Sound effects libraries organized into genres such as sci-fi, horror, comedy, game packs and more
Process Malfunction features 40 intricate future technology glitch production elements for science fiction scenarios where computers are going way out of control. You'll hear corrupt data streams, servers overloading, user interface issues, generative, abstract rhythms and more in this detailed exploration of what the computers of tomorrow may sound like when they go wrong.
Perhaps the mainframe has been compromised from a series of lethal hacker attacks or alien communication signals are interfering with the network, maybe the CPU has just seen better days… Whatever the cause of the failure, the machines have been corrupted and they are struggling, screaming and hanging on for their last bleep…
We’ve raided the SFX Source vaults to bring you a 500+ sound collection of the best, most popular and most useful designed production elements to add to your audio box of tricks. Created for those moments when inspiration may be running dry, all of the sounds are ready to drop straight into your project to use as they are, or can be chopped, layered, mangled and processed to your liking.
A’mixed-bag’ sound library featuring deep tones, scary atmospheres, ambient textures, whooshes, transitions, loops, user interface sounds and much more. This one is really handy to have around, you never know what you may find to bring that idea to fruition!
Our Gore library was recorded in the weeks preceding Halloween 2017. We decided to have some fun because we generally only have access to pumpkins this time of year and thought why not create something fun for us, and our friends and colleagues to use. Please enjoy the use of these recording in all your spooky movies and sound design.
Provided are 750 MB of LR and MS Recordings. LR is decoded from the MS and has the approximate stereo width as an XY recording. On the MS tracks the mid mic is on the left and the side mic on the right.
The LR can be encoded back into MS or if panned center, cancels out the side mics to just play the mid mic. Alternately in the provided MS file, the right side channel can be dropped so you can use the mono center. The 2 files are mastered the same. Occasionally the levels vary on the MS track as these are the levels set to keep the the tracks phase coherent. All tracks are edited to be M&E friendly, and monitored through a phase scope to again, keep the tracks phase coherent.
All recordings were recorded In a foley studio at 192kHz with a Fostex FR-2 recorder, Project Studio C4 mic, and Ambient Emesser ATE-208 bi-directional mic and mastered in Pro Tools.
All recordings are recorded in Toronto, Ontario Canada, by Ryan Macneill and Steven Ejbick of Textures Sound.
Punchy Transients is an organized toolbox that serves as a reliable source of ”layers of impact” which many, many sounds do require to be in their best fit. It is also a trusty stash for designers who need to save some time to focus on something else.
The library content was made by recording a collection of hits on a punching bag using many techniques. Also, a dry version of each sample and a folder of bonus thumps are included.
Ever wonder how game developers get those awesome signature sounds for their games? How do sound designers and audio engineers come up with fantastic user interface and game play sound effects? Well… this is it: Puzzle Game Sound Effects Library. 550+ industry defining game ready sound effects. Full of spunk, sparkly tones and bubbly frequencies, Puzzle Game gives you access to the game sound assets your users are expecting.
This unique SFX library gets you the close-up engine/rotor sounds of the DJI Phantom 2 multirotor quadcopter. And whether you are working on project that needs the engine sounds of an actual quadcopter drone, or intend to use the recordings as source material for sound design of all kinds of machines – this collection will come in handy:
We recorded static sound perspectives at different speeds, intensities and rotor combinations. The collection includes long recordings at constant speeds, variations on accelerating and decelerating, various maneuvers and random rotor movements.
For even more variety we recorded all of the above with a mix of contact and coil microphones giving you a less realistic, more futuristic sound perspective to the drone’s engine itself, rather than the air movement caused by the rotors. Mix those recordings with the MKH 8040 recordings to create your own blend of engine sounds: be it a drone, spaceship or other types of futuristic vehicles.
Quadcopter Drone CX10 is a small radio controlled toy with a feisty character that could be described as a robotic version of an angry bee.
This library covers in detail everything you can do with this little neat quadcopter drone. You get sounds of acceleration, deceleration, steady engine fly loops of various speeds, engine revs, fast turns, ground hoppings and takeoffs. In case you need them I also recorded collisions and landings on various surfaces like carpet, metal, rock, plastic etc. Surprisingly these sounds are quite suitable for user interface sounds too.
The steady engine fly loop sounds are really useful when you want to create your own flyby / passby sounds. I can also imagine using this library to add some unique flavour to winged insecty characters in a game or just to richen otherwise bland engine sounds.
The whole library was recorded in 96KHz 24bit quality so these sounds are really flexible if you want to experiment with pitch, stretch and other audio tools.
