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Home Plug-Ins Page 4

Plug-Ins

Plug-Ins and Standalone tools for all of you mixing and sound design needs

  • The NF575 is the most precise noise filter available for any digital audio workstation.

    Features

    • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
    • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
    • Five bands of Notch filtering with linkable frequency control
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
    • Supports up to 96 kHz sample rates
  • A high-resolution limiter and multi-band dynamics processor designed for music, mastering, post, and live sound.

    The ML4000 is two plug-ins:

    • ML1 – mastering limiter

    • ML4 – multi-band dynamics processor including a 4-band Gate, Expander, and Compressor fed into the same mastering limiter found in the ML1

  • The MC2000 plug-in has the power and flexibility to emulate any other compressor or create custom compressors, in two, three, and four band configurations.

    Features

    • Six different multi-band compressor configurations are available –with two, three, and four band compressors, in both mono and stereo versions.
    • In addition to the standard Threshold and Compression (Ratio) controls, the actual shape and response of the compression curve can be adjusted with the Knee and Bite (Bi-directional Intelligent Transient Enhancement) controls.
    • Multiple Peak Detection Circuits: Every compressor uses a time constant circuit model to detect and track signal peaks and then apply dynamic compression.
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency
  • The FutzBox is a distortion and noise generator for creating low-fidelity versions of audio signals.

    Features

    • Library of Synthetic Impulse Models (SIMs)
    • Configurable ‘futz’ effects including filtering, EQ, distortion, downsampling and bit depth reduction
    • Flexible noise generator with ducking capability
    • Hyper-sensitive gate for signal dropout effects
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
    • Supports up to 96 kHz sample rates
  • FilterBank is three plug-ins:

    • The E606 FilterBank configuration includes high and low pass filters, low shelf EQ, high shelf EQ, and two parametric EQs.

    • The F202 FilterBank configuration includes steep high and low pass filtering with resonant Q control.

    • The P606 FilterBank configuration includes a parametric EQ with variable Q modes.

    Features

    • Shelving and Parametric EQ
    • High and Low pass filters with resonance control
    • Unique Peak-Slope-Dip shelving EQ parameters
    • Analog saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The EC-300 Echo Collection brings the sound of dozens of echo and chorus effects into a single plug-in.

    Features

    • Three delay types – Magnetic, Digital, and Analog
    • Wide variety of character modes per delay type
    • Saturation, Wow, Flutter, Ducking, and other delay features
    • Single, dual, and ping-pong delay operation
    • Tap tempo and session sync
    • Double precision processing
    • Mono, stereo, and mono-to-stereo versions
  • The DE555 uses a new approach, combined with look-ahead technology, for consistent, transparent, natural sounding de-essing at any signal level.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double precision processing
    • Low Latency
    • Mono and stereo versions
    • Supports up to 96 kHz sample rates
  • Using the same design approach as our popular FilterBank plug-in, CompressorBank gives the user complete control of dynamic compression.

    Features

    • Uniquely flexible compressor with Knee and Bite (Bi-directional Intelligent Transient Enhancement) controls
    • Multiple Time-Constant (TC) circuit types
    • Side chain input
    • Side chain / input monitoring
    • Metering of Input, Compression Gain, and Output
  • McDSP’s legendary emulations of vintage equalizers, compressors, tape machines and channel amplifiers are available together as the McDSP Classic Pack.

    Features (HD)

    • Analog Channel HD
    • CompressorBank HD
    • FilterBank HD
    • MC2000 HD

    Features (Native)

    • Analog Chanel Native
    • CompressorBank Native
    • FilterBank Native
    • MC2000 Native
  • Channel G Surround is a Compressor/Limiter optimized for 5.1 channels using 4 compressors sets – LR, C, LsRs, and LFE channels.

