Sound effects libraries organized into genres such as sci-fi, horror, comedy, game packs and more
Lo-Fi Sci-Fi is a library packed full of characterful, authentic and gritty sounds. It was lovingly created by sound designers Barney Oram and Derek Brown, in homage to classic late 70’s and early 80’s sci-fi movies.
The collection is comprised of a wide range of sounds, including metal, organics, fire, mechanical, interfaces, creatures, foley and footsteps, abstract, ambience, and much more.
Lo-Fi Sci-Fi features 620 24bit / 48kHz WAV files in total, including 45 designed sounds and 575 source sounds.
Get a huge variety of simple or complex lockdown mechanism sounds with a wide array of different latches and impacts with Lockdown, a performable Kontakt instrument and sound effects library.
We brought in dozens of props big and small to generate a massive array of source material recorded at 24 bit 192kHz. These included cameras, carabiners, wrenches, rack cases, knives, can openers, tongs, crimpers, solder suckers, file cabinet doors, vehicle doors and servos and much more – all with multiple unique performances per set.
Great care was taken to record each performance with the highest sonic quality and detail. We chose a pair of MKH50s in XY as our primary setup, creating a big, clean stereo image on every sound.
The designed collection uses samples based on the elements recordings that have been transformed into entirely new and different sounds using heavy processing and layering. It was created to produce interesting design and transition sounds quickly and easily. Lockdown includes over 500 fully lockdowns of all sizes and scales.
LOFI Terminal is a collection of 195 UI/HUD sound effects.
Create original sounding games, menus, UIs, apps and more. LT was designed to have that LOFI sound
with a bit of a twist. Perfect work indie games or any projects looking for different sounding UI/HUD sfx.
LOFI Terminal was created with game developers, sound designers and streamers in mind.
Collection was created using both hardware and software synths.
All SFX have baked-in Soundminer’s meta data
CREATED & EDITED WITH: Modular, Reaktor, Adaptiverb, TC Electronics, Pro Tools.
Lost Transmissions is a collection of electromagnetic and radio recordings with an emphasis on communications gone wrong. Malfunctioning static, radio recordings, analog hums, designed passbys, & tonal/fluctuating noise. Lost Transmissions is another essential set of utilitarian libraries to add to your tool box. Recorded and designed by Jason Cushing (co-founder of SoundMorph).
Not only that, as a bonus we've also teamed up with and included Echo Collective's kontakt instrument “Squelch” and accompanying sample library, giving you an additional 100+ real radio samples to work with and playable radio instrument.
Offer a massive value to players of your Irish Themed Casino Game with LUCK OF THE LEPRECHAUN, a truly unique collection of Highest Quality Music and Sound Effects, handcrafted and optimised to be the perfect addition to your slot game!
STEP UP YOUR SLOTS
Transform your project with this staggering collection of meretriciously designed sounds, including ROLLUPS, SYMBOL Sounds, NOTIFICATIONS, TRIGGERS, REVEALS, BACKGROUND LOOPS, FEATURE MUSIC LOOPS, SUMMARIES, TRANSITIONS, ANTICIPATIONS and much more – PLUS incredibly versatile additional sounds and voice-over, such as LEPRECHAUN VOICE, POT OF GOLD COINS, NATURE AMBIENCE LOOP, CARD DEALING, and all other sounds your games will ever need!
GRAB ATTENTION, BUILD CONNECTION
Whether you slot game is land-based or online, each asset has been professionally optimised to cut through the background chatter and immerse your players in the beauties of Ireland and festive celebratory feel of St. Patrick’s Day like never before. Keep them coming back for more with inviting sounds and catchy music that reward play and build long lasting connection!
LUCK OF THE LEPRECHAUN at a Glance:
Machine Hall delivers all the right sounds for designing sounds for robots, industrial environments and other machines.
This pack was recorded in a car building factory and therefore has a lot of industrial robots, air compressors, small rotors and motors, servos and general heavy industry ambiances. Perfect for creating robots, giant mechanical stuff with loads of moving gears and parts and little tinkering bots. Every machine is counted for, big and small!
Be it steampunk or modern sci-fi, this pack is sure to be a great fit for anything mechanical and robot-y!
All sounds included are meta data tagged(keywords+description) for use in soundminer/basehead etc.
Magic and Spell Sounds is a custom designed sound library covering many types of magic and spells. From shining in the light to bringing darkness.
