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Sound effects libraries organized into genres such as sci-fi, horror, comedy, game packs and more

  • The GUNS series gets you the sounds of up to 19 weapons, captured at 24 bit, 192 kHz. For the series, we've aimed at capturing every possible sound of those weapons, including but limited to, falling bullets, bullet insertions, bullet ejection, refill insertion, refill ejection, reload, safety fuse toggle, no-ammo trigger and shots. Sounds are not metatagged but arranged, indexed and easy to find in order for you to have an easier workflow. Full sound lists are available below. The library is available in 3 installments + a bundle that gets you everything at a special price.

  • The Gut-Wrenching Gore Library gathers 712 clips in 26.96 gigabytes. Recorded from 6 synchronized perspectives in 192 kHz, it shares horror sound design elements in two themes: male and female vocalizations and fruit destruction.

    The vocalization showcase screams, choking, gurgling, gobbling, teeth and biting, and breathing, each with a variety of takes and performances. Body blows, stabs, hits, and gore were provided by tearing, breaking, and squeezing fruit, vegetables, and other food such as watermelons, leeks, porridge, yogurt, tomatoes and others.

    The package includes Pro Tools and Reaper mixing sessions, and embedded metadata in every clip.

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  • Environments The Hangar Bay Play Track 51 sounds included, 23 mins total $24.95 $17.95

    Orbital Emitter proudly presents The Hangar Bay – a comprehensive sci-fi environment sound-set that gives you the tools you need to build fantastic sci-fi hangar atmospheres quickly!


    In Science Fiction, hangar bays are cavernous mechanized spaces housing spacecraft ready for interstellar travel. These futuristic hangars usually have flight crews preparing those craft with last minute repairs and fuel as environmental force fields repel the cold vacuum of space just outside…
    The Hangar Bay sound-set contains three long playing audio-scenes and twenty-four isolated audio-stems to give you ultimate creative control over our sounds!

    The three audio-scenes are like field recordings from the future -like we travelled forward in time and recorded a hangar bay in real time and then sent those sounds back to the now! The three scenes include a high alert scenario with busy activity and a star fighter launch and landing sequence! There is a night shift scene which is calm and relaxed and finally, a scene that puts you down on the flight deck floor in the middle of all the frantic action! These three sound-scenes are rich with original sounds and designed to be flexible and fun to use!

    Inside the audio-stems folder you will find the isolated audio elements used to make the audio-scenes! There you will find massive environment backgrounds, hurried activity sounds, pressurized valves hissing, mechanized lifts, bombastic alerts, repair sounds and the cinematic star fighter launch and landing sequences, isolated! The Hangar Bay sound-set is full of futuristic industrial sounds -on a massive scale! And the best part about our sound-sets is that they are so easy to use! Just drag and drop into any DAW or NLE have fun creating your own fantastic environments!

    Orbital Emitter’s sound effects are designed to be at home in any motion picture, television show, video game or whatever sci-fi multimedia you can create!

    All of the sound-sets in our Star Cruiser Environments Anthology Collection are delivered industry ready at 24 bit/48k WAV and each sound file contains simple meta-data to make our sound files easy to organize & find. All of our sounds are 100% original, created in our sound-labs and designed to boldly explore the universe of sci-fi sound!

    Thank you for reading and watch for more sci-fi sound from Orbital Emitter coming soon!

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  • Horror The Horrid Play Track 22 sounds included, 73 mins total $30 $28.50

    Looking for creepy ambiences? The Horrid delivers 4 dark ambient / industrial / horror compositions and their complete stem layers (22 files included – a total of more than 70 minutes of ambiences), for when you need to create a truly unsettling atmosphere.

    Use a single track, or combine and remix your own variations. Rather than static tones, you will find significant, evolving themes here. Seamless loops, metadata included.

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  • This library features recordings of a metal shelf being shaken, slammed, scraped, and other torturous things.

    In this library, you’ll find metal slams, moans, squeals, shakes, taps, and sounds of rocks being poured over it.

    There are lots of nice resonant sounds filled clangorous textures. Great for creating creepy tones for suspense and tension.

    This library was recorded with a Barcus Berry Contact Mic going into a Barcus Berry 4000 preamp and a Sound Devices 702.