You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Quantum State is a collection of 30 soundscapes (WAV files, 24 Bit / 96 kHz) aimed to be used in movies, games and documentary films. It was created to evoke the atmosphere of a Quantum World.
If you are doing a documentary about Quantum Mechanics or in any Sci-fi project where, for example, your protagonist is trapped in a molecular space this soundpack can be great tool to achieve those things.
Each soundscape has a duration of 1:05 minutes.
Our sound designers and creative engineers have been on an epic journey across the fields of Rohan to the great Misty Mountains to discover and create the perfect alchemy of Quest Game. An entirely new collection of game ready audio assets for building your own immersive world of fantasy gameplay, action and adventure.
In mere moments you’ll be able to muster a hoard of orcs, create the soundscapes of village life or outfit fantasy character actions with ease. With more than 1300 mix and master ready SFX, you are instantly rewarded with a king’s ransom of premium quality AAA game ready audio assets for adding to your project in 96k 24bit, 44.1k 16bit and MP3 formats.
Sound the call of eminent victory with loot crates and treasures chests to reward your players, an empowering allotment of sliding and moving gears and mechanisms, character equipment pickups and placements, menu selects, unlocks, positive rewards and achievements, footstep and foley sound effects on cobblestone road, forest grass, brick walkway, tavern wood floor.
The deep selection of ambient background and nature loops, over an hour of sound by themselves, make this collection a powerful tool for completing your project on time and a certifiable best value. Quest Game – Fantasy Adventure Sound Effects Library is well equipped with undead magic, elemental spell sounds, game action effects like crafting, harvesting, jumps, gear bags, books and scrolls plus scene setting and environmental sounds for haunted crypts, dungeon wind, undead city, royal chambers and elven outpost custom backgrounds.
All nature ambiences recorded on location in Finland, Tennessee and Illinois USA. Over 6 Months in the making.
RADIO IMAGING SELECTION is a collection of 50 stereo 24-bit 44.1Khz radio ready imaging elements for CHR and HOT AC radio Jingles, StationID, Liners and Dj Drops.
All sounds are royalty free and ready to be included in your radio productions.
What if we’ll take a shortwave radio receiver and turn its output into to a variety of sound effects?
The result will be not only a set of dark, dirty, noisy and distorted effects, but also subtle, deep atmospheres and even some kind of melodic sounds!
This library is extremely versatile and not focusing on individual types of sound effects.
Here you’ll find distant radio transmissions, strange modulated voices, whine and static, but also designed atmospheres that can be used as interiors of spaceships, machinery or computer rooms, whooshes, passbys, textures, transformations, alien voices, stutters, morphing effects, granular clouds, risers, UI, impacts and much more that you may need when working with trailers, music, game sound or movies.
But that’s not all, as it turned out it’s even possible to make melodic sounds out of these noisy soundscapes!
Try this library and you’ll be happy to add such a unique audio source to your SFX arsenal!
– 457 sound effects and ambiences made from a eurorack shortwave radio receiver
– 70 raw source files included
– 96khz/24bit quality
– A highly diverse library for various applications
– A perfect source of dark, gritty and noisy textures for SFX production
– Categorized by types of effects: Source, Ambience, Harmonic, Designed, Processed and etc
– Contains metadata for search engines
Looking for sounds of a remote controlled car? Here you go: This sound effects library features 170 sound effects of the Reely Core RC Car. You get several on-board and external driving sounds, pass-bys, close-up steering mechanics and idling mixtures, and of course some crashes. All sounds are edited and cleaned for direct use in your upcoming sound design projects. All sounds contain detailed BWF Metadata.
The RE-201 Space Echo. Introduced in 1973 is Roland’s most notable outboard FX unit, its sound is both utility and musical. The Space Echo carves its place in music history with its sweeping echoes and infinite oscillations. Its warm and pleasant sound has been heard a million times in a million different ways in both score and album. Hear its soothing oscillations, its creaking pleather case, switches, knobs, and vintage science fiction expressive UI and emotive aural gestures.
We have designed this library to be as useful as possible while offering an insight into every sound the RE-201 Space Echo offers. This means both the internal, and external sound sources from the whirls and vibrations of its motor, to the clicks, snaps, and clunks of its switches and into the world of its echoes, spring reverb, and oscillations of its processed sound.
Full: The complete library.
Micro: A cut down library featuring some of our favourite sounds from the complete collection.
