Make the first step into the terrifying, creepy and mind mangling sonic experience of “Surrounding Horror“, with weird and abstract sounds from all around you.
You get 22 Horror Ambiences / Soundscapes created and mixed in 5.1 Surround (SMPTE) to give an instant horrifying setting for your productions.
Additionally, you get Stereo Downmixes of the surround versions.
Now available: ANGST | Surround Horror Series
Synthetic Sphere is a collection of spatialised synthetic pads. Multiple layers of pads, tones and amorphic FX are spreaded across the sphere, resulting in a truly immersive experience. These pads include gentle movement across 3D space, creating rich ambiances but without catching to much of the listener attention.
This collection is great for post production, VR/AR experiences, game developers and any real-time 3D audio engine.
All files are tagged and categorized for your convenience – supporting tag filtering browsing applications.
This package includes 10 stereo samples – Total 51 minutes of content.
The library is also available in an Ambisonic version here.
The Complete Craig Carter Collection comprises of the major sound libraries in addition to a wide range of additional, specialised sound libraries.
This is your library for making authentic background train ambiences in movies, games or radio plays. It features over 40 indoor ambiences in 5.1 surround sound. Recorded in 2017 with an INA 5 surround microphone array for realistic room impression. Finish your next project in light speed. Simply drag and drop the interleaved surround sounds into your DAW and get perfectly balanced and panned surround sound train ambiences.
• More than 40 indoor (cabin) train ambiences/room tones in 5.1 surround sound (3 GB)
• Fans, rails, machines, motors (diesel and electric), humming, heating, buzz, natural noise
• Doors, passengers, rattling, air conditioning, toilet, speed-up, slow down, pass-by noise
• Realistic room impression and sound location, true to original sound color
• Compatible with ITU-R BS.775 recommendation, no Ambisonics, no plug-in needed, just drag the 5 tracks into your DAW
• Perfect balanced surround sounds for drag and drop integration
• 24 Bit / 96 kHz / low noise recording
• Interleaved surround sound file (L/R/C/LFE/LS/RS), simply drop into your DAW
• EBU/BWF and WAV-Metadata made with Soundminer for use in any DAW
• Equipment: INA 5 surround microphone array, RME UCX, RME Quadmic 2
Looking for that ‘lost world’ outdoor adventure ambience? The Rupununi region has it all: Pristine landscapes, rich biodiversity, and local myths – and this sound effects library captures its ambience.
Virtually untouched by modern human activity, its nature combines a mixture of savannahs, shrubs, wetlands and forests located in South America. The amerindians inhabit the area for millennia and are in total osmose with their surroundings.
Local myths and legends
In fact the region is soaked with legends and myths, like the famed yet unfound El Dorado city claimed by many explorers like sir Walter Raleigh expeditions in 1592.
Rich Wildlife & Biodiversity
Rupununi bolsters evolving serenades of sounds throughout days and nights due to its incredibly lush eco-systems including thousands of bird species, insects, reptiles and mamals.
The library is available in stereo, and surround (Quad & 5.1).
Urban Air is a collection of long duration / ready to use / surround urban backgrounds.
This is aXLsound’s first surround ambience library, it has been recorded across different cities with various microphones setup ( LCR ORTF / QUAD / 5.0 ) and then carefully collected and edited into 5.0 surround tracks.
You’ll find various moods and sonic characteristics including: downtown, suburban, industrial, small towns, quiet, loud and annoying traffic beds, wet city, side streets, parks, wide city squares, diffuse and distant urban elements, clean air tones or dirty gritty city noise …
The duration of the tracks varies between 02m 30s for the shortest and more than 08 minutes with the vast majority lasting around 04-05 minutes, so long scenes shouldn’t be a problem. Also, some sounds include markers highlighting (un)interesting sounds and events.
For more convenience, 2 versions are available for this library :
– C / LR / LsRs : the 5.0 sounds are delivered “splitted” in three separate files : ( 1 mono + 2 stereo files ) , this way you can easily use the stereo files if you don’t need surround.
– .C / .L / .R / Ls / .Rs : multiple mono files
This ambience pack contains 33 sounds / 99 files embedded with full and detailed metadata ( Soundminer, Basehead, iXML ).
We recorded in the districts: Kreuzberg, Friedrichshain. This Library contains roomtones of a Hospital, a Playground, Trainstations and other crowded places. For further details about the locations, please read the spread-sheet and take a look on the location photos.
