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Find sounds from 100s of different cars, recorded and curated by some of the world’s finest sound recordists. The recordings include engine sounds, passbys, constant driving at different speeds, foley-type sounds such as car doors and windows opening and closing, braking, skidding and spinning and much more.
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Experience the sound of 2004 Japanese FWD sports car! Toyota Celica 7 1.8 VVTL with inline gasoline 4 cylinder engine generates 192 HP at 8200 RPM. This last generation Celica was recorded with multi mic setup. Library contains different styles of driving ( engine start, idle, stop, regular city driving, spirited driving, accelerations + RPMS and ramps for game audio) recorded onboard with different perspectives (intake, 2 x engine, 3 exhaust microphones) + interior stereo in sync with other mics. Last but not least, there are files containing exterior passes.
Library contains:
Caterham Series Pass-By compiles over 45 minutes of racing sounds from the series’ main annual event. Two speakers provide commentary on the race in both Portuguese and English, with occasional light crowd conversations. Recorded at two distinct locations, in this library, you’ll find long takes recorded at the finish line and the tightest corner of this particular race track, resulting in plenty of engine revving, drifting, and vehicles driving off into the distance. These recordings are perfect for media scenes set in these environments or for creative sound design, given that they were captured just 5 meters from the vehicles themselves.
This sound library is available in both Ambisonics FuMa (B Format) and Stereo (Binaural) formats.
This sound library features cool sounds of a inline 4 cylinder engine spinning at 8k rpms. Car was built in 2001 and it’s running on 1.6 engine with Cobalt cold air intake cone and Cobalt axleback exhaust system. It was recorded onboard in sync with stereo interior. You’ll get different onboard perspective like 3 different engine angles, cold air intake and two exhaust angles + exterior sounds recorded in the corner in stereo.
Recorded with: 2x DPA 4061, DPA 4062, Sony M10, Rode NTG3, 2x Rode NT5, LOM, CM4
including:
– External recording
– 4 Spots, 7 mics
– Eng start, indle, maneuvers, drive, shtdwn, passby
– Slow, medium and fast
– 48 KHz, 24 bit
– 7 x schoeps ccm4 (card and omni), sys ORTF, DIN, AB, Zoom F8
– RAW files only
Racing Citröen C1 Pass-By compiles around 40 minutes of modified Citröen C1 (2008) vehicles racing at a private event, with little to no crowd conversations or unnecessary background noise, aside from the speaker commenting on the race itself in Portuguese. Recorded at two distinct locations, this library features long takes at the finish line and on the tightest corner of the race track, capturing plenty of engine revving, drifting, and vehicles driving off into the distance. These recordings are perfect for media scenes set in these settings or for creative sound design, as they were recorded just 5 meters from the vehicles themselves.
This sound library is available in both Ambisonics FuMa (B Format) and Stereo (Binaural) formats.
Flysound presents… TOYOTA GT86 AERO!
A sound library of speed and attitude, capturing all sorts of screeching and roaring, starting, stopping and maneuvering of this beast, specifically, a 2015 Aero 2.0 Petrol 4 cylinder 16-valve DOHC model. In layman’s terms this means a symphony of factors ideal for the sound of a chase scene.
Rigged with our Neumann U87s, we present 15 takes, assembled into 90 files (4.7 GB and 186 min total) which are crystal clear, fast, and furious.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds.
All files are recorded 32bit, 192 kHz, with Rode NTG1, Rode Lavalier and Shure VP88 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds.
Engine start/stop/idle tracks. Foley of doors, windows, boot etc. Pass-bys at various speeds in 5-10 mph intervals.
5 stationary engine tracks
7 foley tracks
16 pass bys
1 ‘misc’ track
ELECTRIC VEHICLES is a highly requested SFX compilation meticulously recorded to capture the authentic sounds of electric cars and electric motors, including a selection of EV cars, a bike, and a scooter. Created for those working on TV, movies, games and immersive experiences, this collection features numerous electric vehicles and associated sounds that will electrify your productions with authentic sounds.
Compilation of 10 different SUVs. Sounds are recorded with RØDE NTG1, RØDELink Lav, Line Audio Omni1, Shure KSM137, Shure VP88, Sonorous Objects SO.3 FEL Pluggy XLR EM272 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II, Zoom F3 and Zoom H4n recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. The library is also available in UCS.
Models:
Alfa Romeo Stelvio 2016 compact crossover SUV sport utility vehicle
Audi Q5 2008 compact crossover SUV sport utility vehicle
Lada Niva 1977 off-road compact SUV sport utility vehicle
Land Rover Freelander 2003 compact crossover SUV sport utility vehicle
Mazda CX-5 2012 compact crossover SUV sport utility vehicle
Nissan Qashqai 2006 compact crossover SUV sport utility vehicle
Renault Captur 2013 subcompact crossover SUV sport utility vehicle
Suzuki SX4 2006 subcompact crossover SUV sport utility vehicle
Tesla Model Y 2020 electric mid-size crossover SUV sport utility vehicle
Volkswagen Tiguan 2007 compact crossover SUV sport utility vehicle
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Back in the day, when I only had a single Sounddevices 702 recorder and a MS set, I recorded this little fun French car, the Citroen GS Pallas from 1971, together with sound designer Peter Albrechtsen.
The car which was the main character, Poul Brink´s way of transportation, in Christina Rosendahls true story feature film called The Idealist.
Poul Brink was a Danish journalist and whistleblower who attempted to reveal the secret behind a nuclear disaster in Greenland that occurred during the height of the Cold War.
The Citroen GS Pallas was back then advertised as a futuristic kind of car, with a very cool speedometer, highlighting and enlarging the actual speed, and it was the only car able to actually drive in three wheels because of the cars revolutionary hydropneumatic suspension.
The car we recorded (the actual car from the film) had been cared for and well kept in a dry basement for years, and only driven in the summer time. We had one shot session before the weather changed and the owner was putting it back into hibernation.
This little classic car library includes:
Long onboard/interior recordings in the city
Recordings of driving with microphones placed near each backend wheel
Exterior pass bys and reverse driving
Approaches on asphalt and gravel
Engine turned on and off, and Idle
Doors, both interior and exterior perspective
Trunk opening and closing
Glove compartment opening and closing
Horn honks
Blinker, wipers, hand brake, and switches sounds
Seatbelt on and off
Gear changing with engine off
Pedal stomps with engine off
All files are recorded 32bit, 192 kHz, with Shure KSM 137, Line Audio Omni1, FEL Clippy XLR EM272, Sonorous Objects SO.3 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
This 1964 Rambler was your typical family car back in the 60’s. A mid-sized 4-door sedan with a V8 engine. All the performances and perspectives you’ll need to fill out your edit. Includes a stereo mix down of the onboard engine/tailpipe mics. As well a full compliment of doors, gearshift, switches, windows, leather seat moves and the horn (dopplers too).
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.