Spectacular sci-fi sound effects, from robot sounds, spacecraft and lasers to other futuristic sounds
The Inner ambience sound effects library is a collection of high definition sounds recorded inside various spaces using matched stereo contact microphones.
Each ambience has its own unique character and natural frequency modulation.
Some of them has constant velocity like an industrial hum, power block energy field, fans and compressors, while others have weird fluctuations like road columns affected by wind and passing-by cars, bridge columns, fences, water pipes: some of the mechanical and electrical sequences were recorded as well, such as water pump, lawn mowers, automatic window rollers, pool cover mechanism and others.
The audio files could be used, as they are – for dark, eerie, confusing atmospheres or elements in your game or film projects.
It is a good source for further manipulation and designing new sounds as it is recorded in 24/96. In addition to the pack there are designed sounds of these recordings to give you an idea of how you can push them in a different creative way and of course use it in your projects as well.
Do you want to add a bit of mystery, depth, tension to your ambience stem and influence the emotional state of the listener?
Insectus is a special Ambisonics sfx library: we’ve been through lot of experimentation in that time with different approaches regarding the best way to deliver this bizarre package of sounds.
So what is it exactly? Just think about the sound-designed material as a background sweetener. We’ve called it Insectus not only for its Latin roots, but also because it comes from the fusion of two word: Insect+Tinnitus.
We used the higher octave of the spectrum in an odd way, mimicking insect vocalization and biophony sounds in Symbolic Sound Kyma by layering a lot of synthesised stream of small band of very high frequencies (hence the inspireful source name Tinnitus).
Now you can create soundscape by layering, rotating, expanding and shrinking the FuMa/ambiX file. You can also re-construct the 360° sound panorama from binaural up to 7.1 surround.
You’ll find 100 loopable variations of FOA FuMa/ambiX interleaved files (4 channels), with a duration of 30 seconds each.
Interface is a collection of Button Presses, Power-Ups, Data Rolls and Whooshes for use in Games and Multimedia. They are also very useful for creative music production. Use the whooshes as transition elements or the Power-Ups to start off a song. This collection belongs in every digital artist toolkit.
The Future is Now is the second interface sound library from Sound Response and with this release we bring you even more futuristic, hi-tech audio goodness for your next project, with more sound FX categories to choose from! Expand your sci-fi sound collection with 700 high quality interface sound effects, including vast selection of different confirms, denials, neutral beeps, subtle sweeps, organic clicks and more. Perfect for video games, movies, tv, mobile apps and many other applications!
The Future Is Now soundpack contains 695MB of high definition 24bit/96khz sounds, embedded with metadata to speed up your workflow.
More than two years after the release of Binary Code sound library, Sound Response brings you massive (1.5GB in size) second installment – Binary Code 2, with a total of 1000 professionally designed, high quality, futuristic interface and sci-fi computer UI sound effects!
Binary Code 2 is a diverse collection of HUD and UI sound effects separated in eight different categories, that features vast selection of neutral interface hi-tech beeps, bleeps, and button sci-fi sound effects, confirmed (access granted) and negative (access denied) interface sounds, subtle sweeps and smooth futuristic hi-tech hologram sound effects, data processing and readouts, various glitch sound effects, those chirpy 8-bit retro game sounds, and typing sci-fi sound effects! With this large and versatile interface sound effects collection at your disposal you’ll be able to create that sought-after, sophisticated, futuristic sound for your next game, movie, trailer, video, app, music track, or any other project that you’re working on!
Creation of Binary Code 2 sound library involved two months of extensive sound synthesis with synthesizers and usage of noise generators in order to create the necessary source sounds, followed afterwards by hours upon hours of mangling, processing, meticulous editing and fine-tuning.
Binary Code 2 sound library contains 1.57GB (1000 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow, and separated into eight categories.
1. Neutral • 2. Confirmed (Access Granted) • 3. Denied (Access Denied) • 4. Subtle (Holograms) • 5. Data Processing • 6. Typing • 7. 8-Bit Retro • 8. Glitches
The Into Abyss sound library features 200 high quality drones sound effects perfect for creating disturbing, post-apocalyptic atmosphere for your next sci-fi movie, video game, trailer or industrial and ambient music production!
