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Home Plug-Ins Page 7

Plug-Ins

Plug-Ins and Standalone tools for all of you mixing and sound design needs

  • PSP Xenon is a full band, dual-stage limiter plug-in (AudioUnit, VST and RTAS, AAX for MacOSX; VST and RTAS, AAX for PC) featuring an integrated Leveller, advanced K-System metering and psychoacoustically optimized wordlength reduction. PSP Xenon offers 64-bit precision processing throughout its entire signal path, and can operate at sample rates up to 192kHz.
    Once you experience for yourself the pristine, transparent response and intuitive design of this plug-in, we believe it will become your “go to” limiter for mastering and other critical audio applications.

  • BECOME THE RAINMAKER
    From single droplets over the softest drizzle to the most heavy downpours. Get it done with RAIN – the ultimate rain generator for sound designers.

    RAIN | Dynamic Rain Generator | Trailer

  • ReCenter automatically repairs off-center stereo recordings while keeping the original stereo width which makes it an invaluable time-saver and a perfect tool for professional post-production. Fix off-centered stereo field recordings, dynamically center vocal artists or musicians that moved around the stage or center hard directional effects like drive-bys and stereo whooshes. ReCenter makes tedious panning automation obsolete so you can focus on your creative flow.

    What is RECENTER?
    ReCenter is a stereo processor that rotates an incoming stereo signal to the center or a given angle without altering the stereo width. Having the incoming signal centered, you can narrow or widen the stereo image within ReCenter. For a better low frequency control you can mono the original signal below a set frequency. A multiband processing option intelligently shifts more complicated signals.

    DYNAMICALLY CORRECT STEREO IMAGES
    Have you ever worked with stereo material that was not centered correctly? Pointing a stereo microphone a hundred percent accurately onto a sound source gets harder the further away the source is. As a result, you get a recording with a constantly shifting center that would require you to manually adjust and automate the panning over the whole recording. ReCenter continuously analyzes the directionality of a stereo or M/S signal and rotates it to a given target angle in real-time – without narrowing the stereo image.

    GOOD-BYE CORRECTIVE PANNING
    Correct poorly aimed or moving stereo recordings while skipping the time-consuming and most often ineffective pan automation process. All you need to do ist tell ReCenter how hard, fast and precisely it should adjust your signal.

    KEY FEATURES
    • Dynamically create convenient stereo images
    • Once the center is restored, precisely alter the stereo image
    • Input stereo or M/S signals
    • Mono filter below certain frequencies
    • Multiband mode for heavy-duty applications
    • Widen or narrow the centered stereo image
    • Shift the output angle to left or right

    USE CASES
    • Easily correct any stereo recording, where the microphone angle was off
    • Dynamically center a vocal artist that moved around the stage while performing
    • Center stereo whooshes, drive- or fly-bys and other hard directional effects
    • Widen instrument recordings while keeping a perfect stereophonic balance

  • Retro plug-ins are designed for the ultimate vintage vibe – a line of classics that can live up to their own name without emulating something else.

    Features (HD)

    • 4020 Retro EQ HD
    • 4030 Retro Compressor HD
    • 4040 Retro Limiter HD

    Features (Native)

    • 4020 Retro EQ Native
    • 4030 Retro Compressor Native
    • 4040 Retro Limiter Native
  • Real-time Multi-pitch Modification

    reTune ScreenreTune gives you full access to the pitch content of your audio samples and enables you to map each input pitch to any other pitch of the chromatic scale – all in real-time.

    This allows you to re-tune your audio to any target key (e.g. from D major to C# minor), or to use it as a creative tool to modify the pitch content in any way you like. If you are unsure about the key of your input audio, you can let reTune estimate the key for you.

    In addition, reTune can act as a pitch correction tool that quantizes pitches to the nearest semitone. Additional controls include the sensitivity of the pitch corrections, the treatment of transients as well as a smoothing of the pitch contours.

