Sound effects libraries organized into genres such as sci-fi, horror, comedy, game packs and more
Synthetic Sphere is a collection of spatialised synthetic pads, mixed in an ambisonic format for a complete 360 interactive soundtrack. Multiple layers of pads, tones and amorphic FX are spreaded across the sphere, resulting in a truly immersive experience. These pads include gentle movement across 3D space, creating rich ambiances but without catching to much of the listener attention.
This collection is great for post production, VR/AR experiences, game developers and any real-time 3D audio engine.
All files are tagged and categorized for your convenience – supporting tag filtering browsing applications.
This package includes 10 Samples – Total 51 minutes of content.
Supported formats: First Order AmbiX and Stereo (Total of 20 files).
Download a B-Format Ambix demo here: Demo
The library is also available in a stereo only version here.
Applause and Laughter recorded in various spaces in full B-Format Ambisonic surround. Over 90 tracks of audience laughter an another 40 of so of applause and audience reactions and chatter. 96 kHz / 24 bit recordings with full Soundminer-embedded metadata.
The Ambisonics U.S.O. Bundle includes Insectus, Runaway Trains & Monaco Grand Prix 2018 from Unidentified Sound Object. This multi-pack combo provides selected sound libraries at a savings of 25% off the retail price, for a savings of $61,75 ex VAT.
$247. Discounted combo price $185,25 ex VAT.
This library features recordings of a Moog analog synthesizer. The sounds range from raw lo-fi zaps, buzzes and glitches, to more futuristic high-tech robot movements, morphs, vocalizations and drones.
Both source recordings, and designed sound effects are included for further sound manipulation.
This library was built primarily using two different modular synthesizer systems. One based on the Korg MS-20 and the other based on the Pittsburgh Modular Lifeforms 201. Included in this library you will find various one shots and hits alongside longer evolving textures and drones. The library was created in a very non-musical way and as such most of what you hear is noisy, gritty and a-tonal. The library can be used effectively for Sci-Fi Weapons, User Interfaces, Droids and Robots, Ambient Textures and many more possibilities.
550 purely analog synthesized sounds covering all aspects of UI / UX plus more. You’ll find click, button, send, receive, confirm, achievement, alert, collection, notification, open menu, close menu, connect, disconnect, engage, lock on, whoosh, power on, power off, and swipe to just name a handful but so much more! Great for projects requiring true analog warmth and soul.
Music is only heard in the demo. Downloads are high resolution and without background music.
Analog TV gets you 99 recordings from the Tele Star 4004 TV, built in the 80s in Leningrad/Russia. The collection features everything from a range of noises, frequency glitches, short pulses, and long frequency sweeps in the VHF and UHF bands. It also comes with a good collection of different static noises and really weird stuff that could – and just might – come from outer space.
Enrich your product with ANCIENT EGYPT SLOTS SOUND PACK, a premium quality library covering all audio your slot game could ever need. With blockbuster audio for each asset, world-class production of sound effects, immersive cinematic themes, and highly addictive casino win tunes, your users will be rewarded with a nonstop payout experience that keeps them spinning your slot.
Each asset is carefully edited, mixed, and mastered to beautifully fit any game, providing you with huge choice of variation and edits to assets. Included in this collection are looping versions of music for your Feature/Free Games, stinger versions and jingles for Summary and Win Tunes, Symbol Sounds, Reel Stops, Anticipation Sounds and other in-game events, various lengths of each asset, and much more.
Covering every sub-genre and scene in your slot game, from heat of Sahara desert sand to beauties of the Nile River, from elegance of Cleopatra and power and riches of the Pharaoh to mysterious treasure chest unlocking, from hidden gold of Ra to intense mummy chase though catacomb tombs of a pyramid, the library of this size is specially designed for repeated use in multiple games!
For your convenience, we have included each asset in High-Quality WAV (44.1 kHz, 16 Bit) and MP3 (320 Kbps) formats.
ANCIENT EGYPT at a Glance:
ANCIENT EGYPT is produced by our team of industry veterans, whose experience in the AAA gaming industry will add massive value to your project!
DOWNLOAD NOW and reward your players with this jackpot of music and sound effects that provides your game with any audio you could ever need!
