Spectacular sci-fi sound effects, from robot sounds, spacecraft and lasers to other futuristic sounds
Say Hello to Particles the new sonic weapon for creative sound designers, video makers, filmmakers and motion designers.
A must-have sound effect library to give a sense of organic and hyper-realistic to your projects in a fast and creative way.
Hyper- Realistic Textures (104 sounds)
These are hyper close-up recordings of various kinds of props (food, fabrics, materials).
Since they are really rough, they’ll inspire you to create something cool using them as sound sources.
Their proximity allows you to use them for macro-shots, CGI and motion pieces, hyper-detailed images.
Granular Whooshes (76 sounds)
From sci-fi granular to totally organic, a large number of whooshes, passbys, dopplers to give a natural sense of motion to your project.
Minimal One Shots (62 sounds)
This is the category of short and tiny sounds: small collapsing, fractures, all with a premium high-end sonic detail.
You can make your organic foley drumkit using them as a sample into your electronic music project.
Organic Impacts (17 sounds)
Powerful, organic, natural-sounding with a big low end, these impacts are ready for your earth’s destruction shots.
Granular Atmospheres (16 sounds)
Abstract but generated from organic recordings, these atmospheres will help you to get the right “other world” dimension to your project
Low End Rumbles (12 sounds)
Last but not least, do you need more power in the low end? You can layer these sounds to enforce subsonic frequencies giving a new taste to other existing sounds.
Now you can harness supernatural powers in sound design and bring peak levels of mesmerizing magic to your next project. Phantoms in the night, mischievous wizards, sorcerers conjuring black magic, supernatural creatures and telekinetic objects all come to life in fantastic 96k/24bit sound with Phantom Magic. The library delivers game trinkets, spells and sparkles, casts and conjures, potions and power-ups, shields and revives, lightning impacts, transitions, whooshes, and more.
The Planets SFX library delivers 40 minutes of designed atmospheres from 20 imaginary, extraterrestrial locations. Different perspectives, sometimes close to the ground, sometimes far away. Some locations are buzzing with geological and biological activity others seem distant, cold and lifeless. All sounds are constant, ranging from one to three minutes in duration and can be easily combined to create unique variations, allowing you to dial in your own planets soundscape.
•Designed planet atmospheres
•20 extraterrestrial locations
•96 kHz / 24 bit WAV files
•Embedded Soundminer metadata
This sound library delivers 20 unique ambiences suited for space, planets or anything else science fiction. Each sound is 5 minutes in length giving you plenty of range to choose from. Featuring many different kinds of ambiences, ranging from calm winds to busy rain forests this library will be a great addition to any extra terrestrial atmosphere edit.All sounds were recorded using the Sound Devices Mix Pre 6 and a stereo pair of Sennheiser MKH 8020s.
Polarity delivers more than 950 sounds of electricity, science and technology – captured in several locations around the world, from electricity museums to science labs. About 50% of the library is all about electricity, with various types of Jacob’s Ladders, Tesla Coils, Ruhmkorff lamp and all sorts of impactful bursts of energy.
Then we go through welders, plasma spheres, 3D printers, starting to cover a more broad technology theme – like old phones, telegraphs, dynamo wheels, rotary dials, whirling watchers, alarm, lab centrifuges, something scientists call a roller and a rocker, servo sounds, neon lights, a wimshurst machine and sparklers.
Many sounds in this section were captured from vintage equipment, from a 1928’s tram to old telephone switchboards, high voltage levers and control surfaces.
All content was recorded at 192KHz with a Sanken CO100K, a couple of Sennheiser 8040 and a Neumann 81i, translating into final assets that have plenty of ultrasonic content, ready for the most extreme manipulation.
Hopefully, the name says it all. I took a claw hammer, saw, metal bar and my hands to various different types of polystyrene (packing peanuts, big stiff packing material and softer packing material) and wrenched lots of weird sounds out of them. Plenty of squeaky gross crunches and cracks useful for sweetening bone breaks, impacts and other gore stuff if you’re bored of celery and cabbages! Also good for sweetening up other foley stuff too and lots of the recordings contain lots of high frequency, squealy material which is fun for pitching. I included some designed stuff as well including a few UI bits, some pitched impacts, weird alien bug wings and various other bits and bobs. Recorded at 96Khz/24 Bit and processed in Reaper and RX.
Need door sounds? Enter “Portals”, SoundMorph's latest Sound Library containing both designed and source recorded doors. With a focus on Sci-Fi, Medieval, Metal, and contraption type doors, Portals is an excellent resource to add to your tool box.
