4s + Tascam DR70d
200 field recordings of race cars from 8 races, featuring Ferrari Challenge, Formula 1600, IndyCar races, and more.
A recording of a F2 race boat with a 2010 Mercury 200 XS 200 hp, 2 stroke V6, 2500 cc, 8200 rpm engine with a 4-blade counter-clockwise turning propeller, and a top speed of 200 km/h.
The F2 race boat sound effects library includes 161 clips in 25 gigabytes of audio. It showcases the sound of a 2010 Mercury 200 XS 200 hp, 2 stroke V6, 2500 cc, 8200 rpm engine with a 4-blade counter-clockwise turning propeller. The boat is modelled on a 2006 Mølgaard 5.5m catamaran hull. The race boat has a top speed of 200 km/h and goes from 0-100 in 3-4 seconds making 5-6 g:s when cornering.
The collection includes 12 takes with 21 synchronized channels. The 7 onboard perspectives record driving from slow to fast speeds and with ramps from the cockpit, engine, and exhaust. The 6 exterior perspectives capture departures, arrivals, passing by, idling, and revs from multiple positions.
Also provided are Pro Tools and Reaper mixing sessions, custom mixes of the onboard perspectives, 19+ fields of professional embedded metadata, and metadata keyword import files in 7 languages.
Get the powerful sounds of Mustang Dragster Cars in this sound effect library by Watson Wu. It gets you 25 recordings of both classic and modern Ford Mustang passbys at a 1/4 mile race track.Update: Now includes metadata
My Trip To LA: Airport Airplane is the first in a four part collection. Join us as we take our flights to Los Angeles, California from Chicago, Illinois. In the first pack, we hear various different areas inside two airports. LAX (Los Angeles) and Midway (Chicago). Have some lunch at both food courts, take a seat near the terminals, and get past security.
All recordings are metadata tagged using Basehead and Soundly. Each are recorded at 192kHz, 24 bit into the Sony PCMD100 Portable Recorder.
Sit back, relax, and enjoy the flight.
I took out a MZ TS150 2 stroke Motorcycle and recorded approaches, departures, pass bys, circling in a grass parking lot, engine revs, idoling, etc.
I recorded this library with 2x dpa 4060s, 2x ME2, an sm57, sennheiser 416 and a pair of cm3s recorded in an xy pattern. I set up the cm3s on a mic stand, and followed the action with the 416, with 5 onboard microphones capturing sounds on the bike as well.
In the 179 files, there are 8 syncable takes of pass by's at different rpms with the onboards and 2 different exterior perspectives. Everything has been labeled in Soundly with metadata.
You will find what you need to cover any small 2 stroke engine motorcycle in here. With purchase, I offer you to email me at email@example.com and I will send you the protools session that has the sync'd files and original audio if you would like even more coverage of individual microphones (if that is something you are into). Feel free to email me with any inquiries before purchase.
Narrowboats consists of 322 beautifully recorded and edited sounds, tagged with rich metadata. From entire journeys and ambiences, to every knob, switch and door and more.
The 1960 British Narrowboat sound fx library of a Northwich trader-
class barge with a 4-cylinder Gardner 4LW engine producing 75 horsepower at 1500 RPM.
Recording of a Japanese Nissan 370Z sports car from 2012 with a 3.7L V6 engine with turbo modified with Injen SES Catback with Berk test pipes.
The Nissan 370Z sports car sound collection includes 200 clips totalling 15.49 gigabytes of sound. Also known as the Fairlady Z and Z34, this 2012 Japanese car depicts the sound of a 3.7L V6 engine with turbo modified with Injen SES Catback with Berk test pipes.
11 total synchronized takes depict both exterior and onboard perspectives. 11 onboard perspectives share driving with gearshifts, ramps, and steady RPMs from the engine, interior, and exhaust. The 7 exterior perspectives showcase departing, passing, and arriving at slow, medium, and fast speeds.
The package also includes full professional embedded metadata, metadata keyword import files in 7 languages, Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately, and 3 pre-rendered stereo mixes of the onboard tracks.
Recording of a Japanese 1973 Datsun Fairlady 240z with a 2.8L, 6-cylinder engine modified with MSA 6 to 1 headers and 2.5” JDM exhaust.