Get ready for adventure: Ancient Game gets you 1500+ designed and source MMO / game-ready audio assets. Step into a world of fantasy with Ancient Game – The Legendary RPG Adventure Game Sound Library by Epic Stock Media! Includes Magic, Warfare, Gore, Treasures, Mechanisms, Monsters, Loop-able ambiences and more! All in 96k / 24 Bit for optimum clarity and supernatural sound.
The doors are very kind, but don’t make them angry. They could lose their temper resulting in a very noisy bang.
This library enriches the sfx world with new door and gate objects, both source and designed, with variety of expressive actions and perspectives. The everyday usual noises along with fantasy stimulating sounds – e.g. deep “dungeon” metal door, high pitch squeaking wire-netting gate, heavy church gate and so on. To make the slams and smashes even more hard, heavy and dirty, wildly designed “Angry” versions have been added.
• 18 door and gate objects, recorded in old, gloomy houses and a church
• 6.29 GB, 645 files, several takes for each action
• “Close-Up”, “Near”, “Middle” and “Behind” perspectives in selected cases, plus mix of them
• 192khz/24 bit including ultrasonic information- the greatest resolution for next design processes
• Sound Devices MixPre6, Sanken CO100K, Sennheiser MKH30, DPA 4007, DPA 4060, Schertler Dyn Uni P48
• Photo reference for each object
Animals Sounds is a fun and one of a kind animal sound library. It contains a massive 1212 sound effects and consists of both studio recordings and on location nature recordings.
This sound pack is 2 parts.
1) 1085 animal impersonations by professional voice actors. Animals included: Bear, Cat, Chicken, Cow, Crow/Raven, Dogs (small, large), Duck, Frog, Goat, Gorilla, Hippo, Horse, Hyena, Lizard, Monkey, Mouse, Owl, Pig, Peacock, Pigeon, Rabbit, Seagull, Seal/Walrus, Sheep, Snake, Sparrow, Tasmanian Devil (comical), Turkey/Ostrich, Tweety Bird, Vulture, Wolf, Zebra.
2) 127 nature recordings of ambiences, birds, swamps and others.
ALL sounds from Animal Sounds are included our full sound library Pro Sound Collection so if you need more sounds be sure to check it out before purchase.
This bundle was built with 5 different sound libraries.
Experience the sound of the honey bees' hive. All files were recorded outside the town, far away from the roads to capture the clean sound of hard working bees. 14 stereo files were recorded with Sound Devices 702, Sony PCM-M10 recorder, two DPA 4061 microphones hidden inside a hive and two Sennheiser MKH 8040 to capture the ambient in front of the hive. Every stereo AB interior recording can be split to mono to isolate the single buzzes. Recording those sounds was one of my dreams as a field recordist. I always wanted to hear the interior sound of a hive. This session wasn’t the easy one, because of my strong allergic reaction to bees, but thanks to a proper clothes and suit, I was able to walk through the bees for 2 hours without any harm. My main goal was to capture different sounds, not only the ambients but also some close ones, like the sound of the bees landing on their landing zone or just the interior sound of the hive. The overall character of the sound really depends on the time of the year and time of the day. I had a chance to record those insects before the feeding time. They were hungry and really active. The total length of recorded files is 44 minutes.
The Cat – Meow Library features 130 files ( 51 192kHz, 79 96kHz ) recorded with Sennheiser 8040 / Rode NTG3 and Sony PCM-D100. This small bundle contains different sound effects made by two very vocal cats. From subtle squeaks and digging in litter box, through eating and purrs to loud meows.
The Cormorants sound library was recorded during 4 recording sessions spread through the course of two months. As you can hear in the preview file, the sounds of cormorants are really detailed, because of the super close perspective. In some cases, cormorants were literally walking on my DPA microphones. All files were recorded in 96kHz and 24bits with equipment like: Sound Devices 702, Sony PCM-M10, Rode NTG3, two Oktavas MK012 with different adapters and capsules and two DPA 4061. When it comes to the usability of this library, I think that it’s a great source material for designing sound for different creatures. The textures of nestling recordings are perfect to start designing sounds of small out of the world animals. Some of the files also contain seagulls, which unfortunately are a part of cormorants colonies. The amount of those ‘unwanted’ sound effects in my files is really low though, and some of them were left on purpose. Even though it’s all about cormorants, the single squeaks those seagulls can make are really great. This library contains 32 files with total length of 119 minutes.