‘Resonance’ by Badlands Sound features 25 resonating drone sounds perfect for your projects. This library puts a different twist on drones using reverbs and processing until the original sound resonates within a space or location creating these uncomfortable sounds.
We believe ‘Resonance’ will greatly benefit sound editors and sound designers to create stylized tension filled moments and upsetting nerving scenes.
“Retrace” is a small pack of 96 strong sound elements.
If you need to create suspense, tension and action in your production, this library is great for you.
You will find a nice mixture of sound effects, looped percussive elements and looped cinematic musical instruments. That means if you are a musician who wants to define the building blocks of a track or maybe you are a sound designer who needs to create a musical moment in a scene from a sound design perspective, this library can help you to achieve those things.
CHECK the demo. It was created very quickly using only the sounds of the pack with NO ADDED EFFECTS, only mixing the levels of the sounds.
If you liked my library “The Case” you are gonna like this one.
RETRIEVE is a simple but intense collection of 55 Cinematic Rhythmic Loops at 120 BPM (WAV, 96kHz–24bit). They were created with the intention of evoke movement in trailers and musical compositions.
You will find Hi-hats, pulses and a vast selection of rhythmic textures ready to be used as building blocks of tracks or to add a cinematic flavor to your project. Thanks to their cinematic nature this sounds can be used to create very intense cinematic sound design moments.
Retro 8 Bit Sounds is a perfect collection of 1001 retro game sound effects. Whether you are making a 2D platformer, space shooter on any type of retro 8 bit themed project, these sounds will be very useful.
ALL sounds from Retro 8 Bit Sounds are already included in our complete sound package Pro Sound Collection, so if you need more sounds be sure to check it out before purchasing.
Go (game audio) retro with all the classic 8-bit Arcade Game sound effects! Retro Game is here to offer you the ultimate sonic stockpile to turn your old school 80’s vintage production or idea to life! Over 500 game ready audio assets, over 30 minutes of pure 8-Bit epic-ness!
Looking to add some retro game flavor to your project? The Retro Game library delivers a host of old-school, 8-bit sounding sound effects, including beeps, bleeps, explosions, footsteps, UI sounds, hit and damage sounds, jumps, status and weapon sounds. And they all sound like they came straight out of an old arcade game.
A total of 656 sounds are included, ready to add that retro feel to your next project.
We've raided our huge archive of 8-bit samples and compiled 50 favourites into this inspiring collection of vintage video game sound effects. All sounds sourced from a massively modified Gameboy and old-school generative software for a truly authentic flavour. Load these glitches, drum hits, arps, risers, lasers, abstract noises and general FX up in your sampler of choice and get adding that much-loved 8-bit vibe!
“REVERSE” is a collection of 32 Sound Effects created using reversed sounds processed with extreme changes in speed and pitch.
You will find atmospheric and surrealistic production elements that works on their own to induce time, tension and mystery, or you can combine them with your current collection of production elements to create a more rich and complex sound.
These sounds have a cinematic feeling and are great for any kind of Sci-Fi or horror production (games, trailers, movies).
This is the ultimate combo pack of over 200 short, medium, and long rising and falling swells, digital glitches and impacts, ramps, risers, wobbles, warped transformations, and transitions.
Created from a Make Noise Shared System modular synthesizer this sound library was carefully curated to have everything you need to enhance your sci-fi sounds or create movement with varying speeds, pitches, and sonic textures .
Elevate your next video game's sound scape with out of this world rises and falls. Create the sounds of the unknown on an alien spaceship, loop a siren or impact sound, take samples for your UI project, start a futuristic car with a ramp, or add a riser or sub to your electronic music track – the possibilities are endless! Take advantage of this widely useful and versatile sound library – enjoy the Rise & Fall!
278 HD audio transitions designed and processed from source recordings and synthetic instruments.
Various moods and lengths, light and dark sounding. Perfect for video transitions and other multimedia projects.
All files were designed and rendered at 24-bit / 96kHz and include embedded metadata.
Rituals is a new toolbox of unique sounds and production elements, organic instruments and hybrid processing, highly stylized cinematic sound design to compose epic and sinister tracks with dark and ominous mood that brings visuals to another level.
Rituals has been produced for the modern horror trailer style and suspence score with eerie violin fragments and phrases, sinister soundscapes, dramatic benders, destructive glitch, distorted synths, heavy hitting sound design elements, clocks and much more.
Featuring 550 cutting edge sounds and 16 categories, this is a collaboration between composer, sound designer and electronic musician Si Begg and SampleTraxx.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.