Spectacular sci-fi sound effects, from robot sounds, spacecraft and lasers to other futuristic sounds
A bundle containing a collection of very disturbing and scary futuristic spaceship ambiences, Sci-Fi Drones and organic, surreal alien-atmospheres. This special bundle gets you both full mixes, as well as drones carefully split into logical frequency layers for maximum flexibility.
This gives you better control, allows you to do your own mix of these elements, and you can combine and mix the different layers across the ambiences using drag&drop to create nearly endless variations. It also makes it easy to do creative up-mixes to surround.
‘Dark World’ is a collection of 50 drones and moods (250 mins +) that explore ideas of designed spaces.
Blurring the lines between score and sound design, ‘Dark World’ combines sound effects and musical instruments to create tense, beautiful and eerie moods. Made for composers and sound designers and ideal for surround sound placement.
Databending: A digital art form where flaws in digital systems are exploited and used for creative purposes.
Data Disruption contains 200 sounds sourced from raw computer files which have been interpreted as audio data. Bitmaps, executables, plugin files and more have been exploited to bring you a unique, varied collection of sound effects and atmospheres ready for a range of productions.
This sound collection has 100 'raw' files which include harsh, random data noises, intense drones and a versatile selection of glitch one shots as well as 100 processed sounds which were subject to extreme editing and mangling to deliver an array of abstract sonic artefacts.
Most useful for scenarios where computer technology – known or otherwise – is glitching out, these sounds are best suited to Science Fiction productions which call for the noise of broken communications, signal failures, ailing machines, industrial settings, planetary ambience and dystopian soundworlds.
That's not to say they won't also come in handy for Glitch/IDM music producers looking to build up an original collection of sounds for their latest kit, or for the creative sound designer to further shape these sounds into anything from user interface clicks, blips and bleeps to surreal soundscapes and beyond.
Data Processing is a sound effects library that emulates the movement of data and adds digital texture to your sound design.
Use these effects as building blocks to build digital, robotic, harsh, abstract and glitchy sound design or music. Also great as user interface elements.
We recorded and designed data transfer from 5G, WIFI, Solid State Drives, USB-C and more, as well as using analogue synthesizers, guitar pedals and raw data files to enhance the library.
Designed Circuits captures the essence of electric circuits and transforms them into something new. It features special sound effects, ambiences, glitches, drones, and more, that range from heavily designed to basic elements.
Recorded with a LOM Elektrosluch 3+, designed with various fx tools.
Created in collaboration with sound designer Will Organ.
272 24bit/96kHz WAV files / Meta-tagged
38 Noise Bursts
10 Source Recordings
Designed Fire explores the further sonic realms of a powerful element. It features special effects, ambiences, swooshes, whooshes, fly-bys, drones, textures, glitches and more, that range from heavily designed to basic elements.
Created in collaboration with Thibault Csukonyi.
255 24bit / 96kHz WAV files / Meta-tagged (Soundminer)
89 Swooshes / Wooshes
75 Short elements
Designed Ice features creatively designed field recordings to create both exciting ice sound effects and evolving textures, that combine the natural sounds of ice with otherworldly and experimental digital post-processing.
48 24bit / 96kHz WAV files / Meta-tagged (Soundminer)
10 Source Recordings
Designed Mecha is all about exploring the inner and outer working mechanisms of an at times slightly malfunctioning mecha and its environment. It features various kinds of mecha / robot sound effects, ambiences, mechanism and servo sounds, impacts, and glitches.
Created in collaboration with Bend Audio Design.
47 24bit / 96kHz WAV files / Meta-tagged
Designed Rocks features crumbling and cracking rock sound effects, shattering glitches, evolving textures, and everything in between.
Created in collaboration with field recordist Bryan Hirst.
• 63 24bit / 96kHz WAV files / Meta-tagged (Soundminer)
• 28 Evolutions
• 25 Elements
• 10 Source Recordings
'Designed Weapons' by Cinematic Sound Design features a selection of designed weapons, weapon loadings, re-programmings, interface sounds & cinematic backgrounds. Designed specifically for 'First Person Shooter' games and any game & media project, where guns, sci-fi elements are essential, this unique product delivers a massive palette of sounds for your production library.
• 86 Designed Weapons: Bursts & One Shots
• 30 Cinematic Atmospheres & Drones
• 97 Sci-Fi Re-programmings & Weapon Loadings
• 3 Distant Explosions
• 216 files in total
Digital Dust delivers 128 tracks of pure digital bit-crushing distortion, deep atmospheric drones, and ear-piercing interface sounds.
Digital Dust is not your usual clean and modern computer command sound effects library. All sounds have been designed from real world electrical or organic recorded sounds.
Granulated, stretched, pitched and mangled in endless chains of plugins and hardware, for very different and almost apocalyptic kinds of rogue computer command sounds. The samples can easily be stretched or processed even more, for even weirder sound fx.
Need to create a tense atmosphere to induce madness, craziness and fear in your Horror or Sci-fi project? DISTORTED PERCEPTION is the library for you.
