Sound effects libraries organized into genres such as sci-fi, horror, comedy, game packs and more
A bundle containing a collection of very disturbing and scary futuristic spaceship ambiences, Sci-Fi Drones and organic, surreal alien-atmospheres. This special bundle gets you both full mixes, as well as drones carefully split into logical frequency layers for maximum flexibility.
This gives you better control, allows you to do your own mix of these elements, and you can combine and mix the different layers across the ambiences using drag&drop to create nearly endless variations. It also makes it easy to do creative up-mixes to surround.
Dark Seals is a unique collection of close up, expressive seal vocalisations. It includes everything from aggressive growls, funny gargles, snapping snarls, howling wails & disgusting snorts and slobbers.
Recorded on location in Namibia and the United Kingdom, the library consists of many incredibly up-n-close recordings of individual seals, both adults and pups. The close proximity and large variety in vocal ranges between adults and pups makes this material highly malleable and perfect source for creature sound design. Check the demo to hear examples of these sounds playing at half speed.
The files are organised per individual seal and often carry on for minutes with continuous vocalisations, resulting in many variations of a similar type of call. The content is therefore very suitable for game audio design.
Besides individual seals, there are also various recordings of a huge colony of Cape Fur Seals. These will come in useful when designing sounds of creature hordes.
Featuring over 100 high-quality drones and pads, this sound library evokes unsettling and gloomy feelings – perfect to create spooky atmospheres and tension building soundscapes for your project.
This package contains layers of mallets, strings, metals, glasses, synthetic and bass sounds, giving your audience the creeps.
Drones & Pads – Creepy, Spooky, Horror, Mysterious
‘Dark World’ is a collection of 50 drones and moods (250 mins +) that explore ideas of designed spaces.
Blurring the lines between score and sound design, ‘Dark World’ combines sound effects and musical instruments to create tense, beautiful and eerie moods. Made for composers and sound designers and ideal for surround sound placement.
DARKSCAPES is a collection of 30, seamlessly looping, dark, horror-inducing soundscapes and ambiences with total run time of 35 minutes.
All sound effects have been created using real field recordings in order to add organic feel to them and trick your brain into
perceiving them as something realistic and later edited with top of a line outboard and plugins to add dark, horror-inducing depth to them.
All SFX have baked-in Soundminer’s meta data
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060, DPA4060, PCM D100
EDITED WITH: iZotope RX, Wormhole, Adaptiverb, Modular, FabFilter, Waves, TC Electronics, Pro Tools.
Databending: A digital art form where flaws in digital systems are exploited and used for creative purposes.
Data Disruption contains 200 sounds sourced from raw computer files which have been interpreted as audio data. Bitmaps, executables, plugin files and more have been exploited to bring you a unique, varied collection of sound effects and atmospheres ready for a range of productions.
This sound collection has 100 'raw' files which include harsh, random data noises, intense drones and a versatile selection of glitch one shots as well as 100 processed sounds which were subject to extreme editing and mangling to deliver an array of abstract sonic artefacts.
Most useful for scenarios where computer technology – known or otherwise – is glitching out, these sounds are best suited to Science Fiction productions which call for the noise of broken communications, signal failures, ailing machines, industrial settings, planetary ambience and dystopian soundworlds.
That's not to say they won't also come in handy for Glitch/IDM music producers looking to build up an original collection of sounds for their latest kit, or for the creative sound designer to further shape these sounds into anything from user interface clicks, blips and bleeps to surreal soundscapes and beyond.
Data Processing is a sound effects library that emulates the movement of data and adds digital texture to your sound design.
Use these effects as building blocks to build digital, robotic, harsh, abstract and glitchy sound design or music. Also great as user interface elements.
We recorded and designed data transfer from 5G, WIFI, Solid State Drives, USB-C and more, as well as using analogue synthesizers, guitar pedals and raw data files to enhance the library.
Dehumaniser 2 is a powerful vocal processing tool perfect for creature sound design. Utilising incoming live or pre-recorded signals, the software allows you to dynamically tailor effects while creating multi-layered sound instantly.
Perfect for audio professionals, this versatile tool makes a strong addition to any film, TV or video game post-production process. Its flexibility also makes the plugin ideal for use in live environments, including theatre performances, Halloween attractions or voiceover/dialogue sessions.
Ships with over 100 monstrous presets and 133 high-quality animal recordings, including Tigers, Leopards, Pigs, Parrots and more.
Get the injection of ultrasonic-grade sources…
This is an open-minded toolbox with a variety of sound element sources. Most sounds were captured in high resolution and contain rich ultrasonic information. That gives much better results for creative post-processes such as heavy down-pitch shifting or time stretching.