The Eurasian Cranes sound library was so far the hardest to record. Eurasian cranes, also called common cranes are beautiful and really easy to scare big birds. This library features the sound of more than 1000 birds singing their song at the same time. If you’r not familiar with those birds, here’s a link to wikipedia. I finally got a chance to record them. It wasn’t my first attempt. More than one year ago I’ve tried to do the same thing, but because of the lack of experience, I’ve ended up with bad recordings. I did not wanted to repeat my mistakes, so I’ve spent the whole night in the wild, testing my gear and patience, got bit by mosquitoes to record those animals. You can hear the results in the preview. All sounds have HPF set to cut out anything below 100Hz, because of the trains passing by from time to time somewhere in the distance. It doesn’t affect the sound of the cranes since there’s no informations in the lows. When it comes to recording wild animals, you have to accept and take whatever you’ve been given. It was impossible for me to come closer to those birds, or avoid the sound of wind going through the reed, because few more steps would scare the birds. All the files were recorded with Sound Devices 702 and two Oktavas MK012 set into ORTF. All the hardware was set in the reed in deep mud, and cranes were standing about 40m away.
The Roaring Stags contains 45 files recorded with Sound Devices 702, two Oktavas MK012 set in XY pattern, and Rode NTG3. All files sounds different, because I was recording everything in the middle of the forest during different times of the day. Recording wild animals is not something you can plan, and I had to record whatever I could, no matter what was happening around. About 90% of the files were deleted, and this 65 minutes of audio is 10% I got left with. In this sound library you’ll find reverberant sounds and ones that has less of the reverb. The distance between me and stags was changing, and that’s the reason of different amount of reverb. Also the animals were constantly moving, and sometimes they turned in completely opposite direction, so roars sounded more distant. Sometimes between roars you’ll hear subtle sounds of me moving close to microphones. I left those sounds so anyone can make cuts in desired places, but those subtle sounds happens very rarely.
This Hard Drive SFX library delivers the sounds of severely mistreated hard drives. We hit hard drives with hammers, drilled holes in them, bent them and inserted objects into them before turning them on. Power ups, shut downs, grinding, screeching, whines, and rattling are just a few of the sounds you’ll find here. Great source material for sound design and heavy processing.
Introducing “Apocalyptic Game” – a highly focused and proprietary blend of post apocalyptic RPG game sound effects library. Collect crafting minerals and materials to create weapons, mods, items or buildings. Have all the high-quality sound needed to slot in different aesthetics to you characters bag & inventory. Now you can outfit your next dark dystopian themed game with a complete post nuclear sound effects collection inspired by major game hits like Apex, Fortnite, and Fallout.
App FX is a comprehensive collection of 445 sound effects designed specifically for app makers looking for original notifications, alerts, tones, and general effects.
Designed using both software and retro synthesizers, this collection contains a wide variety of sounds to accompany every action and function on a modern phone, tablet or desktop application: from simple clicks and tones, to complex melodic alerts and interface sounds.
All sounds were programmed, designed, processed and edited at 24-bit / 96kHz, with embedded meta data and accompanying spreadsheet.
The sci fi world of movies and games has shown us many space battles – and this sound collection guides us to the realm of laser sounds, with a total of 105 laser and blaster sound effects.
ARCADIA gets you an enormous selection of 8-Bit sounds and retro sounds with a modern touch. From quivering deaths to delicate locks and intense doors this collection will undoubtedly add sonic life to your project, be it games, television or film. We set out to create something more interesting and exciting than just being faithful to the retro game console sound genre. Seeming that we live in a modern world we think that the sounds should evolve with us.
As many sounds as possible have been optimised for efficient game audio integration, so you will not have to spend time tweaking away in an audio editor – just throw them straight in! This collection contains sounds such as: Alarms, Ambiences, Attacks, Calculations, Damages, Deaths, Doors, Errors, Explosions, Notifications, Jumps, Falls, Footsteps, Weapons, Impacts, Item Pickups, Machines, Monsters, Projectiles, Radio Disturbances, Whooshes, Music Tracks and so much more. Take a look at our Data Sheet for the complete list.
The Armour Pack 01: Humanoid contains over 45 minutes (250 files) of nothing but high quality medieval types of armour movement actions for an humanoid entity.