    Features

    • Full featured surround Compressor/Limiter in LR, C, LsRs, and LFE channel sets
    • Optional LFE low pass filter 24 dB/Oct slope
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • 5.1 version only
  • Channel G is 3 plug-ins:

    • Channel G Dynamics – A fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and two sets of versatile filters.

    • Channel G Equalizer – 5 bands of professional grade console style EQ with two more sets of filters.

    • Channel G Console – A combination of the functionality offered in the G Dynamics and G Equalizer configurations.

    Features

    • Full featured Expander/Gate, Compressor/Limiter
    • Five-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The complete dynamics and equalization console for Pro Tools.

    The Channel G Compact Dynamics configuration uses ultra high-resolution level detection in its Compressor/Limiter sections to give accurate handling of the most complex material.

    The Channel G Compact Equalizer is based on the original design found in McDSP’s award winning FilterBank plug-in. Improvements include a greater boost/cut range and switch-able shelving-parametric EQ sections.

    In addition to the extensive dynamics, filtering, and equalization capabilities of Channel G Compact, there are also models of world famous mixing desks.

    Features

    • High pass and low pass filters with 12 and 24 dB / Oct slopes
    • Full featured Compressor/Limiter
    • Four-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre and post EQ section
    • Analog saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The Analog Channel plug-in has two configurations to emulate all things analog:

    • AC101 – Analog Channel emulation – the AC101 plug-in is a fully adjustable analog amplifier.

    • AC202 – Analog Tape and Analog Tape Machine emulation – the AC202 configuration has standard tape-machine parameters such as bias, tape speed, and IEC1/2 standards are provided.

    Features

    • AC101 provides analog channel modeling in mono and stereo formats.
    • AC202 emulates the most popular tape playback systems, modern and vintage tape formulations, at all the professional playback speeds and IEC standards.
    • Playback head emulation – taken from the specs and measurements of popular manufacturers of tape ‘reproducers.’
    • Double-Precision Arithmetic
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency
  • The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.

    Features

    • Six fully overlapping fixed and active EQ bands
    • Independent control over all fixed and active EQ parameters per band
    • Selectable EQ mode per fixed and active bands
    • Unique active EQ ratio response control
    • Side chain support
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The AE400 is an advanced active equalizer suitable for music production, post production, and live sound.

    Features

    • Four fully overlapping fixed and active EQ bands
    • Independent control over all active EQ parameters per band
    • Unique active EQ ratio response control
    • Side chain support
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included.

    Features

    • Over 25 EQ, compressor, gate, expander, saturator, and filter modules
    • Easy drag and drop, on the fly module auditioning
    • Side chain support
    • Input and output control
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The 6034 Ultimate Multi-band is a flexible multi-band dynamics processor, offering all the award winning compression, expansion, and gating modules from the highly acclaimed 6050 Ultimate Channel Strip plug-in, in a four band crossover network.

    Features

    • All compression, expansion, and gate modules from the award winning 6050 Ultimate Channel Strip plug-in
    • Configurable four-band crossover with multiple filter slope options
    • On the fly module auditioning
    • Input and output control
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The 6030 Ultimate Compressor is the next generation of dynamic range control technology.

    Features

    • 10 compressor modules in a single interface
    • Side chain support
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.

    Features

    • Unique variations of every-day classics and hard-to-find boutique gear
    • Analog Saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions
  • A crush on music

    Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn 2 delivers.

    Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.


    Warmth, harmonics, color and dynamics

    FabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.

    With its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.

    Bring your sounds to life

    Add life and depth to your music using the extensive modulation section. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.

    With all the XLFOs, EGs, XY controllers/sliders, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop. And Saturn 2 visualizes all modulation in real-time to show exactly what’s going on.

    FabFilter goodies

    Finally, FabFilter Saturn 2 contains all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, interface resizing and full screen mode, support for Avid control surfaces, GPU-powered graphics acceleration, extensive help with interactive help hints, SSE optimization, and much more.