    Bonus:
    This library includes the Suburb Rain SFX collection at no extra cost - featuring almost 50 minutes of rain recordings
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  • Animals & Creatures The Mouth Play Track 1200+ sounds included, 51 minutes 13 seconds mins total $25

    Experience The Mouth like never before in this highly dynamic and creatively adventurous sound library! In this library we explore the many varieties of sounds the human mouth is capable of making. Jam packed full of whistles, yawns, throat singing, gargles, licks, slurps, grunts, throat croaks, beat boxing, monster breaths, deep breathing, consonants, experimental throat sounds, kisses, pops, clicks, teeth biting, teeth grinding, alien howls, explosions, weapons and so much more! Each sound file comes with multiple variations so you can pick the perfect take.

    This library is perfect for organic humanoid creations or organic otherworldly sound design. The Mouth gives you the full dynamic experience from carefully recorded loud vocal exclamations to quiet mouth/throat movements. Use the consonants for speech editing or combine many sounds to create natural movement and depth. Add a beat box to your new track for that unique human element or create a natural and creative sound design landscape.

    The sounds were created from one male voice actor in stereo at 96 kHz 24 bit. The equipment used was a Sony PCM-M10 and the files were processed, edited, and mastered in Reaper.

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  • Deliver your best sound with award-winning quality.

    Great sound begins with quality tools. Odyssey Starter gives you instant access to go-to sound effects from the private library of two Academy Award®-winners created for over 250 Hollywood feature films and shows. Fuel your projects with dazzling design elements, devastating impacts, subtle transitions, whooshes, foley and beyond.

    Formerly the secret sonic weapon of Mark Mangini (Blade Runner 2049, Mad Max: Fury Road) and Richard L. Anderson (Batman Returns, The Lion King), these sounds are now available to you 100% royalty-free for unlimited usage.

    Selected from over 100,000 recordings, we have carefully curated and cataloged a powerful, compact general library – featuring the most useful, standard, inspiring, and surprising sound effects that will help you take your sound and stories to the next level in your film, television, game, and music projects.

    “I use this library every day. It has been instrumental to our own success, and now the sounds can live on in the hands of the next generation of filmmakers and sound designers.”Mark Mangini

     

    “These are the kind of sounds that I’m always looking for – everything has character and a great cinematic feel. I’m amazed by the variety, quality and organization.”Will Files (War for the Planet of the Apes)

    With over 4,000 sound effects curated from Odyssey Essentials, Odyssey Starter is part of the The Odyssey Collection of libraries developed by Pro Sound Effects and Academy Award®-winners Mark Mangini & Richard Anderson.

    Features:

    • 4,382 sound effects (40GB)
    • 280 categories
    • Native Broadcast .wav formats
      • 24/96, 24/48, 16/48, 16/44.1
    • Rich embedded metadata descriptions
    • 100% Royalty-Free use on any project
    • Delivered via download
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  • Video Thumbnail

    This bundle gives you a large collection of high quality sounds from clunky mechanical antique cash registers from the early 1900s as well as an electric metal cash register from the 1970. Powerful source material for designing all sorts of mechanical machinery, user interface, creatures – or simply cash registers.
    Bonus: The bundle comes with two Kontakt instruments (requires full version of Kontakt 6) with several round robins and multiple microphone positions that be used to add mechanical rhythms to your music, or easily sync the sounds to pictures with MIDI notes.


    Clunky mechanical sounds from a collection of antique cash registers from the early 1900s

    Perfect source material for designing all sorts of odd mechanical machinery, steam punk inventions, UI sounds for points and money, or just actual cash registers in shopping scenes. ~420 sounds in 285 files.

    For creating this library we had to track down old cash registers in Denmark. We recorded them all with several high quality microphones from multiple perspectives – even with a lavalier microphone hidden inside the machine for super dry mechanical sounds and contact microphone attached to the back for beefy low end that can be mixed in to make your sounds feel heavier. We even added punchy ready-to-use detailed mixes of all the microphones.

    We experimented to explore all the sonic gems hiding in the machines. You’ll find sounds like the classic “money earned sound” from turning the clicking cranks and bell ring as the drawer opens, chunky mechanical sounds from pulling the levers and foley sounds from touching and handling the cash registers.

    The library has been tagged with extensive metadata and has been tested in Soundminer, Basehead, Soundly and Pro Sound Effects’ Search to make it easy to find the sounds you are looking for.

