Scary, creepy, nasty horror sound effects and gore sounds
The collection consists of 421 unique, high quality sound effects such as: Industrial impacts, metallic stutters, textural whooshes, distorted hits, ear-piercing crashes, unsettling transitions and seamlessly looping dark soundscapes.
All sound effects come with embedded Soundminer’s metadata to allow you to work faster and focus on creativity.
Source sounds have been recorded with top notch recording gear and processed with both outboard gear and plugins.
Perfect for horror/dark sci fi genres.
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Eventide, iZotope, Discord4, Modular
INDUSTRIAL TERROR – Hits & Transitions is a second installment of Industrial Terror series.
It is a collection of dark, distorted, ear-piercing, industrial hits, impacts, crashes and transitions.
IT Hits & Transitions is an expansion pack that focuses in single, sharp hits and transitions rather than evolving, textural impacts and whooshes (as heard in Industrial Terror).
Collection consists of 145 carefully designed and rendered sound effects.
Unique processing of organic field recordings combined with modular processing makes it both grounded in reality and creepy. This collection is a perfect choice for any kind of horror genre.
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Discord4, Modular
Get more than 200 zombie style sound effects (in 92 audio files) with Infected Zone.
You will find ambiences, drones, musical elements, cinematic impacts, zombie hordes, bites, bone breaks, zombies eating, intestine movements, blood drips, stabs, gunshots, machine guns, vocalizations and more.
These sounds are great for any kind of zombie/horror production (games, trailers, movies).
Don’t be afraid to enter the ‘INFECTED ZONE’
Welcome to “INFILTRATION”, a collection of 161 sound effects aimed to be used in modern espionage/infiltration productions.
From intense low frequency atmospheric elements to powerful synth movements this 1.4 GB pack can be your secret tool to enhance trailers, movies, games or musical compositions. See it as a powerful kit to create a modern espionage feel in your production.
As a bonus I included the sources (24 sfx) used to create some of the sounds in the library.
Atmospheric element_Low • Fx_Alert • Fx_Synth_Drop • Drone_Pulse • Fx_Snare_Synth_Tension • Fx_Transition • Fx_Movement • Fx_Distant_Atmospheric • And More
The Inner ambience sound effects library is a collection of high definition sounds recorded inside various spaces using matched stereo contact microphones.
Each ambience has its own unique character and natural frequency modulation.
Some of them has constant velocity like an industrial hum, power block energy field, fans and compressors, while others have weird fluctuations like road columns affected by wind and passing-by cars, bridge columns, fences, water pipes: some of the mechanical and electrical sequences were recorded as well, such as water pump, lawn mowers, automatic window rollers, pool cover mechanism and others.
The audio files could be used, as they are – for dark, eerie, confusing atmospheres or elements in your game or film projects.
It is a good source for further manipulation and designing new sounds as it is recorded in 24/96. In addition to the pack there are designed sounds of these recordings to give you an idea of how you can push them in a different creative way and of course use it in your projects as well.
Do you want to add a bit of mystery, depth, tension to your ambience stem and influence the emotional state of the listener?
Insectus is a special Ambisonics sfx library: we’ve been through lot of experimentation in that time with different approaches regarding the best way to deliver this bizarre package of sounds.
So what is it exactly? Just think about the sound-designed material as a background sweetener. We’ve called it Insectus not only for its Latin roots, but also because it comes from the fusion of two word: Insect+Tinnitus.
We used the higher octave of the spectrum in an odd way, mimicking insect vocalization and biophony sounds in Symbolic Sound Kyma by layering a lot of synthesised stream of small band of very high frequencies (hence the inspireful source name Tinnitus).
Now you can create soundscape by layering, rotating, expanding and shrinking the FuMa/ambiX file. You can also re-construct the 360° sound panorama from binaural up to 7.1 surround.
You’ll find 100 loopable variations of FOA FuMa/ambiX interleaved files (4 channels), with a duration of 30 seconds each.
The Into Abyss sound library features 200 high quality drones sound effects perfect for creating disturbing, post-apocalyptic atmosphere for your next sci-fi movie, video game, trailer or industrial and ambient music production!
If you’re looking for otherworldly ambient sounds, eerie horror soundscapes or industrial ambiences and textures that you can often hear in science fiction movies and games, this soundpack will provide you plenty of material to choose from.
These dark ambient sound effects always work great as a background to enhance the anticipation and tension of sci-fi scenes and help you with the immersion of your audience into a futuristic dystopian world!
