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Home Plug-Ins Page 3

Plug-Ins

Plug-Ins and Standalone tools for all of you mixing and sound design needs

  • – Powerful, yet Practical: an easy-to-tweak instrument that can get hit sounds in seconds, unleashing

    LUSH-101 isn’t based off of one machine. It’s built from modules that can be found in many modern virtual synths, combined into one compact, logical layout. Don’t let its looks fool you: Though it may look benign at first, its modular, multilayer architecture takes it beyond simplistic poly-synths to the top shelf of extremely powerful, deeply programmable, yet devilishly versatile instruments in your arsenal.

    The multilayer architecture guarantees that both the sound design possibilities and the number of unique situations in which LUSH-101 can be used are virtually limitless. Multitimbral sounds can be quickly created by simply assigning any (or all) of the 8 layers to the same MIDI channel; this can result in anything from subtle chorusing to sonic anarchy! Assigning the layers to different keyboard zones allows you to create sophisticated splits, and an entire split-zone preset library exists to get you started. Of course, you can always assign various layers to different MIDI channels for 8-part multitimbral usage, and send out up to 11 Audio Outputs.

    With all of these splits, layers, multitimbral options and routing capabilities, there’s no end to what you can do with just a single instance of LUSH. With each layer working as an independent synthesizer with its own polyphony, parameters, enhanced arp and a choice between 8 of the finest insert effects, LUSH-101 lets you reach “unheard of*” creativity.

    Want to get weird? In addition to a very sophisticated MIDI-learn implementation, an advanced modulation matrix is built into each layer. Even the Arpeggiator’s MIDI output can be used as a modulation source, allowing for complex sequences and refreshingly odd progressions.
    LUSH also comes complete with a powerful built-in mixer, complete with layer-independent parametric equalizers and compressors that can be rearranged. Volume, Pan and superb send effects allow you to put the finishing touches on the final output.

    LUSH can sit in any seat at the genre table. The Gate can be used instead of the VCA for instant staccato sounds for energetic Funk and rhythmic pockets. For Ambient or Chillout, drag out the attack and release times along with our smooth, rich & spacious built-in reverb to satisfy even the most ardent purists. Is Dubstep or Drum & Bass more your speed? No problem! Filters modulated by the LFOs and envelopes in conjunction with Unison mode can lead your creativity with the nastiest leads*, and base your sound in the most gnarly basses* – you and your sound system will be pleasantly confused as to what hit it, so watch out! No matter what (or how) you want to play it, LUSH will get the sound.

  • – A completely synthesized emulation of the famous 808 drum machine

    Nepheton contains 17 fully synthesized modules that work together to emulate the original 808 drum machine. All the sounds and detailed nuances of the original are captured perfectly. Nepheton’s modules are equipped with additional controls for deep tone and envelope tweakability. Listen to the audio examples or just download the demo and start to beat making today!

  • – Pound for pound, the classic 606 sound.

    Nithonat is a fully synthesized drum machine based on the classic 606. Its unique sound has snuck its way over the years into productions spanning Electro, Hip-Hop, R n’ B and Pop. Here at D16 we re-created a legend with virtual perfection, and then expanded on it with essential features, exclusive to Nithonat.

  • Get the last 303
    Emulation of the legendary 303 silver box has been taken to entirely new heights. Signal path was completely re-designed to achieve an unprecedented level of emulation accuracy, resulting in this new incarnation of the plug-in.

    Juice up the sound
    In the state-of-the-art FX chain, you can find a whole bunch of algorithms with acidic squeaks in mind.

    Create your riffs with ease
    New sequencer and arpeggiator makes the plug-in even more appealing. Edit patterns with ease and convenience, play them live in a loop and switch between them in whatever way you find most convenient – using a mouse, a MIDI controller or DAW MIDI notes to express your musical ideas.

