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Home Plug-Ins Dynamic

Dynamic

Dynamic plug-ins

  • MAKE YOUR SOUND GO BOOM
    UBERLOUD makes your sounds go loud, insanely loud. This plug-in is a true beast with sharp edges and extraordinary character. UBERLOUD will maximize your sound with minimal effort. So the next time your sound just doesn’t sound loud enough, make it UBERLOUD.

  • Multiband compression and expansion are powerful tools, but notoriously difficult to set up and control. Enter FabFilter Pro-MB: making multiband dynamics processing intuitive yet powerful at the same time.

    FabFilter Pro-MB introduces a unique Dynamic Phase processing mode. It has virtually the same frequency response as traditional multiband processing, but doesn’t introduce latency or pre-ringing, and only introduces minor phase changes when the gain actually changes. Of course, we have also included an excellent Linear Phase mode and a traditional Minimum Phase mode.

    The powerful combination of high quality processing, optimized workflow using the interactive multiband display and all the expert features you need, makes Pro-MB both a lifesaver and timesaver!

  • Pro L2 is a major update to the Pro-L limiter plug-in. With four brand-new limiting algorithms, “Modern” for general all-purpose limiting , “aggressive” for EDM and rock music, “Bus” specific for drums and individual track limiting and “Safe” which avoids distortion at all costs. Also newly added is the true peak limiting mode which makes it extremely easy to hit a maximum true peak target. Combined with improved true peak metering and extensive loudness metering that’s compliant with the EBU R128, ITU-R BS.1770-4, and ATSC A/85 standards.

    Complete support for surround audio with flexible channel linking makes Pro-L 2 much more versatile in multi-channel scenarios, while the sound quality is even higher than before with up to 32x linear phase oversampling. New features like a DC offset filter, external side chain triggering for stem mastering, and a Unity Gain option ensure that Pro-L 2 is the solution to any mastering challenge.

    The unique real-time level display is now even more effective with new innovative display modes, including an Infinite mode that shows all audio for an entire session. Moments of significant gain reduction are highlighted with peak labels to give additional insight in the limiting process. The interface has been carefully redesigned to be aesthetically pleasing with a perfectly optimized workflow.

  • FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!

    Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there’s more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.

  • Using the popular module format, the 6030 Ultimate Compressor offers ten different compressors. All of these designs are by McDSP – some completely from the ground up, while others are emulations of existing gear with unique variations created by McDSP. Each 6030 Ultimate Compressor module is easy to operate, and yet has enough sophistication for the most discerning professional.

    Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6030 Ultimate Compressor has a custom-made dynamic range control module that is just right for you.

    Features
    • Unique twists to classic designs in addition to several completely new designs
    • Multiple compression algorithms in a single compressor
    • Side chain support
    • Analog Saturation modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • Native v7: AAX Native, AU, VST

  • – 6 band multi-band Compressor

    MultiDynamics is a powerful multi-band dynamics processor useful for mastering, track processing, sound design, and noise reduction. MultiDynamics provides up to 6 bands with independent compression or expansion per band. MultiDynamics has an elegant and ingenious user interface that makes it easy to edit bands and to visualize and hear what is happening.

    Multiband dynamics processing combines the techniques of equalization and single band dynamics processing. A simple application of multiband dynamics is to apply compression or expansion to a specific frequency range. It is also possible to think of multiband dynamics as applying equalization which is dependent on the level of the input sound. So one can set up an EQ curve for low volumes and set another EQ curve for high volumes.

    Another use of multiband dynamics is noise reduction. One can set up multiple bands to do noise gating, by setting the gain to decrease when the signal falls below threshold. Also, multiband dynamics applied to solo instrument sounds can be used for sound design. It is possible to split up the sound into different frequency ranges, apply compression to some and expansion to others, and dramatically change the character of the original sound.

  • – Professional Peak Limiter

    FinalPlug is a professional peak limiter/volume maximizer with extensive bit depth truncation and dither options, making it ideally suited for a final mix. Tame the peaks a bit, or really squeeze all the volume you can out of it.
    The peak limiter section works by looking ahead 1.5 milliseconds. When a input peak is detected that will exceed the desired output ceiling, the gain is quickly ducked to let the peak pass, then the gain is restored relatively slowly according to the release time control. During rapidly changing program material with frequent peaks, a faster release time will achieve better results. During slowly changing material, slower release times prevent excessive modulation distortion. FinalPlug’s auto release feature analyzes the input signal to determine peakiness, and selects the optimum release time for the program material.
    The truncate/dither section is usually used for CD mastering, where truncation to 16 bits can create audible quantization distortion. By adding special dither noise, the quantization distortion can be eliminated, and the dither noise can be spectrally shaped to move it to frequency ranges where it is less audible. FinalPlug contains a comprehensive noise shaping section which reproduces a variety of commonly used noise shapes.

