Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
Many flavours of train sound recordings in this collection. Some really nice rolling sounds, arrivals and departures. Some of them were recorded in Thailand, in between cars, where security is not a big deal. You may need a more secured transport with high speed train, french TGV, enjoy the incredible pass-by at 190mph.
This is your library for making authentic background train ambiences in movies, games or radio plays. It features over 40 indoor ambiences in 5.1 surround sound. Recorded in 2017 with an INA 5 surround microphone array for realistic room impression. Finish your next project in light speed. Simply drag and drop the interleaved surround sounds into your DAW and get perfectly balanced and panned surround sound train ambiences.
• More than 40 indoor (cabin) train ambiences/room tones in 5.1 surround sound (3 GB)
• Fans, rails, machines, motors (diesel and electric), humming, heating, buzz, natural noise
• Doors, passengers, rattling, air conditioning, toilet, speed-up, slow down, pass-by noise
• Realistic room impression and sound location, true to original sound color
• Compatible with ITU-R BS.775 recommendation, no Ambisonics, no plug-in needed, just drag the 5 tracks into your DAW
• Perfect balanced surround sounds for drag and drop integration
• 24 Bit / 96 kHz / low noise recording
• Interleaved surround sound file (L/R/C/LFE/LS/RS), simply drop into your DAW
• EBU/BWF and WAV-Metadata made with Soundminer for use in any DAW
• Equipment: INA 5 surround microphone array, RME UCX, RME Quadmic 2
This collection is really immersive, distant noises in large halls, people walking away to catch their train and much more.
The TRAINS SFX library gets you a massive selection of clean, HD train sound effects. Sources include trains such as heavy freight trains, old and modern passenger trains with electric, steam and diesel engines.
The interior recordings were made on different locations such as the cockpit, the wagons, engine rooms, cabins, and even the restrooms. SFX from the outside contain drive-bys, departing and arriving trains, wheels, horns, grinding, rattling, squeaking, clacking, coupling, braking, air releases, and much more! To give you the full package, you get a mass of great interior and exterior handling sounds on top. Simply any sound you need for a realistic train environment, as always, delivered in high quality with 96kHz / 24-bit.
This sound pack contains a collection of train sound effects, recorded in Europe & Asia:
Vehicles: Transit Train Sound Effects features 230 sound clips of dozens of transit trains: subways, monorails, people movers, streetcars, and more, totalling 4.66 gigabytes
Includes recordings from Toronto, Vancouver, Berlin, New York City, and Mexico City.
Looking for authentic ambient sounds of Japanese transportation? Look no further! Field recordist and composer Ryan Ayers travelled to Japan in April of 2019 and captured this wonderful collection. His journey took him from Osaka to Tokyo to Fukuoka and all points in-between. Travel aboard the trains of the JR, the famous Shinkansen, the Hanyu Ferry and more! Explore the train platforms and station terminals of Osaka. Get lost in the Kansai International Airport. There is a subway noodle shop as well as specialty food markets. Authentic walla and natural activity give this collection the ear candy necessary to be an integral part of great soundscapes.
This is a purely recorded sound pack. Nothing is synthetic or layered here. What you hear is exactly what was captured on location. We edited and mastered the files to bring out the best parts of the recordings. Most of the recordings have been ready-made into loops for ease of use. As always, we have embedded the files with detailed metadata for easy database searches.
Transport features dozens of vehicles recordings – cars, trains, trucks, planes, motorbikes, etc., – that have taken place in a urban environment, covering your needs for background transportation. The goal of this library is to help sound editors quickly find that background traffic that is often needed. All the recordings are ready to be used in a non-intrusiveness way in any media where vehicles play a remote or central role.
Kicking off our brand-new series “Noisy Places”, TRANSPORTATION is a comprehensive ambient collection with a broad spectrum of crystal-clear vehicle recordings.
Background Vehicle Recordings
All recordings – often loopable – have been either performed from a distance or exhibit enough subtlety, atmosphere and unobtrusiveness to be perfectly suited for all kinds of background settings and applications, giving them a serene, almost naturalistic feel.
Authentic Ambience Toolkit
Build your acoustic backdrop that sounds organic and grounded while keeping the familiar human touch and making the listener more aware of their acoustic surroundings. While a good soundtrack can help in introducing a world to the audience, a believable acoustic setting completes the arrival, especially when standing on its own – one of this library's major strenghts, next to its ability to blend in with more frontal sound design and its varied line-up of motorized vehicles: On the road, rails, water and airborne with both interior ambiences and exterior recordings.