    Key Features:

    • Real-time processing
    • Automatic input key detection using zplane’s TONART V2
    • Fully configurable input-to-output pitch mapping
    • Presets for major/minor scales, church modes, gypsy and chromatic scales
    • Controls for pitch detection sensitivity, transient levels and pitch contour smoothing
    • Automatic pitch correction to the nearest semitone
    • Plugin formats: AAX, AU & VST

    DOWNLOAD THE DEMO HERE
    WIN | MAC

  • Revolver is the ultimate combination of high end reverb control with the sound capacity of convolution.

    Features

    • Huge preset library containing out of production reverbs, rare vintage reverbs, and acoustic spaces
    • Total impulse response manipulation
    • Pre-delay (positive or negative)
    • Two-band dedicated reverb EQ
    • Three-band routable EQ
    • Two sync-able delay lines
    • Flexible signal routing system
    • Tools for creating custom impulse responses
    • Reverb decay crossover network
    • Double precision processing
    • Low Latency
    • Mono and stereo versions
  • The Heads Up Display sound effects library is the first installment in the Robotic Creations Collection. Each library within the Robotic Creations Collection contains sound effects designed to match five different robotic personalities with their own unique sonic characteristics: Mimo, the robot buddy; Q5, the vintage robot; NGage, the exosuit; Gregory, the android; and Firewall, the mech suit.

    Features the internal tech sounds that you would hear within each distinctive robot’s heads up display, such as:
    150+ interface beeps • 80+ success beeps • 70+ fail beeps • 50+ data readouts • 45+ countdowns • 15+ alarms • 100+ power ups • 95+ power downs

    Also available in a special Sound Design Toolbox version.

  • The SA-2 Dialog Processor is made up of 5 bands of active equalization, configured in a variety of modes to best address common issues of dialog.

    Features

    • Five independent bands of strategic active equalization
    • Multiple process modes for a variety of applications
    • Unique signal reduction metering
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • A crush on music

    Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn 2 delivers.

    Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.


    Warmth, harmonics, color and dynamics

    FabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.

    With its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.

    Bring your sounds to life

    Add life and depth to your music using the extensive modulation section. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.

    With all the XLFOs, EGs, XY controllers/sliders, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop. And Saturn 2 visualizes all modulation in real-time to show exactly what’s going on.

    FabFilter goodies

    Finally, FabFilter Saturn 2 contains all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, interface resizing and full screen mode, support for Avid control surfaces, GPU-powered graphics acceleration, extensive help with interactive help hints, SSE optimization, and much more.

  • Upgrade to Saturn 2 from Saturn 1

    A crush on music

    Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn 2 delivers.

    Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.


    Warmth, harmonics, color and dynamics

    FabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.

    With its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.

    Bring your sounds to life

    Add life and depth to your music using the extensive modulation section. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.

    With all the XLFOs, EGs, XY controllers/sliders, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop. And Saturn 2 visualizes all modulation in real-time to show exactly what’s going on.

    FabFilter goodies

    Finally, FabFilter Saturn 2 contains all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, interface resizing and full screen mode, support for Avid control surfaces, GPU-powered graphics acceleration, extensive help with interactive help hints, SSE optimization, and much more.

  • Originally developed for FabFilter One, Simplon’s filters were designed from the ground up to be the fattest and smoothest self-oscillating digital filters possible. Simplon’s filters sound raw but never cheap or ‘digital’, even at full resonance.

    Each filter offers three different filter characteristics that define the unique sound and overdrive of the filter. They range from smooth filters with moderate overdrive to raw, self-oscillating over-the-top madness!

    In combination with the response and slope settings, FabFilter Simplon offers up to 27 different filter types.
    Tweak the filters with Simplon’s large interactive filter display that shows both filter curves and lets you drag them around. You can adjust the filters separately or both at the same time.

    And of course, you get all the usual FabFilter goodies: perfectly fine-tuned knobs that work both in vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, great presets, extensive help file with interactive help hints, sample accurate automation for all parameters, AltiVec and SSE optimization, and much more.

  • Designed with innovation in mind.

