Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
The LAX Aircraft library features descending aircraft flyovers at Los Angeles International Airport. One advantage of LAX is that it’s nestled in the city, making it easy to stand directly under very low flying airplanes to capture a great sound.
A range of aircraft was recorded for this release, including the Airbus A330, Boeing 737, 747, and Bombardier 800.
Two different microphone positions were used: One facing the oncoming aircraft, and the other pointing in the opposite direction to capture the flyover and further decent as the aircraft lands.
Learning Space is the go-to collection for clean and constant school environment room tones and ambiences.
Learning Space has over 1 hour / 2.2 GB worth of material that covers a whole large air-conditioned modern school building and also a small air-conditionless old abandoned school building. The length of the room tones are around 3 minutes and all the room tones are calibrated to -30 LUFS.
The whole library was recorded with a custom designed very low self-noise (4.5 dB) ORTF rig that gives you only the noise of the room and minimal noise from the recording equipment itself.
The variety in the sounds of the room tones gives you a great palette to experiment with various sound design tools so you can create e.g. spaceship ambiences, drones and otherworldly textures.
You get the sounds in two formats: 96 kHz, 24 bit and in 44.1 KHz, 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Abandoned School Hallway • Abandoned School Kitchen • Abandoned School Large Classroom • Abandoned School Small Classroom • Boiler Room • Cleaning Closet • Gym Hall • Hallway • Kitchen • Large Classroom • Lobby • Locker Room • Small Classroom • Small Gym Storage Room • Small Storage Room • Teacher Lounge Toilet • Teacher Lounge • Toilet • Vestibule
Authentic recordings of a Swedish tank, the Leopard 2 or Stridsvagn 122, fitted with a 1500 hp´s diesel V12 during a sharp shooting exercise. The recording is done in two takes. Take one (7 mins 37 s) consists of three channels, engine, exhaust and the aggregates with snow-feet. It covers several starts and stops, idle and lots of driving.
Take two (5 mins 45 s) consists of four channels, inside left and right, closeup on the machine gun muzzle and a distant microphone on the shootings. This take contains driving with lots of rumble and machine gun shooting. The recording length is 7 min 37 s.
Lexus LFA is a two-seat sports car manufactured between 2009 and 2012 by Toyota brand, Lexus. The production number was limited to 500 cars.
This rare and unique sounding car library features 74 high quality files recorded with multi mic setup. Engine was recorded in sync with cabin interior ambients, and you can expect different styles of driving. From casual city driving, through accelerations on a race track up to rpm ramps and constant rpm loops for game audio.
In addition to engine recordings, this sound effects library features few exterior passes, but you can expect an update with more content in the future. Inside this sound effects library you’ll find designed premixed engine onboard recordings and individual stems (engine, exhaust).
We’ve spent many hours exploring London’s far corners, seeking out the darkest, dirtiest, dimly lit areas of the capital’s streets in search of evocative and truly authentic sounds.
On visiting a large range of locations across the city we embraced our surroundings to capture the city’s natural reverberation and unique sonic qualities.
London Edge is the result of our methodical and passionate search for moods, atmospheres and textures, inspired by our favourite London dramas.
All sounds have been recorded in high-quality 24bit, 96kHz using Sound Devices recorders and Sennheiser MKH8040, MKH416, MKH30 and DPA4060 microphones. Each file has been tagged with detailed Soundminer metadata to speed up workflow and increase organisation.
The majority of recordings contain both a stereo MS decoded and ORTF version. The midside has a narrower more focused stereo image whilst the ORTF provides a wider version.
This pack includes a four-channel onboard recording of a real long-tail Asian boat captured in Thailand.
With one microphone on a handheld pole and the other three capturing its diesel engine, the boat goes through a series of maneuvers which it repeats three times. This library covers these maneuvers from different positions every time for sounds of starting, stopping, idling, driving, and constant RPM, which are just as unmistakeable as the boat's characteristic body.
Do you need an inspiring collection of carefully edited expressive engine sound fx loops?
Loopable Motors 1: Small Engines is a huge collection seamlessly looping engine sounds from ten different engines. The package includes steady engine loops with multiple RPMs, recorded in 96 kHz, 24-bit for creative sound design. Matching start and end clips are included for many loops for easy drag & drop game implementation or sound editing.
Finding high quality, steady engine recordings and editing them to usable, looping clips can be a really time-consuming task. This sound library is designed to give you plenty of creative material to work with in your next project.
Special Edition includes all the steady engine loops plus 25 accelerations for LeSound Audiomotors plugin.
Library highlights:- 10 combustion engines
– 444 sound files (148 sound with 3 pitch versions)
– Power generators, ATV, compressors, lawnmowers, water pumps.
– Multiple RPM speeds (see datasheet)
– Start & end clips for many loops
– Special Edition includes 25 accelerations compatible with LeSound Audiomotors plugin
– 96 kHz, 24-bit stereo WAV files
– 2.23 GB
– Carefully edited, seamless loops
– Soundminer & BWAV metadata
Recording of a 2013 Lotus Exige-S with a supercharged 3.5 litre V6 6-speed Toyota EC60 engine.