The Into Abyss sound library contains 7.64 GB (236 minutes total) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow and separated into three categories: 1. Evolving Drones 2. Pulsating Drones 3. Constant Drones
Welcome to the Bloodfeast. Welcome to 496 files containing over 820 goregeous bone breaking, blood soaking and flesh slicing Splatter SoundFX.
This huge hardgore, construction kit contains all the sounds of gore you need for your horror-, action-, thriller-, slasher-, monster-, martial-arts-, zombie- or fantasy-, movie or video-game.
…and, there is a chainsaw too, of course.
Get 500 sound effects of mainly metal and wood impacts, metal junk hits, crashes, heavy door slams, metal drops, metal wall and oil tank hits in this SFX library.
All sounds were recorded with a RODE NTG-3, a RODE NT-4 and a Beyerdynamic MC950 microphone on a Sound Devices 744T (+ SD MixPre-D). Each sound was heavily edited and cleaned, so there is no noise or other unwanted sounds. The sounds were layered, EQed and compressed for that extra punch – so they can be instantly used to sonically treat your medieval and sci fi battles, fighting and walking robots and anything else that needs some heavy metal treatment.
You can use the sounds right away. No further editing needed. But you can, of course… :)
Welcome to the Just Gore | Add On – more than 790 goregeous bone-breaking, blood-soaking and flesh-slicing splatter sound effects.
This huge hard-gore construction kit contains all extra-disgusting sounds for a breaking bone, a punch to the guts or a brutal dismemberment.
Here you find a composite collection of designed, frightening Whooshes, creepy Transitions and haunting Movements to spice up your Trailers, Cut Scenes, Games and Movies.
From ancient fantasy to futuristic horror projects, here you’ll find the appropriate sound that brings out the goose bumps.
Subtile haunting movent sounds, roomy squeaks, harsh disurbing noises, magical whooshes, soaking reversed horror, terryfying stingers, …
All sounds in this bundle were created by heavy sound design, layering and automation. Using hundreds recorded sounds of impacts, scrapes, swishes and anything else that has a unique motion envelope.
Even breaks, endings and transitions of all different kinds of music will get that extra kick with this sound library – it gets you the sounds that’ll bring out the goosebumps.
Kyma Ambiences [USO003] is the third sound effects bundle created by Matteo Milani.
The generation of these “Artificial Reality Ambiences” starts entirely in Symbolic Sound Kyma from the processing of white and pink noise by filtering – in the time/spectral domains – and convolving these sources with custom FM, additive, formant and granular synthesis. The composition’s resource of sound material is drawn solely from these processed stochastic sound elements: coloured noise is a raw material already full of life and can be sculpted into a variety of temporal forms, movements and textures.
The interaction with Kyma was typical of a composer who explored a device’s potential for sound transformation like a musical instrument. The goal was to obtain an organic and acoustic quality using only a restricted sound source, in order to evoke real spatial characteristics attached to each invented sound.
The “Kyma Ambiences vol.1” sound effects collection is published @ 96kHz (native) – and is also available as dual-layer separated “Elements”, suitable for recombinant stratification, varispeed and spatial positioning in the surround field (for a total of 112 files @ 96kHz).
Kyma Ambiences vol.2 follows the traces of the original collection dated back 2013, but this time it’s bigger and immersive. It contains 100 abstract and evolving ambiences created with our beloved Kyma sound design workstation. Due to the increasing demand of spatialized content for game and VR/AR project, this inspiring collection has been entirely designed as a spherical representation of sound natively in 3rd Order Ambisonics by generating all the Sounds in Kyma and mastering them in Pro Tools through a custom analog setup (Looptrotter Sa2Rate+Elysia xfilter 500+TK Audio BC501).
Ambisonics is a multi-channel technology that lets you spherically capture the sound arriving from all directions, at a single point in space. I used state of the art tools to forge these modern and cinematic soundscapes by blending many encoders to inject different colours into the design process. Each virtual 3D sound environment has been carefully constructed by layering and placing Kyma Sounds at different locations in a virtual three dimensional field using the Audio Ease 360 pan suite. I captured real spatial sound with the AMBEO VR Mic to be encoded-transformed-decoded using Kyma Ambisonic Tookit (1st Order) and then up-mixed to 3rd Order with Harpex-X and PerfectSurround Penteo 16 Pro to extract the maximum amount of spatial information.