    The Antique Cash Registers library includes:

    – Chunky rolling lever pulls in various durations
    – The classic Ka-ching! sound from from turning the crank
    – Performed continous mechanical sounds, perfect for machinery or creatures
    – Opening and closing the wooden drawers – with and without money
    – Foley and impacts from handling the registers
    – Clicky mechaincal sounds from turning the cranks and smaller knobs inside the registers
    – Several microphones from different perspectives as well as a punchy ready-to-use detailed mixes of all the microphones
    – A Kontakt Instruments with several round robins and multiple microphone positions that be used to add mechanical rhythms to your music, or easily sync the sounds to pictures with MIDI notes

    We asked Katrine Amsler (Wolfenstein 2, Control) to play around with the library, and she came up with this beautiful haunting piece:


    Clicky and rolling metallic sounds from an old metallic Sweda cash register from the 1970s

    Great source material for designing all sorts of odd mechanical insects, robot or machine movement, mechanical UI buttons or just actual cash registers in shopping scenes. ~270 sounds in 165 files.

    We recorded the cash register with high quality microphones from multiple perspectives – even with a lavalier microphone hidden inside the machine for super dry mechanical sounds and contact microphone attached to the back for beefy low end that can be mixed in to make your sounds feel heavier. We even added punchy ready-to-use detailed mixes of all the microphones. Recorded in a professional noise free recording studio, giving you the complete freedom to shape the sounds as you please

    We experimented to explore all the sonic gems hiding in the machine. You’ll find sounds of the electric number indicators rolling when pressing the payment button, creepy click-clacky insect-like movements, thin metallic movements and impacts and foley sounds from touching and handling the cash registers.

    The library has been tagged with extensive metadata and has been tested in Soundminer, Basehead, Soundly and Pro Sound Effects’ Search to make it easy to find the sounds you are looking for.


    The 70s Electric Cash Register library includes:

    – Mechanical click-clacky insect-like movements
    – Beefy rolling sounds from electric number indicators rolling when pressing the payment button
    – Several metallic drawer movements
    – A huge variety of mechanical buton clicks
    – Foley and impacts from handling the register
    – Several microphones from different perspectives as well as a punchy ready-to-use detailed mixes of all the microphones
    – A Kontakt Instruments with several round robins and multiple microphone positions that be used to add mechanical rhythms to your music, or easily sync the sounds to pictures with MIDI notes

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  • The Rush is a collection of massive rushing sounds that are perfect for use in timelapses, swirls, swarms, and any other massive movement situation. It features 319 sound rushed files that were generated from 30 lovingly curated sources and carefully rendered in Sound Particles.

    Sound sources range from trains and race cars to vinyl, metal and paper frictions to gore, motorcycles and helicopters. Parameters are tweaked to yield textured and interesting results with detailed heads and tails that rush in and gently dissolve out.

    Each rush has a different number of particles running, so you get every level from sparse detailed movement to overwhelming waterfalls of sound per sample set. Check it out today!

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  • The Torture Chamber puts you right into the perspective of the torture victim. Featuring screams, power tools, floor creaks, bone breaks, shackles, struggles, room tones and more. We captured and designed effects inside and outside of the studio, all in 24Bit 96kHz, allowing for further manipulation.

    All vocalisations (and most of the effects) are provided without reverb, so that you can drop them straight into your mix and add your own spatial effects. Perfect for use in Film, TV, Game and horror productions.

    Here are the included folders:

    Foley: Sounds from both the victim and torturer, including different weapons of choice and the sounds of struggling.

    Vocalisations: Screams, shouts and other terrifying vocals.

    Ambiences: Roomtones and other elements to build your horrifying chamber.

    Incidental Effects: Bursted pipes, distant dog barks, and rat movements to accent the world around your room of pain.

    Find more of our sound effects in the store: 344audio.com/store

     

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  • Whooshes The Transition Play Track 127 sounds included, 18 mins total $25

    “The Transition” is a collection of 127 Transition Sound Effects (Wav, 24 Bit / 96 kHz) aimed to enhance atmospheres, create movement and enrich musical compositions.
    The sounds have a very futuristic and powerful feeling and for that reason are great for Sci-fi productions (trailers, movies, games).
    Special attention was put in the dynamics to ensure the creation of a set of sounds with energy and adaptability.

    Categories included:Experimental • Fast • Flanger • Glitch • Mystery • Reverse • Sci-fi • Tremolo

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  • These are no ordinary zombies, they’re not your mindless, shuffling, flesh craving human husks. An evil runs through what remains of these creatures’ bodies. Flesh has all but decayed from their bones and whatever humanity they had in life has long since departed.

    This library is dedicated to the chilling vocal sounds of the zombie. It is ideal for films and games, TV or trailers and includes 102 bespokely designed zombie vocal assets, including breaths, idle grunts and groans, attacks, pains, death, war cries and more.

    Whilst this library caters primarily for the more aggressive variant of the undead, it wouldn’t sound out of place when used on other terrifying abominations.

