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Home Plug-Ins

Plug-Ins

Plug-Ins and Standalone tools for all of you mixing and sound design needs

  • FabFilter has put tremendous effort in creating the best cut-off filter ever. Their new design approach has resulted in the fattest and smoothest self-oscillating digital filter you have ever heard. It has been tuned carefully to achieve the character and warmth of a classic analog synthesizer. FabFilter One’s filter sounds raw but never cheap or ‘digital’, even at full resonance.
    The filter is fed by an equally high-quality solid-sounding oscillator, developed from scratch to be completely aliasing-free. It features sawtooth, triangle, and square wave forms with pulse width modulation.

    The oscillator and the filter can be modulated by the LFO and the EG. The LFO offers triangle and square wave forms, with adjustable wave balance so any wave form between sawtooth and triangle can be selected. The tempo can be synchronized to the host. The EG has the usual ADSR knobs, but with a perfectly fine-tuned feel. Also, it has an additional Hold setting that extends the time keys are held down.

    What FabFilter One excels at is the attention to detail and fine-tuning that is visible throughout the plug-in. For example, the portamento feature doesn’t just slide from one note to another, but uses a carefully selected algorithm to make your playing livelier and give it just that little extra bit of magic.

    Smart Parameter Interpolation handles changes to any of FabFilter One’s parameters, ensuring both responsiveness and smooth transitions. There are no annoying digital clicks and zipper effects, and even MIDI controller changes are handled perfectly smooth.

    Naturally, the FabFilter One plug-in handles all parameter changes at sample accuracy and it can be used with arbitrary sample rates. All parameters are fully automatable within your favorite host and via MIDI Learn. The included help file describes all features of FabFilter One in detail, together with overviews and tutorials to create various types of sounds.

    Features

      • Aliasing-free high quality oscillator with triangle, sawtooth, and square wave forms
      • Fat and ultra-smooth self-oscillating low-pass filter
      • LFO with tempo sync, triangle and square wave forms, and adjustable wave balance
      • Fine-tuned EG with additional Hold setting
      • Frequency and filter cut-off modulation
      • Pulse width modulation
      • Filter keyboard tracking
      • Velocity sensitivity
      • 10-voice polyphony
      • White/pink noise generator
      • Smooth portamento
      • Over 100 presets
      • Undo and redo
      • MIDI learn
      • Smart Parameter Interpolation
      • Sample-accurate automation of all parameters
      • Parameter value display
      • Extensive help file
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  • Have you ever dreamt of attacking a piano with a metal mallet? Dream no more! This library is available in two versions, a discounted bundle, and also in the further discounted “2017 InspectorJ Bundle” for 50% off!

    Piano, Mallet Strikes: (1.44 GB)
    Recorded at 96kHz/24-bit stereo, this collection of sounds brings you 463 sampler-based metal mallet strikes with five variations. As opposed to playing the piano normally, these sounds were created by striking the string with a metal mallet, creating a harsher attack and a unique plucky percussive sound.

    The sounds have been mapped to Kontakt 5 patches for quicker playing (requires the full version of Kontakt 5), but the raw files are also included. The five different samplers offer you a wide variety of durations:

    Damped instantly (84 sounds; five octaves)
    Damped after 1 second (97 sounds; seven octaves)
    Damped after 2 seconds (97 sounds; seven octaves)
    Damped after 5 seconds (88 sounds; six octaves)
    Sustained fully (97 sounds; seven octaves)

    Piano, Mallet FX: (1.62 GB)
    This collection of sounds brings you 509 FX sounds of various scrapes, hits and glissandos across the piano strings with a metal mallet, offering significant number of variations. Every sound was recorded at 96kHz/24-bit stereo.
    Piano, Mallet Strikes and FX: (3.06 GB)
    This collection of sounds is a discounted bundle of two libraries – “Piano, Mallet FX” and “Piano, Mallet Strikes” – to give you 509 FX sounds of various scrapes, hits and glissandos across the strings, as well as 463 sampler-based mallet strikes with five variations. Every sound was recorded at 96kHz/24-bit stereo.
  • The “Cedar” library series is a collection of libraries, comprised of three different instruments:

    – Ponticello (the present one)

    – Sul Tasto

    – Bizzarro

    Each volume is a single Kontakt instrument with a peculiar timbral personality. The entire series is created recording sounds from a luthier classical guitar. They can be used for composing and producing purposes – like an acoustic percussion setup – as well as for soundtrack composition and sound design in films, video games and any other multimedia product. “Ponticello” and “Sul Tasto” also feature a dedicated effects page that can be used to process the sounds in the library with several processors, both send and insert effects. They are “percussion oriented” sounds, while “Bizzarro” is a keyboard instrument.