    Each software application we provide pushes the limits of creating in its own way:

    Dust – synthesizer plugin based on a real-time particle simulation, where each particle is a separate granulating sound source.
    Wave Warper – for creating your own modern whooshes, passbys, and sample mayhem.
    – for morphing, bending, and stretching time and samples.
    Evil Twin – for cinematic sound and music design, granular effects, impacts, glitches, and bpm synced loops.
    Galactic Assistant – for creating endless user interface type sounds. The first ever UI synthesizer.
    DR01D – Included for free! Retro robot voice simulator.

    To learn more about each product, we encourage you to visit their individual pages, where you can watch tutorial videos, read more about them, and view the minimum system requirements.

  • AUDIO LAYERING WIZARD

    SOUNDWEAVER helps you design new sounds from your existing sound library in less time.
    SOUNDWEAVER opens up a highly inspirational sound design workflow.
    SOUNDWEAVER explores the depths of your sound library.


    CREATE MORESKIP THE BUSYWORK

    Offering you an unlimited wealth of sound design power, SOUNDWEAVER is a standalone application that unlocks the full potential of your sound library. Easily add textures and complexity to your sounds while seamlessly blending different layers together. Create massive rumbles, bone-crunching organic thuds, falling impacts, hyper-complex futuristic effects, snarling creatures – with SOUNDWEAVER anything from your library can be magically morphed and layered into a new sound.

    SOUNDWEAVER | Advanced Sound Layering | Trailer

    VERSION 1.3.1 NOW AVAILABLE

  • The SPC2000 has the power and flexibility to emulate any other compressor or create custom compressors, and then place these compressors in a variety of combinations of serial and parallel configurations.

    Features

    • Multiple parallel and serial compression combinations
    • Compression curve modeling
    • Multiple peak detection circuits
    • Multi-compressor control linking
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency
  • THE HASSLE-FREE & MOST FLEXIBLE STEREO PLUGIN
    Seize control over your stereo imaging with this one-stop stereo plug-in. Keep your sounds three-dimensional and dynamic by using STEREOLAB to morph your mono signal into a full-range stereo sound, or shrink your wide field into a coherent, single mono mix. With left/right independent panning, mid-side gain, left and right delays to create interaural time differences. STEREOLAB truly is an all-in-one stereo-mono plug-in that is a must-have on every FX chain.

    STEREOLAB | Advanced Stereo Tool | Trailer

  • TEXTROBOT is a NI Kontakt instrument designed to help you in the sound design of UI sounds and to produce retriggered samples for VFX text animations.

    All 165 sounds are easily accessible using a MIDI master keyboard from the first octave. You can choose a category to load a set of samples and play it manually, or in the retriggered way (if active) by holding down the note. The full version of NI Kontakt is required to use this library.

    Sound categories:

    • Click (10 samples): very tight, clicky sounds for UI interface usage or small text VFX
    • Bleeps (16 samples): it contains bleeping sounds, tones, and alerts for telemetrics and sci-fisound design
    • Big Size (16 samples): a collection of low frequency sounds for big title animation
    • Percussive (22 samples): organic and processed percussive sounds like shakers, maracas, and woods for multimedia apps or menu sound design
    • Fun (30 samples): a collection of funny sounds for cartoonish motion graphics
    • Digital (20 samples): glitches and lo-fi sounds for experimental videos
    • Keys (28 samples): keyboards, typewriters, and mouse sounds
    • Mechanical (23 samples): switches, clangs, squeaks, and metal impact sounds for mechanic motion graphics

  • Stretch, pitch & morph your sounds to infinity! 3.6Gb of custom sounds made by Ivo Ivanov & SoundMorph!