Acoustic Purity and Flexibility
TRANSPORTATION is one of the most flexible ambient libraries, thanks to its acoustic purity and isolation of targeted sounds, allowing you to design exactly what you need without any unwanted, arbitrary noise to worry about. A strong addition to your sound pool that will enhance, or perhaps even replace earlier designs.
Only ground transportation. Sounds of cars, engines and bikes. 63 sounds to enhance your story telling
Transportation – Ambiance is a great collection of ambience recordings performed at various transportation scenarios.
You will find recordings such as a Train car interior, Jumbo jet interior, multiple cars interior under different driving conditions,
Bus interior, public transportation stations and much more.
This package includes 68 Samples.
A total 2h 37m of content.
Stereo files sampled @ 96Khz / 24bit.
Recording of a 12-meter trawler fishing boat with a Hundestedt Hotbulb 2-cylinder, 78 horsepower engine with a range of 80-480 RPM per minute.
Get up close and personal with British engineering in this superb motorcycle sound library!
This library is sampled from a brand new 2017 Triumph Street Twin 900 cc motorcycle. It combines classic motorcycle engineering with modern technology to create a truly unique sound.
In this library you get a large variety and perspectives of revs, idles, drive bys up to 50 mph, drive ups, drive aways, engine breaking, onboard driving, accelerating and more! Enjoy feeling like you’re riding this brand new modern vintage motorcycle!
Recording of a 1927 tugboat with a Deutz VM 145 4-cylinder engine with 200 horsepower at 300 RPM in 30 synchronized takes.
Get the sound of the Tunturi Maxi ‘Pappatunturi’, a Finnish moped model from 1974 with 2 gears and pedals. The library features external, onboard and foley recordings. OnBoard recordings feature 3 different channels: Engine1, Engine2 and Exhaust. All 3 channels of OnBoard sounds can be layered and will line up nicely in your audio editor.
TURBINE is a revolutionary sound design plug-in that gives you access to a wide range of authentic virtual engines based on their real-world counterparts. Over the last 4 years of intense research and development we shaped this breakthrough software tool that revolutionizes the way we do sound design. TURBINE is here to blow your mind and to simplify your work in so many ways.
You can change and automate all parameters in real-time, giving you full control over the final result.
1. A free license management software
2. A portable USB device that must be purchased separately. Please note that a lot of software plug in creators use the iLok system, so if you already own a 2nd generation (or newer) iLok USB device, you don’t need to purchase another one and if you purchase an iLok USB device now you can use it with software from other manufacturers (one iLok to rule them all).
An iLok device can be purchased directly at ilok.com or – if you want to purchase from outside the USA – here. Additionally, you can get an iLok device from the most music or audio software retailers.
An underground parking is a place where you don’t feel safe. A squeaky door, a car in approach or simply someone playing with keys. Once again you will have a lot of possibility with those surround sounds for creating space and depth.
Electromagnetic informations are invisible and omnipresent. In every city, especially the big ones, an infinite number of electromagnetic waves is hidden: we can’t hear them, but they’re everywhere! Unseen Noises explores the “invisible” noise pollution transducing electromagnetic fields into audio signals with a telephone pickup: it acts like a radio antenna for hum and weird electromagnetic noises.
“We used telephone tap coils that receive electromagnetic signals around us and convert them into audible information to discover invisible and surprising aspects of the environment in which we live in.
To widen our sound palette, we explored cell phones, tablets, light systems, automated teller machines, wireless communication systems, anti-theft security devices, surveillance cameras, computers, navigation systems, wireless Internet routers, neon advertisings, public transportation networks.
We just used the system of electromagnetic induction as way of amplifying musical sounds. Our efforts were focused on finding “articulated” behaviours and other musical qualities in them.
Note that the files contained in “Unseen Noises” are real performances executed on different devices without editing.” – Matteo Milani
This library features a Ural 4320, a Russian 6×6 off-road military truck equipped with a 14.9 litres diesel V8 engine. The recordings consist of 10 onboard channels (interior left and right, three engine, two exhaust, intake, airfilter and air pipes) and 8 exterior tracks covering various perspectives. The library contains startups, idling, blips, shutdowns, steady RPMs in neutral, driving at various speeds, accelerations, decelerations, gearing, reversing, aways, approaches, passbys, foley and more.
