Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
Old Soviet Factory – industrial sounds from rusty old mining factory – INT and EXT:
Get a rare opportunity to get into a working oil shale factory from early 20th century. Most of the building and technology has remained unchanged and is still working. This sound library contains high quality recordings from both inside the factory and exterior industrial and mining soundscapes. As a bonus there are lots of open field oil shale mining sounds, with heavy machinery.
All the files have been recorded 96kHz/24bit with industry standard equipment – stereo (Sennheiser MKH 8020) plus mono for details (DPA 4017) Sound Devices Mixpre10T, and have added metadata.
This car library brings you a comprehensive Sound Effects collection of the 125 PS Opel Astra H CDTi 1.7 (Diesel Engine).
You get anything you need from opening and closing doors, hood, trunk, windows, glove department. Pushing buttons, hazard lights, ignition, window wipers, seat adjustments, several pass-bys, idle mixtures, pull aways and approaches.
And most importantly lots of diverse driving sounds, simultaneously recorded with 5mics (2x Engine, 2x Exhaust, 2x Interior) so you can easily blend between the sounds to perfectly match you picture.
All source sounds were recorded with a Sonosax SX-R4+ and a Sound Devices MixPre-D with a Sennheiser MKH 8050 + MKH 30 M/S rig (Interior),twoRode NT-1A (Engine)and a MKH8060 (Exhaust).
All sounds come with embedded Metadata.
The German Opel Blitz 3600 3.5 tonne medium truck sound fx collection includes 567 sound clips in 32.86 gigabytes of audio. It showcases the sound of a 1939 3.6 litre petrol engine with straight 6 cylinders.
The sound bundle gathers 19 synchronized takes of onboard and exterior perspectives. The 13 onboard perspectives depict driving at fast, medium, and slow speeds from the interior (including an Ambisonic perspective), engine, exhaust, and flatbed. A mix of each perspective is provided with steady RPMs, gearshifts, ramps, and more. The 11 exterior perspectives include approaches, departures, passes, and idles from 6 locations, as well as doppler horn passes. Also included are a variety of performed effects of doors, hood, tailgate, and more.
The collection is complete with three types of impulse responses, Pro Tools and Reaper mix sessions, and 18 fields of Soundminer metadata, plus BWAV metadata and MacOS spotlight comments.
Want to add character to that historical World War 2 fighter scene and couldn’t find the suitable audio source yet? The P51-MUSTANG delivers: This library gets you recordings of the P51 MUSTANG – with its expressive roar – and captures a useful selection of close and distant flybys, flybys to land, starts, idle, taxiing and spectacular dives.
Take to the skies with more than 20 minutes of authentic plane sounds!
Recording of a German Panzer III Ausf. M medium tank from World War II with a 12-cylinder Maybach HL 120 TRM engine with 296 hp.
The Panzer III Ausf. M medium tank sound library includes 283 clips in 11.9 gigabytes. The German World War II tank showcases field recordings from its 12-cylinder Maybach HL 120 TRM engine with 300 PS (296 hp, 220 kW).
The bundle gathers synchronized onboard and exterior recordings. The 10 onboard perspectives feature recordings from microphones placed in the interior, onboard, at the tracks, and around the engine and exhaust. The exterior recordings share departures, arrivals, passes, starting, and stopping from three locations and 5 perspectives, including a Holophone.
The package includes Pro Tools and Reaper sessions and full Soundminer, BWAV, and MacOS Finder metadata.
The Panzer IV Ausf. G medium tank sound fx collection of a Maybach HL 120 TRM 12-cylinder gasoline engine with 296 hp.
The first mobile roomtone library! Parked Cars is a collection of roomtones of car interiors at different times of day, often in the same locations with both windows up and windows down.
This library covers inner city, suburb, and a little country around the Los Angeles area
This is all mastered for Ambisonic B and Stereo, but can be further decoded into various surround formats
Need the sound of vehicles passing by? This sound pack is a composite collection of pass-bys, featuring (Suburban-, Passenger-, Freight-) Trains, Trucks and Cars that I on various freeways and railroads. These sounds come in handy not only for for the obvious purpose of giving the right sonic feel for trains, trucks and cars passing by – but also as design elements ans a great starting point to create a vast number of sci-fi style whooshes and pass-by effects.