    TimeFlux: the ultimate time stretching, morphing, and spectral effects processing software. Just like time is endless, the possibilities in TimeFlux are endless as you Morph between 8 snapshots using our custom Sphere controller area. Control TimeFlux with your mouse, or as an added bonus control it with an optional Leap Motion controller and harness the powers of time in your hand! TimeFlux takes your sound to a whole new level of control and sonic manipulation.
    You can load up to 4 sounds and 4 VSTs in TimeFlux, record your performance, and export it as a .WAV file or record straight into your DAW.
    TimeFlux also contains 3.6Gb of custom made sound design revolving around the theme of time manipulation. All sounds included were carefully crafted by SoundMorph and Ivo Ivanov of Glitchmachines. Both experimental and practical, the included sound design library complements the TimeFlux software, and is also quite usable on it’s own. Time and space will never be the same!

    WHAT’S INSIDE

    Features:
    Load up to 4 sound files
    Load up to 4 VST plugins within TimeFlux
    8 snapshot Sphere Controller
    Optional Leap Motion controller. Leap Motion sold separately here: http://www.leapmotion.com
    2 time stretchers
    1 morpher
    4 filters
    Record and Export your performance in WAV files
    3.6 GB TimeFlux sound design soundpack included made by SoundMorph and Ivo Ivanov
    Compatible with Mac and PC (32 bit and 64 bit)
    System Requirements:

    An Intel® Mac with Mac OS X 10.11.6 (or later), OR a PC with Windows 7 (or later); Multicore processor; 2 GB RAM; 1024×768 display.

  • FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will fully satisfy your everyday delay needs. And with its unique effects, filters, tap patterns and unlimited modulation options, you can just as easily turn it into the ultimate sound-mangling machine!

    Vintage filters and creative effects
    The stereo delay signal is routed through five unique effects and up to six analog-sounding filters, and then routed back to the input with adjustable feedback. Easily program your own delays using the well laid-out controls and interactive delay and filter displays.

    Easy drag-and-drop modulation
    Easily setup ducking, wow and flutter, dynamic diffusion or more creative effects, using Timeless’s unique and versatile modulation system. Creating new modulation connections could not be easier: just drag and drop.

    FabFilter goodies
    Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, CPU optimization, and much more.

  • Upgrade from Timeless 2 to Timeless 3

    FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will fully satisfy your everyday delay needs. And with its unique effects, filters, tap patterns and unlimited modulation options, you can just as easily turn it into the ultimate sound-mangling machine!

    Vintage filters and creative effects
    The stereo delay signal is routed through five unique effects and up to six analog-sounding filters, and then routed back to the input with adjustable feedback. Easily program your own delays using the well laid-out controls and interactive delay and filter displays.

    Easy drag-and-drop modulation
    Easily setup ducking, wow and flutter, dynamic diffusion or more creative effects, using Timeless’s unique and versatile modulation system. Creating new modulation connections could not be easier: just drag and drop.

    FabFilter goodies
    Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, CPU optimization, and much more.

  • TURBINE is a revolutionary sound design plug-in that gives you access to a wide range of authentic virtual engines based on their real-world counterparts. Over the last 4 years of intense research and development we shaped this breakthrough software tool that revolutionizes the way we do sound design. TURBINE is here to blow your mind and to simplify your work in so many ways.

    You can change and automate all parameters in real-time, giving you full control over the final result.

    Key features:

    • Control Engines in Real-Time
    • Create realistic Flight Paths and Fly-bys in seconds
    • More than 50 versatile Presets

    Go Far Beyond Engine Sounds and Use Turbine for:

    Whooshes, pressure releases, robotics, sirens, musical fx, sci-fi elements, futuristic engines, home appliances, electric tools, flame bursts and more

    Please note:

    • TURBINE is a software plugin (VST, AU, AAX) for Windows & Mac. It requires an audio host software, and does not work as a standalone application.
    • TURBINE works with the most common audio host software apps that support VST 2.4, AU or AAX plugins, such as Logic Pro, Pro Tools (11+), Cubase, Nuendo, Ableton Live, Reaper.
    • A free ilok account is required to activate and use the software. A dongle is not required, but if you want to use one, an iLok 2 or later is required.
  • Beautiful new interface and improved workflow

    FabFilter has completely redesigned Twin 3’s interface and workflow, making it more immediately accessible, visually informative, and speedy to navigate than ever, and adding new scaling options and a luxurious Full Screen mode for taking its synth programming environment to the spatial extreme. Individual oscillators and filters can now be added and removed as required, every aspect of the filters is accessed and manipulated within a stunning interactive EQ-style display, and the darker color scheme is less tiring on the eyes over long sessions. Responsive per-oscillator oscilloscopes, a beautiful spectrogram, and full visualization of modulation signals throughout the signal path let users see everything they hear, while the floating slot panels group active modulation sources at each target control for collective tweaking.