Abnormal melodies, strange sound movements, transitions and distorted cinematic impacts are some of the things you will find in this collection; sounds with a distorted, saturated and tense feeling to grab people’s attention and provoke fear, tension and suspense in them.
You can also use the sounds to enhance musical productions or create some nasty and crazy musical moments, thanks to a nice selection of percussive elements. The library contains two musical compositions using only the sounds in this library (using the percussive sounds with some of the atmospheres and transitions). Apart of being a great library for Horror or Sci-fi games and movies, this collection works well for trailers too.
Atmospheric elements: Abnormal melodies, feedback and tense drones • Cinematic basses • Saturated bass drops • Distorted cinematic impacts • Sci-fi impacts • Sound movements • Noises • Percussive elements: Drum kicks, distorted drum kicks, hi-hats, snare drums, movements and sequences • Transitions
'District 10 – Mothership Sound Effects' from Bluezone Corporation contains over 178 complex science fiction SFX. This massive sound library was created with meticulously sampled sources and twisted using complex synthesis techniques: organic textures, command center ambiences, interior and machine background sounds, explosions and debris, alarms, beep and interface sounds, alien mothership textures and much more. This sample library comes to you in 24-bit high definition and is licensed to you as royalty-free so you can use it in your commercial projects at no extra cost.
“..What are you trying to tell me? That I can dodge bullets?..” Neo, The Matrix.
“Dodge This” is a set of sounds aimed to enhance “Slow Motion” and “Bullet Time” moments in movies, trailers and video games.
It has a very strong Sci-fi feeling. So, If you need to create “passing by” bullets like in the famous “Bullet Time” scene in “The Matrix”, evoke big “Slow Motion” movements like the giant robots in “Transformers” or induce a state of focus in “Slow Motion” modes in video games, this library is great for you.
Also you will find a nice selection of impacts with a a powerful time sensation that are perfect for trailers.
Atmospheric Element • Bass Drop • Dodge_Pass By_Movement • Fx_Movement_Bass • Fx_Movement_Sci-fi • Fx_Movement_Tremolo • Fx_Reverse • Hit_Impact • Hit_Low • Hit_Shot_Sci-fi
Earn the power to control time!
DOOM is a modern sound effects library of cutting-edge cinematic impacts, complex stingers, one-shot tones and dark percussive elements with a dirty, authentic sound.
The follow-up to the popular Raptus SFX library, DOOM features a full spectrum of original sound effects, dedicated to sound designers, sound editors and composers needing a high-impact, destruction feel in their productions.
DOOM is delivered with 10 Kontakt preset banks and 3 Multis to get instant inspiration, as well as stand-alone WAV files. A full version of Native Instrument's Kontakt is required to use the Kontakt patches. Without Kontakt, you can use the included WAV files.
Get the next level of cutting-edge sound effects with DOOM:
Need to create a tense atmosphere to induce destruction and fear in your game or trailer? “DOWNFALL” is the library for you.
Atmospheric elements, hits, percussive elements, noises, transitions and loops are some of the things you will find in this collection; sounds with a heavy, frenetic and tense feeling to grab people’s attention and evoke images of a desolated and doomed world in them.
This collection of 159 Sound Effects can be used to enhance music tracks too, making this library a versatile addition to your current collection of production elements.
Atmospheric element_Tension • Fx_Movement • Fx_Movement_Atmospheric • Fx_Movement_Riser • Fx_Transition • Impact_Braam • Impact_Hit_Distortion • Noise_Glitch • Noise_Interference • Percussive element_Distortion • Percussive element_Distortion_Loop
A collection of versatile, carefully crafted, seamless looping drones and textures, that would take you away into the unknown realms. The pack includes all kinds of moods: from low-rumbling environmental ambiences and spacey drones, to the divine and transparent textures.
“Driving Forces” is an ultimately innovative sound effects construction kit from Digital Rain Lab. The pack is dedicated to futuristic engine sounds: from small hovering drones to huge space motherships. It thoughtfully includes various engine categories such as Jet Turbines, Micro motors, and Recordings. The addition of real textures makes the library well balanced and very flexibile for designing unique vehicle sounds.
Natively made in 96k/24bit, all sounds are ready to be heavily manipulated, and are tagged with BWF and Soundminer metadata for a faster workflow.
If you love sounds with different intonations like R2D2 or Wall-E style, this library is for you: It features 30 short designed robotic voice snippets.
DRONEA gets you over 13 hours of drones, pads, underscores and atmospheres.
A collection of 238 drones, designed at 24-bit. Light to dark, clean to dirty, low to high, moving transitioning and pulsating. Many of these audio atmospheres were naturally processed by playback through a huge concrete tunnel and vintage guitar amplifiers.
All sounds were recorded or designed at 24-bit, 96 kHz, with embedded meta data.
A pack of 28 quality Drones & Pads to create an intense amtosphere in film, games and podcasts. Some sounds are really good for Horror and SciFi genre. Most of the sounds are analog recorded and highly reworked with best digital effects. Metadata is grounded with Soundly.