“Kyma Ambiences – vol.2” is available in three variants:Stereo Edition:
2 channels interleaved files (100 items)
Size: 3.48 GB
1OA (first-order) B-Format AmbiX:
ACN channel order & SN3D weighting/normalisation: W/Y/Z/X
4 channels interleaved files – ready to use stereo versions are included as well (100 items)
Size: 6.94 GB
3OA (third-order) B-Format AmbiX:
ACN channel order & SN3D weighting/normalisation: W/Y/Z/X/V/T/R/S/U/Q/O/M/K/L/N/P
16 channels interleaved files – ready to use stereo versions are included as well (100 items)
Size: 27.82 GB
If you want to use the 1OA b-format file directly in your VR/AR project, simply keep only the first 4 channels (WYZX) dropping the other ones (TRSUQOMKLNP)
Audio Format: Interleaved Broadcast Wave Files (.wav)
Sample Rate: 96 kHz
Bit Depth: 24-bit
The LiquidMetal – Waterphone SFX pack contains a lot of great material for your next deep impact horror project, when you need eerie, suspenseful and deep sounds that bring the fear out in you and your audience.
We hit, rattled, bowed, snaped and swashed the real Waterphone – a unique instrument – for really formidable sounds.
Magic and Spell Sounds is a custom designed sound library covering many types of magic and spells. From shining in the light to bringing darkness.
Elements: electricity, energy, fireballs, ice, vines, rock, wind and water. Covering actions such as: blasts, casting, conjuring, impacts, healing and more.
682 total sounds (422 magic and spell sounds, 260 bonus sounds from Pro Sound Collection).
ALL sounds from this library Magic and Spell Sounds are included in our full sound library Pro Sound Collection. So if you need more sounds be sure to check it out before purchase.
Inject life into your Orc and Goblin voices with this massive NEWLY UPDATED sound library of warmongering voice overs, expertly recorded for authentic battle-ready characters! Inspired by J.R.R. Tolkien’s The Lord of The Rings and The Hobbit, as well as the creatures found in Skyrim, Elder Scrolls, WarCraft, Warhammer, and Dungeons and Dragons (DnD), this audio pack includes 180 audio files of HISSES, ROARS, GROANS, GRUNTS, BREATH sounds, CHOKING, GURGLING, Phrases responding to a Master’s commands, and many more… All in cutting-edge cinematic fantasy quality, with multiple premium WAV and MP3 formats for your convenience.
GROW YOUR MOUNTAIN ARMY
Featuring a HUGE variety of situational sounds, such as WARNINGS, ATTACK SEQUENCES, Inquisitive QUESTIONS, HURT WAILS, vocal NOISES, and most commonly used Orc words and phrases in games. Combine them together to spawn goblins and orcs, all obedient to do your bidding!
Descend into the sinister depths of madness with MEMORIES, a fascinating sci-fi sound collection that genuinely brings a unique perspective in the indie science fiction framework.
If you are looking for big bold sci-fi futuristic sound design, MEMORIES can add a terrific touch of horror and tension to the darkest sci-fi installment for theatrical audience.
Featuring 280+ organic samples with embedded metadata and 10 categories from genre bender impact and hits, sinister tonal material, dark stingers, intricate glitched atmospheres and designed metal textures.
Kontakt Instruments are based on Photosynthesis an open source engine made by Jeremiah Pena from exoticstates.com. You can easily access filters, 13 effects, a rhythm section featuring a step sequencer, filter sequencer, 2 filter LFOs, and gain/pan/pitch LFOs. The samples can be used as regular .WAV files, but the Kontakt Instruments require the full version of Kontakt 5 (not included).
Metal Atmosphere is a collection of contact microphone recordings of wire fences vibrating in the wind.
The library consists of 29 recordings ranging from 1 minute to over 10 minutes in length. These have been recorded by taping JrF contact microphones to wire fences and other structures through which sound travels easily.
Most of the sounds are made by the wind “playing” the wires as a huge stringed instrument, while a few others are recordings of submerged wooden fences. The tone is generally dark, even menacing, bringing desolate spaces to mind.
The sounds can be used as backgrounds even if they technically aren’t proper ambiences, as there is a certain degree of similarity between the two channels which creates a fake stereo field. About half of the files also include wind gusts and wind-specific dynamics which renders them easily identifiable as wind sounds, only with extra metal elements added. Additionally there are countless impacts, risers and swells included which can easily be cut out and used as spot effects. All files are recorded and mastered at 24/96 quality which makes them excellent sound design elements ripe for serious processing.
In total, more than 2 hours of metal atmospheres and resonances from unique sources – tagged with comprehensive metadata.
• In Metal Corral, get a visceral collection of metallic screeches from a corral on a working cattle ranch. Wail on the paddock sections with a t-post and hear guttural resonances from 50 interlocking sections. Hear latches clacking with frenetic vigor and clanging metallic booms. Hear thick, tonal growls resonating like fog horns and single squeaks stuttering with real grit. Hear gates grating with the visceral sound of an iceberg tearing through the Titanic.