    All assets are delivered in 96kHz, 24-bit stereo files and include full Soundminer metadata.

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  • Bundle The Vault Play Track 12743 sounds included, 1249 mins total $599.99

    The whole 9 yards.

    Comprised of five heavy hitting libraries, this bundle includes GEARBOXSORCERYHEROBROKEN, and MELEE. Save by bundling all FIVE in a single library.

    GEARBOX:
    Boutique analog mechanical contraptions, steampunk gadgetry, gizmos and machines big and small.


    SORCERY
    Spells, deflects, casts, blocks, beams, and more. Unrivaled wizardry at your fingertips.


    BROKEN:
    Car crashes, explosions, crumbling buildings, earthquakes, ripping earth and metal, to debris, and more.


    HERO:
    HERO – Sword fights, stabbing, guillotines, impaling, battle cries, shields, drawbridges, armor, foley and more.


    MELEE:
    Punches, kicks, blocks, bodyfalls, grabs, slaps, bone breaks, blood splatters, and more.


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  • A collection of vintage toy sounds. From the grating noise of a balloon being rubbed, to the childhood memory evoking sounds of a pogo stick bouncing away, a toy train whirring around, a tin robot stomping along, to deliciously gross slime; these sounds may be just what you need for your game, video, film or animation.

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  • In honor of April Fools’ Day, SkewSound is proud to present “thefool”. This collection of comedic sounds includes party favors, slide whistles, buzzers, and whoopee cushions. We also recorded instrumental effects such as dobro slides, comedy club sax riffs, timpani glissandos, trombone slides, and even more cowbell. Vocal virtuoso, Chris Rando, contributed tons of laughter, mouth effects, and even vomit and fart noises. Who doesn’t love a little potty humor?

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  • Funny / Comedy / Cartoon These Are Farts Play Track 216+ sounds included, 20 mins total $10 $9

    Farts are our bodies’ way of punctuating important moments. Everyone knows this and agrees on it. It’s basically accepted scientific fact.

    And now, after decades of research and a couple days of intensely private foley work, George brings you 216 separate files of completely original yet hauntingly familiar fart sounds that will add ripe, satisfying definition to your every soundscape.

    Employ George’s rich, mouth-made ass-noises to create emphasis, intrigue, a sense of accomplishment, desperation, true love, and more.

    With over 20 minutes of quick bursts and ambient loops, we’re fairly confident when we say you really shouldn’t ever need more fart noises than this.

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  • Thriller Whooshes sound library brings you 200 tension-building transition sound effects perfect for horror, thriller and action movies, trailers, games, music, and more! In contrast to Sound Response’s first installment of whoosh sound effects Whooshes & Transitions that features predominantly sci-fi whoosh sound effects, Thriller Whooshes soundpack contains transition sound effects designed using exclusively organic source sounds recorded with high-end recorders and microphones, in order for effects to be more raw-sounding.

    A must have for anyone looking for sinister-sounding transition sounds, these sound effects will instantly find a way into your production and help you with intensifying the atmosphere of your project!

    Thriller Whooshes sound library contains 547MB (200 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow.

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  • ‘Tiny Transitions’ deivers 275 short Whooshes and other Transition sounds. Instead of the huge, more cinematic transitional sounds that you are accustomed to hear from SoundBits, this sound pack focuses more on the smaller, not-so-intrusive production elements that come in very handy for any Sound Designer, All-In-One Film Editor or Web-, App- and Game-Developers.

    All these small motion-supporting elements that you need in your everyday work for game menus, apps, general motion designs, … or as parts of more complex moving stuff.

    You get 275 designed sounds + a selection of 290 cleaned and edited source sounds that were used to design the Tiny Transitions. These sounds are mostly different props that are scraping or sliding on different surfaces and also some vocalized whoosh attempts.

    All source sounds were recorded with Sonosax SX-R4+ and Sennheiser MKH8050+MKH30 M/S rig.

    All sounds come with embedded Soundminer Metadata.

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  • “Tiny Transitions 2” is the successor to the very popular Tiny Transitions sound effects library.

    If you already knew the first library you know what to expect: even more, even better and more versatile to bring instant sonic support for all kinds of small animations, motion graphics, pass-bys, menues, projectiles and more.

    Re-load your ammo belt with not-so-intrusive production elements that come in very handy for any Sound Designer, All-In-One Film Editor or Web-, App- and Game-Developers.

    All the small motion elements that you need in your everyday work for games, apps, commercial, films or general motion designs.