If you’re looking for otherworldly ambient sounds, eerie horror soundscapes or industrial ambiences and textures that you can often hear in science fiction movies and games, this soundpack will provide you plenty of material to choose from.
These dark ambient sound effects always work great as a background to enhance the anticipation and tension of sci-fi scenes and help you with the immersion of your audience into a futuristic dystopian world!
The Into Abyss sound library contains 7.64 GB (236 minutes total) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow and separated into three categories: 1. Evolving Drones 2. Pulsating Drones 3. Constant Drones
A composite collection of scifi whooshes, space ship pass bys, futuristic transitions, digital sweeps, power downs, power ups and digital stutters.
Over 320 sounds to to give that right sonic treatment to passing by sapceships, jets, fireballs, laser beams, rockets, torpedos and futuristic engines. Also computer interfaces, menu transitions, magical whoshes, worm holes and virtual reality settings will get that intense amount acoustic treatment to not only see the motion.
Even breaks, endings and transitions of all different kinds of electronic music will get that extra kick with this sound library.
JUST WHOOSH 4 sends forth an armada of highly trained and bloodthirsty Whoosh Sweeteners, ready to take over and beef up any feeble Whooshes, spineless Pass-Bys and wimpy Transition sound effects in no time.
So they finally do what they should: intensifying the sense of motion and velocity of anything that moves on screen.
From short, fast pass-bys, through magical fireballs to massive, droning, portly passing spaceships – This Whoosh Sweetener Toolkit does the job.
To strike with even more precision and efficiency, the fleet splits up into three squadrons:
|JUST WHOOSH 4
Noise & Interference
Rattle & Mechanics
Spacecrafts & SciFi
537 Sounds | 1,84 GB
|JUST WHOOSH 4
Abstract & Fantasy
Engines & Motors
Projectiles & Ballistics
545 Sounds | 1,82 GB
JUST WHOOSH 4
Friction & Organic
Metallic & Dystopian
Synthetic & Artificial
Water & Bubbles
532 Sounds | 1,58 GB
Kalipso Atmospheric Drones is a collection of 61 crafted ambient sounds using various recorded sources such as trains, planes, water, various metallic objects and designed sounds.
The duration of each sample varies from a minute to almost two minutes which should give you enough room to create the needed loops if you desire so. Combine and layer provided drones to create bigger, deeper and more intense ambiences.
Kalipso Atmospheric Drones are designed to complete any sci-fi or dark ambient setting in video games, movies or animation projects.
Update volume 1
Update vol. 1 brings 14 additional atmospheric drones.
Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani.
The generation of these “Artificial Reality Ambiences” starts entirely in Symbolic Sound Kyma from the processing of white and pink noise by filtering – in the time/spectral domains – and convolving these sources with custom FM, additive, formant and granular synthesis. The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures.
The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.
The “Kyma Ambiences vol.1” sound effects collection is published @ 96kHz (native) – and is also available as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).
Kyma Ambiences vol.2 follows the traces of the original collection dated back 2013, but this time it’s bigger and immersive. It contains 100 abstract and evolving ambiences created with our beloved Kyma sound design workstation. Due to the increasing demand of spatialized content for game and VR/AR project, this inspiring collection has been entirely designed as a spherical representation of sound natively in 3rd Order Ambisonics by generating all the Sounds in Kyma and mastering them in Pro Tools through a custom analog setup (Looptrotter Sa2Rate+Elysia xfilter 500+TK Audio BC501).
Ambisonics is a multi-channel technology that lets you spherically capture the sound arriving from all directions, at a single point in space. I used state of the art tools to forge these modern and cinematic soundscapes by blending many encoders to inject different colours into the design process. Each virtual 3D sound environment has been carefully constructed by layering and placing Kyma Sounds at different locations in a virtual three dimensional field using the Audio Ease 360 pan suite. I captured real spatial sound with the AMBEO VR Mic to be encoded-transformed-decoded using Kyma Ambisonic Tookit (1st Order) and then up-mixed to 3rd Order with Harpex-X and PerfectSurround Penteo 16 Pro to extract the maximum amount of spatial information.
