Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
This pack includes a four-channel onboard recording of a real long-tail Asian boat captured in Thailand.
With one microphone on a handheld pole and the other three capturing its diesel engine, the boat goes through a series of maneuvers which it repeats three times. This library covers these maneuvers from different positions every time for sounds of starting, stopping, idling, driving, and constant RPM, which are just as unmistakeable as the boat's characteristic body.
Do you need an inspiring collection of carefully edited expressive engine sound fx loops?
Loopable Motors 1: Small Engines is a huge collection seamlessly looping engine sounds from ten different engines. The package includes steady engine loops with multiple RPMs, recorded in 96 kHz, 24-bit for creative sound design. Matching start and end clips are included for many loops for easy drag & drop game implementation or sound editing.
Finding high quality, steady engine recordings and editing them to usable, looping clips can be a really time-consuming task. This sound library is designed to give you plenty of creative material to work with in your next project.
Special Edition includes all the steady engine loops plus 25 accelerations for LeSound Audiomotors plugin.
Library highlights:- 10 combustion engines
– 444 sound files (148 sound with 3 pitch versions)
– Power generators, ATV, compressors, lawnmowers, water pumps.
– Multiple RPM speeds (see datasheet)
– Start & end clips for many loops
– Special Edition includes 25 accelerations compatible with LeSound Audiomotors plugin
– 96 kHz, 24-bit stereo WAV files
– 2.23 GB
– Carefully edited, seamless loops
– Soundminer & BWAV metadata
Recording of a 2013 Lotus Exige-S with a supercharged 3.5 litre V6 6-speed Toyota EC60 engine.
The 2013 Lotus Exige-S sound library includes 177 sound effects in 15.64 gigabytes of audio. It presents 15 synchronized takes across 28 channels from the 2013 British exotic car and its supercharged 3.5 litre V6 6-speed Toyota EC60 engine.
The 15 takes include onboard and exterior field recordings. The onboard takes gather paired recordings from the engine, exhaust, and interior. Performances from the 5 exterior perspectives include driving with steady RPMs, with gearshifts, and with ramps. The 9 exterior perspectives arrange Neumann, Holophone, Sennheiser and other microphones on straightaways and at corners to share starting and stoping, departures and arrivals, and passes at slow, medium, and fast speeds.
Every clip is embedded with 18 fields of Soundminer metadata, plus BWAV metadata, and MacOS spotlight metadata, as well as metadata keyword import files in 7 languages. The collection is packaged with Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
The World War II American M16 Halftrack anti-aircraft sound library features 313 sound effects in 18.86 gigabytes of audio. Based on the M3 Halftrack, this “multiple gun motor carriage” showcases 20 takes of up to 42 channels of performances from a White 160AX, 6-cylinder, 128 horsepower engine.
Twelve onboard perspectives present the vintage vehicle in slow, medium, and fast speeds with steady idles and ramps. The twelve exterior perspectives include 26 channels of the halftrack starting, departing, passing, reversing, and arriving. Includes over 18 fields of Soundminer, BWAV, and MacOS spotlight metadata.
This collection features 98 interior and exterior stereo recordings of the M4 Sherman Easy 8 Tank as it is put through its paces. These effects have hand picked from the Sound Ideas Military Tanks library.
The American M5 High Speed Tractor includes over 20 gigabytes of recordings of a WWII US military vehicle with a Continental 6572 six-cylinder petrol engine with 207 horsepower. 188 sound fx document a full suite of performances from M5, also known as versions M5A1, M5A2, M5A3 and M5A4.
The performances include starting, idling, departing, arriving, and passing by from 6 exterior perspectives at slow, medium, and fast speeds. 10 additional perspectives feature motor, interior, exhaust, tracks, and other locations that capture idles, driving, and steady RPMs from onboard the tractor.
Includes extensive Soundminer metadata.
The 2015 German MAN Lion’s Coach tourist bus includes 760 clips in 41.05 gigabytes of audio. It features the sound of a 6-cylinder 460 hp Euro 6 diesel engine.
The collection includes a total of 29 synchronized takes from exterior and onboard microphones. The exterior microphones captured departures, passes, arrivals, ignition, shutting off, idles, and doppler horns from 9 microphones at 4 positions. The onboard microphones were placed inside, at the exhaust, in the engine, the luggage hold, and in the washroom in 15 perspectives (including an Ambisonic perspective) as the coach drives at steady RPMs, with gearshifts, and ramps. Also provided are 4 designed mixes of the interior, exhaust, engine, and luggage compartment.
