Plug-Ins and Standalone tools for all of you mixing and sound design needs
For those who need to have it all, Everything Pack is the ticket.
All McDSP’s channel strips, compressors, equalizers, virtual tape machines, multi-band dynamic processors, reverbs, de-essers, mastering limiters, noise filters, and ‘futz’ tools are included.
Everything Pack contains all the plug-ins from Emerald Pack, Retro Pack, Classic Pack, plus all the latest McDSP plug-ins including the 6060 Ultimate Module Collection, NR800 Noise Reduction Processor, the 6034 Ultimate Multi-band, and the Emmy Award winning SA-2 Dialog Processor.
The Everything Pack is the complete bundle for the user who needs powerful plug-ins to make their production sound its very best.
Includes:
• 6020 Ultimate EQ
• 6030 Ultimate Compressor
• 6034 Multi-Band Compressor
• 6050 Ultimate Channel Strip
• 6060 Ultimate Module Collection
• 4020 Retro EQ
• 4030 Retro Compressor
• 4040 Retro Limiter
• AE400 Active EQ
• AE600 Active EQ
• Analog Channel
• Channel G
• Channel G Compact
• CompressorBank
• DE555
• EC-300 Echo Collection
• FilterBank
• FutzBox
• MC2000 Multi-Band Compressor
• ML4000 Mastering Limiter
• ML8000 Advanced Limiter
• NF575 Noise Filter
• NR800 Noise Reduction
• Revolver Convolution Reverb
• SPC2000 Serial/Parallel Processor
• SA-2 Dialog Processor
Formats
• Native v6: AAX Native, AU, VST
For those who need to have it all, Everything Pack is the ticket.
All McDSP’s channel strips, compressors, equalizers, virtual tape machines, multi-band dynamic processors, reverbs, de-essers, mastering limiters, noise filters, and ‘futz’ tools are included.
Everything Pack contains all the plug-ins from Emerald Pack, Retro Pack, Classic Pack, plus all the latest McDSP plug-ins including the 6060 Ultimate Module Collection, NR800 Noise Reduction Processor, the 6034 Ultimate Multi-band, and the Emmy Award winning SA-2 Dialog Processor.
The Everything Pack is the complete bundle for the user who needs powerful plug-ins to make their production sound its very best.
Includes:
• 6020 Ultimate EQ
• 6030 Ultimate Compressor
• 6034 Multi-Band Compressor
• 6050 Ultimate Channel Strip
• 6060 Ultimate Module Collection
• 4020 Retro EQ
• 4030 Retro Compressor
• 4040 Retro Limiter
• AE400 Active EQ
• AE600 Active EQ
• Analog Channel
• Channel G
• Channel G Compact
• CompressorBank
• DE555
• EC-300 Echo Collection
• FilterBank
• FutzBox
• MC2000 Multi-Band Compressor
• ML4000 Mastering Limiter
• ML8000 Advanced Limiter
• NF575 Noise Filter
• NR800 Noise Reduction
• Revolver Convolution Reverb
• SPC2000 Serial/Parallel Processor
• SA-2 Dialog Processor
Formats
• HD v6: AAX DSP/Native, AU, VST
McDSP’s world-renowned equalizers, compressors, tape machine and analog signal path emulators, mastering limiters, multi-band dynamics processors, convolution reverbs, de-essers, noise filters, and ‘futz’ tools are available together as the McDSP Emerald Pack v5.
Includes:
• 6030 Ultimate Compressor Native v5
• Analog Channel Native v5
• Channel G Native v5
• Channel G Compact Native v5
• CompressorBank Native v5
• DE555 Native v5
• FilterBank Native v5
• FutzBox Native v5
• MC2000 Native v5
• ML4000 Native v5
• NF575 v5
• Revolver Native v5
Formats
• Native v6: AAX Native, AU, VST
McDSP’s world-renowned equalizers, compressors, tape machine and analog signal path emulators, mastering limiters, multi-band dynamics processors, convolution reverbs, de-essers, noise filters, and ‘futz’ tools are available together as the McDSP Emerald Pack v5.
Includes:
• 6030 Ultimate Compressor HD v5
• Analog Channel HD v5
• Channel G HD v5
• Channel G Compact HD v5
• CompressorBank HD v5
• DE555 HD v5
• FilterBank HD v5
• FutzBox HD v5
• MC2000 HD v5
• ML4000 HD v5
• NF575 v5
• Revolver Native v5
Formats
• HD v6: AAX DSP/Native, AU, VST
McDSP’s legendary emulations of vintage equalizers, compressors, tape machines and channel amplifiers are available together as McDSP Classic Pack v5.