    You get 350 ready to use designed sounds+ a composite selection of 320 cleaned and edited source soundsthat were used to design the Tiny Transitions. These sounds are mostly different props that are scraping or sliding on different surfaces and also some vocalized whoosh attempts.

    If you don’t need the extra source sounds you can grab the “Designed Sounds only” pack.

    All source sounds were recorded with Sonosax SX-R4+ with a Sennheiser MKH8050+MKH30 M/S rig, a Sound Devices MixPre-6 with a MK8060+ATE208 M/S rig and a Sony PCM-D100. All sounds come with embedded Metadata.

    Metadata embedded by “The Audioville – India”

  • Want some excellent cartoony sound effects? BOOM to the rescue!

    We sought out and recorded the most obscure toys, instruments and, uhm – for the lack of a better word – “objects” to give you more than 3.000 boings, bleeps, farts, thwacks, squishes and squeaks in over 500 files, in short: we recorded any sound your animated-character-loving-heart could ever desire. All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Each file contains multiple variations of a sound to guarantee you and your audience a non-repetitive SFX experience.

    Want to have an old-timer car honk its horn sternly at passers-by, before the tires screech off into the horizon? Your protagonist jumps off of a cliff by the sea and – suddenly in the air – we hear the tide roll back and she smacks on to the ground? Or your hero slips on a banana, swoops into a kitchen, metal crashes, bins rattle bins and, epic climax-style, the stove explodes! Don't worry about how that sounds. BOOM TOONS! SFX are here. We've got you covered.

    BOOM TOONS! SFX is the complete package so that you can focus on your stories and characters. You have all the sounds you could possibly need at your fingertips, ready for you to use whenever you want that spark, that glitter or that long arm fart which transforms your visually appealing cartoon into a complete and fun experience.

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  • This library consists of hundreds of performances (581 files total) of toy whistles, clown and bicycle horns, slide whistles, melody pops, party blowers and squeeze toys.

    Metadata has been meticulously added, and the material in this library is ready for immediate inclusion in your sound designs. Have fun!

    Toots & Sqeaks highlights:

    • 581 broadcast wave files
    • All at 24 bit, 96kHz
    • 4.81 uncompressed gigabytes of audio data
    • Most takes include stereo, mono and distant microphone perspectives
    • Metadata carefully added to each audio file ready for efficient searching

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  • Torsion is a new dark hi-tech sound library packed with cinematic sound effects, tempo locked synths, stutter-stingers, tonal feedback, signature braams, hits, downers, low end whooshes, vocals, rise-crescendo, reverse and comes with 300+ wav samples and 86 kontakt instruments powered by The Forge engine by Audiority.

    The front panel of torsion features lp-hp resonating filters, adsr stages for both filters and amplitude, dual reverb which is a combination of classic reverb and convolution. This is great to add textures and personalise your sound.

    Effect section include a very aggressive distortion unit,  saturation and punch stages, delay and eq.

    The distortion unit is gritty and very aggressive, combining a british amplifier with a voice-level bitcrusher.

    The saturation unit features the high quality algorithm of kontakt.

    The punch effect is a transient shaper, a kind of compressor used to control the attack and the sustain portion of a sound and which world great for drums, percussions, impacts, guitars, pianos and other sounds with a fast attack.

    On top of that you can find the advanced rhythmic programmer that can work as an arpeggiator, a polyphonic sequencer or a gater.

    Another key features in Torsion is the stack mode-voicing control which increase the number of voices per note played at the same time. On a single key you can play a different number of sounds to create chords of samples for more rich and layered ensembles.

    A analog emulated 4-bands parametric equalizer. Low and high are shelf type, while low mid and high mid are bell type.
    The resonant delay unit combines a delay based tunable resonator and a tempo synced stereo delay.

    Torsion is 100% royalty free – single user license.

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  • Sounds of a tortured, tormented and ultimately destroyed vintage piano.

    Utilising tools including sledgehammers, axes, hand saws, screwdrivers, pliers, hammers & mallets, this library features the eerie sounds of distressed wires as well as huge impacts with musical tails.

    Multiple microphones were used to capture various perspectives of the destruction including; Jez Riley French C-Series contact stereo pair, Sennheiser 8020 stereo pair, Schoeps CCM4/CCM8 MS and the Sennheiser 416. The Sound Devices 788T was utilised as the recorder.

     

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  • Torturing Wood is a compact bundle of cracking, tearing, and breaking sounds – from the destruction of an old wooden garage. It offers 100 files, each meticulously edited, and embedded with metadata information for easy import and ensure a fast and easy workflow.

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