The package comes complete with performed effects of doors, wipers, fans, and more, Pro Tools and Reaper mixing sessions, impulse responses, and full Soundminer, BWAV, and MacOS metadata embedded in every clip.
Manhattan Atmosphere is a collection of urban ambiences recorded in New York City in March 2018. It covers popular areas such as Times Square, Broadway, Trump Tower, subway stations, train rides, sirens and bridge traffic.
The Massey-Ferguson 3060E Tractor Sound Effects Library delivers 33 files (External, Foley, OnBoard) with over 30 minutes of driving time on the road. There are two main driving speeds (gears): medium and high – plus one additional external, really slow one.
All sounds were captured at 24-bit, 96 kHz samplerate. Passbys and approach are stereo wave files. Foleys are in mono. OnBoard recordings include 4 different channels: Engine1, Engine2, Exhaust and Backside. You can layer and mix all 4 channels of OnBoard sounds, they will line up nicely in your DAW or audio editor.
The Mazda 6 III Skyactive G sound effects library comes with 59 BWAV files, recorded in 96kHz. It features recordings of the engine under the hood, mixed with exhaust during different driving scenarios, like regular driving and high speed accelerations. In addition to engine recordings you’ll find interior SFX recorded in sync with the engine. Additionally there are exterior passes recorded in mono, stereo ORTF and stereo AB during passes with various speeds.
Last but not least, there are few foley recordings. This sound library takes 2.8 GB of space, and total length of audio is 104 minutes.
Recording of a Japanese Mazda RX-7 from 1990 with a 2-rotor, twin turbo 13B bridgeport Wankel rotary engine.
The Mazda RX-7 sound fx collection bundles 208 clips in 17.83 gigabytes of audio. It showcases the sound of a 1990 version of the Japanese car with its 2-rotor, twin turbo 13B bridgeport Wankel rotary engine.
The collection includes 12 synchronized takes from both onboard and exterior perspectives. The 12 onboard perspectives mount microphones at the exhaust, in the engine, and inside the cabin to depict driving with steady RPMs, ramps, and gearshifts. The 7 exterior perspectives arrange microphones at 4 perspectives around the track to document departures, arrivals, and passes by at slow, medium, and fast speeds. Also included are bonus drifting takes, as well as custom mixes of the onboard perspectives.
The package includes Pro Tools and Reaper mixing sessions, as well as full professional Soundminer, BWAV, and MacOS Finder metadata.
Recording of a McLaren 570S from 2016 with a V8 biturbo rear mid-engine with rear wheel drive and a 7-speed clutch.
The McLaren 570S sound effects collection gathers 235 clips in 19.73 gigabytes of audio. It features the sound of the 2016 model of the British sports car and its 8-cylinder biturbo and rear mid-engine with rear wheel drive and a 7-speed clutch.
A total of 12 synchronized takes showcase 11 onboard and 8 exterior perspectives. The exterior microphones capture driving at slow, medium, and fast speeds while the car departs, arrives, passes, as well as idles and starts and stops. The onboard microphones present driving at steady RPMs, with gearshifts, and with ramps from the interior, engine, and exhaust, with ready-to-use mixes of each perspective.
The collection includes Reaper and Pro Tools mixing sessions, full professional metadata embedded in every clip, and metadata import files for 7 languages.
The Mediterranean Summertime SFX library includes 120 selections dedicated to life and the atmosphere of both glitz and off-beat Mediterranean islands, during summertime. We follow tourists in well known busy bays, as well as head out to quieter destinations recommended by locals.
Recorded for a short film on a rainy day in Copenhagen, this is a 1985 Mercedes 200e 4 Cylinder sedan (previously advertised as 6 cylinder, but thanks to a fellow sound recordist my error has been corrected). There are a hand full of 5/6 minute takes with onboard engine sounds. Ignition starts, stops, different engine revs, interior driving ambiences with light rain, pass bys, a couple of horn honk doppler pass bys, pass bys at different speeds, and extensive seat creaks and squeaks, along with basic doors, idols etc. Also included is two inpulse responses with 3 passengers and 0 passengers for you to load into your IR plug-in. Take a look at the metadata sheet for more info. If you have special inquiries, please send me an email first at email@example.com
Recording of a 2018 Mercedes AMG GT R sports car with a twin-turbocharged V8 petrol engine.