The assets have been designed for use with computer game media that demands high asset variations, however this pack is suited for all forms of audio media.
The included basic construction kit / original recordings enables further armour details to be created for more granular focus.
All assets have been recorded & produced at 96kHz/24bit.
Included in this pack:
Around Bridges Volume 2 gets you sounds taken from the iron and steel construction elements of various bridges in Berlin. The entire library was recorded with a two-channel contact microphone setup and it features thrilling vibrations caused be passing cars, trucks, trams and metro trains.
The material in this library is a comprehensive resource for creating otherworldly ambiences, futuristic pass-bys or eerie atmospheres with a touch of rusty steel and iron.
Artificial Life is a collection of designed and raw sci-fi sound effects dedicated to non-organic lifeforms, alien machinery and abstract expressive articulations. Inside you will find sounds of energy bursts, piercing lasers, heavy sparks, warm synthetic drones and otherworldly textures, whimsical glitchy reactions, beautiful beeps and calculations, and much more.
This library will be a nice addition to your palette of futuristic sound effects, whether you are working on a video game, motion picture or a music track.
• Designed / Articulations – Abstract
• Designed / Articulations – Bursts
• Designed / Articulations – Reverses
• Designed / Articulations – Transitions
• Designed / Impacts and Hits
• Designed / Interface – Beeps
• Designed / Interface – Gestures
• Designed / Interface – Glitch
• Designed / Interface – Calculations and Telemetry
• Designed / Texures and Drones
• Raw / Impacts and Bursts
• Raw / Interface and Glitches
• Raw / Textures and Drones
• Raw / Whooshes
In the world of sci-fi not only humans but robots communicate, too. The following Astro Droid sounds are from such conversations. If your favourite was R2D2 from Star Wars then don't miss out!
Scary horror sounds inspired by Hollywood Box office Hits – The Conjuring, The Exorcist and The Shining, we present to you the psychopath’s favorite: Asylum – Epic Stock Media’s hair-raising sound library of hollywood film scare tactics. Unchained access to some of the most cutting edge designed horror production sound effects in the world derived from stunning 192k 24bit recording sessions. Be the first to unleash our best sound library yet! Check the audio preview for spine chilling inspiration.
Featuring sounds taken from lo-fi instrumental recordings, harsh noise experiments and granular synthesis explorations, Atmosfear is a gritty soundscape collection geared towards the horror genre. With a distinctly unpolished production style to bring a rough edge to your scenario, these sounds can be used to invoke feelings of suspense, dread, tension, fear and doom into your characters and environments.
What does an industrial scale torture chamber in an abandoned asylum sound like? What about a high-voltage electrical possession? Find the answer to these questions and more with Atmosfear. Enter if you dare.
Breathe fear and awe into your work with Atmospheric Dread, carefully designed and ever-evolving drones, intertwined with swelling textures.
Inspired by the sound of films such as Arrival, Blade Runner 2049, Interstellar, Alien: Covenant, Prometheus, and more, I’ve created a new Drone library, all whilst listening to the feedback from Aberrant Drones users, and reviewers.
I’ve not only worked on improving the quality of the soundscapes further, but I’ve also broken down files into more manageable chunks, up to around 6 minutes long, and brutally cut out whatever did not feel like it should go in the library.
As a result, Atmospheric Dread is a smaller library, at least compared to the massive Aberrant Drones, whilst delivering 63 minutes of gut-wrenching, eye-widening, and fear-inducing soundscapes.
The library is comprised of 24bit/96kHz .WAV files, all stuffed to the brim with rich, and descriptive SoundMiner metadata, thus allowing you to find what you need immediately.
Frustration. You’ve spent hours on a project, only to end up with a sound scape that feels incomplete. The action scene feels empty, the weapons don’t sound heavy enough, the transitions don’t pack enough of a punch, the space ship doesn’t feel large enough and the monsters aren’t sufficiently scary.
The Augmentation Elements library has been built with this problem in mind. Due to the library’s abstract nature, the Risers, Stings, Swells and Whooshes can be molded and manipulated into adding that missing element that you’re looking for, and sweetening the whole mix.