Includes:
• Analog Channel Native v5
• CompressorBank Native v5
• FilterBank Native v5
• MC2000 Native v5
Formats
• Native v6: AAX Native, AU, VST
The SPC2000 Compressor features multiple parallel and serial compression combinations.
SPC2000 is 3 plug-ins:
• SPC202 – two-band configuration
• SPC303 – three-band configuration
• SPC404 – four-band configuration
Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.
Features
• Multiple parallel and serial compression combinations
• Compression curve modeling
• Multiple peak detection circuits
• Multi-compressor control linking
• Analog Saturation Modeling
• Double precision processing
• Ultra Low Latency
Formats
• Native v6: AAX Native, AU, VST
The SPC2000 Compressor features multiple parallel and serial compression combinations.
SPC2000 is 3 plug-ins:
• SPC202 – two-band configuration
• SPC303 – three-band configuration
• SPC404 – four-band configuration
Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.
Features
• Multiple parallel and serial compression combinations
• Compression curve modeling
• Multiple peak detection circuits
• Multi-compressor control linking
• Analog Saturation Modeling
• Double precision processing
• Ultra Low Latency
Formats
• HD v6: AAX DSP/Native, AU, VST
Revolver is a high-powered convolution reverb that operates like no other, providing total impulse response control, dedicated and routable EQ, two sync-able delay lines, a reverb decay crossover network, and specialized stereo imaging for unprecedented flexibility.
Revolver provides the most compelling impulse library to date, with hundreds of sounds from rare holy grail out of production reverbs and acoustic spaces. Additional acoustic spaces and outboard gear can be modeled in a few minutes with Revolver and the Revolver impulse response tools.
Controls for the total reverb time (in percent and RT60 values), wet and dry levels are always displayed. The remainder of the Revolver plug-in interface is separated into several control pages and views. Graphical representations of signal flow, impulse response data, EQ responses, and even images of the impulse response source are available
All parameter adjustments are heard immediately, and the outputs are not muted during any control updates. The user does not need to wait while the reverb is re-rendered.
Revolver is what convolution reverb was always meant to be.
Features
• Huge library of presets of out of production reverbs, rare vintage reverbs, and acoustic spaces
• Total impulse response manipulation
• Pre-delay (positive or negative)
• Two-band dedicated reverb EQ
• Three-band routable EQ
• Two sync-able delay lines
• Tools for creating custom impulse responses
• Reverb decay crossover network
• Double precision processing
• Low Latency
• Mono and stereo versions
Formats
• Native v6: AAX Native, AU, VST
The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.
The NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.
The NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.
Several noise reduction modes can be selected from the NR Mode control to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). An ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.
Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.
Features
• HPF and LPF pre-filtering
• Eight bands of focusable noise reduction
• Noise reduction mode and bias options
• Overall noise reduction range and response control
• McDSP Emmy Award winning engineering
Formats
• Native v6: AAX Native, AU, VST
The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.
The NR800 operates with no internal latency, and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.
The NR800 operates on mostly broad band frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.
Several noise reduction modes can be selected from the NR Mode control to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). An ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.
Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.
Features
• HPF and LPF pre-filtering
• Eight bands of focusable noise reduction
• Noise reduction mode and bias options
• Overall noise reduction range and response control
• McDSP Emmy Award winning engineering
Formats
• HD v6: AAX DSP/Native, AU, VST
The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.
Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.
Features
• High Pass Filtering (HPF) with slopes up to 36 dB/Oct
• Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
• Five bands of notch filtering with linkable frequency control
• Analog Saturation Modeling
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• Native v6: AAX Native, AU, VST
The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.
Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.
Features
• High Pass Filtering (HPF) with slopes up to 36 dB/Oct
• Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
• Five bands of notch filtering with linkable frequency control
• Analog Saturation Modeling
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
The ML4000 is two plug-ins:
• ML1 – mastering limiter
• ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter
The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.
The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.
The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.
Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.
The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.
Features
• Brick wall look-ahead limiter
• Multi-stage peak detection and limiting
• Unique limiter Knee and Mode controls
• Multi-band Gate, Expander (up/down), Compressor
• Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
• Multiple real-time metering options
• Adjustable crossover filters
• Multi-band control linking
• Analog Saturation Modeling
• Double Precision Processing
• Low Latency
Formats
• Native v6: AAX Native, AU, VST
The ML4000 is two plug-ins:
• ML1 – mastering limiter
• ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter
The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.
The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.
The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.
Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.
The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.
Features
• Brick wall look-ahead limiter
• Multi-stage peak detection and limiting
• Unique limiter Knee and Mode controls
• Multi-band Gate, Expander (up/down), Compressor
• Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
• Multiple real-time metering options
• Adjustable crossover filters
• Multi-band control linking
• Analog Saturation Modeling
• Double Precision Processing
• Low Latency
Formats
• HD v6: AAX DSP/Native, AU, VST
The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.