  • The PSP Vintage Dyn Bundle is a complete collection of the best modeled classic dynamics circuits from PSPaudioware at a stunning 45% OFF. Rather than model specific units PSPaudioware has modeled the circuitry allowing the best elements to be recombined for unprecedented control and musical character. When you need more character there is the 70s-style FET compressor with the modern sophistication you need today. For the master bus classic VCA compression is here too along with hybrids straddling Opto and VCA styles in one zero latency package. To complete the bundle is the best-selling VintageWarmer2.

    BUNDLE CONTENTS:

    • PSP oldTimer
    • PSP FETpressor
    • PSP BussPressor
    • PSP Twin-L
    • PSP VintageWarmer2

  • PSP Xenon is a full band, dual-stage limiter plug-in (AudioUnit, VST and RTAS, AAX for MacOSX; VST and RTAS, AAX for PC) featuring an integrated Leveller, advanced K-System metering and psychoacoustically optimized wordlength reduction. PSP Xenon offers 64-bit precision processing throughout its entire signal path, and can operate at sample rates up to 192kHz.
    Once you experience for yourself the pristine, transparent response and intuitive design of this plug-in, we believe it will become your “go to” limiter for mastering and other critical audio applications.

  • PSP VintageWarmer2 (plug-in AudioUnit, VST, VST3, RTAS for Mac OSX (Universal Binary); VST3, VST and RTAS for Windows; VST, RTAS and MAS for Mac OS Classic) is a high-quality digital simulation of an analog-style, a single- or multi-band compressor/limiter. It combines rich, warm analog processing with a straightforward user interface, and comes with a comprehensive library of presets. The plug-in processor is highly flexible and can be used for both softknee compression and brick-wall limiting. This makes it an essential tool for mixing and mastering engineers. Careful attention has been paid to PSP Vintage Warmer’s overload characteristics with the processor being capable of generating saturation effects typical of analog tape recorders. PSP Vintage Warmer also incorporates professional VU and PPM metering together with accurate overload indicators thereby assuring professional quality results.

    PSP VintageWarmer2 version installer contains 3 versions of the plug-in:

    • PSP MicroWarmer which provides the same sound quality as it’s big siblings, but with a simplified single-band interface and low latency performance optimized for use on individual tracks;
    • PSP VintageWarmer (LE) which is a direct descendant of the original PSP VintageWarmer with its all strengths such as low resource usage and latency;
    • PSP VintageWarmer2, the main addition being the FAT double sampling mode for even more analog sounding processing.

    We strongly recommend that you use the PSP VintageWarmer (LE) or the PSP MicroWarmer in all multitracking applications except situations where FAT mode is important. The PSP VintageWarmer2 is recommended for mastering purposes and groups or master busses only.

  • PSP Twin-L is a dual algorithm classic limiter. The aim of this plug-in is to provide a wide variety of shaping options. The plug-in is able to emulate the main features of two types of limiter: VCA-limiters, which is a modern type of analog limiter, and Opto-limiters which are vintage optical limiters. Keep in mind, however, that PSP Twin-L’s limiting algorithms are not intended to emulate any specific hardware but rather to bring the capabilities of both types into a versatile plug-in. It’s also worth mentioning that the PSP Twin-L is part of our series Zero Latency Processing plug-ins; no additional latency is critical in many situations such as live monitoring and managing automation.

  • PSP oldTimerMB is a vintage-style multi-band compressor designed for demanding track processing, buss and mix compression, and mastering. (VST, VST3, AudioUnit, AAX and RTAS plug-in) Our aim in developing this plug-in was to design a high end multi-band processor based on the algorithm from our best-selling PSP oldTimer compressor. The result is a musical and warm sounding processor with a range of controls making it a vital tool for virtually any kind of music. Switchable and adjustable output valve emulation give’s you a choice of additional color to the sound. Thank you, and please enjoy the versatility and quality of PSP oldTimerMB!

  • PSP MasterComp is a high fidelity stereo dynamics processor (plug-in VST, RTAS and AAX for Windows; AudioUnit, AAX, RTAS, VST for Mac OSX Universal Binary). Its double-precision (64-bit floating point) and double-sampled (FAT – Frequency Authentication Technique) processing offers transparency even at extreme compression settings and high sample rates.

    PSP MasterComp installer includes two version of the plug-in:

    PSP MasterComp – which is mainly designed for mastering compression and expansion and
    PSP MicroComp – designed for using on buses and track processing during mixing.