  • – Redoptor is a high-quality Vintage Tube Distortion emulator

    The organic sound of a tube amplifier being pushed into breakup has been the gold standard for as long as musicians have been experimenting with overdriven and distorted tones.
    The gentle, natural compression and rich blend of even and odd harmonics produced by analog tube circuitry makes any signal feel more powerful, punchy, and alive. Unlike solid-state transistor and fuzz circuits which only produce odd harmonics and limit the incoming signal in a subjectively unnatural and unresponsive way, Redoptor smoothly responds to the dynamics of the source material, just like a real tube amp. This means that loud signals get saturated with more crunch and delicious harmonics, then return to their clean state gradually as their release tail decays. This enables dynamic, sonically pleasing distortions.

  • – The Delay is the ultimate creative tool for adding space, depth, and excitement to music

    There have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits. So when D16 Group and our friends at Slate Digital got together to create a new delay plugin, it was obvious which we would model: all of them!

  • – Incredible degree of sound-shaping freedom

    Sigmund is far from just another delay: it consists of four discrete delay units, each with its own, independent set of parameters offering an incredible degree of sound-shaping freedom. There’s an ancient saying, often attributed to Aristotle: The whole is greater than the sum of its parts. With Sigmund, this is especially true: each of the delay lines has complementary modules built-in, independent from the feedback loop:

    But that’s not all: Sigmund has two general-purpose Modulators which can be used to auto-modulate some of the delay lines’ internal parameters. There are three different modes a Modulator can operate in:

    LFO – Used subtly on-time parameter can delicately bring a sound to life, to add gently flowing, modulated warmth reminiscent of the analog delays of yesteryear. At extreme settings, the LFO is capable of twisting the input signal utterly beyond recognition and into what you might expect transmissions from an alien civilization to sound like!

    Envelope – In combination with built-in Transient Detector gives you a very powerful tool; when applied on amplitude allows to freely shape sound’s dynamics to control how it blends in the whole mix.

    Peak follower – It’s a must-have for a Modulator; nothing else will do such expressive wah-wah effect, when filter cutoff is influenced by. Surely in the hands of skilled sound designer it will have many other applications beyond that.

    This all adds up to an immensely powerful architecture, the potential of which can be explored nearly endlessly and often with hardly predictable outcomes.

  • – All appreciated by the public SilverLine effect plug-ins bundled

    Spacerek
    Compact and intuitive reverb plugin creates amazingly authentic real-world spaces without bogging you down in complex parameters.

    Syntorus 2
    Syntorus represents evocative, characterful sound through painstakingly accurate modelling of a high quality analog BBD delay line in triple delay line Chorus unit.

    Godfazer
    Godfazer is a combination of few modulation effects in single device; chorus, phasing, filtering, rotary speaker emulation and much more.

    Redoptor 2
    Distortion with an exact emulation of a tube’s circuits.

    Fazortan 2
    Phaser created with the most advanced analog modelling techniques.

    Toraverb 2
    Concept algorithm reverb. It allows the user to create practically ANY type of reverb.

    Tekturon
    Tekturon is a tap-delay effect with 16 independent high quality delay lines, where the taps are arranged in a sequence of taps equally delayed from each other, whereby working with the plug-in strongly resembles using a step sequencer.

    Decimort 2
    Premium grade bit crusher with complex and advanced signal processing algorithms within Decimort simulate the behaviour of the whole sampling path which exists in every AD/DA converter.

    Devastor 2
    Remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit from our famous Phoscyon synthesizer.

    Antresol
    An iconic stomp box flanger resurrected with exquisite attention to sonic detail and so much more!

  • – Our compact, intuitive reverb plugin creates amazingly authentic real-world spaces without bogging you down in complex parameters.

    The hybrid algorithm at the heart of Spacerek fuses modeled virtual spaces to a dynamic delay network, generating reverb tails with supremely realistic early reflections, dense, colorful late reflections, and separately adjustable ER and LR pre-delay times. Dozens of emulated room types take in halls, towers, chambers, tunnels, and much more, and each one integrates a variety of preset stereo microphone and speaker setups.