The Ural M72 1943 is 750 cc Soviet WWII motorcycle that is bleeding with class. This sound pack captures this hog with a 4-channel that is nearly six minutes in length. With two mics on its exhaust, one on the engine and one onboard, you get the engine starting, stopping, revving, driving and a surround pass by. This motorcycle sounds just as it looks—beefy!
Welcome to the world's biggest explosion sound effects library:
When you carry the word „BOOM“ in your company name, your first dedicated explosion sound effects library should be a decent one. For the recordings, we teamed up with the sound department of EA DICE (Battlefield, Star Wars Battlefront) and we created the biggest explosion sound FX library ever. DICE uses the recordings heavily to impressively blow up the world in their AAA title Battlefield V and now you can get the recordings and our ready-to-use designed sounds in stereo and 5.1 surround for your very own projects. It’s a highly explosive pack with 13.4GB of explosion sound effects.
Recorded in real urban environments
Why Urban Explosions? Most explosions in movies, games or trailers don’t happen out on a plain field, they happen in urban environments with buildings around them that shape the character of the explosion sound in a very specific way. The special thing about our urban explosions sound FX library is that it has been recorded in a real urban environment, so you get super-realistic reverbs and tails instead of artificially processed post-production reverbs or tails that don’t sound urban at all. For the sake of completeness, we also recorded a non-urban explosion on a plain field, so you’re covered here as well.
Multi-Channel Recordings with up to 42 Channels
We had a lot of microphones with us and we placed them in all possible positions around the explosion spot. We have very close mics, close mics, medium distance mics, distant mics, mics in front of buildings, mics behind buildings, mics inside of buildings. Each explosion in the URBAN EXPLOSIONS CONSTRUCTION KIT comes with a minimum of 24 channels, including a 4 channel ambisonic file, so you can simply drag all channels to your DAW and easily mix the sound exactly as you want.
You’re looking for a more supernatural sound or your mix misses a bit of impact, smack, punch, tail, cackling, rumbling or character? No problem, the CONSTRUCTION KIT has a lot of great high-quality sweeteners that will easily enrich your mix in the desired way.
Our DESIGNED edition comes with a myriad of ready-to-use explosion sound FX in the categories INDOOR, NEUTRAL & URBAN, each of them in SMALL, MEDIUM & LARGE explosion sizes. Beyond that, you have the choice between MEDIUM and FAR distances, FAST or SLOW explosions and a MODERN, SOFT, CRISP or DISTORTED character. With this range of sounds, you’re certainly sure to find the right one for your scene.
Stereo & 5.1 Surround
In addition to the stereo version our sound designers created 5.1 surround versions for each sound so you are fully prepared to implement your creative surround vision with ease.
Designed by 4 Award-Winning Sound Designers
We consider sound design as a craftsmanship and we’re very happy and proud to rely on the talent of four awesome sound designers that really know their trade.
THE BUNDLE – The best of both worlds at a discounted price
The Bundle gives you the full sound design power as it contains both – the DESIGNED and the CONSTRUCTION KIT edition at a discounted price.
Urban Passes By delivers hundreds of different vehicles passing by in an urban environment, covering all your needs for traffic scenes, especially to edit cars in the background or vehicles passing by your main character’s car during an onboard scene.
No need to search through your numerous traffic recordings to find the one “pass by”, we gathered hundreds of them from very slow to fast, dry cobblestones to very wet asphalt.
This library aims to help sound editors quickly find the whooshin’ vehicles they need, it includes passes by of cars, motorcycles, mopeds, trucks, etc…
All the sounds are 96 kHz / 24 bits and most importantly embedded with exhaustive metadatas for improved search results, including a detailed description, surface type, microphone setup, etc…
Metadata compatible with Soundminer, Basehead, etc…
The “Source” folder contains 337 files corresponding to 183 different recordings with various microphones setups :
– Cinela LCR array ( ORTF + Center )
– Some sounds are simultaneously recorded from inside and outside a car, giving you extra edit possibilities
The “ Designed” folder contains 59 stereo files with processed sounds such as :
– Interior “whoosh” passes
– Isolated wet asphalt textures
– Resonant bass vehicle textures
Urban Traffic is a collection of 34 vehicle soundscapes recorded mainly in and around Newcastle upon Tyne in the North-East of England, featuring the sounds of various engines passing by in the busy city centre as well as sparse, suburban traffic. You’ll hear all kinds of cars, lorries, motorcycles, buses and more with close-up and some distant perspectives.