Design Source 192 collection combines different materials and actions, such as: slime manipulations, friction slides, creaks, squeaks, crackles, impacts, resonations, swooshes, pours, shakes, crazy man vocalizations, chihuahua growls and attacks, bursts, water elements and much more.
Designed Circuits features 272 cinematic sci-fi sound effects, ambiences, glitches, drones, and more, that range from heavily designed to basic elements. It captures the essence of electric circuits and transforms them into something new.
Recorded with a LOM Elektrosluch 3+, designed with various fx tools.
Created in collaboration with sound designer Will Organ.
272 24bit/96kHz WAV files / Meta-tagged
38 Noise Bursts
10 Source Recordings
Designed Fire features 255 cinematic fire sound effects, ambiences, swooshes, whooshes, fly-bys, drones, textures, glitches and more, that range from heavily designed to basic elements. It explores the further sonic realms of a powerful element.
Created in collaboration with Thibault Csukonyi.
255 24bit / 96kHz WAV files / Meta-tagged (Soundminer)
89 Swooshes / Wooshes
75 Short elements
Designed Ice features 47 creative ice sound effects, designed field recordings and evolving textures, that combine the natural sounds of ice with otherworldly and experimental digital post-processing. The sounds range from heavily designed to basic elements.
47 24bit / 96kHz WAV files / Meta-tagged (Soundminer)
10 Source Recordings
Designed Mecha features 47 cinematic mecha / robot sound effects, ambiences, mechanism and servo sounds, impacts, and glitches. It is about exploring the inner and outer working mechanisms of an at times slightly malfunctioning mecha and its environment.
Created in collaboration with Thibault Csukonyi.
47 24bit / 96kHz WAV files / Meta-tagged
Designed Plastic features 146 creative plastic sound effects, evolving textures, glitches and more. It is about the sounds that everyday plastic items can make, when magnified and experimented with through layering, morphing and spectral shifting.
Recorded with a Sennheiser MKH416 through Studio Projects VTB1 tube preamp.
• 146 24bit / 96kHz WAV files / Meta-tagged
• 119 Elements
• 17 Sequences
• 10 Source Recordings
Designed Rocks features 60 creative rock sound effects, crumbling and cracking elements, shattering glitches, evolving textures, and everything in between, that range from heavily designed to basic sounds.
Created in collaboration with field recordist Bryan Hirst.
• 60 24bit / 96kHz WAV files / Meta-tagged (Soundminer)
• 25 Sequences
• 25 Elements
• 10 Source Recordings
'Designed Weapons' by Cinematic Sound Design features a selection of designed weapons, weapon loadings, re-programmings, interface sounds & cinematic backgrounds. Designed specifically for 'First Person Shooter' games and any game & media project, where guns, sci-fi elements are essential, this unique product delivers a massive palette of sounds for your production library.
• 86 Designed Weapons: Bursts & One Shots
• 30 Cinematic Atmospheres & Drones
• 97 Sci-Fi Re-programmings & Weapon Loadings
• 3 Distant Explosions
• 216 files in total
The Soundcatcher is proud to announce a new sound design library called “Desolated Strings & Wood“. The found Markneunkirchen Zither from Wernitzgruen was in a very poor condition. I collected it and wrecked it like there was no tomorrow.
You´ll get 272 stereo files (1.48GB total), tagged for trouble-free use in your favorite database program and carefully mastered in 24Bit/96kHz.
‘DICE SFX Party’ is a unique and extensive sound library of dice samples meticulously recorded and selected through a wide range of actions and interactions on various surfaces with different dice types and quantities. The files are 96kHz/24bits stereo mix-downs of MS decoded setup along with contact-mic tracking. As they embody some peculiar sonic qualities, they can be used in any creative ways, or be integrated ‘as is’ into any games or projects.
171 stereo WAV files
348 MB unpacked
Duration: 6m 16s
96kHz / 24bit
Digital Dust delivers 128 tracks of pure digital bit-crushing distortion, deep atmospheric drones, and ear-piercing interface sounds.
Digital Dust is not your usual clean and modern computer command sound effects library. All sounds have been designed from real world electrical or organic recorded sounds.
Granulated, stretched, pitched and mangled in endless chains of plugins and hardware, for very different and almost apocalyptic kinds of rogue computer command sounds. The samples can easily be stretched or processed even more, for even weirder sound fx.
Dirt & Asphalt Volume 1 is the first addition of vehicle and transportation recordings from Output Audio. This library contains a selection of recordings from 3 road bikes, with additional bonus content from other road motorbikes. The library also contains acceleration ramps for use in granular playback engines.
Dirt & Asphalt Volume 2 is the second addition of vehicle and transportation recordings from Output Audio. This library contains a selection of recordings from two motocross events and two practise sessions, with additional bonus content provided as race atmospheres.