    Spacerek also makes balancing the Direct signal, Early Reflections, and Late reflections easy with its three-channel mixer; while the highly musical Tilt EQ and Low Cut filter modules provide effortless shaping of the overall tail. And as each Reverb Model is pre-configured for left-right or mid-side stereo operation, tweaking width and spatialization is a snap.

    Spacerek doesn’t put the squeeze on your system, either – indeed, when you hear it, you can’t fail to be impressed by its CPU-friendliness (compared with typical audio simulation techniques).

  • – Evocative, characterful sound through painstakingly accurate modelling of a high quality analog BBD delay line

    With that in mind, we set out to create the ultimate analog chorus emulation, inspired by the revered effects found in classic synthesizers such as the Solina String Ensemble, Elka Synthex and Roland Juno-106. This fruit of our labor is Syntorus 2, the newest addition to the Silver Line series of plugins.

    Syntorus 2’s unique analog sound enriches any instrument routed into it, bringing life and movement to synth basses and leads, and adding depth and lushness to guitars and other electric/acoustic instruments.

  • – Start thinking of delay as part of your arrangement

    Tekturon is a multitap-delay effect with 16 independent, high-quality delay lines. What really sets it apart from other, similar products, however, is the way it’s controlled and the unique topology into which the taps are arranged: The Delay Matrix. In fact, Tekuron can’t be thought of as a tap-delay effect in the strictest sense, but more of a sequence of taps equally delayed from each other, whereby working with the plugin strongly resembles using a step sequencer. This rather unusual design should give your creativity just the kick it needs!

  • – A concept ‘verb, come alive

    Toraverb was never meant to be an emulation, approximation, or recreation. We did not implement any “off-the-shelf” algorithm or impulse response. Unlike a classic unit such as spring, room, hall, or plate, Toraverb is a concept in its own right. Using a set of easily accessible parameters, allows the user to create practically ANY type of algorithmic reverb. Our goal was to create something which would sound beautiful no matter where the knobs are.

    Reverb is a critical effect in a mix. A good digital reverb depends on the algorithms used and their implementation quality. Usually, reverb is used as a send effect in which many channels in a mix are routed to it. If a poorly designed plug-in or hardware unit is used, the end result is tinnier/muddier mixes, with reverb tails sounding like they’re being torn off inhumanely.

  • – All D16 has plug-ins ever made

    Gathers all D16 has plug-ins ever made; vintage Roland’s classic emulations, SilverLines effects, Sigmund and Repeater quality delay units and their flagship syntesizer; the LuSH-101

    Spacerek
    Compact and intuitive reverb plugin creates amazingly authentic real-world spaces without bogging you down in complex parameters.

    Syntorus 2
    Syntorus represents evocative, characterful sound through painstakingly accurate modelling of a high quality analog BBD delay line in triple delay line Chorus unit.

    Godfazer
    Godfazer is a combination of few modulation effects in single device; chorus, phasing, filtering, rotary speaker emulation and much more.

    Redoptor 2
    Distortion with an exact emulation of a tube’s circuits.

    Fazortan 2
    Phaser created with the most advanced analog modelling techniques.

    Toraverb 2
    Concept algorithm reverb. It allows the user to create practically ANY type of reverb.

    Tekturon
    Tekturon is a tap-delay effect with 16 independent high quality delay lines, where the taps are arranged in a sequence of taps equally delayed from each other, whereby working with the plug-in strongly resembles using a step sequencer.

    Repeater
    The delay, which add space, depth, and excitement to your music. A dual delay powerhouse that features 23 unique authentically modeled devices.

    PunchBOX
    PunchBOX is a virtual instrument designed for creating high-quality kick drum sounds including vast and exquisite factory content delivered by industry-standard sound designers Sounds of Revolution and CFA-Sound.

    Lush-101
    Synthesizer, which basic simplicity combined with its multilayer architecture turns it into an easy-to-use but extremely powerful instrument that can be programmed and tweaked quickly, almost effortlessly leveraging its maximum potential

    Nepheton
    Emulates the famous 808 drum machine. All the nuances and details of the instruments sounds are captured perfectly. The instruments models are equipped with additional controls giving you possibility to tweak the sound much better.

