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Home Genres Sci-Fi

Sci-Fi

Spectacular sci-fi sound effects, from robot sounds, spacecraft and lasers to other futuristic sounds

  • Digital Dust delivers 128 tracks of pure digital bit-crushing distortion, deep atmospheric drones, and ear-piercing interface sounds.
    Digital Dust is not your usual clean and modern computer command sound effects library. All sounds have been designed from real world electrical or organic recorded sounds.

    Granulated, stretched, pitched and mangled in endless chains of plugins and hardware, for very different and almost apocalyptic kinds of rogue computer command sounds. The samples can easily be stretched or processed even more, for even weirder sound fx.

    The library contains:

    26 Drones/atmospheric beds. All are minimum 1 minute long, and are easily loopable.
    61 Glitchy, bitcrushing FX.
    41 Otherworldly signal FX.
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  • A sound library of the digital electronic world of 1s and 0s created from digital sources.

    Sounds include glitch, static, snaps, pops, interference, signal malfunction, dropouts, data transmissions, unreferenced issues, bad clocking or incorrect timing effect and pitch/time manipulation.

    Captured as found or created from any digital format device including computers, software, hardware interfaces, optical and coaxial streams, file-based, mobile devices, streaming media, digital synthesizers, and samplers.

    All sourced from the output jacks and speakers from the digital devices as well as broadcast facilities, transmission sites, data paths, wifi, and cellular data.

    The files have been normally left raw with its range of frequencies and dynamics, but have been normalized so be careful and check your volume level!

    Great for those moments needing an emanation from a digital electronic device, glitchy transitions, data transmissions and clock timing for tech, sci-fi, horror, and dystopia or creating electronic beats and ambient drone material.

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  • Horror Distorted Perception Play Track 146 sounds included, 44 mins total $25

    Need to create a tense atmosphere to induce madness, craziness and fear in your Horror or Sci-fi project? DISTORTED PERCEPTION is the library for you.

    Abnormal melodies, strange sound movements, transitions and distorted cinematic impacts are some of the things you will find in this collection; sounds with a distorted, saturated and tense feeling to grab people’s attention and provoke fear, tension and suspense in them.

    You can also use the sounds to enhance musical productions or create some nasty and crazy musical moments, thanks to a nice selection of percussive elements. The library contains two musical compositions using only the sounds in this library (using the percussive sounds with some of the atmospheres and transitions). Apart of being a great library for Horror or Sci-fi games and movies, this collection works well for trailers too.

    Sounds included:
    Atmospheric elements: Abnormal melodies, feedback and tense drones • Cinematic basses • Saturated bass drops • Distorted cinematic impacts • Sci-fi impacts • Sound movements • Noises • Percussive elements: Drum kicks, distorted drum kicks, hi-hats, snare drums, movements and sequences • Transitions

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  • 'District 10 – Mothership Sound Effects' from Bluezone Corporation contains over 178 complex science fiction SFX. This massive sound library was created with meticulously sampled sources and twisted using complex synthesis techniques: organic textures, command center ambiences, interior and machine background sounds, explosions and debris, alarms, beep and interface sounds, alien mothership textures and much more. This sample library comes to you in 24-bit high definition and is licensed to you as royalty-free so you can use it in your commercial projects at no extra cost.

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  • Sci-Fi Dodge This Play Track 173 sounds included, 25 mins total $25

    “..What are you trying to tell me? That I can dodge bullets?..” Neo, The Matrix.

    “Dodge This” is a set of sounds aimed to enhance “Slow Motion” and “Bullet Time” moments in movies, trailers and video games.

    It has a very strong Sci-fi feeling. So, If you need to create “passing by” bullets like in the famous “Bullet Time” scene in “The Matrix”, evoke big “Slow Motion” movements like the giant robots in “Transformers” or induce a state of focus in “Slow Motion” modes in video games, this library is great for you.

    Also you will find a nice selection of impacts with a a powerful time sensation that are perfect for trailers.