AMCA Motocross Classes Included:
MX1/MX2/Experts/Seniors Unlimited classes
Engine Sizes Included:
Need to create a tense atmosphere to induce madness, craziness and fear in your Horror or Sci-fi project? DISTORTED PERCEPTION is the library for you.
Abnormal melodies, strange sound movements, transitions and distorted cinematic impacts are some of the things you will find in this collection; sounds with a distorted, saturated and tense feeling to grab people’s attention and provoke fear, tension and suspense in them.
You can also use the sounds to enhance musical productions or create some nasty and crazy musical moments, thanks to a nice selection of percussive elements. The library contains two musical compositions using only the sounds in this library (using the percussive sounds with some of the atmospheres and transitions). Apart of being a great library for Horror or Sci-fi games and movies, this collection works well for trailers too.
Atmospheric elements: Abnormal melodies, feedback and tense drones • Cinematic basses • Saturated bass drops • Distorted cinematic impacts • Sci-fi impacts • Sound movements • Noises • Percussive elements: Drum kicks, distorted drum kicks, hi-hats, snare drums, movements and sequences • Transitions
'District 10 – Mothership Sound Effects' from Bluezone Corporation contains over 178 complex science fiction SFX. This massive sound library was created with meticulously sampled sources and twisted using complex synthesis techniques: organic textures, command center ambiences, interior and machine background sounds, explosions and debris, alarms, beep and interface sounds, alien mothership textures and much more. This sample library comes to you in 24-bit high definition and is licensed to you as royalty-free so you can use it in your commercial projects at no extra cost.
Dive down in the dark abyss and experience the cold otherworlds with sharp currents and muddy bottom…
Following the legacy of Dive Deep 1 from 2016, here comes Dive Deep 2 with a new generation of underwater ambiences. The sounds of rushing, bubbling currents have been created with more impressive details, clarity and definition. And there are other design styles at your disposal too, such as flat pads, grainy trickling, otherworldly drones or deep kicking moves.
This comprehensive sound collection contains all sound effects made by The Sound Pack Tree. It includes 9,458 diverse sounds from a large variety of categories such as:
All sound files have been edited carefully to be as useful as possible in post production and game audio workflows. Wherever applicable, sounds are seamless loopable. All sounds have clear, catchy file names and rich metadata keywords. The duration of this library is 39 hours while all files have been edited to a meaningful, non-exaggerating length.
Two versions are included in your download – you can either choose one or download both of them:
The audio content of both versions is 100% identical.
All files from all 17 sound libraries yet released by The Sound Pack Tree are included – and additionally, more than 3,000 various sound FX.
This one-folder library is made for quick & easy use, not for endless searching. You will find common sounds as well as tons of rarities and practical material, so this sound library serves the novice as well as the established sound designer.
“..What are you trying to tell me? That I can dodge bullets?..” Neo, The Matrix.
“Dodge This” is a set of sounds aimed to enhance “Slow Motion” and “Bullet Time” moments in movies, trailers and video games.
It has a very strong Sci-fi feeling. So, If you need to create “passing by” bullets like in the famous “Bullet Time” scene in “The Matrix”, evoke big “Slow Motion” movements like the giant robots in “Transformers” or induce a state of focus in “Slow Motion” modes in video games, this library is great for you.
Also you will find a nice selection of impacts with a a powerful time sensation that are perfect for trailers.
Atmospheric Element • Bass Drop • Dodge_Pass By_Movement • Fx_Movement_Bass • Fx_Movement_Sci-fi • Fx_Movement_Tremolo • Fx_Reverse • Hit_Impact • Hit_Low • Hit_Shot_Sci-fi
Earn the power to control time!
DOOM is a modern sound effects library of cutting-edge cinematic impacts, complex stingers, one-shot tones and dark percussive elements with a dirty, authentic sound.
The follow-up to the popular Raptus SFX library, DOOM features a full spectrum of original sound effects, dedicated to sound designers, sound editors and composers needing a high-impact, destruction feel in their productions.
DOOM is delivered with 10 Kontakt preset banks and 3 Multis to get instant inspiration, as well as stand-alone WAV files. A full version of Native Instrument's Kontakt is required to use the Kontakt patches. Without Kontakt, you can use the included WAV files.
Get the next level of cutting-edge sound effects with DOOM:
Doom Drones contains more than 3Gb of eerie, doomful, dark, atmospheric field recordings, designed drones and backgrounds. Perfect for something in the realm of a David Lynch film, ambient music production, a horror film, or just to set the mood of a foreboding soundscape.