    Decimort 2
    Premium grade bit crusher with complex and advanced signal processing algorithms within Decimort simulate the behaviour of the whole sampling path which exists in every AD/DA converter.

    Drumazon
    Emulates the famous 909 drum machine. All the instruments are synthesized in exactly the same way as the original. All the nuances and detail of the original are captured perfectly. In addition, all Drumazon instruments have enhanced controls.

    Devastor 2
    Remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit from our famous Phoscyon synthesizer.

    Nithonat
    Fully synthesized drum machine which emulates classic 606 box. This perfect emulation is enhanced with extra functionality taking the little pocket drum machine to the new dimension.

    Phoscyon
    Taking the classic analogue sound of the legendary 303 silver box into the future. It offers an unmatched sound together with many advanced features.

    Antresol
    An iconic stomp box flanger resurrected with exquisite attention to sonic detail and so much more!

    SigMund
    Far from just another delay: it consists of four discrete delay units, each with its own, independent set of parameters offering an incredible degree of sound-shaping freedom.

  • The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

    Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

    Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

    Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

    Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

    Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

    Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

    Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

    Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • AUTOMATED BIRD NOISE REMOVAL

    DEBIRD automatically recognizes bird noises in your recordings and removes them with surgical precision.

    THE PROBLEM
    Meet the involuntary #1 enemy of recordists and editors alike: Birds.

    While their lively and delightful song is a true asset in nature ambiences, it ruins just about everything else.

    As a result, countless hours are spent on the rather tedious task of cleaning recordings before one can get back to the fun part and focus on the creative process.

    Meet DEBIRD – your simple but powerful tool that utilizes Deep Learning to do all the cleaning work for you.

    Sit back and relax while DEBIRD effortlessly extracts all the unwanted chatter from your audio file within seconds!

    HOW TO USE DEBIRD?

    1. Select any sound you want to clean up and use DEBIRD on your DAWs audio tracks.

    2. Hit Play and enjoy DEBIRD removing all the birds from your sound in REAL TIME.

    3. You can see the removed bird sounds in the lower spectrum display. Adjust the built-in filters and sensitivity to your likings.

    THAT’S IT?
    Yes! It is really that simple. You need some more features? You can also do the following:

    Would you like to keep certain sounds that would otherwise be removed? No problem! Grab a boundary box or brush and show DEBIRD what to keep.

    Solo and export the extracted bird sounds if needed. DEBIRD can be used in the exact opposite way it was designed for.

    TIMESAVER
    DEBIRD turns hours of work into seconds.

    FAST PROCESSING
    No matter how fast you remove bird sounds, DEBIRD is faster.

    CUT THE SLACK
    No more need to plan recording sessions at night or use invasive methods such as scaring off birds.

    SMART
    DEBIRD‘s Machine Learning capabilities help the tool to improve over time.

    HELP US TO IMPROVE DEBIRD
    DEBIRD works with a neural network that further improves the more input it gets. We will continuously feed the deep learning algorithm with recordings of birds to improve the results and to better handle edge-cases.

    WHAT YOU CAN DO
    You have a file and DEBIRD struggles to properly remove the bird sounds? Contact us via [email protected] and send us your audio file. We will include it into the machine learning routine and DEBIRD will handle such cases better over time.

    REQUIREMENTS

    SOFTWARE
    Please note: This plug-in requires an audio host software. It does not work as a standalone application.
    It works with the most common audio host software apps that support VST3, AU or AAX plug-ins:

    SYSTEM
    Windows Windows 7 (64-bit), 8 GB RAM, Intel® Core i5
    Mac Mac OS X 10.11, 8 GB RAM, Intel® Core i5

    ILOK
    Available licensing options:
    Machine License activation and USB Dongle

  • decode. practice. master. repeat.
    deCoda can decode any song so you can learn to play it in minutes. In seconds deCoda will tell you the key, tempo, chords where the verses and choruses are and more.