Elements: electricity, energy, fireballs, ice, vines, rock, wind and water. Covering actions such as: blasts, casting, conjuring, impacts, healing and more.
682 total sounds (422 magic and spell sounds, 260 bonus sounds from Pro Sound Collection).
ALL sounds from this library Magic and Spell Sounds are included in our full sound library Pro Sound Collection. So if you need more sounds be sure to check it out before purchase.
‘Magic Elements’ is a detailed collection of designed & source sounds of organic elements, actions, characters, items, spells & atmospheres in the realm of Magic.
Each element comes with a variety of spells, actions/movements such as whoosh, impacts, atmospheres, projectiles, along with many variations in intensity and speed.
All these sounds are carefully designed, edited and meta-tagged.
The ‘generic’ category contains handy neutral go-to sounds that are useful for any project.
• GLUED (Multiple variations of the same sound glued in one file)
• SEPARATED (Each variations of sound are separated in different files)
Magic Metal is a collection of high quality magical cinematic transitions and whooshes,
recorded, edited and processed at superb 192KHZ/24BIT to achieve the best quality possible.
Magic Metal was created from studio recordings of bells, chimes, small metal plates, ring outs, cutlery and more. Every sound was processed with 10 up to 40 different plugins.
Sound effects can be used as magical cinematic transitions, whooshes, risers, spells, tension builders and more.
RECORDED WITH: Sound Devices MixPre 6 + DPA4060
EDITED AND MASTERED WITH: RX, Pro Tools, Equality, Reaktor, H3000, Little Plate, Pro C2, Pro L2, Brufri, Adaptiverb, Crystalizer, Absynth, Wormhole, Echoboy, Soundminer
The Magic Spells, Buffs and Attacks library contains 507 total spell sounds. Each spell type has been thoughtfully named and crafted into multiple variations making them extremely flexible and easy to use. This library will work great for MMOs, RPGs and other fantasy style games. Of course, it will be great for film or any other form of media also! Many of these sounds are also well suited for Sci-Fi or Futuristic applications.
Bonus Reaktor Ensemble:
As if the sounds alone weren’t enough, we’re also including a special bonus in the form of a Native Instruments Reaktor Ensemble. We call it “The Mage”.. it is designed to allow you to take spell types, mash them together and create endless new iterations of material!
If you're after electromagnetic sounds, this library delivers: Captured with The LOM Elektrosluch 3+ throughout 2015. The sounds heard with this special piece of equipment are other-worldly, ghostly and oftentimes, scary. If you haven't managed to get your hands on one yet, or missed out while pre-orders we're presenting this library as the definitive Elektrosluch 3+ sound. Hear the analog and digital: screaming whirls of electronic servo motors, the intense hum and whoosh of new and old transformers, and the pained glitching of processors and data paths of a circuit-bent Furby.
We have designed this library to be as useful and versatile as possible to be used in every application, from television, music sampling, theatre, to film. We recorded, edited and hand-picked a selection of science fiction-inspired electrical props in order to obtain the best sound sources for this library. All sounds have not been processed through special effects processors, they are simply the sounds of Electromagnetic Fields, recorded with a LOM Elektrosluch 3+.
Full: The complete library.
Micro: A cut down library featuring some of our favourite sounds from the complete collection.
Transformers, Televisions, Motors, Servos, Hard Drives, Vintage and New Electrical Technologies, Circuit Bent Props, Cameras, Telephones, Computers, Disk Drives, Remote Controls, Toys, Power Supply Units, Fairy Lights, and Vacuum Cleaners.
Mattia Cellotto’s extraordinary sound libraries are some of the most popular releases in independent sound effects – and here’s your chance to get them all at a nice discount. Here’s what’s you get:
Mechanicals is a set of 201 specialty sound effects hand picked from Sound Ideas General HD 3 collection. From Bio Mechanical Creatures and Energy Flutters to Hi Tech Scan Movements – Cyborg Mutations to Mechanical Responses – Airy Servo Movements to Transformer Sequences – these outstanding specialty sound effects need to be heard to be believed.
Mechanimal – Vocalization is a sound effects library designed for robotic creatures. Recorded and designed at 24 bit / 96 kHz – feel free to time-stretch and pitch all the sounds to have fun!
It’s more like “source sounds”, so for best results, mix them up with organic, human or animal sounds!