    Categories included:
    Atmospheric Element • Bass Drop • Dodge_Pass By_Movement • Fx_Movement_Bass • Fx_Movement_Sci-fi • Fx_Movement_Tremolo • Fx_Reverse • Hit_Impact • Hit_Low • Hit_Shot_Sci-fi

    Earn the power to control time!

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  • DOOM is a modern sound effects library of cutting-edge cinematic impacts, complex stingers, one-shot tones and dark percussive elements with a dirty, authentic sound.

    The follow-up to the popular Raptus SFX library, DOOM features a full spectrum of original sound effects, dedicated to sound designers, sound editors and composers needing a high-impact, destruction feel in their productions.

    DOOM is delivered with 10 Kontakt preset banks and 3 Multis to get instant inspiration, as well as stand-alone WAV files. A full version of Native Instrument's Kontakt is required to use the Kontakt patches. Without Kontakt, you can use the included WAV files.

    Get the next level of cutting-edge sound effects with DOOM:

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  • A collection of versatile, carefully crafted, seamless looping drones and textures, that would take you away into the unknown realms. The pack includes all kinds of moods: from low-rumbling environmental ambiences and spacey drones, to the divine and transparent textures.

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  • Driving Forces” is an ultimately innovative sound effects construction kit from Digital Rain Lab. The pack is dedicated to futuristic engine sounds: from small hovering drones to huge space motherships. It thoughtfully includes various engine categories such as Jet Turbines, Micro motors, and Recordings. The addition of real textures makes the library well balanced and very flexibile for designing unique vehicle sounds.

    Natively made in 96k/24bit, all sounds are ready to be heavily manipulated, and are tagged with BWF and Soundminer metadata for a faster workflow.

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  • If you love sounds with different intonations like R2D2 or Wall-E style, this library is for you: It features 30 short designed robotic voice snippets.

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  • Drones & Moods DRONEA Play Track 238 sounds included, 810 mins total $39 $19.50

    DRONEA gets you over 13 hours of drones, pads, underscores and atmospheres.

    A collection of 238 drones, designed at 24-bit. Light to dark, clean to dirty, low to high, moving transitioning and pulsating. Many of these audio atmospheres were naturally processed by playback through a huge concrete tunnel and vintage guitar amplifiers.

    All sounds were recorded or designed at 24-bit, 96 kHz, with embedded meta data.

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  • A pack of 28 quality Drones & Pads to create an intense amtosphere in film, games and podcasts. Some sounds are really good for Horror and SciFi genre. Most of the sounds are analog recorded and highly reworked with best digital effects. Metadata is grounded with Soundly.

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  • Drones & Moods Dronos Play Track 154 sounds included, 154 mins total $30

    Brand New Sci-Fi Ambiences from The Library by Empty Sea. 6+ GB, 150+ sounds, almost 3 hours of material, all 96k, all looped for easy use.

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  • Drops 'n' Braams brings to the table 137 new sounds of hybrid cinematic Braams and Drops to boost your production with time-bending elements and sonic manipulation brought to the max. The SFX library is produced from scratch by Alessandro Romeo, owner and lead sound designer at SampleTraxx.

    With Drops ’n’ Braams you can create massive stingers, deep impacts, trailer and score elements, morphing bass, transition woosh and much more.

    A great addition for trailer cue creators, score composers and cutting-edge electronic music producers.

    The library includes:

    • 86 Braams _ Design, Elephant, Granular, Larsen, Raw, Textures
    • 51 Hi Tech Drops/Downers/Sting/Power Down
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  • This library is a bit different from the rest.  Dx (“Diagnostic”) is a grouping of different audiometric and audiological elements in a neat, diversified package.  Our goal was to aggregate audio tests from multiple disciplines and build them into a one-stop-shop collection that most sound designers, engineers, researchers, and artists could utilize as a mainstay in their audio toolbox.