The Datsun Fairlady 240z sound fx collection gathers 256 clips totalling 16.52 gigabytes of audio. Also known as the Nissan Fairlady, this bundle showcases the sound of a 1973 version of the Japanese car and its 2.8L, 6-cylinder engine modified with MSA 6 to 1 headers and 2.5” JDM exhaust.
A total of 32 tandem channels share both onboard and exterior perspectives. The 8 exterior perspectives detail departures, arrivals, and passes at slow, medium, and fast speeds from four positions as well as idles, start ups, and shut downs. The 10 onboard perspectives position microphones in the interior (as well as an Ambisonic perspective), the engine, and at the exhaust to record steady driving, ramps, and gearshifts. Also included are custom mixes of the interior perspectives as well as performed sound effects of doors, horns, seatbelts, and others.
The collection is packaged with Pro Tools and Reaper mixing sessions, 18+ fields of embedded metadata, and metadata keyword translations in 7 languages.
Recordings of a heavily modded Nissan GT-R with a turbocharged 3.8 litres V6 and 500 hp. The recording consists of eight channels, interior left and right, exhaust left and right, three engine and one turbo.
It contains startup, idle, blips, revving at constant rpms without gear, engine stop, horn, door slams, accelerating and decelerating at different speeds, driving and a eight channel surround drive by. The recording length is 22 min.
Recording of a Nissan GT-R (R35) from 2012 with a 3.8 litre V6 gas engine with twin turbo and modified with a performance exhaust system.
The Nissan GT-R (R35) sound fx collection includes 275 sounds from 20.14 gigabytes of audio. It shares the sound of a 3.8-litre V6 gas engine with twin turbo and a modified performance exhaust from a 2012 version of the Japanese car.
The collection catalogs various performances in 13 synchronized takes from both exterior and onboard perspectives. The 9 exterior perspectives share departures, passes by, and arrivals at slow, medium, and fast speeds from four positions around a track. An additional 14 onboard perspectives and three custom stereo mixes gather recordings from the exhaust, engine, and interior as the car maneuvers with steady RPMs, ramps, and gearshifts.
The sound library includes bonus Pro Tools and Reaper mixing sessions, professional embedded metadata, and metadata keyword import files in 7 languages.
The Nissan Qashqai I 1.6 sound library features 81 high quality files recorded with a multi mic setup.
The engine was recorded in sync with cabin interior ambients, and you can expect different styles of driving – from casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio.
In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road related sounds recorded in mono and stereo. Last but not least, different foley-type recordings covering exterior and interior sound effects.
The Nissan Terrano II 2.7 TDi sound library features 111 high-quality files recorded with a multi-mic setup. Engine was recorded in sync with cabin interior ambients, and you can expect different styles of driving.
From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio. In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road-related sounds recorded in mono and stereo both on wet and dry asphalt.
Last but not least, different foley sounds were recorded to cover exterior and interior activities.
Sit back, relax, and listen to all the sounds a car makes. No, not the hum of the engine, not the tire squeal either, but everything else. Non-Engine Sonata Noises includes sounds (noises) of various button, switches, compartments, doors, slams, and even an automatic seat inside a 2013 Hyundai Sonata. These are the features you interact with ever time you step and sit inside the car, but get drowned out by the frustrations of traffic and stop lights. This pack totals 56 sound files with over 1224 sounds recorded in MS using the Sennheiser MKH8050 and MKH30.
Flip on the heated seat switch, and search through meta-data tagged using Soundly and Basehead.
Get the sounds of an authentic WW2 bomber plane: This library delivers a recording of the historic twin-engine World War II bomber, the B-25 Mitchell with the air-cooled 14 cylinder Wright R-2600 Cyclone radial engines. The recording cover two stationary ground runs and a flying session.
The stationary runs cover startup, idle, steady rpms, throttle movement and shutdown, with 22 exterior tracks and 6 onboard tracks. The flying session covers startup, taxiing, takeoff, several flybys, landing and shutdown, with 15 exterior tracks and 8 onboard tracks.
The library also includes some foley, such as bomb door opening and closing, flaps, horn, breaks and switches, and engine maintenance with mechanics pumping oil and electrically turning the propellers. Finally it includes the plane being towed.
The Norway sound library comes with 44 unique Norwegian sounds (58+ minutes of playtime), featuring recordings of animals and insects, atmosphere, beach waves, glacier sounds, mountain stream, steps and vehicles.