    Improved oscillators and filters

    It all starts at the oscillators, and Twin 3 provides four of them — up from Twin 2’s three — with which to build synth sounds of limitless depth and intricacy. Completely overhauled and featuring analog-modelled drift for subtle random pitch and phase fluctuation, as well as pulse width modulation, hard sync, and phase sync, Twin 3’s oscillators are flawless in their analog authenticity. Polyphony has been given a boost, too, with an upgraded maximum of 64 voices — double the 32 of Twin 2 — and the Per Oscillator polyphony mode, which steps through the oscillators with each incoming note. Twin 3’s filters have been doubled in number from two to four and similarly enhanced, with new vintage-style Bell, Shelf, and Notch types delivering characterful non-linear distortion, and the 6dB/octave slope option and modulatable Cutoff/Peak Offset knobs opening up even more sound design possibilities. And for anyone demanding the absolute best from their Twin 3 patches, the new 4x oversampling High Quality mode is just a click away

    Massive FX section and new Arpeggiator

    Twin 3 introduces a supercharged new FX section, comprising six colorful processing modules for transforming and polishing signals. Shape dynamics and apply saturation with Compressor and Drive effects; create space and generate rhythmic echoes with Reverb and Delay; and thicken and widen the sound with Chorus and Phaser. Needless to say, every FX parameter is available as a modulation target, so users can really bring them to life using Twin 3’s Envelope Generators/Followers, XLFOs, XY controllers, Sliders, and MIDI sources. The new Arpeggiator, meanwhile, provides endless creative inspiration, with host sync, Groove/Legato, and Rate Offset controls, and the gamut of note value and order options.

    Full-featured preset browser

    Replacing the simple menu of previous versions, Twin 3’s slick new preset browser makes navigation and management of factory and user patches quick and easy. Within the browser’s streamlined interface, presets can be assigned freely editable tags for filtering within the Search engine, set as favorites, and given author names and text descriptions. If anyone has Twin 1 and/or 2 installed, then all of their presets will appear in Twin 3 as well.
    Vintage phatness, out of the box
    Twin 3 is very easy to program. With its four vintage-sounding oscillators, versatile filters and built-in, high quality effects section, it’s a breeze to create unique sounds. Using the new preset browser, you can type to search, tag presets and mark them as favorite, making it easy to find the sound you need.

    Easy drag-and-drop modulation

    With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 3 offers practically unlimited modulation possibilities. Even the built-in effects can all be modulated! Creating new modulation connections could not be easier: just drag and drop.
    FabFilter goodies
    Finally, you get all the usual FabFilter goodies: perfectly tuned controls, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more.

  • Upgrade to Twin 3 from Twin 2

    Beautiful new interface and improved workflow

    FabFilter has completely redesigned Twin 3’s interface and workflow, making it more immediately accessible, visually informative, and speedy to navigate than ever, and adding new scaling options and a luxurious Full Screen mode for taking its synth programming environment to the spatial extreme. Individual oscillators and filters can now be added and removed as required, every aspect of the filters is accessed and manipulated within a stunning interactive EQ-style display, and the darker color scheme is less tiring on the eyes over long sessions. Responsive per-oscillator oscilloscopes, a beautiful spectrogram, and full visualization of modulation signals throughout the signal path let users see everything they hear, while the floating slot panels group active modulation sources at each target control for collective tweaking.

