Sound effects libraries organized into genres such as sci-fi, horror, comedy, game packs and more
A strong set of pulsating elements and complex cinematic sequences featuring dynamic synth textures, evolving futuristic soundscapes, hybrid trailer pulses, and percussive sound design.
This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween 2018” – “The Predator 2018”)
Over 100 cinematic riser effects and epic buildups featuring distorted synths, eerie whispers, sci-fi glitches, hardcore guitars, dramatic reverses, drilling leads, and profoundly evolving textures. This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween – 2018” – “The Predator 2018”)
One-shot whooshing transitions with aggressive sweeps, angry and sudden drops, big heart-stopping bass, bone-chilling metallic textures, frantic reveals, glitchy futuristic flybys, dramatic and disturbing movements, and epic cinematic openings.
Electric Arcs and Energy is essentially two separate collections of sounds. The first, Electrical Arcs are more raw. These arc sounds can be manipulated and mangled to be used as design elements in your project. They are highly flexible and can easily be pitch-shifted -48 semitones or more. They remain remarkably useful and clean giving each sound multiple “dimensions”.
The Electrical Energy collection is a series of more specified design elements that I created – Impacts and Powerups. Meant to be used in Weapon or UI design they should be flexible enough to be used as stand-alone effects or layers in more complex sounds.
This library was designed from scratch by recording highly unconventional metal sources with a cello bow and processing them (see one example in video). Great care was taken during the recording and editing process to ensure maximum flexibility of these sounds. The recording was done at 24/192kHz using the Sennheiser MKH 2050 mic which captures frequencies up to 50kHz. All processing and design was then performed at 192kHz.
If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map. The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.
When you need Electric Typewriters Sounds, this composite SFX collection of 4 and half (yes half, one machine was broken) (old) electric typewriters delivers. You will find sounds ranging from opening/closing covers, pressing keys, random typing, electric motor movements of the writing head, mechanic-hammering of the letters, small mechanical levers and more.
Of course the sounds can be used for interfaces (and, well, electric typewriters!) – but they could also easily be mangled and mutilated for some great robotic and futuristic stuff. Try it yourself. All sounds were recorded with a Sennheiser MKH8050 through a UA Apollo 8 and a RODE NTG-3 through a Sound Devices 744T. All sounds are royalty free.
• Panasonic R300
• Olivetti Lettera E501
• Sharp PA-4000
• Triumph+Adler Gabriele 100
• Erika 3006
Almost 640 clips of designed cracking electrical zaps and arcs and resonant magnetic fields in over 2 GB of accents, drones, and tones.
Each clip is trimmed and carefully organized in folders and with extensive metadata.
Need electrical sounds? Electricity-Sparks N Arcs delivers more than 200 files of 12,000 volt sparking electrical arcs, industrial welders, electrical shorts, Taser gun discharges, Van Der Graph Generator and custom-made Jacob’s Ladder for those classic sci-fi lab effects… even the sounds of the electrocution of an innocent pickle.
These hard-to-find sounds of massive power and electricity are perfect for adding sizzle to video games, movie projects and multimedia.
All sounds were recorded at 96k/24 bit with multiple microphones. Embedded with metadata (Soundminer, Broadcast Wav)
Get a wide range of versatile electric and mechanic motors, engines, tools and toys in the “Electro-Mechanics ToolKit” Sound Effects Collection features.
The SFX library features many different grinders, drills, screwdrivers, buzz saws, sanders, kitchen tools, electric and mechanic toys, CD-drives, doors, and much more. All waiting to be cut up, layered, edited and mangled with FX to become spaceship engines, robot movements, sci fi doors, weapon mechanics and anything that moves by electricity.
This library is not meant to be a comprehensive tools library, but rather a composite toolkit to bring life to futuristic electro-mechanic machines, devices, weapons, vehicles and more.
All sounds in this pack were recorded with up to 4 mics and mixed to give a full and rich sound. All cleaned and edited for direct use in your productions.
The “Electro-Mechanics ToolKit 2” Sound Effects Library features a wide range of versatile electro-mechanic motors, engines, tools and toys.