• This library offers you an extensive collection of metals painstakingly performed to bring these inanimate objects to life and transform them into intensely gritty living textures.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
This bundle includes our popular Metal source material library and ALL future derived sound design libraries from Metal Hits, Scrapes & Squeaks. The first derived library is Metal Souls.
The Metal Forge ensemble included is a simplified version of our Forge ensemble. It comes pre-loaded with various Metal samples for the ability to quickly create new sounds from the provided material.
I spent a great deal of time exploring pitch manipulation with this library. Much of it relied on rendered processing to acquire the aesthetic that I wanted. My vision was to make something ethereal and vocal but also a bit vague.
Metal Hits, Scrapes & Squeaks
Props include objects such as sheet metal, sledgehammers, paint cans, metal buckets, metal grating, metal marbles, cups, pots and pans, dry ice (contributing squeaks and squeals), metal bars, metal stands, chains and more.
Metal Resonances is a pack full of resonating metal that was made resonant with contact from dry ice. This creates otherworldly metallic tones which we carefully recorded and crafted into this product.
The pack contains everything needed to create all sorts of creaks and cranks and can be used to sound design everything from robots, bridges, hatches, hinges, cars, horror SFX, UI. There are also a very expressive trait to some of the sounds, and can probably be made into weird creatures and other unexpected things.
The entire pack has unique descriptive meta data for each file to make it easy to navigate between the different sounds.
The pack was captured in 96khz and 192khz and some sounds have two different perspectives to choose from. The 96khz version is usually from a close-up handheld perspective or in direct contact with the material, where 192kHz comes from carefully miced up static positions.
Recorded with two Oktava MK 012 in spaced stereo configuration and a Sony PCM m-10
Metallitronic is sound designer Nathan Moody’s latest collection of intense textures, a library of nearly three hours’ worth of metallic membranes and objects excited by electronic signals.
Metallitronic was created using advanced synthesis techniques played back through various transducers into cymbals, gongs, bowls, steel plates, prefab metal buildings, and other resonant metallic objects, close-miked in stereo with extended-frequency-range microphones. This collection radically expands a sound designer’s palette of stressed-metal sounds, horror and tension elements, crystalline creaks and groans, unsettling background atmospheres, rattling vehicular interiors, creature sound sweeteners, the sound of massive machinery, earth-shaking rumbles, and stochastic, complex rhythms.
Some textures let the complex synthesizer textures shine through – intense on their own, even if they weren’t amplified through metal – but the primary focus is on metallic drones, hits, pings, stresses, groans, wails, resonances, rattles, and unique timbres that can be layered into almost any project. The scale of the sounds ranges from detailed to overwhelmingly massive. The sounds invite aggressive filtering and extreme pitch shifting.
Every sound is recorded in stereo at 24 bits, 192 kHz, and many sounds have ultrasonic frequencies. This library includes nearly three hours of recordings, all fully tagged with metadata. Multiple articulations are ganged into single files for convenience and organization.
Microbes is 76 minutes/2.12 Gb of microscopic life forms skittering and scurrying about in their strange world. 326 separate files – recorded in 24bit/96kHz using various microphones.
A construction kit of the sounds you need to design organisms on the microscopic level. Whether you're making a medical animation, a nature documentary or something entirely fictional, Microbes delivers in skittering, fluttering and slithering sounds. Anything from single-cell organisms to complex insects is possible. Sounds are grouped in a variety of creature “species”, allowing you to create different voices with a good amount of nuance in performance. You also get a range of bubbling and swarming sounds, as well as wet and slimy elements. To complete your microscopic universe, there are a number of abstract and otherworldly ambiances.
Sounds were created using various physical instruments and props, such as a hardware modular synth, bowed metal springs, a cactus and good fashioned old voice acting. No actual microbes were harmed (or even consulted) during production. You can read more about the creation of Microbes here.
“Minacious” is a collection of 369 sounds suited for horror/paranormal productions.
If you need to induce tension, fear and oppression in your game, movie or trailer and evoke the sensation that someone or something is hiding and watching you ready to scare or kill, this library full of textures and atmospheric elements is great for you.
The library consist of 50 WAV files at 24 Bit / 96 kHz with 6 variations in each file. You will get metallic movements, abnormal textures, dark pianos and guitars, dark vocals, atmospheric elements, reverses, noises and glitches.
Also you will get the sources used to create the pack. 69 WAV files at 24 Bit / 96 kHz. Pianos, vocal effects, guitar noises and metallic cups are some of the things you will encounter in the sources section.
The sounds in this pack can be used to add rare textures to musical compositions too.
If you liked my library “DARE“, you are gonna love this one.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.