The 2013 Lotus Exige-S sound library includes 177 sound effects in 15.64 gigabytes of audio. It presents 15 synchronized takes across 28 channels from the 2013 British exotic car and its supercharged 3.5 litre V6 6-speed Toyota EC60 engine.
The 15 takes include onboard and exterior field recordings. The onboard takes gather paired recordings from the engine, exhaust, and interior. Performances from the 5 exterior perspectives include driving with steady RPMs, with gearshifts, and with ramps. The 9 exterior perspectives arrange Neumann, Holophone, Sennheiser and other microphones on straightaways and at corners to share starting and stoping, departures and arrivals, and passes at slow, medium, and fast speeds.
Every clip is embedded with 18 fields of Soundminer metadata, plus BWAV metadata, and MacOS spotlight metadata, as well as metadata keyword import files in 7 languages. The collection is packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
Recording of a 1942 M10 tank destroyer, also known as the Wolverine and the TD, with two GM 6046 two-stroke inline six Detroit Diesel engines.
The American 1942 M10 tank destroyer sound library gathers 303 clips in 20.19 gigabytes of field recordings. Also known as the Wolverine and the TD, it showcases the sound of two GM 6046 two-stroke inline six Detroit Diesel engines performing a wide variety of maneuvers.
The collection shares 12 synchronized takes exterior and onboard maneuvers. The 10 exterior takes document departing, passing, arriving, and reversing at slow, medium, and fast speeds. The 14 onboard perspectives share microphone perspectives from the engine, exhaust, interior, and tracks as the tank drives forward and reverse.
The bundle includes custom mixes of the onboard perspectives, Pro Tools and Reaper mixing sessions, 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments, and metadata import files for 7 languages.
The World War II American M16 Halftrack anti-aircraft sound library features 313 sound effects in 18.86 gigabytes of audio. Based on the M3 Halftrack, this “multiple gun motor carriage” showcases 20 takes of up to 42 channels of performances from a White 160AX, 6-cylinder, 128 horsepower engine.
Twelve onboard perspectives present the vintage vehicle in slow, medium, and fast speeds with steady idles and ramps. The twelve exterior perspectives include 26 channels of the halftrack starting, departing, passing, reversing, and arriving. Includes over 18 fields of Soundminer, BWAV, and MacOS spotlight metadata.
This collection features 98 interior and exterior stereo recordings of the M4 Sherman Easy 8 Tank as it is put through its paces. These effects have hand picked from the Sound Ideas Military Tanks library.
The American M5 High Speed Tractor includes over 20 gigabytes of recordings of a WWII US military vehicle with a Continental 6572 six-cylinder petrol engine with 207 horsepower. 188 sound fx document a full suite of performances from M5, also known as versions M5A1, M5A2, M5A3 and M5A4.
The performances include starting, idling, departing, arriving, and passing by from 6 exterior perspectives at slow, medium, and fast speeds. 10 additional perspectives feature motor, interior, exhaust, tracks, and other locations that capture idles, driving, and steady RPMs from onboard the tractor.
Includes extensive Soundminer metadata.
The 2015 German MAN Lion’s Coach tourist bus includes 760 clips in 41.05 gigabytes of audio. It features the sound of a 6-cylinder 460 hp Euro 6 diesel engine.
The collection includes a total of 29 synchronized takes from exterior and onboard microphones. The exterior microphones captured departures, passes, arrivals, ignition, shutting off, idles, and doppler horns from 9 microphones at 4 positions. The onboard microphones were placed inside, at the exhaust, in the engine, the luggage hold, and in the washroom in 15 perspectives (including an Ambisonic perspective) as the coach drives at steady RPMs, with gearshifts, and ramps. Also provided are 4 designed mixes of the interior, exhaust, engine, and luggage compartment.
The package comes complete with performed effects of doors, wipers, fans, and more, Pro Tools and Reaper mixing sessions, impulse responses, and full Soundminer, BWAV, and MacOS metadata embedded in every clip.
Manhattan Atmosphere is a collection of urban ambiences recorded in New York City in March 2018. It covers popular areas such as Times Square, Broadway, Trump Tower, subway stations, train rides, sirens and bridge traffic.
The Massey-Ferguson 3060E Tractor Sound Effects Library delivers 33 files (External, Foley, OnBoard) with over 30 minutes of driving time on the road. There are two main driving speeds (gears): medium and high – plus one additional external, really slow one.
All sounds were captured at 24-bit, 96 kHz samplerate. Passbys and approach are stereo wave files. Foleys are in mono. OnBoard recordings include 4 different channels: Engine1, Engine2, Exhaust and Backside. You can layer and mix all 4 channels of OnBoard sounds, they will line up nicely in your DAW or audio editor.