    Introduction to “Ponticello”

    The instrument contains 10 sets of sounds, called “Engines”. Each set has a dedicated channel strip in the interface and can be processed with a dedicated sub-page. You can also choose an individual audio output for further processing in your favorite DAW with effect plugins of your choice. Each sound has been recorded with two different mic placements, and you can mix them to your taste.

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  • Loudness Batch Processing
    ppmBatch allows you to analyze and normalize your audio files according to various broadcasting loudness standards. It batch processes files in multiple real time and provides intuitive user feedback about each file’s compliance status and processing progress. Measurement results are displayed in a clearly arranged, customizable user interface.

    ppmBatch comes with presets for the most common broadcasting standards. It enables you to modify these presets and to setup your own profiles. You can create summary report files for a selection of audio files, as well as more detailed reports for each individual file.

    ppmBatch is the perfect tool for post production, archive converting and automatic normalizing of every-day broadcast reports.


    Key Features

    • fast scan & normalize of multiple files
    • support for multi-channel and multi-mono files
    • default loudness presets for EBU R 128, ATSC A/85, ITU-R BS.1770, ARIB TR-B32, FreeTV OP-59
    • drag and drop
    • support for broadcast wav audio
    • single and overall status reports

    Technical Specifications

    • supported input formats: wav, aif, mp3, ogg, wma, flac
    • Min. system CPU: 2GHz
    • OSX min. 10.8, Windows min. 7
    • AAX native, AU, Mac, VST, Win

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  • Professional Peak and Loudness Metering

    PPMulatorXL is a cross-platform plug-in meter for digital audio workstations which exactly mimics the look and feel of a professional broadcast Peak Programme Meter (PPM). PPMulatorXL has also included a EBU R.128 compliant loudness metering and a amazingly fast offline metering for audio files in standalone mode.
    By adding this plugin to the master output of your audio editing program, you can record, edit, mix and export your audio within a precisely-calibrated workspace – something which is often impossible to do when working in a non-studio environment.

    PPMulatorXL is designed to closely-follow the ballistics of mono, stereo, mid-side (MS) and surround (5.1) PPM meters (conforming to IEC 268-10/DIN 45406) and has a number of built-in additional features, including various display style options and a highly-useful Peak Logging process which logs all peaks/overloads against the time code in the host application where they occurred.


    Key Features:

    • Customizable and resizable layouts and channel labeling
    • Audio file batch processing (PPMulatorXL only)
    • Automated peak logging with export
    • Mono gain trim to M3 (-3dB) or M6 (-6dB) standards
    • Phase correlation meter & Goniometer
    • Reference tone generator for meter alignment and calibration
    • Multi-channel support up to six channels

    Supported Standards:

    • IEC 268-10 Type I: Nordic N9
    • IEC 268-10 Type I: DIN 45406
    • IEC 268-10 Type IIa: BBC scale
    • IEC 268-10 Type IIb: EBU scale
    • ITU-R BS.1770-2: True Peak Meter
    • EBU R128 (2011): Loudness Meter (PPMulatorXL only)

    Technical Specifications:

    • Audio format: Mono/ Stereo/ Mid-Side/ 5.1, 32-192kHz sample rate
    • Min. system CPU: 1GHz
    • OS: Mac OS min 10.6
    • Windows min. XP
    • Host: Pro Tools >= V9
    • Plugin format: RTAS, AAX, AU, VST + Standalone application

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  • Peak & Loudness Metering Plug-in

    PPMulator is a cross-platform plug-in meter for digital audio workstations which exactly mimics the look and feel of a professional broadcast Peak Programme Meter (PPM). This plugin provides a precisely calibrated workspace for recording, editing, mixing and mastering.

    The plug-in is available in two versions: PPMulator+ and PPMulatorXL; the latter offers additional features such as EBU R128 loudness metering and batch audio file processing.


    Key Features

    • Customizable and resizable layouts and channel labeling
    • Automated peak logging with export
    • Mono gain trim to M3 (-3dB) or M6 (-6dB) standards
    • Phase correlation meter & Goniometer
    • Reference tone generator for meter alignment and calibration
    • Multi-channel support up to six channels

    Supported Standards:

    • IEC 268-10 Type I: Nordic N9
    • IEC 268-10 Type I: DIN 45406
    • IEC 268-10 Type IIa: BBC scale
    • IEC 268-10 Type IIb: EBU scale
    • ITU-R BS.1770-2: True Peak Meter

    Technical Specifications

    • Audio format: Mono/ Stereo/ Mid-Side/ 5.1, 32-192kHz sample rate
    • Min. system CPU: 1GHz
    • OS: Mac OS min 10.6
    • Windows min. XP
    • Host: Pro Tools >= V9
    • Plugin format: RTAS, AAX, AU, VST + Standalone application

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  • FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!

    Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there’s more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.

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  • Even when using the best mics, pre-amps and converters, sibilance in vocal recordings can easily get over-accentuated during post-processing like compression or saturation. But don’t worry, FabFilter Pro-DS comes to the rescue!

    With its highly intelligent ‘Single Vocal’ detection algorithm, FabFilter Pro-DS accurately identifies sibilance in vocal recordings and attenuates it transparently.

    When using the ‘Allround’ mode, Pro-DS becomes a great tool for high-frequency limiting of any material, like drums or even full mixes. Try it out yourself!

    FabFilter Pro-DS offers everything you need to get the best result possible, presented in a simple and easy-to-use interface. Wide band or linear-phase split band processing, an optional look-ahead of up to 15 ms, adjustable stereo linking with optional mid-only or side-only processing, up to four times linear-phase oversampling… it’s all there.

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  • A good gate/expander is an indispensable tool in any mixing or live situation. FabFilter Pro-G offers everything you could wish for: perfectly tuned algorithms, complete control over the side chain and channel linking, excellent metering and great interface design.

    Apart from excellent sound, FabFilter Pro-G also provides very flexible routing. You can choose between mono, stereo or mid/side processing and in expert mode, external side chain input is available with completely customizable channel linking and routing.

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  • Pro L2 is a major update to the Pro-L limiter plug-in. With four brand-new limiting algorithms, “Modern” for general all-purpose limiting , “aggressive” for EDM and rock music, “Bus” specific for drums and individual track limiting and “Safe” which avoids distortion at all costs. Also newly added is the true peak limiting mode which makes it extremely easy to hit a maximum true peak target. Combined with improved true peak metering and extensive loudness metering that’s compliant with the EBU R128, ITU-R BS.1770-4, and ATSC A/85 standards.

    Complete support for surround audio with flexible channel linking makes Pro-L 2 much more versatile in multi-channel scenarios, while the sound quality is even higher than before with up to 32x linear phase oversampling. New features like a DC offset filter, external side chain triggering for stem mastering, and a Unity Gain option ensure that Pro-L 2 is the solution to any mastering challenge.

    The unique real-time level display is now even more effective with new innovative display modes, including an Infinite mode that shows all audio for an entire session. Moments of significant gain reduction are highlighted with peak labels to give additional insight in the limiting process. The interface has been carefully redesigned to be aesthetically pleasing with a perfectly optimized workflow.

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  • Multiband compression and expansion are powerful tools, but notoriously difficult to set up and control. Enter FabFilter Pro-MB: making multiband dynamics processing intuitive yet powerful at the same time.

    FabFilter Pro-MB introduces a unique Dynamic Phase processing mode. It has virtually the same frequency response as traditional multiband processing, but doesn’t introduce latency or pre-ringing, and only introduces minor phase changes when the gain actually changes. Of course, we have also included an excellent Linear Phase mode and a traditional Minimum Phase mode.

    The powerful combination of high quality processing, optimized workflow using the interactive multiband display and all the expert features you need, makes Pro-MB both a lifesaver and timesaver!

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  • An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best. With FabFilter Pro-Q 3, you get the highest possible sound quality, a very extensive feature set, and a gorgeous, innovative interface with unrivalled ease of use.

    Mixing and mastering features
    Pro-Q 3 offers everything that a demanding engineer could wish for: top-quality linear phase operation in addition to the zero latency and unique Natural Phase modes, smooth dynamic EQ, per-band mid/side processing, full surround support (up to Dolby Atmos 7.1.2), an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer.

    Effortlessly sculpt your sound
    FabFilter Pro-Q 3 is designed to help you achieve your sound in the quickest way possible. Via the large interactive EQ display, you can create bands where you need them, enable dynamic EQ for any band, and select and edit multiple bands at once.
    Unique features like Spectrum Grab, Full Screen mode and EQ Match will speed up your workflow even more. Try it yourself!

    FabFilter goodies
    Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more.

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  • As one of the most used effects in the audio world, reverbs come in all forms and flavors. A great reverb sounds natural and sits in the mix perfectly. At the same time, it should not confuse you with over-technical controls, but must be easy to set up and a joy to work with. Enter FabFilter Pro-R.