Welcome to the world's biggest explosion sound effects library:
When you carry the word „BOOM“ in your company name, your first dedicated explosion sound effects library should be a decent one. For the recordings, we teamed up with the sound department of EA DICE (Battlefield, Star Wars Battlefront) and we created the biggest explosion sound FX library ever. DICE uses the recordings heavily to impressively blow up the world in their AAA title Battlefield V and now you can get the recordings and our ready-to-use designed sounds in stereo and 5.1 surround for your very own projects. It’s a highly explosive pack with 13.4GB of explosion sound effects.
Recorded in real urban environments
Why Urban Explosions? Most explosions in movies, games or trailers don’t happen out on a plain field, they happen in urban environments with buildings around them that shape the character of the explosion sound in a very specific way. The special thing about our urban explosions sound FX library is that it has been recorded in a real urban environment, so you get super-realistic reverbs and tails instead of artificially processed post-production reverbs or tails that don’t sound urban at all. For the sake of completeness, we also recorded a non-urban explosion on a plain field, so you’re covered here as well.
Multi-Channel Recordings with up to 42 Channels
We had a lot of microphones with us and we placed them in all possible positions around the explosion spot. We have very close mics, close mics, medium distance mics, distant mics, mics in front of buildings, mics behind buildings, mics inside of buildings. Each explosion in the URBAN EXPLOSIONS CONSTRUCTION KIT comes with a minimum of 24 channels, including a 4 channel ambisonic file, so you can simply drag all channels to your DAW and easily mix the sound exactly as you want.
You’re looking for a more supernatural sound or your mix misses a bit of impact, smack, punch, tail, cackling, rumbling or character? No problem, the CONSTRUCTION KIT has a lot of great high-quality sweeteners that will easily enrich your mix in the desired way.
Our DESIGNED edition comes with a myriad of ready-to-use explosion sound FX in the categories INDOOR, NEUTRAL & URBAN, each of them in SMALL, MEDIUM & LARGE explosion sizes. Beyond that, you have the choice between MEDIUM and FAR distances, FAST or SLOW explosions and a MODERN, SOFT, CRISP or DISTORTED character. With this range of sounds, you’re certainly sure to find the right one for your scene.
Stereo & 5.1 Surround
In addition to the stereo version our sound designers created 5.1 surround versions for each sound so you are fully prepared to implement your creative surround vision with ease.
Designed by 4 Award-Winning Sound Designers
We consider sound design as a craftsmanship and we’re very happy and proud to rely on the talent of four awesome sound designers that really know their trade.
THE BUNDLE – The best of both worlds at a discounted price
The Bundle gives you the full sound design power as it contains both – the DESIGNED and the CONSTRUCTION KIT edition at a discounted price.
Various recordings made through several inner-city winters. This collection includes a diverse range of rain recordings, ranging from light to moderate & heavy rain. All recordings were done between 3am and 5am to minimise the intrusion of traffic noise as much as possible.
All sounds were recorded using the DPA 5100 and Sound Devices 788T.
SSL16 USA CONTRASTS is a great collection of American Ambiences. Recorded in Summer 2015, I traveled to some of the most beautiful cities of the country to explore the American way of Life.
From San Francisco to New York, visiting:
Room tones from the quietness of a Las Vengas Hotel vs the Wild Nature of California & Crowd and traffic of the big cities…. This is the real contrast of USA! As always, recorded in full 5.1 Surround format.
Take an acoustical tour through Vienna, Austria with this sound effects library recorded by Ana Monte. It features recordings from the downtown area, churches, touristic areas and busy restaurants, subway stations and more!
20 read-to-use stereo and surround (5.0) tracks with all the appropriate metadata ready to be used on your next production.
Vienna City Ambiences – Stereo:
– 20 ready-to-use ambiences in stereo
– 1.31 GB
Vienna City Ambiences – Surround:
– 20 ready-to-use ambiences in 5.0 surround(split mono)
– 100 split mono files
– 3.34 GB
Vienna City Ambiences – COMPLETE Pack:
– Surround + Stereo downmix bundle for maximum savings!
– 120 files
– 4.66 GB
A filmic sound construction kit for teasers, trailers & promos
‘Warped Choir’ is the latest state-of-the-art sound effects library from U.S.O. which continues to cross the border between music and sound design.