  • DYNAMIC VEHICLE TIRE AND CHASSIS SOUND DESIGN


    Designing vehicle sounds for motion picture? Done with the engine? Let’s tackle the other 50% – tire, wheel and chassis interactions.

    Create highly dynamic and authentic skids, bumps, friction, rolling noise and much more with a high variety of wheel configurations, ground materials and perspectives. Customize and automate everything in real-time!

    GRIP requires a free iLok account

  • Realtime Pitchshifting PlugIn version 2!

    Elastique Pitch is the real time pitch shifting solution for RTAS, VST, AU and AAX. Powered by zplane’s élastiquePro pitch shifting engine which is used by millions of end users around the world, the plugin ensures the highest, program independent pitch shifting quality.

    Elastique Pitch focuses on the essential things: you won’t find any unnecessary or confusing controls or functionality. Instead, the plugin offers you quality, stability, and ease of use.

    In the second edition we´ve added a feedback delay and the infiniSTRETCH function of the new élastiquePro v3 engine. Both make it easy to use Elastique Pitch in a more creative way.

    The key features of Elastique Pitch V2 are:

    • multi channel: support for synchronous pitching of up to 8 audio channels
    • real time: no offline pre-analysis required
    • feedback with delay for more creative usage
    • Three different views
    • Program-independent high quality with the highly-acclaimed élastiquePro v3 engine (speech, single-voiced, classical/popular music, etc.)
    • phase coherence: absolute phase stability between all channels
    • MIDI input: for pitch control
    • formant shifting: shift formants independent from pitch
    • factory presets: for typical film pull-ups/pull-downs
    • AU, VST, AAX and RTAS support for Mac & PC

    technical specifications

    • audio format: 1-8 channels (I/O), 44.1-192kHz sample rate
    • plugin format: AAX, RTAS, AU, VST
    • pitch range: ± 12 semitones = 50-200%
    • timbre range: ± 12 semitones = 50-200%
    • plugin latency: 150ms @48kHz
    • min. system CPU: 2GHz
    • OS: MacOsX >10.6.8, Windows 2000/XP, Vista, Win7/8
    • Host: Pro Tools > V8

    DOWNLOAD THE DEMO HERE
    WIN | MAC

  • Time and Pitch Manipulation for Pro Tools

    élastiqueAAX is zplane’s time and pitch manipulation plugin for Pro Tools. It uses the élastiquePro V3 time-stretching and pitch shifting engine which is integrated in numerous DAWs and satisfies millions of users around the world. This ensures the highest, program independent time-stretching/pitch-shifting quality.

    The plugin interface has been designed to allow quick and intuitive interaction with all parameters for maximum control. élastiqueAAX is an offline Audio Suite plugin, therefore allowing to apply time-stretching and pitch-shifting much faster than real-time.

    Key Features and Technical Specifications:

    • up to eight channels
    • time stretching 25% – 400%
    • pitch-shifting +/- 24 semitones or 25%-400%
    • optional formant preserving
    • presets for typical film pull-ups/pull-downs
    • Audio format: 1-8 channels, 32-192kHz sample rate
    • Plugin format: AAX32 / AAX64, Audio Suite offline
    • OS: Mac OS min 10.7, Windows min. 7
    • Host: Pro Tools ≥ V10

  • The Total Bundle is a set of all FabFilter plug-ins. With this bundle, you get our professional EQ, reverb, compressor, multiband dynamics, limiter, de-esser and gate/expander, creative multiband distortion, delay, filter and synthesizer plug-ins.

    Features

    • FabFilter Pro-L 2
    • FabFilter Pro-MB
    • FabFilter Pro-C 2
    • FabFilter Pro-DS
    • FabFilter Pro-G
    • FabFilter Saturn 2
    • FabFilter Timeless 3
    • FabFilter One
    • FabFilter Simplon
    • FabFilter Micro
    • FabFilter Volcano 3
    • FabFilter Twin 3
    • FabFilter Pro-R 2
    • FabFilter Pro-Q 4

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