This car sfx library brings you a comprehensive Sound Effects collection of the 435 PS Mercedes E 53 AMG.
You get anything you need from opening and closing doors, hood, trunk, windows, glove department. Pushing buttons, hazard lights, window wipers, ignition, seat adjustments, several pass-bys, idle mixtures, pull aways and approaches.
And most importantly lots of diverse driving sounds, simultaneously recorded with 6mics (2x Engine, 2x Exhausts, 2x Interior) while forcing this beast through the streets lead-footed. So you can easily blend between the sounds to perfectly match your picture.
All source sounds were recorded with Sonosax SX-R4+ and Sound Devices MixPre-D with a Sennheiser MKH 8050 + MKH 30 M/S rig (Interior), MKH 8040 ORTF rig (Exhausts), two Rode NT-1A (Engine)
All sounds come with embedded Metadata.
Recording of a Mercedes L3750 3.5 ton truck from 1945 with a diesel 4900 cm3 4-cylinder engine with 75hp and 4 gears.
The Mercedes L3750 3.5 ton truck sound library includes 379 clips in 29.75 gigabytes of audio. It showcases the sound of a 1945 German vehicle with a diesel 4900 cm3 4-cylinder engine with 75hp and 4 gears.
The collection gathers 11 synchronized takes from 16 onboard and 10 exterior perspectives. The 21 onboard channels present recordings from the engine, interior, exhaust, and flatbed as the car drives with steady RPMs, gearshifts, and ramps. The 17 exterior channels depict driving at slow, medium, and fast speeds as the truck departs, arrives, and passes. Also included are performed effects of switches, pedals, doors, and more.
The bundle is delivered with Pro Tools and Reaper mixing sessions, custom mixes of the onboard recordings, 18+ fields of Soundminer, BWAV, and MacOS Finder metadata, impulse responses of the interior cabin, and metadata import files in 7 languages.
This sound collection covers a wide range of sounds produced by this unique vintage car from 1954, 4CC and 63HP. Not only extensive driving sounds but also some foley and horn blasts. All in high quality 96/24 BWAV-files, recorded with high end equipment. All sounds include metadata.
The recordings are multitrack. For the onboard recordings you’ll find synchronized recordings of engine, exhaust, cabin. For the roadside recordings you’ll find an ortf stereo pair.
86 sounds of a British mid-size family 2017 1.6 litre manual car. Doors, windows, seat, horn, wipers, glovebox, trunk, hood, driving and more. Nice clean new sounds, recorded in the Summer of 2017.
This collection features over interior and exterior stereo recordings of the Military Hummer H1 also known as the High Mobility Multipurpose Wheeled Vehicle (Humvee) as it is put through its paces. These effects have hand picked from the Sound Ideas Military Tanks library.
Get the authentic sound of a Mini Cooper S with a turbocharged 1.6 litres inline 4 engine.
The recording consists of eight channels, interior left and right, exhaust left and right, three engine and one turbo air intake channel.
It contains start, stop, idle, revving, constant rpms without gear, driving, horn and a full surround driveby. The recording length is 13 min 58 s.
Mini Countryman F60 SD sound library features 192 high quality files recorded with multi mic setup. Engine was recorded in sync with interior cabin ambient, and you can expect different styles of driving. From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio. In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road related sounds recorded in mono and stereo on a dry and wet asphalt. Last but not least, different foley were recorded to cover exterior and interior activities. In addition to designed onboard recordings, there are also stems for engine (4 inputs), intake and exhaust RAW files without any post processing.
The recordings of real race car – the Mitsubishi Lancer Evolution 8 with 2.0 Turbo Engine on a dynapack. It features ignitions, idles, low and hi accelerations, ramps, stops and a lot of revolution sweeps.
The library delivers 9-channel recordings:
• 3 engine channels: AudioTechnika 8015, Sennheiser 416, Sennheiser 840
• 4 exhaust channels: Sennheiser 418S (MS), Shure SM 58, Octava 015
– and interior 2 channels recorded with a Neumann 185 MT stereo pair
A collection of high-quality stereo audio recordings capturing trains at speed in the United Kingdom.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
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