Warped Choir provides a wide range of meticulously crafted stereo and 5.1 surround sound elements ready to be pumped in your trailer, video game or other audiovisual projects.
Warped Choir contains more than 200 massive dynamic impacts, transitions, soundscapes, epic vocal rises and whooshes, all designed from scratch using a choir concert recording as the unique waveform source in the Symbolic Sound Kyma workstation (many thanks to La Coral Salvé – Laredo, Cantabria | www.coralsalve.com).
When it comes to creating new musical ideas, video and sound editors, sound designers, but also composers, can find inspiration in this intriguing must-have collection.
Wilderness Americas : Amazon Rainforest is a collection of sounds captured in the West part of the Amazon basin (El Oriente) across 3 South American countries : Bolivia, Ecuador and Colombia.
This library focuses on the wildlife and wilderness sounds of the Amazon rainforest/jungle.
Reaching the Amazon region is not easy and need many resources and time.
Also the weather conditions are very bad for people and audio equipment: Extreme humidity, rain and heat don’t work great with microphones and recorders.
We have selected audio gear specifically for this purpose: Tropicalized microphones : sennheiser MKH 8020 and MKH 30 series in a surround configuration + a world-renowned recorder : Sound devices Mixpre 10T. We also brought a humidity-proof microphone basket (Cinela)
This weather-proof setup permitted us to record even under strong tropical rain. (We have also a special mic cover which reduces the sound of raindrops on the microphone basket)
We have always focused on places where they protect and respect the “Selva” (Forest), especially places like National Parks, Research Stations or community places.
-> We went recording in these places: Madidi National Park (BOLIVIA), Podocarpus National Park (Ecuador), “Jatun Sasha” biological station (Ecuador),
The forest around the Rio Napo (an affluent connection to the amazon river) (Ecuador), the “Reserva de Produccion Faunistica Cuyabeno” (Ecuador), and the region around Mocoa, between Santa Rosa Canyon and the Paway Reserva (Colombia).
We used “sound trap” technics for long and immersive recordings: We hid microphones and protected recorders in a waterproof bag and let it sit for days and nights in the middle of the rainforest (usually 24 hours of non-stop recording).
This system allowed us to record the sunrise, dawn chorus, and sunset – times where the animals are more active.
Here is some animals we have recorded :
Exotics Birds and more, especially parrots, parakeet, cuckoo, Oro Pendulo, cacique, magpie, etc.
Insects and more, especially crickets, cicadas, mosquitos, flies, etc.
Mammal : Amazonian flying squirrel, spider monkeys, and howler monkeys
Amphibians: Frogs, toads
Each sound recording are tagged with GPS coordinates and full Soundminer metadata.
-The Full sound bank (Stereo + Surround/Ambisonic) contains 117 sound takes recorded in 24/96khZ (Total length : 566 minutes) and decline in 351 files
“Wilderness Americas : Geyser and Volcano” is a collection of sounds focused on geothermal phenomena of Central and North America.
We recorded geysers in the Yellowstone National Park (USA) and two very actives volcanoes: the Fuego in Guatemala, and the Masaya in Nicaragua.
To complete this sound library, we added natural sound elements which are very efficient for sound design as designed sound material:
“Super volcano” eruption sounds, magma lake ebullition sounds, lava movement, and landslide sounds.
The geyser and Masaya volcano sounds (magma lake, lava movement) were recorded with the Telinga Parabola with a Sennheiser MKH 8040. The Telinga was used for its powerful ability to focus on sound details at a reasonable distance.
The explosions and eruptions of the Fuego volcano were recorded in surround with a Sennheiser DMS setup (MKH 8040-30) and also with the Telinga Parabola + MKH 8020.
-This sound bank contains 56 sound takes recorded in 24/96 kHz, and a total of 122 files.
We present here an ambience sound library from the collection ‘Wonders of Nature’ that captures the magical essence of dormant snowy forests.
‘Winter forest’ is not just about silence, it unfolds the delicate flow of lone natural immensity. Over the span of 2 years we recorded the cold north wood forest of the Laurentian in Canada.
We captured chilly breezes, sparse birds, creaking barks, freezing rain, raven’s vocalizations, wolves, long cold silences. All of which resonate through these unique sceneries of quietude.
We took care to record different time of the day but also different settings as well as various weather conditions as wind, blizzard, snow, freezing rain, stillness.
The library is available in stereo, and surround.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.