    In this collection you will find sets of: binaural beats, audiometric sweeps, full frequency sweeps, multi-spectrum noise, spatializations, resonance tones, impulses, dynamics tests, intermodulated distortion tests, aliasing tests, phase tests, and a few fun examples just for kicks.

    These diagnostic sounds are provided in 96kHz/24-bit, 48kHz/24-bit, and 44.1kHz/16-bit resolutions.  There are various length and loudness combinations as well, so you don’t have to edit these files to use them for their intended tests.  That being said, this diagnostic audio can also be used very quick and precise ways in layered SFX designs.  Because they are so specific in their development, they can be used with an automatic mathematic disregard…and that, is a good thing.

    Quick, clean, and precise.  Enjoy.

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  • Drones & Moods Dystopian Drones Play Track 233 sounds included, 227 mins total $45

    Dystopian Drones sound library features 200+ high quality drone sound effects that instantly evoke unsettling feeling and post-apocalyptic images of a machine-dominated world, destroyed dystopian cities, deserted landscapes and sci-fi machine rooms, reactors and engines!

    Perfect for creating disturbing industrial ambiences and dark otherworldly soundscapes, these sound effects will work great as a background for any dark futuristic sci-fi scene full of tension and suspense.

    You can choose between different types of drones ranging from intense pulsating ones, dynamic and evolving ones to the constant drones. Whether you’re working on a post-apocalyptic video game, movie, tv show or if you need dark ambient textures for a music production, this sound library has you covered!

    Dystopian Drones sound library contains 7.39GB (227 minutes total) of high definition 24bit/96khz stereo WAV files, embedded with metadata to speed up your workflow and separated into three categories: 1. Evolving Drones 2. Pulsating Drones 3. Constant Drones

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  • Industrial, heart-stopping and threatening loops featuring evacuation alarms, hazard alerts, big heart-stopping whams, military threat sirens, security breach warnings, emergency calls, and distress signals. Each piece of sound design features five different variations (A, B, C, D, and E) each with its own unique flavor and stylistic approach which allows the user to cover a wider range of professional work by adapting his/her favorite samples to the needs of a particular project.

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  • Carefully designed signature trailer sounds and rich cinematic elements featuring strong impactful braams, enormous horns, nerve-racking jumpscares, and cutting edge hybrid trailer sound design.

    This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)

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  • Selection of immersive downers and powerful dramatic sub falls featuring slow-motion bass, low-frequency drops, futuristic glitches, and epic cinematic booms. This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween – 2018” – “The Predator 2018”)

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  • A curated selection of deep cinematic drones and complex atmospheres featuring ghostly ambiances, profound textures, futuristic soundscapes, ambient sound design, and hybrid trailer pads.

    This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)

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  • One-shot impact hits with aggressive bass, angry and sudden booms, big heart-stopping whams, bone-chilling metallic textures, frantic clashes, glitchy futuristic hits, dramatic and disturbing explosions, and epic cinematic bangs.

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  • Obscure cinematic ping elements perfect to add as top layers while crafting memorable hit sounds and hybrid trailer impacts with mystical undertones and terrifying stingers.

    This file is from the personal library of trailer music composer Federico Soler Fernandez (“Valerian and the City of a Thousand Planets” – “The Food That Built America (History Channel)” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)

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  • A strong set of pulsating elements and complex cinematic sequences featuring dynamic synth textures, evolving futuristic soundscapes, hybrid trailer pulses, and percussive sound design.

    This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)

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  • Whooshes Effective Trailer Risers Play Track 106 sounds included, 26 mins total $34.99

    Over 100 cinematic riser effects and epic buildups featuring distorted synths, eerie whispers, sci-fi glitches, hardcore guitars, dramatic reverses, drilling leads, and profoundly evolving textures. This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween – 2018” – “The Predator 2018”)

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  • One-shot whooshing transitions with aggressive sweeps, angry and sudden drops, big heart-stopping bass, bone-chilling metallic textures, frantic reveals, glitchy futuristic flybys, dramatic and disturbing movements, and epic cinematic openings.

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