  • PSP FETpressor is a FET feedback type compressor plug-in. It’s designed to provide accurate, almost instant compression with lots of character. Great for vocals, guitars, bass, drums, and whenever a classic 1970s-style FET compressor is needed. PSP FETpressor contains everything you’d expect from a FET compressor: an internal side chain high pass filter to control amount of low frequency pumping, smoothly adjustable compression ratio, ability to select which channel to process, and a link switch. This compressor also contains a dry signal blend for parallel compression. Additionally PSP FETpressor contains makeup amplifier and output transformer emulations to add subtle character even when set to 1:1 ratio. PSP FETpressor is part of our series Zero Latency Processing plug-ins; no additional latency is critical in many situations such as live monitoring and managing automation.

  • PSP BussPressor is a compressor optimized for group and master buss processing. It combines the sound of classic VCA compression with wide tuning capabilities. Extra controls allow you to adjust a side chain high pass filter or apply parallel compression. It’s also worth mentioning that the PSP BussPressor is part of our series Zero Latency Processing plug-ins; no additional latency is critical in many situations such as live monitoring and managing automation.

  • McDSP’s legendary emulations of vintage equalizers, compressors, tape machines and channel amplifiers are available together as McDSP Classic Pack v5.

    Includes:

    • Analog Channel Native v5
    • CompressorBank Native v5
    • FilterBank Native v5
    • MC2000 Native v5

    Formats
    • Native v6: AAX Native, AU, VST

  • The SPC2000 Compressor features multiple parallel and serial compression combinations.

    SPC2000 is 3 plug-ins:

    • SPC202 – two-band configuration
    • SPC303 – three-band configuration
    • SPC404 – four-band configuration

    Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.

    Features

    • Multiple parallel and serial compression combinations
    • Compression curve modeling
    • Multiple peak detection circuits
    • Multi-compressor control linking
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency

    Formats
    • Native v6: AAX Native, AU, VST

  • The SPC2000 Compressor features multiple parallel and serial compression combinations.

    SPC2000 is 3 plug-ins:

    • SPC202 – two-band configuration
    • SPC303 – three-band configuration
    • SPC404 – four-band configuration

    Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.

    Features

    • Multiple parallel and serial compression combinations
    • Compression curve modeling
    • Multiple peak detection circuits
    • Multi-compressor control linking
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra Low Latency

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
    The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
    The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.

    The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
    Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage and multi-band peak detection and limiting
    • Unique limiter Knee, Mode, and Focus controls
    • Snap function instantly sets multi-band thresholds to signal levels
    • Double precision processing
    • Low latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
    The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
    The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.

    The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
    Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage and multi-band peak detection and limiting
    • Unique limiter Knee, Mode, and Focus controls
    • Snap function instantly sets multi-band thresholds to signal levels
    • Double precision processing
    • Low latency
    • Mono and stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The ML4000 is two plug-ins:
    • ML1 – mastering limiter
    • ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter

    The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.

    The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.

    The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.

    Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.

    The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage peak detection and limiting
    • Unique limiter Knee and Mode controls
    • Multi-band Gate, Expander (up/down), Compressor
    • Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
    • Multiple real-time metering options
    • Adjustable crossover filters
    • Multi-band control linking
    • Analog Saturation Modeling
    • Double Precision Processing
    • Low Latency

    Formats
    • Native v6: AAX Native, AU, VST

  • The ML4000 is two plug-ins:
    • ML1 – mastering limiter
    • ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter

    The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.

    The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.

    The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.

    Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.

    The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage peak detection and limiting
    • Unique limiter Knee and Mode controls
    • Multi-band Gate, Expander (up/down), Compressor
    • Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
    • Multiple real-time metering options
    • Adjustable crossover filters
    • Multi-band control linking
    • Analog Saturation Modeling
    • Double Precision Processing
    • Low Latency

    Formats
    • HD v6: AAX DSP/Native, AU, VST

  • The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.


    MC2000 is 3 plug-ins:
    • MC202 – two-band compression
    • MC303 – three-band compression
    • MC404 – four-band compression

    The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.

    Features

    • Compression curve modeling
    • Multiple peak detection circuits
    • Adjustable crossover filters
    • Multi-band control linking
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

  • The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.


    MC2000 is 3 plug-ins:
    • MC202 – two-band compression
    • MC303 – three-band compression
    • MC404 – four-band compression

    The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.

    Features

    • Compression curve modeling
    • Multiple peak detection circuits
    • Adjustable crossover filters
    • Multi-band control linking
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

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