“Kyma Ambiences – vol.2” is available in three variants:Stereo Edition:
2 channels interleaved files (100 items)
Size: 3.48 GB
1OA (first-order) B-Format AmbiX:
ACN channel order & SN3D weighting/normalisation: W/Y/Z/X
4 channels interleaved files – ready to use stereo versions are included as well (100 items)
Size: 6.94 GB
3OA (third-order) B-Format AmbiX:
ACN channel order & SN3D weighting/normalisation: W/Y/Z/X/V/T/R/S/U/Q/O/M/K/L/N/P
16 channels interleaved files – ready to use stereo versions are included as well (100 items)
Size: 27.82 GB
If you want to use the 1OA b-format file directly in your VR/AR project, simply keep only the first 4 channels (WYZX) dropping the other ones (TRSUQOMKLNP)
Audio Format: Interleaved Broadcast Wave Files (.wav)
Sample Rate: 96 kHz
Bit Depth: 24-bit
You can never have too many laser blast sounds! And just when you thought you'd heard every type of Laser Blast SFX out there, here comes an all-new gut punching Laser Blast Collection that will.. well, blast you into smithereens. Recorded and designed from scratch at 24bit, 96kHz – and also includes a few bonus kid-friendly zap sounds. Enjoy, if you survive the blast.
The Lethal Energies sound effects library gets you a powerful and versatile collection of designed sci-fi guns and weapons. We work as game sound designers and are huge sci-fi fans, and our aim with this SFX library was to build the ultimate, self-contained sci-fi weapon library – in the sense that it includes everything you need to create powerful weapon sounds.
It comes with a range of designed weapons, divided into Light, Medium and Heavy weapon categories. Also included in the library are weapon construction kit sound effects like aiming sounds, laser blaster shots, shot punches, electricity sounds, foley sounds, force fields, sensors, servos, transitions and more.
Ok, ok, before you hit the preview button…back in school a friend made a short film with lots of fighting and light sabres. Who doesn’t want to try their hand at making those? This was my valiant attempt as a fledgling sound designer. They ain't the real thing but perhaps useful nonetheless. Enjoy!
Lo-Fi Sci-Fi is a library packed full of characterful, authentic and gritty sounds. It was lovingly created by sound designers Barney Oram and Derek Brown, in homage to classic late 70’s and early 80’s sci-fi movies.
The collection is comprised of a wide range of sounds, including metal, organics, fire, mechanical, interfaces, creatures, foley and footsteps, abstract, ambience, and much more.
Lo-Fi Sci-Fi features 620 24bit / 48kHz WAV files in total, including 45 designed sounds and 575 source sounds.
Get a huge variety of simple or complex lockdown mechanism sounds with a wide array of different latches and impacts with Lockdown, a performable Kontakt instrument and sound effects library.
We brought in dozens of props big and small to generate a massive array of source material recorded at 24 bit 192kHz. These included cameras, carabiners, wrenches, rack cases, knives, can openers, tongs, crimpers, solder suckers, file cabinet doors, vehicle doors and servos and much more – all with multiple unique performances per set.
Great care was taken to record each performance with the highest sonic quality and detail. We chose a pair of MKH50s in XY as our primary setup, creating a big, clean stereo image on every sound.
The designed collection uses samples based on the elements recordings that have been transformed into entirely new and different sounds using heavy processing and layering. It was created to produce interesting design and transition sounds quickly and easily. Lockdown includes over 500 fully lockdowns of all sizes and scales.
LOFI Terminal is a collection of 195 UI/HUD sound effects.
Create original sounding games, menus, UIs, apps and more. LT was designed to have that LOFI sound
with a bit of a twist. Perfect work indie games or any projects looking for different sounding UI/HUD sfx.
LOFI Terminal was created with game developers, sound designers and streamers in mind.
Collection was created using both hardware and software synths.
All SFX have baked-in Soundminer’s meta data
CREATED & EDITED WITH: Modular, Reaktor, Adaptiverb, TC Electronics, Pro Tools.