This sound library features 60 sound clips of passenger locomotives and commuter cars. The tracks feature riding a train at various speeds in both first class and coach.
There are train takes from both interior and exterior perspectives, as well as some doors and horns and toilet flushes while moving.
Each engine is diligently labeled by engine type and version and detailed in full Soundminer metadata.
Impressive sounds of Express, Freight and Passenger trains. The library features situations like Approaches and Stops, Express Trains, Freight Trains, Local Trains, Locomotives, Close Miking – for a total of an hour and a half of train sounds!
The library is organised into 6 sceneries:
This massive Peterbilt Model 379 from 1988 is the trucker's truck with a “big cam” Cummins engine. The model has been featured in several classic car movies such as The Fast and the Furious, Gone in 60 Seconds, and Black Dog.
Now you can get the 7-channel recordings of this beast for your own projects, which consist of L+R exhausts, L+R interior, two engine channels and one compressor channel. Total driving time is 11:46. The library also contains start, stop, idle, revving without gears, lots of driving and the legendary jakebrake.
The Peugeot 307 SW sound fx library features 463 clips in 17.98 gigabytes of a 2004 French model. A total of 27 takes depict the sound of the car’s 2.0 litre 134 horsepower petrol straight 4 cylinder engine.
The collection includes 19 perspectives of the car. 11 onboard perspectives arrange 16 channels of microphones on the engine, at the exhaust, and in the interior (including an Ambisonic perspective). They capture driving at fast, medium, and slow speeds with constant RPMs, ramps, and gearshifts. The exterior perspectives (18 channels) include recordings on straightaways, corners, and at various distances with the car starting, turning off, departing, arriving, and passing by. The collection includes discrete performed effects of doors, dashboard instruments, horns, and more. There are also Altiverb and Waves impulse responses.
Every clip is embedded with 18+ fields of professional metadata.
The Peugeot P4 sound fx collection includes 26 takes from a French military unarmored off-road jeep. It includes a total of 276 sound clips and 9.52 gigabytes of recordings from the jeep’s 2.5 L XD3 diesel I4 engine in 25 channels.
The bundle includes both onboard and exterior clips at slow, medium, and fast speeds. The onboard seven perspectives includes takes from the interior, the engine, and exhaust at steady RPM and with ramps. The eight exterior perspectives include departures, passes, arrivals, and 3 point turns from microphones arranged at 3 locations. Also included are various performed effects of doors, switches, and so on. Each clip includes 18 fields of Soundminer metadata, plus BWAV metadata and MacOS spotlight comments.
Get the sounds of an old Piaggio Zip 49cc, a 2 stroke scooter from 1999. Its peculiar sound makes it an inestimable tool for film and games, whether it is a karting game, a sandbox or a drama movie.
The library contains 72 onboard, 36 external and 38 foley recordings. Onboard recordings consist of 3 channels (two exhaust and one engine). A mix of these 3 channels has been included. Each single channel is included as well, so it can be layered as you please and make a different mix of the onboard recordings. External files include a stereo setup and a following shotgun.
The riding recordings, where many different actions are happening, contain descriptive markers to highlight interesting events in an otherwise featureless waveform. These markers can be read in programs such as Izotope RX, Reaper and Soundminer. The markers are also included as .txt files in a separate folder.
All files come in 96 kHz/24 bit with embedded metadata.
Gear used: Zoom F8, DPA 4066, Sanken Cos11, Sennheiser 416, Sony D100.
False starts, startups, shutdowns, idles, revving, accelerations, decelerations, constant RPM at different speeds, passbys at different speeds and distances, approaches, driving away, kick starts, kickstands, horn, switching on and of with and without keys, light switch, opening and closing storage compartment.
This library is quite self explanatory, ” Planes – Takeoffs & Landings ” is a collection of various commercial jets taking off and landing on a runway.
We recorded as close as possible to the airport fences with a multi microphones setup giving you different sonic perspectives.
The “Source” folder contains 130 files corresponding to 34 different recordings :
– AB stereo (LOM Usi)
– Cinela LCR array (Sennheiser MKH8040 ORTF + MKH8050 Center)
– a shotgun mic following the plane (Neumann KMR81)
The “ Designed” folder contains 46 files / 28 processed sounds such as fast jet fly by or sonic boom.