Portals features more than 225+ files – and as a special bonus right now, you get 190+ of the best doors sounds from our Solar Sky library, for a total 425 files of 1.2GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer & Basehead metadata.
• Designed Doors
• Source Doors
• Medieval Doors
• Sci-Fi Doors
• Stone Doors
• Teleport Doors
+ 190 “best of” doors sounds from our Solar Sky library
Process Malfunction features 40 intricate future technology glitch production elements for science fiction scenarios where computers are going way out of control. You'll hear corrupt data streams, servers overloading, user interface issues, generative, abstract rhythms and more in this detailed exploration of what the computers of tomorrow may sound like when they go wrong.
Perhaps the mainframe has been compromised from a series of lethal hacker attacks or alien communication signals are interfering with the network, maybe the CPU has just seen better days… Whatever the cause of the failure, the machines have been corrupted and they are struggling, screaming and hanging on for their last bleep…
We’ve raided the SFX Source vaults to bring you a 500+ sound collection of the best, most popular and most useful designed production elements to add to your audio box of tricks. Created for those moments when inspiration may be running dry, all of the sounds are ready to drop straight into your project to use as they are, or can be chopped, layered, mangled and processed to your liking.
A’mixed-bag’ sound library featuring deep tones, scary atmospheres, ambient textures, whooshes, transitions, loops, user interface sounds and much more. This one is really handy to have around, you never know what you may find to bring that idea to fruition!
This unique SFX library gets you the close-up engine/rotor sounds of the DJI Phantom 2 multirotor quadcopter. And whether you are working on project that needs the engine sounds of an actual quadcopter drone, or intend to use the recordings as source material for sound design of all kinds of machines – this collection will come in handy:
We recorded static sound perspectives at different speeds, intensities and rotor combinations. The collection includes long recordings at constant speeds, variations on accelerating and decelerating, various maneuvers and random rotor movements.
For even more variety we recorded all of the above with a mix of contact and coil microphones giving you a less realistic, more futuristic sound perspective to the drone’s engine itself, rather than the air movement caused by the rotors. Mix those recordings with the MKH 8040 recordings to create your own blend of engine sounds: be it a drone, spaceship or other types of futuristic vehicles.
Quadcopter Drone CX10 is a small radio controlled toy with a feisty character that could be described as a robotic version of an angry bee.
This library covers in detail everything you can do with this little neat quadcopter drone. You get sounds of acceleration, deceleration, steady engine fly loops of various speeds, engine revs, fast turns, ground hoppings and takeoffs. In case you need them I also recorded collisions and landings on various surfaces like carpet, metal, rock, plastic etc. Surprisingly these sounds are quite suitable for user interface sounds too.
The steady engine fly loop sounds are really useful when you want to create your own flyby / passby sounds. I can also imagine using this library to add some unique flavour to winged insecty characters in a game or just to richen otherwise bland engine sounds.
The whole library was recorded in 96KHz 24bit quality so these sounds are really flexible if you want to experiment with pitch, stretch and other audio tools.
You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Quantum State is a collection of 30 soundscapes (WAV files, 24 Bit / 96 kHz) aimed to be used in movies, games and documentary films. It was created to evoke the atmosphere of a Quantum World.
If you are doing a documentary about Quantum Mechanics or in any Sci-fi project where, for example, your protagonist is trapped in a molecular space this soundpack can be great tool to achieve those things.
Each soundscape has a duration of 1:05 minutes.
RADIO IMAGING SELECTION is a collection of 50 stereo 24-bit 44.1Khz radio ready imaging elements for CHR and HOT AC radio Jingles, StationID, Liners and Dj Drops.
All sounds are royalty free and ready to be included in your radio productions.
What if we’ll take a shortwave radio receiver and turn its output into to a variety of sound effects?
The result will be not only a set of dark, dirty, noisy and distorted effects, but also subtle, deep atmospheres and even some kind of melodic sounds!
This library is extremely versatile and not focusing on individual types of sound effects.
Here you’ll find distant radio transmissions, strange modulated voices, whine and static, but also designed atmospheres that can be used as interiors of spaceships, machinery or computer rooms, whooshes, passbys, textures, transformations, alien voices, stutters, morphing effects, granular clouds, risers, UI, impacts and much more that you may need when working with trailers, music, game sound or movies.
But that’s not all, as it turned out it’s even possible to make melodic sounds out of these noisy soundscapes!
Try this library and you’ll be happy to add such a unique audio source to your SFX arsenal!