All waiting to be cut up, layered, edited and mangled with FX to become spaceship engines, robot movements, sci fi doors, weapon mechanics.
This library is not meant to be a comprehensive tools library but rather a composite toolkit to bring futuristic electro-mechanic machines, devices, weapons, vehicles, … sonically to life.
All cleaned and edited for direct use in your upcoming projects.
All sounds have embedded BWF Metadata.
Air Compressor • Angle Grinder • Band Saw • Belt Sander • Bowling Alley Machinery • Buffing Machine • Turning Lathe • Buzz Saw • Chop Saw • Doors & Shutters • Electric Drill • Electric Screwdriver • Electric Wood Plane • Evacuator • Film Projector • Fine Blanking Tool • Fretsaw • Grinding Lathe • Hand Blender & Mixer • Hoist Industrial • Industrial Vacuum Cleaner • Jigsaw • Mechanic Toys • Metal Saw • Milling Machine • Stationary Drill • Strimmer • Toy Helicopter
This library has a unique selection of electromagnetic sounds, recorded and edited with the utmost care.
Includes over 600 sounds, 200 raw stereo 24Bit/192kHz recordings of more than 40 different electronic devices and industrial machines. Only the most interesting have been selected for this collection.
Perfect resource for SCI-FI sound design, weapons, spaceships and many more. Recorded with extended frequency range, which allows drastic pitch changes and offers extreme ease of handling.
Inside you’ll find different kinds of Noises, Glitches, Whooshes, Passbys, Beeps, Mechanical Movements, Hum, Buzz, Clicks, Crackles, from simple smartphone to carving machine or laser engraving machine, eco-solvent printer, cutting plotter, touch screen terminal and more.
Includes embedded Soundminer metadata.
Need electric sounds such as sparks, current flows and electric arcs? Electronic Drain is a collection of electric and electronic sources specifically designed for movies, audio logos and trailers. The library includes new and experimental sound material generated using the most cutting-edge digital signal processing techniques.
Providing digital, organic, raw and designed sounds Electronic Drain delivers a rich sonic complexity and a wide range of possible variations. Sounds have been further processed and looped in Kontakt to offer a larger number of possible combinations.
Electronic Drain comes with 1.1 GB and 300 .Wav files + 11 Kontakt instruments. The Kontakt instruments require the full Kontakt 5 or higher – the .wav files can be used without Kontakt.
Welcome to Elemental, a rich source of magic sound effects, focusing on the 5 elements of magic: Earth, Wind, Fire, Water, Ether, plus much more.
We worked over a year with award winning sound designers to create a magic sound library like no other. If you need both cutting edge designed magic sounds as well as raw source recordings with all the different elements and materials, than Elemental is going to be a perfect fit in your collection. Be sure to also check out the launch trailer video as well, featuring all Elemental sound effects. It's a great way to get an idea just how well the Elemental Soundpack works with magic type visuals!
Featuring tons of different spells, casts, loops, impacts, healing, breaths, and much more, we went all out to bring you plenty of options. Just look at the list below or view the full sound list further down to get an idea of all that you get. Elemental features more than 650 files, 3GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer and Basehead metadata.
ELS is a library that contains electromagnetic field recordings. It features source material ranging from household objects, drones, vehicles and radiology equipment.
During the recording process, the goal was to find and record sounds that mainly had a distinctive and musical profile rather than simply just noise.
All of the included content was recorded with a LOM Elektrosluch Mini City at 24bit/ 96khz. The files have only been processed and cleaned to isolate the sounds from other components.
The designed section contains few different ready to use sounds.
We’re surrounded by a range of electromagnetic frequencies undetectable to the human ear. Unique whines, hums, buzzes, bleeps & drones hidden in plain site. With the help of JrF induction pick-up microphones, I’ve recorded the EMF signal generated by a numerous electronics including synthesizers, computers, dvd players, lights, hard drives, gaming consoles and other household devices.
All sounds were recorded using the Sound Devices Mix-Pre 6 and a stereo pair of JrF induction pick-up microphones.
Endless Drones is a diverse set of 100 multi-layered atmospheres and mangled drone textures, that will help you portray an unsettling sense of mood or establish a unique sense of location in your projects.