All the files are 96kHz /24bits and embedded with rich metadata ( Soundminer, Basehead, iXML ) .
Planes Passbys is a quick pack of 20 pass-bys from interior and exterior perspectives.
These recordings are clean of distractions like birds, traffic, wind, and crowds, and they gracefully pan for a realistic sounds image. Rather than spend all day chasing planes with Plane Finder, give this library a listen.
Perfect to use and tweak if you need a spaceship flying (or another flying transportation) over your head!
This sound library delivers 20 unique ambiences suited for space, planets or anything else science fiction. Each sound is 5 minutes in length giving you plenty of range to choose from. Featuring many different kinds of ambiences, ranging from calm winds to busy rain forests this library will be a great addition to any extra terrestrial atmosphere edit.All sounds were recorded using the Sound Devices Mix Pre 6 and a stereo pair of Sennheiser MKH 8020s.
In-depth recording of a Plymouth Cuda Convertible from 1971 with the extremely rare 426 Hemi engine and a 4-speed transmission.
Only two of these with the manual transmission were produced in 1971 so this car is obviously a clone but a very well built one. An original 1971 HemiCuda convertible is today extremely valuable, selling prices up to $5 million. The engine has 2 x 4-port Carter carburator and is (under)rated 425 horsepower by the factory.
The recording contains eight onboard microphones for interior, engine, intake and exhausts, and eight channels of exterior material.
It includes startup, idle, shutdown, driving at steady rpms, steady rpms in neutral, cruising, ramps, accelerations and decelerations through gears, approaches, passbys, aways as well as some foley like doors, hoods and knobs. Total recording length is 37m 39s.
A very in-depth multitrack recording of a Plymouth Road Runner 440 Sixpack from 1970.
The car has the 440cubic inches engine with the famous 3 x 2 barrel setup. The rating from factory was 390 horsepower. This car has the three geared automatic transmission.
The recording has eight onboard microphones, L+R interior, two engine, intake, L+R exhausts and finally a back center exhausts microphone. Exterior recording consists of four different stereo pairs, all in sync with the onboards.
The recording includes startup, idle, shutdown, blips, standing steady rpms, cruising, driving at steady rpms, various accelerations & decelerations, ramps, passbys, approaches, stops, aways and more.
It also contains foley recording of doors, hoods, gear shifter, switches and horn. Total recording time is 32min 7s.
Recording of an American Polaris Indy Trail Deluxe snowmobile from 1991 with a Fuji fan-cooled, oil injected 488cc Indy Trail engine with 2 Mikuni 34 mm carburetors.
The Pontiac GTO sound fx collection includes 606 sounds in 27.05 gigabytes of audio. It features the sound of a 400 c.i. 335 horsepower V8 engine from a 1967 model of the American car.
A total of 26 takes depict both onboard and exterior perspectives. 14 onboard perspectives (15 channels) share exhaust, engine, and interior microphone recordings (including an Ambisonic POV) of steady RPMs, gearshifts, and ramps. The 8 exterior perspectives (18 channels) include departures, arrivals, and passes by at slow, medium, and fast speeds. The collection also showcases a variety of performed effects (doors, horns, etc).
The sound bundle includes Pro Tools and Reaper sessions with all takes pre-aligned, raw impulse responses of the interior cabin, and 3 ready-to-use designed stereo mixes of the interior, exhaust, and engine microphones. Every clip is embedded with 18 fields of professional metadata.
Very in-depth recording of a Porsche 911 SC 1981 with the 3.0 liter engine. It is rated 204 horsepower at 5900rpm. The car has the 5-speed 915 gearbox. The recording includes all kinds of driving at different speeds, cruising, startups, shutdowns, reversing, driving at constant rpms, various accelerations and decelerations, ramps and even faked unsteady bad driving. Lots of foley is also included like doors, hoods, switches and knobs, horn, seatbelt, electric windows and more.
Approx 25 channels out of which 8 channels are inboards covering interior, engine and exhausts.
The exterior microphones are positioned at different spots around the recording location and covers approaches, aways, passbys and more at different speeds.
A fun trivia is that this library was used for the main character’s car in the Swedish version of the TV-series “The Bridge”. Total recording time is 75min 28s.
Get the sounds of a 1999 Porsche Carrera, captured by recording specialist Watson Wu. The German-made Porsche Carrera is a 6 speed manual, 3.4 liter, Flat 6, weighing in at only 2,900 pounds. The combined recorded driving time is more than 45 minutes long.