– 457 sound effects and ambiences made from a eurorack shortwave radio receiver
– 70 raw source files included
– 96khz/24bit quality
– A highly diverse library for various applications
– A perfect source of dark, gritty and noisy textures for SFX production
– Categorized by types of effects: Source, Ambience, Harmonic, Designed, Processed and etc
– Contains metadata for search engines
The RE-201 Space Echo. Introduced in 1973 is Roland’s most notable outboard FX unit, its sound is both utility and musical. The Space Echo carves its place in music history with its sweeping echoes and infinite oscillations. Its warm and pleasant sound has been heard a million times in a million different ways in both score and album. Hear its soothing oscillations, its creaking pleather case, switches, knobs, and vintage science fiction expressive UI and emotive aural gestures.
We have designed this library to be as useful as possible while offering an insight into every sound the RE-201 Space Echo offers. This means both the internal, and external sound sources from the whirls and vibrations of its motor, to the clicks, snaps, and clunks of its switches and into the world of its echoes, spring reverb, and oscillations of its processed sound.
Full: The complete library.
Micro: A cut down library featuring some of our favourite sounds from the complete collection.
“Retrace” is a small pack of 96 strong sound elements.
If you need to create suspense, tension and action in your production, this library is great for you.
You will find a nice mixture of sound effects, looped percussive elements and looped cinematic musical instruments. That means if you are a musician who wants to define the building blocks of a track or maybe you are a sound designer who needs to create a musical moment in a scene from a sound design perspective, this library can help you to achieve those things.
CHECK the demo. It was created very quickly using only the sounds of the pack with NO ADDED EFFECTS, only mixing the levels of the sounds.
If you liked my library “The Case” you are gonna like this one.
RETRIEVE is a simple but intense collection of 55 Cinematic Rhythmic Loops at 120 BPM (WAV, 96kHz–24bit). They were created with the intention of evoke movement in trailers and musical compositions.
You will find Hi-hats, pulses and a vast selection of rhythmic textures ready to be used as building blocks of tracks or to add a cinematic flavor to your project. Thanks to their cinematic nature this sounds can be used to create very intense cinematic sound design moments.
“REVERSE” is a collection of 32 Sound Effects created using reversed sounds processed with extreme changes in speed and pitch.
You will find atmospheric and surrealistic production elements that works on their own to induce time, tension and mystery, or you can combine them with your current collection of production elements to create a more rich and complex sound.
These sounds have a cinematic feeling and are great for any kind of Sci-Fi or horror production (games, trailers, movies).
This is the ultimate combo pack of over 200 short, medium, and long rising and falling swells, digital glitches and impacts, ramps, risers, wobbles, warped transformations, and transitions.
Created from a Make Noise Shared System modular synthesizer this sound library was carefully curated to have everything you need to enhance your sci-fi sounds or create movement with varying speeds, pitches, and sonic textures .
Elevate your next video game's sound scape with out of this world rises and falls. Create the sounds of the unknown on an alien spaceship, loop a siren or impact sound, take samples for your UI project, start a futuristic car with a ramp, or add a riser or sub to your electronic music track – the possibilities are endless! Take advantage of this widely useful and versatile sound library – enjoy the Rise & Fall!
278 HD audio transitions designed and processed from source recordings and synthetic instruments.
Various moods and lengths, light and dark sounding. Perfect for video transitions and other multimedia projects.
All files were designed and rendered at 24-bit / 96kHz and include embedded metadata.
Robobiotics is an exciting new sound effects collection from The Library by Empty Sea. It delivers 3600+ original sound effects for scifi and robots. We’re talking about almost 3 hours of material here.
We spent over a year recording and designing Lasers, Robot Vox, Impacts, Servos, Ratcheting Metal, Ambiances, Transformations, Foley, Vehicle Bys and much much more!
“Robot Voices” is a collection of designed vocal expressions of 50 friendly and very talkative robotic creatures. If Wall-E and R2D2 were throwing a cocktail party this is probably what you would hear! A total of 50 robotic creatures are included.
• 50 Robotic creatures speaking
• Many expressions per robot (25 – 65 individual words and sentences for each robot character)
• Descriptive filenames
• Embedded Soundminer metadata
The Heads Up Display sound effects library is the first installment in the Robotic Creations Collection. Each library within the Robotic Creations Collection contains sound effects designed to match five different robotic personalities with their own unique sonic characteristics: Mimo, the robot buddy; Q5, the vintage robot; NGage, the exosuit; Gregory, the android; and Firewall, the mech suit.
Features the internal tech sounds that you would hear within each distinctive robot’s heads up display, such as:
150+ interface beeps • 80+ success beeps • 70+ fail beeps • 50+ data readouts • 45+ countdowns • 15+ alarms • 100+ power ups • 95+ power downs
Also available in a special Sound Design Toolbox version.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.