    Make some space
    FabFilter Pro-R takes a musical approach to reverb, offering user-friendly, non-technical controls like Brightness, Character and Distance to achieve the reverb sound you are looking for — without requiring a degree in reverb science.
    The stepless Space control lets you fade between dozens of different, carefully tuned room models, automatically choosing a matching decay time for a natural-sounding result.

    Shape the decay time
    The decay time of a real room often varies wildly over the frequency spectrum, which is one of the key ingredients of a room’s reverb character. To simulate this, the industry-first Decay Rate EQ concept in FabFilter Pro-R offers completely free adjustment of the decay time over the frequency spectrum.

    Since it uses parametric EQ bands instead of a traditional crossover system, it provides much more flexibility to shape the decay time characteristics. Together with the integrated 6-band Post-EQ, designing reverbs of any style or character has never been easier.

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  • The intelligent smart:EQ+ plug-in enhances the detail, clarity, and personality of your audio-track with a tap of the finger. What makes it special: the perfect mix is ready in a matter of seconds.

    Closer to the source
    Often enough when interviewing, the recording microphone got placed too far from the source; or the grand piano turns out muddy because too much reverb was recorded. In these situations, proximity:EQ+ lets you draw the voice significantly closer and give the muddy piano a crisper sound in postproduction.

    Add space to the mix
    Of course it is also possible that the microphones ended up getting too close to the sound source. Your mix then lacks spaciousness. proximity:EQ+ seamlessly distances the sound source without affecting its original character. This makes your entire mix more transparent and opens new ways of creating sonic depth.

    Optimal room acoustics at the touch of a button
    Even when you meticulously plan a setup and perfectly position the microphones – the acoustics of a given room simply are what they are. The sophisticated technology of proximity:EQ+ opens entirely new possibilities for amending detrimental room modes in post-production while leaving the direct sound entirely untouched.

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  • Regroover is an Artificial-Intelligence beat machine that extends traditional music sampling.


    Regroover Essential ​is a virtual instrument plugin whose A.I. engine analyzes an audio clip and separates it into the fundamental audio elements in separate tracks called ​Layers​ . Regroover allows you to reach deep within your audio clips and extract previously unreachable sound elements. For example, if your clip is a drum loop, Regroover will extract layers containing the kick, the snare and the cymbals or any combination of those that is meaningful to the A.I. engine. If you use Regroover with an ambient soundscape loop, the resulting  layers will be more abstract (and perhaps more interesting!) 

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  • Regroover Pro is an Artificial-Intelligence beat machine that extends traditional music sampling. 


    Regroover Pro ​is a virtual instrument plugin whose A.I. engine analyzes an audio clip and separates it into the fundamental audio elements in separate tracks called ​Layers​. Regroover allows you to reach deep within your audio clips and extract previously unreachable sound elements. For example, if your clip is a drum loop,  Regroover will extract layers containing the kick, the snare and the cymbals or any combination of those that is meaningful to the A.I. engine. If you use Regroover with an ambient soundscape loop, the resulting layers will be more abstract (and perhaps more interesting!). After Regroover has extracted the layers from your audio clip, it’s time for you to start using them to create fresh and exciting music! You can extract layers from different clips and use the isolated parts to create your own signature sounds and kits. 

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  • Remington Rand is an early American typewriter and adding machine manufacturer formed in 1927. The last Remington Rand branded business machine rolled off the line in 1958. The adding machine that we acquired was an electric version in good working condition. Remington Rand also manufactured things like shavers, pistols and calculators.

    Our adding machine has a big electronic mechanism for the summing function and nice heavy clacks for the regular keys. It also had some very sticky metal plates that would occasionally get stuck and then pop loose with a big resonant ringing sound. This specific defect made an incredibly interesting sound that is very unique to this specific machine’s wear and tear.

    As with the Burroughs Protectograph we miked it with three different mono perspectives to produce three very different sounds on each move. We used Schoeps CMC6/MK4 mics on the front and back and an AT4050 for the wide perspective in mono. The close perspectives are great for big thick clicks and mechanisms, and the wide is excellent for use in one offs for bgfx tracks.

     

    Key features for Remington Rand Adding Machine

    • 3 mic perspectives of each performance
    • 9 unique articulation groups
    • 10 + performances per articulation
    • 11 Kontakt .nki files (unlocked)
    • .nki files require full version of NI Kontakt 4 or higher
    • photographs and video stills

    Note: Can be used without Kontakt too!
    All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.