The following is a Maule M7 Seaplane with Metadata single license Ambisonic sound effects library (6.59gb compressed .rar or .zip file, 6.9gb Uncompressed).
All 8 wave files at about 20 minutes long are in 24 Bit, 96 kHz. The Onboard sounds were recorded from an Ambisonic A-Format mic (converted to B-Format). There are also ready to use stereo mixed, 5.1, and 7.1 files.
There are only Onboard sounds from this library (no external sounds were recorded).
Thank you for your purchase of this sound effects library.
For Mac users we recommend UnRarX. For Windows users we recommend WinRar.
Ambisonic Mic was positioned in middle of aircraft (behind pilot and passenger)
Notes: If you need specific shots of this aircraft, Watson is available for hire to re-record this or similar sounding planes.
OnBoard = Recording perspectives on and in the aircraft
Walk down the boulevard, jump onto the metro, and catch the last train with this collection of soundscapes and transitions. Transport your listener to a cafe, the seaside, or the streets, or let their senses take flight as a plane passes by. When you need your audience to come onto the scene, then our pack of city and travel filmmaker sounds will be sure to bring it all to life.
This library was developed in cooperation with our partner VAMIFY.
Included are Ambiences (Airport, Train Station, Restaurant, City, Highway, Ocean, Weather) Vehicles (Cars, Motorcycles, Planes, Train) Musical Ambiences, Transitions.
All files are recorded 24bit, 96 kHz, with Rode NTG1 and Shure VP88 microphones. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds.
The Mazda 6 III Skyactive G sound effects library comes with 59 BWAV files, recorded in 96kHz. It features recordings of the engine under the hood, mixed with exhaust during different driving scenarios, like regular driving and high speed accelerations. In addition to engine recordings you’ll find interior SFX recorded in sync with the engine. Additionally there are exterior passes recorded in mono, stereo ORTF and stereo AB during passes with various speeds.
Last but not least, there are few foley recordings. This sound library takes 2.8 GB of space, and total length of audio is 104 minutes.
Mazda Miata MX5 NBFL 1.6 Modded sound library features 185 high quality files recorded with multi mic setup. Japanese classic, Mazda Miata MX5 with 1.6 naturally aspirated engine was improved with cold air intake kit and Cobalt exhaust which drastically changed sound. Engine was recorded in sync with interior cabin ambient, and you can expect different styles of driving. From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio. In addition to designed sounds, you’ll find raw recordings for each perspective (2 engine microphones, air intake, 2 exhaust microphones). Additionally this library features 51 files with exterior recordings (passes, manoeuvres, approaches, engine start and such) and 22 foley files with recordings of doors, trunk, hood and interior sfx.
Mazda Miata MX5 NBFL 1.6 Stock sound library features 149 high-quality files recorded with multi-mic setup. Engine was recorded in sync with interior cabin ambient, and you can expect different styles of driving. From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio. In addition to designed sounds, you’ll find raw recordings for each perspective (3 engine microphones, air intake, 2 exhaust microphones). Additionally, this library features 30 files with exterior recordings (passes, manoeuvres, approaches, engine start and such) and 22 foley files with recordings of doors, trunk, hood, and interior SFX.
Recording of a Japanese Mazda RX-7 from 1990 with a 2-rotor, twin turbo 13B bridgeport Wankel rotary engine.
The Mazda RX-7 sound fx collection bundles 208 clips in 17.83 gigabytes of audio. It showcases the sound of a 1990 version of the Japanese car with its 2-rotor, twin turbo 13B bridgeport Wankel rotary engine.
The collection includes 12 synchronized takes from both onboard and exterior perspectives. The 12 onboard perspectives mount microphones at the exhaust, in the engine, and inside the cabin to depict driving with steady RPMs, ramps, and gearshifts. The 7 exterior perspectives arrange microphones at 4 perspectives around the track to document departures, arrivals, and passes by at slow, medium, and fast speeds. Also included are bonus drifting takes, as well as custom mixes of the onboard perspectives.
The package includes Pro Tools and Reaper mixing sessions, as well as full professional Soundminer, BWAV, and MacOS Finder metadata.
Recording of a McLaren 570S from 2016 with a V8 biturbo rear mid-engine with rear wheel drive and a 7-speed clutch.
The McLaren 570S sound effects collection gathers 235 clips in 19.73 gigabytes of audio. It features the sound of the 2016 model of the British sports car and its 8-cylinder biturbo and rear mid-engine with rear wheel drive and a 7-speed clutch.
A total of 12 synchronized takes showcase 11 onboard and 8 exterior perspectives. The exterior microphones capture driving at slow, medium, and fast speeds while the car departs, arrives, passes, as well as idles and starts and stops. The onboard microphones present driving at steady RPMs, with gearshifts, and with ramps from the interior, engine, and exhaust, with ready-to-use mixes of each perspective.
The collection includes Reaper and Pro Tools mixing sessions, full professional metadata embedded in every clip, and metadata import files for 7 languages.
A Sound Effect is a great asset to have discovered.
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