Brand New Sci-Fi Ambiences from The Library by Empty Sea. 6+ GB, 150+ sounds, almost 3 hours of material, all 96k, all looped for easy use.
Drops 'n' Braams brings to the table 137 new sounds of hybrid cinematic Braams and Drops to boost your production with time-bending elements and sonic manipulation brought to the max. The SFX library is produced from scratch by Alessandro Romeo, owner and lead sound designer at SampleTraxx.
With Drops ’n’ Braams you can create massive stingers, deep impacts, trailer and score elements, morphing bass, transition woosh and much more.
A great addition for trailer cue creators, score composers and cutting-edge electronic music producers.
This library is a bit different from the rest. Dx (“Diagnostic”) is a grouping of different audiometric and audiological elements in a neat, diversified package. Our goal was to aggregate audio tests from multiple disciplines and build them into a one-stop-shop collection that most sound designers, engineers, researchers, and artists could utilize as a mainstay in their audio toolbox.
In this collection you will find sets of: binaural beats, audiometric sweeps, full frequency sweeps, multi-spectrum noise, spatializations, resonance tones, impulses, dynamics tests, intermodulated distortion tests, aliasing tests, phase tests, and a few fun examples just for kicks.
These diagnostic sounds are provided in 96kHz/24-bit, 48kHz/24-bit, and 44.1kHz/16-bit resolutions. There are various length and loudness combinations as well, so you don’t have to edit these files to use them for their intended tests. That being said, this diagnostic audio can also be used very quick and precise ways in layered SFX designs. Because they are so specific in their development, they can be used with an automatic mathematic disregard…and that, is a good thing.
Quick, clean, and precise. Enjoy.
Dystopian Drones sound library features 200+ high quality drone sound effects that instantly evoke unsettling feeling and post-apocalyptic images of a machine-dominated world, destroyed dystopian cities, deserted landscapes and sci-fi machine rooms, reactors and engines!
Perfect for creating disturbing industrial ambiences and dark otherworldly soundscapes, these sound effects will work great as a background for any dark futuristic sci-fi scene full of tension and suspense.
You can choose between different types of drones ranging from intense pulsating ones, dynamic and evolving ones to the constant drones. Whether you’re working on a post-apocalyptic video game, movie, tv show or if you need dark ambient textures for a music production, this sound library has you covered!
Dystopian Drones sound library contains 7.39GB (227 minutes total) of high definition 24bit/96khz stereo WAV files, embedded with metadata to speed up your workflow and separated into three categories: 1. Evolving Drones 2. Pulsating Drones 3. Constant Drones
Industrial, heart-stopping and threatening loops featuring evacuation alarms, hazard alerts, big heart-stopping whams, military threat sirens, security breach warnings, emergency calls, and distress signals. Each piece of sound design features five different variations (A, B, C, D, and E) each with its own unique flavor and stylistic approach which allows the user to cover a wider range of professional work by adapting his/her favorite samples to the needs of a particular project.
Selection of immersive downers and powerful dramatic sub falls featuring slow-motion bass, low-frequency drops, futuristic glitches, and epic cinematic booms. This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween – 2018” – “The Predator 2018”)
A curated selection of deep cinematic drones and complex atmospheres featuring ghostly ambiances, profound textures, futuristic soundscapes, ambient sound design, and hybrid trailer pads.
This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)
One-shot impact hits with aggressive bass, angry and sudden booms, big heart-stopping whams, bone-chilling metallic textures, frantic clashes, glitchy futuristic hits, dramatic and disturbing explosions, and epic cinematic bangs.
Over 100 cinematic riser effects and epic buildups featuring distorted synths, eerie whispers, sci-fi glitches, hardcore guitars, dramatic reverses, drilling leads, and profoundly evolving textures. This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween – 2018” – “The Predator 2018”)
One-shot whooshing transitions with aggressive sweeps, angry and sudden drops, big heart-stopping bass, bone-chilling metallic textures, frantic reveals, glitchy futuristic flybys, dramatic and disturbing movements, and epic cinematic openings.
Electric Arcs and Energy is essentially two separate collections of sounds. The first, Electrical Arcs are more raw. These arc sounds can be manipulated and mangled to be used as design elements in your project. They are highly flexible and can easily be pitch-shifted -48 semitones or more. They remain remarkably useful and clean giving each sound multiple “dimensions”.
The Electrical Energy collection is a series of more specified design elements that I created – Impacts and Powerups. Meant to be used in Weapon or UI design they should be flexible enough to be used as stand-alone effects or layers in more complex sounds.
This library was designed from scratch by recording highly unconventional metal sources with a cello bow and processing them (see one example in video). Great care was taken during the recording and editing process to ensure maximum flexibility of these sounds. The recording was done at 24/192kHz using the Sennheiser MKH 2050 mic which captures frequencies up to 50kHz. All processing and design was then performed at 192kHz.
If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map. The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.