All sounds are formed using field recordings and organic sound elements that have been are mixed and merged with synthetic tones and low-end rumble sources, using extensive processing and advanced production techniques.
Some of the interesting real-life elements that have been used in the making of this library are city and roaring factory ambiences, radio statics, cicada songs, water flows and howling winds, spooky waves of laughter, horse galloping sounds, rough metal scrapes and slides, tape wrapping sounds around gears and rainscapes.
And the sounds can be described as spacious, immersive, futuristic, mysterious, wide, deep, dark, hypnotic, ominous, experimental.
Energy is an entirely synthesized library, inspired by classic sound effects heard in a wide variety of action and adventure TV shows. Synthesized source material to create energy beams, lasers, blasts, whooshes, explosions, magical effects and more is bundled in this library and ready to be layered and processed. Energy contains 74 audio files with 5 variations of each sound effect per audio file, totalling 370 sounds.
This SFX library is a complete collection of everything ENERGY, covering Electricity, Power Ups, Shockwaves, Sparks, Force Fields, Zaps, Loops, and plenty more.
ENERGY is created in collaboration with talented French sound design duo Frederic Devanlay and Cedric Denooz, and features more than 625+ sounds and 6.4GB of 24bit/96khz .WAV files, all meticulously embedded with Soundminer & Basehead metadata.
• Energy Loops (start, loop, end)
• Neutrons and Particles
• Electricity sparks, zaps, impacts
• Energy Weapons / Special Powers
• Whoosh and Passbys
• Energy Foley
• Hums and Buzzes
• Lightning Elements
• Power Ups and Power Downs
• Source Tool Box – Create your own sounds from scratch!
“Eradication” is an exciting small pack of 25 Planet Explosions.
If your project needs the sounds of destruction of planets, moons or the sun this unique library of big and energetic blasts can be a great tool for your next Sci-fi production.
It’s my pleasure to introduce you to this dense library of accomplished and cacophonous sounds. This is a dramatic and horror filled library, teaming with tension and ghostly ambience, stingers and hits.
Most of these sounds have been used in film and television in one form or another. They’re more than just “designy sounds”.
These are intended to create a score of tension that can help you build a scene to it’s full potential. These sounds add movement within the soundtrack, especially with the drones. When creating sounds, I like to inject some sort of movement within the sound itself, so that it’s never stagnant or ‘still’ sounding.
So if you’re looking to notch your project up a level with dark, moody and expressive design, this is a good bet for you. Hopefully you’ll have as much inspiration as I did when creating these.
The whole collection of Lesser Vibes sound libraries.
Artificial Life (sci-fi, user interface, designed)
Automatic Umbrellas (foley, cloth, mechanical)
Handheld Transceivers (radio, glitch, noise)
High Tech Interface Sounds (sci-fi, user interface, designed)
Urban Russia (environments, transport, crowds)
All libraries were created by Sergey Eybog, a sound designer and music composer from Russia.
Entire PMSFX catalog in one bundle.
Thousands of high quality sound effects (48-192kHz 24Bit) recorded with top tier gear (Sennheiser, DPA, Sound Devices, Ambient, Sony etc) and processed with some of the best plugins and outboard on the market.
All SFX have baked-in Soundminer’s meta data.