Bonus Content: A further 16 sounds including bus station, train station, cafe and crowd ambiences.
Need helicopter sounds? The Bell 407 and Bell 429 are *THE* helicopters used in police, news, rescue, military and private fleets. Over 1 hr and 45 minutes of beautiful recordings.
The second volume of assorted recording sessions and design fragments from Eiravaein Works.
Libraries in the Vaeyan series will be produced over time as new library concepts are explored and researched.
A second helping of intriguing sonic flavor for any sound designer's archive!
Announcing VARIETY01 – a grab-bag of useful, high-quality sound effects that are often required in FX lays for modern-day film and television projects. From interesting room sweeteners and essential domestic doors, to overhead aircraft and residential atmos elements, this collection has been crafted to bolster the most-used areas of your library.
This collection focuses on modern-day domestic sounds and rural/residential environment elements. We take pride in assuring that whilst there is a high level of variety, we make sure that each sound is as versatile to use as possible.
For a list of all sounds within the collection please take a look at our data sheet below.
Cars, trucks, motorcycles at different speeds on a rural road in the middle of nowhere during summer.
From left, from right, from both sides, single vehicle or several at the same time.
Recorded simultaneously with an ORTF and a AB microphone stereo pairs.
This sound collection covers a wide range of sounds produced by the Vintage 125CC motorcycle Vespa 1962 . All sounds recorded with high end equipment – 24 bit and 96KHz
All the files are mono. The stereo impression in the demo is created by means of panning.
In this collection of high quality sound-recordings you’ll find several tandem and multitrack recordings. Please note that phasing issues between the MKH 8070 and the DPA4061’s are perfectly normal because of fluctuating time differences. The 4061’s are always onboard, fixed and in phase in contrast to the MKH8070 which was handheld on the roadside or handheld pointing at the exhaust while driving along as a passenger.
Besides that also important to note:
The 5 LOOPED SOUNDS are not unique. They
are edits from the larger driving sounds. I just put these in for your convenience should you
quickly need some loops for your project. This is also true for one of the the Revs soundfiles.
(Heavy revs) I thought I just cut this one too for your convenience to quickly have a list of all
relevant revs in this library. So those six soundfiles are the only double content.
A mixture of field recordings from the characteristic Vegas model from Victory motorcycles.
Includes onboard riding takes, as well as exterior passes by, approaches, and departures. Onboard takes are provided in a split left-right configuration as well as a mixed version.
Vintage automobiles passing singly and in groups, from the earliest part of the 20th century. Perfect for those traffic backgrounds in your period production. Hundreds of vehicles, none dated later than 1910, passing at various speeds, and in various configurations and at various lengths. Captured in First Order Ambisonic and available n both FuMa and ambiX order and weighting.
Vintage Tram features sounds of a fully working light rail vehicle in small valley near Dresden/Germany. The 2-axle railcars were built from 1957 until 1967 with reference to concepts from the 1930s.
The recorded tram drives along an 8 kilometer track through a small valley that is surrounded by reverberant rock faces of various intensity.
The Library contains recordings from the driver´s seat, from several positions in the wagon, both with and without passengers. Also included are exterior recordings of squeaky approaches and pass-bys, couplings, doorbells, and door openings/closings.
Recorded in 192 kHz the material allows for extensive downsampling to generate versatile soundscapes far beyond the original. Please listen to Audio Demo No.2
Vintage Trams: passes and rides from a number of perspectives.
The bygone sounds of rattly old trams, passing in the street: the rumble of the metal wheels on the tracks, the sound of the pickup rods on the overhead wires, the clang of the bell and the voice of the conductor, all of these are here for your delight. Starts and stops, rides and passes, all lovingly collected in First Order Ambisonic surround and collated in FuMa & ambiX orders and weighting. Full Soundminer metadata and Excel Spreadsheet included.
And there’s more! A bonus collection of sounds in stereo from my extensive archive, with a ride on a San Francisco cable car, more vintage trams and a series of recordings of a Trolley Bus, an electrically powered bus running form overhead cables, but so quiet in operation, it was known as ‘the silent killer’ as pedestrians tended not to be aware when it was approaching.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
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