Each artist made 60 custom loops for a total of 120 loops. With SoundMorph focusing more on field recordings and subtle tonal design and Arovane focusing more on dynamic synthetic textures and sound design. Both perfectly suitable as layers or final assets, depending on their use, Doom Drones is a great addition for anyone wanting to enhance dark ominous moments.
All field recordings were captured with a mid/side stereo setup consisting of 2 Schoeps CMC6 bodies, Schoeps mk5 & mk8 capsules housed in a Rycote AE windshield running into a Sound Devices 722.
This Double Bass & Violin sound effects library not only includes weird low double bass bow strokes, stabs, vibrating strings, drones, harsh harmonics, string scrapes, bow stroke voices, and bright violin tones and screams. It also includes the opportunity to open up a whole new set of sonic adventures.
Why? All double bass sounds have been recorded at 192K/24 bit, with an amazing stereo set of close up Sanken CO100K microphones, and a stereo set of Sennheiser Mkh 8020 microphones, capturing low end and room. All violin sounds have been recorded with a single Sanken CO100K microphone.
Common for all Sanken files is that you're able to either extreme time stretch/time compress, or pitch up and down the files, and by this discover a whole new world of sounds – without adding nasty degenerating artifacts or muffling the sound. The ultra-high frequency range of the Sanken microphones does really make a great difference!
Recordings these sounds was a pure blast. The amount of versatile organic material in the set is great. The bass instrument has been played in a very innovative way, using both regular bow on strings and bass body, but also finger cymbals attached to specific places for a vibrating ring or rattle noise, creating some really other-worldly sound effects, and almost vocal-like patterns.
While the double bass material produces a massive low end without any further processing, the violin recordings really benefit from being stretched and pitched. This makes all the non-audible bright sounds captured by the Sanken microphones come through.
Need to create a tense atmosphere to induce destruction and fear in your game or trailer? “DOWNFALL” is the library for you.
Atmospheric elements, hits, percussive elements, noises, transitions and loops are some of the things you will find in this collection; sounds with a heavy, frenetic and tense feeling to grab people’s attention and evoke images of a desolated and doomed world in them.
This collection of 159 Sound Effects can be used to enhance music tracks too, making this library a versatile addition to your current collection of production elements.
Atmospheric element_Tension • Fx_Movement • Fx_Movement_Atmospheric • Fx_Movement_Riser • Fx_Transition • Impact_Braam • Impact_Hit_Distortion • Noise_Glitch • Noise_Interference • Percussive element_Distortion • Percussive element_Distortion_Loop
Need the sound of objects being pushed, pulled, dragged, moved – or perhaps sliding and scraping over different surfaces? The Drag & Slide SFX library gets you exactly that: More than 500 dragging and sliding sounds that are ready to be used as they are – or for intense sound design.
Bags, Barrels, Blades, Bottles, Cabinets, Chairs, Coat-hangers, Crates, Dining Tables, Fridges, Frying Pans, Iron Boxes, Iron Tables, Metal Cans, Metal Chairs, Nightstands, Pallets, Paper bags, Plates, Racks, Rakes, Shoes, Shovels, Sledgehammers, Spray cans, Stones/rocks, Toolboxes, Vacuum Cleaners, Various heavy objects, Wooden Boards – and more!
All sounds were cleaned, edited and filled with BWF-Metadata for instant use in your projects – and many of the files in the pack contain more than one sound. Recorded with Sound Devices 744T, 788T, Sennheiser MKH8050, Ambient ATE208, Sony PCM-D100
Unleash the mighty dragon overlord in your next fantasy game production! Introducing Epic Stock Media’s newest voiceover sound library “AAA Game Character Dragon”. This unique sound effects collection features a dominating villain that’s ready to feast on your enemies charred remains. He’s hungry, smells terrible, and did we mention ugly. He’s thirsting for revenge and will go to any length to get it. Some of his favorite hobbies are looting, hoarding heaps of treasure, laying vast to nearby towns and sleeping the day away at the highest peaks in the mountains.
AAA Game Character Dragon voiceover sound library provides you with more than 420 immersive, game-ready voiceover sound files, vocalizations, battle cries, custom dialogue lines, and everything needed to create compelling cinematic scenes and outstanding gameplay audio experiences. The Dragons voice texture is deep, dynamic, looming, and rich with texture. Perfect for a villain, enemy boss, NPC, or antagonist character in your next game. His voice is ready to go out of the box but is clean enough for further processing. Adding reverb and pitch shifting down/deeper will get you some crazy depths and dimensions with this excellent library of creature vocalizations.
A collection of versatile, carefully crafted, seamless looping drones and textures, that would take you away into the unknown realms. The pack includes all kinds of moods: from low-rumbling environmental ambiences and spacey drones, to the divine and transparent textures.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.