Medieval Battle contains a wide variety of sounds taken straight from the battlefield. Unleash the full force of your army with effects from a diverse range of medieval weaponry, crowds, horses and battle charges. There are also battle cries, screams and shouts to make the audience feel like they are right there on the frontlines. To bring you the most organic and natural battle sounds, we recorded actors performing in a quiet exterior location. All sounds were recorded in 24Bit 96kHz, allowing for further sonic manipulation.
If you think your sound collection is in need of some reinforcements then this is the library for you! Medieval Battle is ideal for use in Film, TV and Game projects, and will make a perfect addition to your sound design arsenal.
Here are the included folders:
Crowds: Crowd rushes and static battle cries in a natural exterior location make these effects perfect for building the bed of a huge Medieval warzone.
Female Voices: 4 individual female actors perform multiple vocalisations including screams, grunts and efforts.
Sword & Shield Hits: A variety of sword and shield hits performed by weapons and combat experts.
Male Voices: 4 individual male actors perform multiple vocalisations including screams, grunts and efforts.
Inject life into your Orc and Goblin voices with this massive NEWLY UPDATED sound library of warmongering voice overs, expertly recorded for authentic battle-ready characters! Inspired by J.R.R. Tolkien’s The Lord of The Rings and The Hobbit, as well as the creatures found in Skyrim, Elder Scrolls, WarCraft, Warhammer, and Dungeons and Dragons (DnD), this audio pack includes 180 audio files of HISSES, ROARS, GROANS, GRUNTS, BREATH sounds, CHOKING, GURGLING, Phrases responding to a Master’s commands, and many more… All in cutting-edge cinematic fantasy quality, with multiple premium WAV and MP3 formats for your convenience.
GROW YOUR MOUNTAIN ARMY
Featuring a HUGE variety of situational sounds, such as WARNINGS, ATTACK SEQUENCES, Inquisitive QUESTIONS, HURT WAILS, vocal NOISES, and most commonly used Orc words and phrases in games. Combine them together to spawn goblins and orcs, all obedient to do your bidding!
Bring your fight scenes to life with the ultimate sound design toolkit for hand to hand combat. Rock The Speakerbox presents MELEE, a library specializing in jaw breaking action, and raw, unbridled violence.
Recorded on stage and designed by award winning sound designers, MELEE contains 4 GB of HD quality content spread across 1596 construction kit sounds and 288 designed sounds. From punches, kicks, blocks, body falls, grabs, slaps, bone breaks, blood splatters, MELEE is the ultimate sound design toolkit for hand to hand combat.
Descend into the sinister depths of madness with MEMORIES, a fascinating sci-fi sound collection that genuinely brings a unique perspective in the indie science fiction framework.
If you are looking for big bold sci-fi futuristic sound design, MEMORIES can add a terrific touch of horror and tension to the darkest sci-fi installment for theatrical audience.
Featuring 280+ organic samples with embedded metadata and 10 categories from genre bender impact and hits, sinister tonal material, dark stingers, intricate glitched atmospheres and designed metal textures.
Kontakt Instruments are based on Photosynthesis an open source engine made by Jeremiah Pena from exoticstates.com. You can easily access filters, 13 effects, a rhythm section featuring a step sequencer, filter sequencer, 2 filter LFOs, and gain/pan/pitch LFOs. The samples can be used as regular .WAV files, but the Kontakt Instruments require the full version of Kontakt 5 (not included).
Metal Atmosphere is a collection of contact microphone recordings of wire fences vibrating in the wind.
The library consists of 29 recordings ranging from 1 minute to over 10 minutes in length. These have been recorded by taping JrF contact microphones to wire fences and other structures through which sound travels easily.
Most of the sounds are made by the wind “playing” the wires as a huge stringed instrument, while a few others are recordings of submerged wooden fences. The tone is generally dark, even menacing, bringing desolate spaces to mind.
The sounds can be used as backgrounds even if they technically aren’t proper ambiences, as there is a certain degree of similarity between the two channels which creates a fake stereo field. About half of the files also include wind gusts and wind-specific dynamics which renders them easily identifiable as wind sounds, only with extra metal elements added. Additionally there are countless impacts, risers and swells included which can easily be cut out and used as spot effects. All files are recorded and mastered at 24/96 quality which makes them excellent sound design elements ripe for serious processing.