    Improved oscillators and filters

    It all starts at the oscillators, and Twin 3 provides four of them — up from Twin 2’s three — with which to build synth sounds of limitless depth and intricacy. Completely overhauled and featuring analog-modelled drift for subtle random pitch and phase fluctuation, as well as pulse width modulation, hard sync, and phase sync, Twin 3’s oscillators are flawless in their analog authenticity. Polyphony has been given a boost, too, with an upgraded maximum of 64 voices — double the 32 of Twin 2 — and the Per Oscillator polyphony mode, which steps through the oscillators with each incoming note. Twin 3’s filters have been doubled in number from two to four and similarly enhanced, with new vintage-style Bell, Shelf, and Notch types delivering characterful non-linear distortion, and the 6dB/octave slope option and modulatable Cutoff/Peak Offset knobs opening up even more sound design possibilities. And for anyone demanding the absolute best from their Twin 3 patches, the new 4x oversampling High Quality mode is just a click away

    Massive FX section and new Arpeggiator

    Twin 3 introduces a supercharged new FX section, comprising six colorful processing modules for transforming and polishing signals. Shape dynamics and apply saturation with Compressor and Drive effects; create space and generate rhythmic echoes with Reverb and Delay; and thicken and widen the sound with Chorus and Phaser. Needless to say, every FX parameter is available as a modulation target, so users can really bring them to life using Twin 3’s Envelope Generators/Followers, XLFOs, XY controllers, Sliders, and MIDI sources. The new Arpeggiator, meanwhile, provides endless creative inspiration, with host sync, Groove/Legato, and Rate Offset controls, and the gamut of note value and order options.

    Full-featured preset browser

    Replacing the simple menu of previous versions, Twin 3’s slick new preset browser makes navigation and management of factory and user patches quick and easy. Within the browser’s streamlined interface, presets can be assigned freely editable tags for filtering within the Search engine, set as favorites, and given author names and text descriptions. If anyone has Twin 1 and/or 2 installed, then all of their presets will appear in Twin 3 as well.
    Vintage phatness, out of the box
    Twin 3 is very easy to program. With its four vintage-sounding oscillators, versatile filters and built-in, high quality effects section, it’s a breeze to create unique sounds. Using the new preset browser, you can type to search, tag presets and mark them as favorite, making it easy to find the sound you need.

    Easy drag-and-drop modulation

    With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 3 offers practically unlimited modulation possibilities. Even the built-in effects can all be modulated! Creating new modulation connections could not be easier: just drag and drop.
    FabFilter goodies
    Finally, you get all the usual FabFilter goodies: perfectly tuned controls, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more.

  • MAKE YOUR SOUND GO BOOM
    UBERLOUD makes your sounds go loud, insanely loud. This plug-in is a true beast with sharp edges and extraordinary character. UBERLOUD will maximize your sound with minimal effort. So the next time your sound just doesn’t sound loud enough, make it UBERLOUD.

  • Vielklang Instant Harmony 2 is an instrument for easy generation of harmonies from an audio or MIDI melody. The utilization of voice leading and harmony progression models allows vielklang to create harmony parts in a more musical way than traditional harmony processors and makes it a versatile and creative tool for musicians, songwriters and producers.

    vielklang utilizes zplane´s widely-used élastique SOLOIST engine for high quality pitch shifting and time stretching.


    The new version introduces the following features:

    • advanced pitch editing with direct tool access
    • new sleek interface
    • vibrato and tremolo generator
    • hybrid view for score-like harmony visualization
    • MIDI harmonization
    • multiple file harmonization
    • Instant Harmony V2.0 & Advanced Pitch Editing
    • Harmonize your melody with one single click – loading a single-voiced audio file – and create natural-sounding background choirs and brass arrangements.


    vielklang Instant Harmony generates harmonies with 2-4 voices. It is packed with musical intelligence and music theory: it detects the best fitting harmonies for each individual input melody, and automatically synthesizes up to four voices with the voices not merely running in parallel but with their voicings selected to sound most natural (voice leading).

    The advanced pitch editing controls (full version only!) give you fast and easy access to pitch, timing, vibrato control, formant shift, and to many more editing options.

    DOWNLOAD THE DEMO HERE
    WIN | MAC

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