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  • Real-time Multi-pitch Modification

    reTune ScreenreTune gives you full access to the pitch content of your audio samples and enables you to map each input pitch to any other pitch of the chromatic scale – all in real-time.

    This allows you to re-tune your audio to any target key (e.g. from D major to C# minor), or to use it as a creative tool to modify the pitch content in any way you like. If you are unsure about the key of your input audio, you can let reTune estimate the key for you.

    In addition, reTune can act as a pitch correction tool that quantizes pitches to the nearest semitone. Additional controls include the sensitivity of the pitch corrections, the treatment of transients as well as a smoothing of the pitch contours.

    Key Features:

    • Real-time processing
    • Automatic input key detection using zplane’s TONART V2
    • Fully configurable input-to-output pitch mapping
    • Presets for major/minor scales, church modes, gypsy and chromatic scales
    • Controls for pitch detection sensitivity, transient levels and pitch contour smoothing
    • Automatic pitch correction to the nearest semitone
    • Plugin formats: AAX, AU & VST

    DOWNLOAD THE DEMO HERE
    WIN | MAC

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  • Rhythmiq. Turn your tracks into a performance


    Rhythmiq ​allows you to instantly shape and perform your beats. It gives you unlimited, musically structured and fun rhythms, by turning a simple knob. Generate and save pattern variations, for instantly playable breaks and build-ups. Enable the A.I. Beat Assistant to let Rhythmiq perform and evolve your beat stems in real-time. 

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  • The Heads Up Display sound effects library is the first installment in the Robotic Creations Collection. Each library within the Robotic Creations Collection contains sound effects designed to match five different robotic personalities with their own unique sonic characteristics: Mimo, the robot buddy; Q5, the vintage robot; NGage, the exosuit; Gregory, the android; and Firewall, the mech suit.

    Features the internal tech sounds that you would hear within each distinctive robot’s heads up display, such as:
    150+ interface beeps • 80+ success beeps • 70+ fail beeps • 50+ data readouts • 45+ countdowns • 15+ alarms • 100+ power ups • 95+ power downs

    Also available in a special Sound Design Toolbox version.

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  • The Heads Up Display Sound Design Toolkit is a special version of the regular Heads Up Display sound effects library: Not only does it feature the regular SFX library – it also contains a special Sound Design Toolkit version.

    Boom Box Library’s sound design toolkits allow you to create endless variations, tailoring sounds specifically to the needs of your project. All sound effects are pre-mapped to the sampler Kontakt by Native Instruments, and can be triggered with a MIDI keyboard or further manipulated with a tablet via our custom TouchOSC layouts.

    Together, these tools give you the hands on experience of performing live changes such as pitch and time alteration as well as playing back multiple layers of sounds at once. Our Toolkits take you beyond simple editorial, giving you everything you need to design your own unique take on the Boom Box Library sound.

    Features the internal tech sounds that you would hear within each distinctive robot’s heads up display, such as:
    150+ interface beeps • 80+ success beeps • 70+ fail beeps • 50+ data readouts • 45+ countdowns • 15+ alarms • 100+ power ups • 95+ power downs

    Requirements:
    Third-party software & hardware are not included in this purchase and should be purchased separately: KONTAKT (version 3.5.0.025 or higher)TouchOSCApple iPad

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  • Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn delivers!

    FabFilter Saturn offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape and guitar amps. In addition, you also get three creative distortion styles, with which you can smudge, stretch, crush, rectify and clip your sounds in weird and unexpected ways.
    With its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn will bring a unique flavor to your music.

    Using Saturn’s extensive modulation section, you can really bring life and depth to your music. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.

    With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop.

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  • A crush on music

    Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn 2 delivers.

    Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.


    Warmth, harmonics, color and dynamics

    FabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.

    With its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.

    Bring your sounds to life

    Add life and depth to your music using the extensive modulation section. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.

    With all the XLFOs, EGs, XY controllers/sliders, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop. And Saturn 2 visualizes all modulation in real-time to show exactly what’s going on.

    FabFilter goodies

    Finally, FabFilter Saturn 2 contains all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, interface resizing and full screen mode, support for Avid control surfaces, GPU-powered graphics acceleration, extensive help with interactive help hints, SSE optimization, and much more.

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  • SERUM ELECTRIFIED is a collection of 54 “electromagnetic” presets for Xfer Serum.


    We did recordings of interferences, hums, buzzs, dc noise and statics, using an electromagnetic sensor as microphone.

    All recordings have been imported  into Serum Noise Oscillator and Wavetable Oscillators to achieve a collection of organic sounding presets.

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