In total, more than 2 hours of metal atmospheres and resonances from unique sources – tagged with comprehensive metadata.
• In Metal Corral, get a visceral collection of metallic screeches from a corral on a working cattle ranch. Wail on the paddock sections with a t-post and hear guttural resonances from 50 interlocking sections. Hear latches clacking with frenetic vigor and clanging metallic booms. Hear thick, tonal growls resonating like fog horns and single squeaks stuttering with real grit. Hear gates grating with the visceral sound of an iceberg tearing through the Titanic.
• This library offers you an extensive collection of metals painstakingly performed to bring these inanimate objects to life and transform them into intensely gritty living textures.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
This bundle includes our popular Metal source material library and ALL future derived sound design libraries from Metal Hits, Scrapes & Squeaks. The first derived library is Metal Souls.
The Metal Forge ensemble included is a simplified version of our Forge ensemble. It comes pre-loaded with various Metal samples for the ability to quickly create new sounds from the provided material.
I spent a great deal of time exploring pitch manipulation with this library. Much of it relied on rendered processing to acquire the aesthetic that I wanted. My vision was to make something ethereal and vocal but also a bit vague.
Metal Hits, Scrapes & Squeaks
Props include objects such as sheet metal, sledgehammers, paint cans, metal buckets, metal grating, metal marbles, cups, pots and pans, dry ice (contributing squeaks and squeals), metal bars, metal stands, chains and more.
Metal Resonances is a pack full of resonating metal that was made resonant with contact from dry ice. This creates otherworldly metallic tones which we carefully recorded and crafted into this product.
The pack contains everything needed to create all sorts of creaks and cranks and can be used to sound design everything from robots, bridges, hatches, hinges, cars, horror SFX, UI. There are also a very expressive trait to some of the sounds, and can probably be made into weird creatures and other unexpected things.
The entire pack has unique descriptive meta data for each file to make it easy to navigate between the different sounds.
The pack was captured in 96khz and 192khz and some sounds have two different perspectives to choose from. The 96khz version is usually from a close-up handheld perspective or in direct contact with the material, where 192kHz comes from carefully miced up static positions.
Recorded with two Oktava MK 012 in spaced stereo configuration and a Sony PCM m-10
Metallitronic is sound designer Nathan Moody’s latest collection of intense textures, a library of nearly three hours’ worth of metallic membranes and objects excited by electronic signals.
Metallitronic was created using advanced synthesis techniques played back through various transducers into cymbals, gongs, bowls, steel plates, prefab metal buildings, and other resonant metallic objects, close-miked in stereo with extended-frequency-range microphones. This collection radically expands a sound designer’s palette of stressed-metal sounds, horror and tension elements, crystalline creaks and groans, unsettling background atmospheres, rattling vehicular interiors, creature sound sweeteners, the sound of massive machinery, earth-shaking rumbles, and stochastic, complex rhythms.
Some textures let the complex synthesizer textures shine through – intense on their own, even if they weren’t amplified through metal – but the primary focus is on metallic drones, hits, pings, stresses, groans, wails, resonances, rattles, and unique timbres that can be layered into almost any project. The scale of the sounds ranges from detailed to overwhelmingly massive. The sounds invite aggressive filtering and extreme pitch shifting.
Every sound is recorded in stereo at 24 bits, 192 kHz, and many sounds have ultrasonic frequencies. This library includes nearly three hours of recordings, all fully tagged with metadata. Multiple articulations are ganged into single files for convenience and organization.
Microbes is 76 minutes/2.12 Gb of microscopic life forms skittering and scurrying about in their strange world. 326 separate files – recorded in 24bit/96kHz using various microphones.
A construction kit of the sounds you need to design organisms on the microscopic level. Whether you're making a medical animation, a nature documentary or something entirely fictional, Microbes delivers in skittering, fluttering and slithering sounds. Anything from single-cell organisms to complex insects is possible. Sounds are grouped in a variety of creature “species”, allowing you to create different voices with a good amount of nuance in performance. You also get a range of bubbling and swarming sounds, as well as wet and slimy elements. To complete your microscopic universe, there are a number of abstract and otherworldly ambiances.
Sounds were created using various physical instruments and props, such as a hardware modular synth, bowed metal springs, a cactus and good fashioned old voice acting. No actual microbes were harmed (or even consulted) during production. You can read more about the creation of Microbes here.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.