In order to save you time and help you quickly find the sounds that you need, SoundMiner metadata has been carefully created for each individual file. There are no ‘Scream, 1’ and ‘Scream, 2’ in this library! Every single file is individually described, and the use of numbers is not employed!
Have a look at the metadata list further down the page!
Now, Your futuristic energy weapons don’t sound full enough? Try layering some of the stings and swells underneath them.
That large space ship doesn’t seem large enough? Grab some whooshes and pan them to your heart’s delight.
The alien doesn’t sound scary enough? Some of the stings sound eerily close to vocalizations. Grab them and run wild.
Are crucial transitions in your film lacking punch? Drag some of those risers into your DAW and see which one fits best!
Need to create suspense, tension and movement in your production? AXmos Cinematic Guitars is great for you.
Atmospheric elements, crazy chords, impacts, movements, reverses, soundscapes, distorted melodies, musical sound design and transitions are some of the things you will find in this collection, produced using a stratocaster type electric guitar. For that reason the sounds have a deep and musical feeling with such versatility that you can use them as effects or to enhance musical productions, generate a sound design musical moment and even compose tracks.
Apart of being a great library for Horror or Sci-fi games and movies, this collection is great for trailers too.
Atmospheric elements (designed, distortion, high, low and tremolo) • Chords (evocative chords, dark arpeggios and fantasy) • Impacts • Melodies • Movements • Pads • Reverses • Soundscapes (surreal and tension) • Transitions
Looking for baby sounds? So were we, and here's roughly how long it took to capture them: It took a very, very long time and lots of patience to gather this precious collection of laughing, dreaming, grouching, coughing, crying, shouting, talking, weeping, whining, burping and babbling bundles of joy.
We invited a lot of babies at the age from 3 to 24 months – boys and girls – to our studio.
They followed our call, brought their parents and the funny and often loud recordings started. We also equipped every new parent in our office with our best microphones and recorders and instructed them on how to record their own babies at home. You'll just love the multicolored, sweet and piercing high-quality recordings.
The library comes with 152 files in 96kHz/24bit High Definition Audio and has a size of more than 500MB. All sounds are royalty free, guaranteeing you best quality as always.
Baby Sounds library includes 160 HQ (24bit/96kHz) indoor recordings of newborn, infant, toddler laughs, sighs, screams, whimpers, giggles, and cries. All captured in real-life conditions, over a 14-month period.
Apart from the profound pre-speech vocalizations, you’ll also find cute recordings of a suckling pacifier, baby farts, breathing, breastfeeding and sneezing that will help your foleying character become more realistic and lifelike. Overall, the collection caters to projects in need for authentic newborn/ infant/ toddler boy vocal expressions.
This Baby Tiger SFX library delivers a great collection of Bengal baby tiger recordings from our sound recordists in Thailand, presented in 192 khz, 24-bit WAV format. It offers a wide range of vocalisations in the unique timbre of a younger animal. This maintains the classic sound and aggression of the bengal tiger, but in a ‘bite-sized’ package!
Tigers are the largest members of the cat family and are renowned for their power and strength. They live alone and aggressively scent-mark large territories to keep their rivals away. They are powerful nocturnal hunters that travel many miles to find buffalo, deer, wild pigs, and other large mammals.
These recordings are an ideal starting point for creature sound design, with a huge range of growls, cries and moans.
Bane Cinematics is a powerful collection of cinematic sound effects, perfect for games, trailers and other projects where you want to make a monumental impact. Bane Cinematics gets you more than 470 sound effects such as cinematic impacts, risers, thuds, strikes, flybys, whooshes, drones, hums, power shots and hits. + Includes embedded Soundminer meta data.
Bluezone Corporation presents 'Battlecruiser – Spaceship Sound Effects', a new sound library covering a wide range of designed SFX. This downloadable sample pack is loaded to arm all sound designers with an arsenal of 154 meticulously designed spaceship elements such as: Alarms, command center ambiences, deep exterior and interior ambiences, machine room backgrounds and drone sounds, energy elements, high tech interface sounds, massive reactor rumbles, explosions, spaceship passby and transmission sounds.
A mixed collection of various sound design beeps and buzzers. Includes raw and coarse buzzers, nasal and thin buzzers, and humming buzzers. Also features pure and clean beeps, fluttering blips, and cybernetic boops. Includes over 15 fields of metadata in three formats, including Soundminer.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.