    Using deCoda is as simple as adding your favourite song and letting deCoda help you figure it out. Inspired and informed by those working in the music and recording industry, deCoda offers features that make learning a song more effortless than ever.

    deCoda has been built by zplane. zplane technology is used to make many of the biggest hits in the world by top artist and producers, and that same know-how is used to power deCoda.

    Key Features
    • Advanced chord and tempo detection algorithms
    • Flexible looping options
    • Automatic song structure detection – Part A, B C, A2, B2 etc.
    • Instantly transpose to a chosen key
    • Change tempo whilst maintaining the pitch
    • Focus EQ for isolating parts of the track
    • Melody information displayed on a piano roll
    • Exportable MIDI

    DOWNLOAD THE DEMO HERE

    MAC | WINDOWS

  • Dehumaniser 2 is a powerful vocal processing tool perfect for creature sound design. Utilising incoming live or pre-recorded signals, the software allows you to dynamically tailor effects while creating multi-layered sound instantly.

    Perfect for audio professionals, this versatile tool makes a strong addition to any film, TV or video game post-production process. Its flexibility also makes the plugin ideal for use in live environments, including theatre performances, Halloween attractions or voiceover/dialogue sessions.

    Ships with over 100 monstrous presets and 133 high-quality animal recordings, including Tigers, Leopards, Pigs, Parrots and more.

    System requirements:
    Dehumaniser is a VST/AU/AAX Plugin – requires a supported host/DAW. Covered under the Dehumaniser 2 EULA. An iLok account (available for free at ilok.com) is required to activate and use the software. A dongle is not required, but if you want to use one, an iLok 2 or later is the one to use.
  • This soundlibrary arises from recordings with plugins and effects.

    After working these sounds in post production, this library comes with 15 incredible drone sounds that will bring your vídeo, trailer or movie to life.

    Size: 276 MB
    Files: 19 • Including metadata
    Sample Rate: 48kHz – 24 Bit WAV
    Duration: Approx. 16 min
    Gear: Virtual Plugins
    Delivery: Instant – blazingly-fast – digital download on Bandcamp
    License type: Royalty-Free

    Come to say hello:
    www.ferreirathesoundguy.com
    www.instagram.com/ferreirathesoundguy
    www.facebook.com/ferreirathesoundguy

  • The first VST/AAX/AU plug-in from SoundMorph, DUST is a synthesizer plugin based on a real-time particle simulation, where each particle is a separate granulating sound source. The motion of each particle is determined by the flow field, which determines the force applied to each particle at each point.

    Just like how the flow of a river determines the path of a leaf floating down in it. This is our most ambitious software release to date, and you are going to love it! Not only is DUST addictive to play with, but it generates some of the coolest sounds you've ever created.

    DUST highlights:

    • Presets by Richard Divine, Ivo Ivanov, Robert Clouth, Yan David
    • 8 particle emitters
    • convolution reverb
    • Binaural Audio Panning
    • Save and recall presets
    • Custom Flow Field equations
    • over 60 sounds included
    • import your own sounds
    • 4 modulation options on parameters
    • Available in VST, VST3, AAX and Audio Unit format
    • Compatible with Mac and PC (32 bit and 64 bit)
    • Compatible with most major Daws


    System Requirements:

    An Intel® Mac with Mac OS X 10.9 (or later), OR a PC with Windows 7 (or later); Multicore processor; 2 GB RAM; 1024×768 display.

  • The EC-300 Echo Collection brings the sounds of dozens of echo and chorus effects into a single plug-in.

    The three delay types – Magnetic, Digital, and Analog – come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience.

    Each EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.

    Features

    • Three delay types – Magnetic, Digital, and Analog
    • Wide variety of character modes per delay tape
    • Saturation, Wow, Flutter, Ducking, and other delay features
    • Single, dual, and ping-pong delay operation
    • Tap tempo and session sync
    • Over 75 SIMs (Synthetic Impulse Models) included
    • Mono, stereo, and mono-to-stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The EC-300 Echo Collection brings the sounds of dozens of echo and chorus effects into a single plug-in.

    The three delay types – Magnetic, Digital, and Analog – come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience.