Office Space is an extensive and the go-to collection for clean and constant office environment room tones and ambiences. The library has over 6 hours / 11.7 GB worth of material that covers a whole large modern office building from top to bottom. The length of each room tone is 3 minutes and all the room tones are calibrated to -30 LUFS.
Office Space was recorded with a custom designed very low self-noise (4.5 dB) ORTF rig that gives you only the noise of the room and minimal noise from the recording equipment itself.
The huge variety in the sounds of the room tones gives you a great palette to experiment with various sound design tools so you can create e.g. spaceship ambiences, drones and otherworldly textures.
You get the sounds in two formats: 96 kHz, 24 bit and in 44.1 KHz, 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Auditorium • Bunker Shelter • Cleaning Closet • Communal Kitchen • Corridor • Elevator Interior • Elevator Lobby • Gaming Area • General Open Office Area • General Open Office Printer Area • Hallway • Large Meeting Room • Large Room • Large Storage Room • Large Vestibule • Lobby • Lounge • Main Lobby • Massage Room • Meeting Room Lounge Area • Parking Garage • Printer Room • Recycling Room • Restaurant Corridor • Restaurant General Dining Area • Restaurant Kitchen • Restaurant Service Cashier Desk • Sauna • Sauna Changing Room • Sauna Lounge Area • Sauna Shower Area • Server Room • Small Cleaning Closet • Small Communal Kitchen • Small Kitchen • Small Meeting Room • Small Phone Booth Room • Small Room • Small Shower • Small Vestibule • Staircase • Storage Room • Toilet
As bonus content you will get over 20 minutes worth of recordings of an elevator and a large office printer. The bonus content was recorded in both XY and ORTF so you can easily mix and match them to your projects.
Elevator Door Open Close (Interior and Lobby perspectives) • Elevator Interior Move Up Down Ground Floor to 4th Floor • Office Printer Paper Tray Open Close • Office Printer Print Start Loop End • Office Printer Scan Glass Start Loop End • Office Printer Scan Paper Holder Start Loop End • Office Printer Wake Up From Sleep Mode
“Old Cars – Short Passby” is a library with a lot of classic cars: Ford, MG, Jaguar, Porsche, Triumph, Cobra, Austin, Alpha and more.
You will find 45 files with single car Pass Bys. The files are not named after specific cars/manufacturers.
“Old Engines Grab Bag” is a pack of numerous old, unique and characterful engines from early 1900s. It’s a massive collection of 56GB multitrack 192kHz recordings of old tractors and stationary engines, both diesel and gasoline fueled.
The intention wasn’t to cover vehicles driving, but to get isolated and very closely recorded mechanical elements of engines and exhaust pipes as a source material for sound design. There are many starts, idles, revs, offs, RPMs variations, backfires etc. Some are heavy and large sounding, some are small and funny. Tractors were captured EXT and most of stationary engines INT, but since they are very closely recorded there is just a little amount of reverb on most of them.
Most of engines are 1 or 2 cylinders and low horse power and their RPMs are also low. Thanks to this, many of those sounds aren’t tonal and can easily be used as additional layer with other design elements. They work great for adding vintage character, designing junky or funny vehicles, crazy huge steampunk machines or engines malfunction.
Sounds were recorded using multi-mic setup: Sanken CO-100k (most of the time pointing mechanical parts), Sennheiser MKH-8060 (mainly for isolated exhaust pipe), Schoeps CMC6XT mk41/mk8 (general image) and part also with Trance Audio Inducer contact mics (adding unique mechanical perspective).
The library is delivered as multitrack 192kHz files, as well as stereo mix of all microphones. Thanks to using microphones with extended frequency range, drastic pitch changes can be applied.
All files have extensive metadata created in Soundminer, including leg picker with microphone labels.
Demo files include pitched sounds, which are not delivered with library.
Old Soviet Factory – industrial sounds from rusty old mining factory – INT and EXT:
Get a rare opportunity to get into a working oil shale factory from early 20th century. Most of the building and technology has remained unchanged and is still working. This sound library contains high quality recordings from both inside the factory and exterior industrial and mining soundscapes. As a bonus there are lots of open field oil shale mining sounds, with heavy machinery.
All the files have been recorded 96kHz/24bit with industry standard equipment – stereo (Sennheiser MKH 8020) plus mono for details (DPA 4017) Sound Devices Mixpre10T, and have added metadata.
A Sound Effect is a great asset to have discovered.
We’ll definitely be back!
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!