FORGOTTEN NEONS (96KHZ 24BIT | 1.1GB | 415 FILES | META DATA)
LOFI TERMINAL (96KHZ 24BIT | 157.7MB | 195 FILES | STEREO | META DATA)
BLURRY DREAMS (96KHZ 24BIT | 616.3MB | 203 FILES | STEREO | META DATA)
OBSCURE FREQUENCIES (96KHZ 24BIT | 3.4GB | 336 FILES | STEREO + MONO | META DATA)
CineDrop (96KHZ 24BIT | 414.5MB | 57 FILES | STEREO | META DATA)
Cinescapes II (96KHZ 24BIT | 962.75MB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Cinescapes (96KHZ 24BIT | 741.5MB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Cinenergy (96KHZ 24BIT | 550.4MB | 130 FILES | STEREO | META DATA)
FOUNDATION SERIES: SCI-FI (96KHZ 24BIT | 739.8MB | 164 FILES | META DATA)
SCIFI ATMOS (96KHZ 24BIT | 1.32GB | 30 FILES | 38MIN | STEREO | META DATA)
Industrial Terror – Hits & Transitions (96KHZ 24BIT | 804.5MB | 145 FILES | STEREO | META DATA)
Industrial Terror – Textures (96KHZ 24BIT | 731.1MB | 66 FILES | STEREO | LOOPS SEAMLESSLY | META DATA)
Industrial Terror (96KHZ 24BIT | 690MB | 210 FILES | STEREO | META DATA)
DARKSCAPES (96KHZ 24BIT | 1.24GB | 30 FILES | 35MIN | STEREO | META DATA)
MicroBots (96-192KHZ 24BIT | 187.7MB | 293 FILES | STEREO + MONO | META DATA)
IN MOTION (96KHZ 24BIT | 1.59GB | 40 FILES | META DATA)
CYBERSPHERE (96KHZ 24BIT | 1.14GB | 340 FILES | META DATA)
BLOODBATH (96-192KHZ 24BIT | 959.9MB | 360 FILES | META DATA)
GHOSTLY AIR (96KHZ 24BIT | 311.9MB | 33 FILES | STEREO | META DATA)
SCI-FI MECHANICS (96KHZ 24BIT | 636.6MB | 301 FILES | META DATA)
SYNTHASSAULT (96KHZ 24BIT | 1.18GB | 320 FILES | META DATA)
BONE BREAKS (192KHZ 24BIT | 56.1MB | 57 FILES | META DATA)
HI-TECH ELEMENTS (96KHZ 24BIT | 25.2MB |35 FILES | META DATA)
MONSTRUM (96KHZ 24BIT | 38.1MB | 38 FILES | MONO | META DATA)
RESOSCAPES (48KHZ24BIT | 235.5MB | 10 FILES | 13M30S | META DATA | LOOPS SEAMLESSLY)
EERIE LFE PULSE (48KHZ 24BIT | 47.71MB | 5 FILES | META DATA | LOOPS SEAMLESSLY)
Haunted Doors [DESIGNED & SOURCE] (96-192KHZ 24BIT | 420MB | 209 FILES | MONO&STEREO | META DATA)
Books Alive (192KHZ 24BIT | 488.4MB | 434 FILES | MONO | META DATA)
Point and Shoot (96KHZ 24BIT | 94.3MB | 200 FILES | MONO | META DATA)
Kitchen Foley (96KHZ 24BIT | 240MB | 241 FILES | MONO | META DATA)
Mediterránia (96KHZ 24BIT | 2.18GB | 30 FILES | 62 MINUTES | META DATA)
Tactical Backpack (96KHZ 24BIT | 42.4MB | 72 FILES | MONO | META DATA)
Back Alley Rain (192KHZ 24BIT | 1.1GB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Just Coins (192KHZ 24BIT | 289.2MB | 287 FILES | MONO | META DATA)
Old Drawers (192KHZ 24BIT | 209.35MB | 151 FILES | MONO | META DATA)
Along The Grid (48KHZ 24BIT | 321MB | 8 THEMES | 54 LOOPS | META DATA | LOOPS SEAMLESSLY)
SynthRunner (96KHZ 24BIT | 107.5MB | 3 FILES 1 MIN EACH | META DATA | LOOPS SEAMLESSLY)
DIGITAL ILLUSIONS (48KHZ 24BIT | 313MB | 5 THEMES | 35 FILES | META DATA | LOOPS SEAMLESSLY)
INFECTED (48KHZ 24BIT | 44.1MB | 1 THEMES | 10 LOOPS 14s EACH | META DATA | LOOPS SEAMLESSLY)
STEPS: Dirt & Gravel (96KHZ 24BIT | 120.5MB | 96 FILES | MONO + STEREO | META DATA)
WASHER (96KHZ 24BIT | 2GB | 121 FILES | MONO + STEREO | 56m 35s | META DATA)
Empty City Rain (96KHZ 24BIT | 437MB | 12 FILES | STEREO | META DATA)
Costal Spain (96KHZ 24BIT | 2.57GB | 21 FILES | STEREO | 74m 04s | META DATA)
Point and Shoot Fuji Cam (192KHZ 24BIT | 357MB | 346 FILES | META DATA)
Abstract Guns (96KHZ 24BIT | 86MB | 165 FILES | META DATA)
Shattering Bricks (192KHZ 24BIT | 647MB | 232FILES | META DATA)
Rocky Impacts (192KHZ 24BIT | 647MB | 262FILES | META DATA)