    Each EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.

    Features

    • Three delay types – Magnetic, Digital, and Analog
    • Wide variety of character modes per delay tape
    • Saturation, Wow, Flutter, Ducking, and other delay features
    • Single, dual, and ping-pong delay operation
    • Tap tempo and session sync
    • Over 75 SIMs (Synthetic Impulse Models) included
    • Mono, stereo, and mono-to-stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • Edward brings real recorded and natural randomized Foley Artist footsteps to every audio production studio – and offers high end quality and parameters to adjust distance and environment based on Native Instruments Kontakt engine.
    Edward Foleyart Instrument supports the free NI Kontakt 6 Player!

    This means you don’t need to own a full version of Kontakt to run this instrument!

    Includes the following surfaces: Asphalt • Carpet • Concrete • Diamond • Dirt • Grass • Dry Grass • Gravel • Hardwood • Leaves • Metal • Rocks • Timber


    Includes the following shoes: Sneaker • Boot • Business • Heel • Slipper • Barefoot

    Key Features:
    • 35.600 real Foley sounds in HD quality @ 24Bit, 96 kHz
    • 43 combinations of shoes and surfaces
    • Unique recording setup to easily change footstep distance
    • FULL NKS support
    • Different walking speeds and behaviors
    • Automatic left/right-foot diversion
    • EdV3rb IRs inside the instrument
    • Requires the Free or Full Version of NI Kontakt Version 5.5.2 or higher.

    Existing Edward user?
    • Send a message here with info about what version you currently have for a special upgrade price

     

     

    20 %
    OFF
  • Edward Ultimate SUITE is the Next Level of our live playable Foley Artist Instrument. It supports the free NI Kontakt 6 Player.

    This means you don’t need to own a full version of Kontakt to run this instrument!

    The Edward Ultimate SUITE includes the complete contents of both Edward Ultimate and Clothes & Props.

    Foley Artist: Lara Dale
    Foley Recordist: Josh Reinhardt

    The Edward Ultimate SUITE demos:

    Edward Ultimate:

    Clothes & Props:


    Key Features:

    • 72.600 real Foley sounds in high quality @ 24Bit, 48 kHz
    • 90 combinations of shoes and surfaces
    • 30 setups of clothes and props
    Kontakt Player Compatible
    Full NKS support
    • One-Window Mixing (Use the Mod Wheel to mix/add or switch any two patches)
    • Pitch Wheel Performance (Use the Pitch Wheel to change key commands on the fly)
    • EdV3rb IRs inside the instrument
    • Lock-Mode (Select and lock the type of randomization)


    Surface Types
    Asphalt • Carpet1 • Carpet2 • Concrete • Creak1 • Creak2 • Diamond • Dirt • Grass • Grate • Gravel • Rectangle Wood • Creaky Wood • Parquet • Cut Wood • Swiss Dock • Boat Wood • Linoleum • Marble • Puddle • Snow • Tile • Metal • Rocks • Water • Deep Water

    Footwear type
    Sneaker • Boot • Dress • Heel • Flat

    Props used
    Rifle • Hand Gun • Army Gear • Backpack School • Backpack Leather • Heavy Chains • Dog tags • Duffle Bag • Paper Bags • Plastic Bags • Keys • Purse • Purse Cloth

    Clothes Used
    Heavy Coat • Coat Wool • Denim • Heavy Denim • Fringe Suade • Fringe • Leather Heavy • Leather Crunch • Leather Biker • Sequin • Shirt • Shirt Light • Shirt Heavy • Silk • Tutu • Wind Breaker

    Performances
    Extremely Slow Walk • Medium Slow Walk • Walk • Jog • Run • Stairs Slow • Stairs Fast • Stomp • Land • Scuff • Scrape 1 • Scrape 2 • Scrape 3

    Recording Equipment:
    Sennheiser MKH 416
    Neumann KMR 81i

    Existing Edward user?

    • Send a message here with info about what version you currently have for a special upgrade price

     

    “WINNER OF THE INDIE SOUND AWARDS 2022”

     

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