Lost Transmissions is a collection of electromagnetic and radio recordings with an emphasis on communications gone wrong. Malfunctioning static, radio recordings, analog hums, designed passbys, & tonal/fluctuating noise. Lost Transmissions is another essential set of utilitarian libraries to add to your tool box. Recorded and designed by Jason Cushing (co-founder of SoundMorph).
Not only that, as a bonus we've also teamed up with and included Echo Collective's kontakt instrument “Squelch” and accompanying sample library, giving you an additional 100+ real radio samples to work with and playable radio instrument.
Machine Hall delivers all the right sounds for designing sounds for robots, industrial environments and other machines.
This pack was recorded in a car building factory and therefore has a lot of industrial robots, air compressors, small rotors and motors, servos and general heavy industry ambiances. Perfect for creating robots, giant mechanical stuff with loads of moving gears and parts and little tinkering bots. Every machine is counted for, big and small!
Be it steampunk or modern sci-fi, this pack is sure to be a great fit for anything mechanical and robot-y!
All sounds included are meta data tagged(keywords+description) for use in soundminer/basehead etc.
With Magic Spells & Sorcery sound library Sound Response brings you nine different categories of high quality magic sound effects to choose from! Whether you need those sparkling and shimmering magical spells, buffs, bursts, whooshes and casts sound effects, or the sounds of massive fireballs, flames and swirls, earth, water, air, ice, powerful electric bursts, chimes, or drones, this sound FX collection will provide you with sonic arsenal that will instantly find a way into your production!
Magic Spells & Sorcery soundpack is a result of months of stage and field recording with high-end recorders and microphones, and meticulous sound design process afterwards. Perfect for video games, movies, trailers, videos, but also very useful for music producers, and pretty much anyone who’d like to expand sound collection with various exotic whooshes, transitions and bursts sound effects!
Magic Spells & Sorcery sound library contains 1.48 GB (318 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow, and separated into nine categories: 1.Spells 2.Fire 3.Earth 4.Air 5.Water 6.Ice 7.Electricity 8.Chimes 9.Drones
The Magic Spells, Buffs and Attacks library contains 507 total spell sounds. Each spell type has been thoughtfully named and crafted into multiple variations making them extremely flexible and easy to use. This library will work great for MMOs, RPGs and other fantasy style games. Of course, it will be great for film or any other form of media also! Many of these sounds are also well suited for Sci-Fi or Futuristic applications.
Bonus Reaktor Ensemble:
As if the sounds alone weren’t enough, we’re also including a special bonus in the form of a Native Instruments Reaktor Ensemble. We call it “The Mage”.. it is designed to allow you to take spell types, mash them together and create endless new iterations of material!
If you're after electromagnetic sounds, this library delivers: Captured with The LOM Elektrosluch 3+ throughout 2015. The sounds heard with this special piece of equipment are other-worldly, ghostly and oftentimes, scary. If you haven't managed to get your hands on one yet, or missed out while pre-orders we're presenting this library as the definitive Elektrosluch 3+ sound. Hear the analog and digital: screaming whirls of electronic servo motors, the intense hum and whoosh of new and old transformers, and the pained glitching of processors and data paths of a circuit-bent Furby.
We have designed this library to be as useful and versatile as possible to be used in every application, from television, music sampling, theatre, to film. We recorded, edited and hand-picked a selection of science fiction-inspired electrical props in order to obtain the best sound sources for this library. All sounds have not been processed through special effects processors, they are simply the sounds of Electromagnetic Fields, recorded with a LOM Elektrosluch 3+.
Full: The complete library.
Micro: A cut down library featuring some of our favourite sounds from the complete collection.
Transformers, Televisions, Motors, Servos, Hard Drives, Vintage and New Electrical Technologies, Circuit Bent Props, Cameras, Telephones, Computers, Disk Drives, Remote Controls, Toys, Power Supply Units, Fairy Lights, and Vacuum Cleaners.
Mechanicals is a set of 201 specialty sound effects hand picked from Sound Ideas General HD 3 collection. From Bio Mechanical Creatures and Energy Flutters to Hi Tech Scan Movements – Cyborg Mutations to Mechanical Responses – Airy Servo Movements to Transformer Sequences – these outstanding specialty sound effects need to be heard to be believed.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.