MC2000 is 3 plug-ins:
• MC202 – two-band compression
• MC303 – three-band compression
• MC404 – four-band compression
The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.
Features
• Compression curve modeling
• Multiple peak detection circuits
• Adjustable crossover filters
• Multi-band control linking
• Analog Saturation Modeling
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• Native v6: AAX Native, AU, VST
The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.
MC2000 is 3 plug-ins:
• MC202 – two-band compression
• MC303 – three-band compression
• MC404 – four-band compression
The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.
Features
• Compression curve modeling
• Multiple peak detection circuits
• Adjustable crossover filters
• Multi-band control linking
• Analog Saturation Modeling
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
FutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.
Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.
In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.
Features
• Library of Synthetic Impulse Models (SIMs)
• Configurable ‘futz’ effects including filtering, EQ, and distortion
• Flexible noise generator with ducking capability
• Hyper-sensitive gate for signal dropout effects
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• Native v6: AAX Native, AU, VST
FutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.
Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.
In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.
Features
• Library of Synthetic Impulse Models (SIMs)
• Configurable ‘futz’ effects including filtering, EQ, and distortion
• Flexible noise generator with ducking capability
• Hyper-sensitive gate for signal dropout effects
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
FilterBank, McDSP’s first product, is an equalizer plug-in that rivals any analog EQ with its flexible design and substantial feature collection.
FilterBank can emulate any EQ, or be used to create a distinct custom EQ.
FilterBank is 3 plug-ins:
• E606 – parametric, high and low shelving EQ, high and low pass filters
• P606 – parametric EQ with variable Q modes
• F202 – steep high and low pass filtering with resonant Q control
With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ.
Features
• Shelving and Parametric EQ
• High and Low pass filters with resonance control
• Unique Peak-Slope-Dip Shelving EQ parameters
• Variable parametric Q modes
• Analog Saturation Modeling
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• Native v6: AAX Native, AU, VST
FilterBank, McDSP’s first product, is an equalizer plug-in that rivals any analog EQ with its flexible design and substantial feature collection.
FilterBank can emulate any EQ, or be used to create a distinct custom EQ.
FilterBank is 3 plug-ins:
• E606 – parametric, high and low shelving EQ, high and low pass filters
• P606 – parametric EQ with variable Q modes
• F202 – steep high and low pass filtering with resonant Q control
With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ.
Features
• Shelving and Parametric EQ
• High and Low pass filters with resonance control
• Unique Peak-Slope-Dip Shelving EQ parameters
• Variable parametric Q modes
• Analog Saturation Modeling
• Double Precision Processing
• Ultra Low Latency
• Mono and Stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
The EC-300 Echo Collection brings the sounds of dozens of echo and chorus effects into a single plug-in.
The three delay types – Magnetic, Digital, and Analog – come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience.
Each EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.
Features
• Three delay types – Magnetic, Digital, and Analog
• Wide variety of character modes per delay tape
• Saturation, Wow, Flutter, Ducking, and other delay features
• Single, dual, and ping-pong delay operation
• Tap tempo and session sync
• Over 75 SIMs (Synthetic Impulse Models) included
• Mono, stereo, and mono-to-stereo versions
Formats
• Native v6: AAX Native, AU, VST
The EC-300 Echo Collection brings the sounds of dozens of echo and chorus effects into a single plug-in.
The three delay types – Magnetic, Digital, and Analog – come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience.
Each EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.
Features
• Three delay types – Magnetic, Digital, and Analog
• Wide variety of character modes per delay tape
• Saturation, Wow, Flutter, Ducking, and other delay features
• Single, dual, and ping-pong delay operation
• Tap tempo and session sync
• Over 75 SIMs (Synthetic Impulse Models) included
• Mono, stereo, and mono-to-stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.
Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.
Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.
Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.
Real-time displays of de-essing amounts and key filter response enable quick and easy setup.
Features
• Advanced de-essing technology
• Unique key filter focus and de-essing controls
• Real-time metering and key filter response plot
• High frequency (HF) only option
• Double Precision Processing
• Low Latency
• Mono and Stereo versions
Formats
• Native v6: AAX Native, AU, VST
The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.
Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.
Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.
Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.
Real-time displays of de-essing amounts and key filter response enable quick and easy setup.
Features
• Advanced de-essing technology
• Unique key filter focus and de-essing controls
• Real-time metering and key filter response plot
• High frequency (HF) only option
• Double Precision Processing
• Low Latency
• Mono and Stereo versions
Formats
• HD v6: AAX DSP/Native, AU, VST
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.