Channel 1 = Exhaust 1, Channel 2 = Exhaust 2, Channel 3 = Engine, Channel 4 = Cab
Stereo in Left and Right Channels
The Porsche Cayenne 4.8 V8 sound library features 58 high quality files recorded with multi mic setup. The engine was recorded in sync with cabin interior ambients, and you’ll find different styles of driving – from casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio.
In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road related sounds recorded in mono and stereo. Last but not least, there are foley recordings that covers interior and exterior perspectives of different activities.
This is a collection of recordings of industrial/farming make-and-break engines from the end of the 19th beginning of the 20th century.
It features small clockwork type clinks and clicks, larger gears and pistons, and huge exhaust pipe chugs and blasts.
Whooosh! What was that? A pass by from a train? A bus? A tram from the 60s? The longest escalator in all of Sweden!?
Essential sounds from different types of transports for your production. A great starting point for new sound designers or to complement your existing library.
We have recorded buses, trains, trams, subways, ferries, escalators and freight trains in this library spanning over 100 files. Arrivals, Despartures, Pass Bys, Internal Rides, Doors and a toilet flushing on a train. It’s all there, for your essential transport needs.
All files have meta data and are easily searched for in any database search engine. Everything is recorded with Sound Devices 633 and MixPre-10T with Sennheiser MKH50, Neumann KM184 and DPA 4060 in 96 kHz 24 Bits with a total size of 6,7 Gb.
Ultra-high resolution Sea Doo recordings utilizing on-board microphone techniques, from multiple perspectives (driver perspective (mid-side) exhaust perspective & engine perspective).
This library provides perfectly seamless loops at every 500RPM interval from IDLE to MAX speed, giving you insanely detailed control for interactive dynamics in game audio, or film sync. Not only that but also start-ups, shut-offs, revs, both dry and wet.
This unique SFX library gets you the close-up engine/rotor sounds of the DJI Phantom 2 multirotor quadcopter. And whether you are working on project that needs the engine sounds of an actual quadcopter drone, or intend to use the recordings as source material for sound design of all kinds of machines – this collection will come in handy:
We recorded static sound perspectives at different speeds, intensities and rotor combinations. The collection includes long recordings at constant speeds, variations on accelerating and decelerating, various maneuvers and random rotor movements.
For even more variety we recorded all of the above with a mix of contact and coil microphones giving you a less realistic, more futuristic sound perspective to the drone’s engine itself, rather than the air movement caused by the rotors. Mix those recordings with the MKH 8040 recordings to create your own blend of engine sounds: be it a drone, spaceship or other types of futuristic vehicles.
Quadcopter Drone CX10 is a small radio controlled toy with a feisty character that could be described as a robotic version of an angry bee.
This library covers in detail everything you can do with this little neat quadcopter drone. You get sounds of acceleration, deceleration, steady engine fly loops of various speeds, engine revs, fast turns, ground hoppings and takeoffs. In case you need them I also recorded collisions and landings on various surfaces like carpet, metal, rock, plastic etc. Surprisingly these sounds are quite suitable for user interface sounds too.
The steady engine fly loop sounds are really useful when you want to create your own flyby / passby sounds. I can also imagine using this library to add some unique flavour to winged insecty characters in a game or just to richen otherwise bland engine sounds.
The whole library was recorded in 96KHz 24bit quality so these sounds are really flexible if you want to experiment with pitch, stretch and other audio tools.
You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.
‘Quadcopter Flight’ shows off these buzzing beasts from near and far in both quiet exterior locations and the studio.
Featuring a large quadcopter and two minis, these machines were captured as they performed all possible actions, such as take-offs, flybys, revs, and sustained flight.
The library also has foley, a few crashes, and recordings from contact mics that were attached to the two smaller quads for sounds of high-tech servo/rotor sounds that can be used for sci-fi projects containing robots, sliding doors, and more.
• Dromida Kodo II – Interior
• Eachine H8S – Interior
• Yuneec Typhoon G – Exterior
• Yuneec Typhoon G – Interior
A bundle of fierce race car field recordings during practicing, qualifying, racing and race car passes. Includes clips from Ferrari Challenge, NASCAR, IndyCar, and other races.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
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