Glitchy Circuits (96KHZ 24BIT | 613MB | 220FILES | META DATA)
STEPS: Dry Grass & Shrubs (192KHZ 24BIT | 202MB | 226FILES | META DATA)
Ancient Sea Ruins (192KHZ 24BIT | 3.7GB | 10FILES | META DATA)
Foundation Series SCI-FI 2 (96KHZ 24BIT | 1.1GB | 627FILES | META DATA)
Mini Printer (192KHZ 24BIT | 328MB | 178FILES | META DATA)
NanoTech (96KHZ 24BIT | 180MB | 226FILES | META DATA)
Back Alley Rain II (192KHZ 24BIT | 1.1GB | 12FILES | META DATA)
Phone Foley (192KHZ 24BIT | 85MB | 76FILES | META DATA)
Windy Hill (192KHZ 24BIT | 1.7GB | 8FILES | META DATA)
Magic Metal (96KHZ 24BIT | 1.1GB | 160FILES | META DATA)
Lethal Blow (96-192KHZ 24BIT | 0.5GB | 983FILES | META DATA)
Rain Designer (96-192KHZ 24BIT | 7GB | 396FILES | META DATA)
Sci-fi Gunnery (96KHZ 24BIT | 404MB | 580FILES | META DATA)
Bullet Bys & Impacts (96KHZ 24BIT | 3.7GB | 130FILES | META DATA)
This library is a collection of a wide variety of sounds recorded with high quality equipment over the past few years.
Most of the sounds are field recordings or otherwise raw without any processing such as noise removal, EQ or compression, but still mostly curated and edited so that it’s fast to start using them in your projects.
To celebrate the end of one era I decided to put together most of my recordings as one library, it’s including recordings with different techniques – from the electromagnetic fields of iPhone and a contact-mic’d sewing machine, to ORTF-stereo atmospheres of greenhouses, and gardens full of crickets recorded in ambisonic, and much more. 45 GB of material should cover your needs for some time :)
I hope it’s useful as a source of ready-to-use sound effects, but also as material and inspiration for something more. High quality and high sample rates allow you to manipulate the sounds a lot without losing their energy. Have fun with the library!
Evil Twin is a Reaktor 5 and 6 ensemble for creating cinematic sound design, BPM synced rhythmic loops, intense impacts, whooshes, glitches, drones, and special effects.
Evil Twin is sample-based and contains a custom 128 sample library from SoundMorph. You can also load your own samples easily. If you own the new Reaktor 6, Evil Twin is a must have.
• Presets by Richard Devine, Ivo Ivanov, Jason Cushing, Yan David and more
• 3 LFOs
• Drawable envelopes
• Complete knob modulation
• Load up to 6 samples
• 3 effects
• Grain, Jitter, and Pitch controls
• BPM synced loops
• Included Touch OSC template
• Note: This library requires a full version of Reaktor 5 or 6
The Evolved Game Creatures monster sounds collection brings producers and sound designers a versatile and wide-ranging selection of large to medium-sized creature sounds. Includes monster vocalizations and large angry creature sound effects.
Includes over 160 distinctive, immersive, optimized creature sound effects, vocalizations, attacks, sounds of monsters dying, special SFX, growling sounds.
Creating compelling cinematic game characters and outstanding gameplay audio experiences has never been easier. Explore the possibilities for your monster and large creature character sounds thru ten inspiring sound sets in the sound library. Easily outfit mystical creatures, griffins, dinosaurs, and otherworldly critters.
Each monster includes multiple attacks, death, pain, special fx, character specific fx and other vocalizations. All Royalty-Free and all files are pre mixed and mastered, optimized in length and file size to reduce game distributions and memory. RTU-OTB
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.