Sometimes emotion comes when you feel together as one. This is happening in stadiums, arenas, demonstrations when people are as one voice. This collection gets you the power of the crowd. People will go through various feelings, sometimes silent or very noisy, you will be able to cover a lot of situations with it. Moreover ambisonic format-B 3D recordings are great to enhance those kind of situations.
Often majestic, big interior spaces are beautiful sets. We created this collection to help you bring some life into them. To take full advantage of those sets, there’s nothing quite like Ambisonic and its faithful sound reproduction of its acoustics in 3D.
This library can be used for a huge range of dynamic foley, ranging from subtile clothing movements to impacts and many more.
Works great with Reformer Pro but if you don’t own the plugin, you can still purchase and use the sounds in this pack separately.
Little Boxes is a curated collection of four unique sound sets designed to compliment one another sonically and texturally. These textures move from acoustic to electroacoustic to analog synthesis – all programmed into beautiful Kontakt 4 instruments (full NI Kontakt
4.2.3 or later required).
A small device meant to be hung flat on the wall, the balls will swing and strike the strings if the ground begins to move.
This box was shaken, plucked, strummed, performed and ebowed to produce a beautiful palette of acoustic string textures.
In Kontakt those sounds evolved into a group of instruments that ran from folksy, zither like patches to lush, shimmering pads.
Get a huge variety of simple or complex lockdown mechanism sounds with a wide array of different latches and impacts with Lockdown, a performable Kontakt instrument and sound effects library.
We brought in dozens of props big and small to generate a massive array of source material recorded at 24 bit 192kHz. These included cameras, carabiners, wrenches, rack cases, knives, can openers, tongs, crimpers, solder suckers, file cabinet doors, vehicle doors and servos and much more – all with multiple unique performances per set.
Great care was taken to record each performance with the highest sonic quality and detail. We chose a pair of MKH50s in XY as our primary setup, creating a big, clean stereo image on every sound.
The designed collection uses samples based on the elements recordings that have been transformed into entirely new and different sounds using heavy processing and layering. It was created to produce interesting design and transition sounds quickly and easily. Lockdown includes over 500 fully lockdowns of all sizes and scales.
This is a collection of sounds recorded at various locations in London, UK. Recordings of landmarks such as Trafalgar Square and Elizabeth Tower (Big Ben), various London streets, and green spaces are all featured, totalling 127 minutes of ambisonic audio, with an average length of 6 mins 22 seconds.
The files have been decoded to AmbiX, but can be converted to FuMa with the free Ambi Converter from Noise Makers, or decoded to any format from mono to 7.1.2 Atmos using Harpex-X or the free Røde Soundfield plug-in.
No noise reduction has been used, apart from on the recording of Big Ben, and the unprocessed version is also included.
This library is a bespoke collection of crowd recordings from all over foggy London Town. We hand picked the finest pubs based on the locals and acoustics, with each recording offering a unique sense of space and character. From the sweet and quaint to the darn right scary, we shot them all!
Enjoy cutting crowds of all flavours; The pissed and disorderly, jovial folk waxing lyrical, raucous football fans, relaxed pub garden chatter, through-the-wall conversations, Quiz Night whispers, and a f*ckload more! This library is diverse, rich, and comprehensive. Whether your scene is contemporary or period, we’ve got you covered.
Obviously not a musical note in sight and where you need it most, we’re offering up two perspectives with our binaural quad recordings. With a little panning you will be immersed in your choice of London local… Drink up!
Los Angeles Skylines is the first release of the Series 2000 collection from Kai Paquin. This library features understated traffic beds to build Los Angeles city ambiances. Covering a variety of different locations from the coast of Santa Monica to the Mountains of Pasadena, this library contains over 4 hours of rooftop and overlook recordings.
Each location was recorded for 15-20 minutes so you can find a variety of interesting moments like sirens, street walla, and trucks while having the flexibility to cut around those moments or be able to reuse the same recording on multiple scenes without it repeating.
Additionally, the library was carefully tagged with metadata, including flags in the recording pointing out where moments that pop out of the bed are making it easier to find specifics to cut in or around.
Lost Transmissions is a collection of electromagnetic and radio recordings with an emphasis on communications gone wrong. Malfunctioning static, radio recordings, analog hums, designed passbys, & tonal/fluctuating noise. Lost Transmissions is another essential set of utilitarian libraries to add to your tool box. Recorded and designed by Jason Cushing (co-founder of SoundMorph).
Not only that, as a bonus we've also teamed up with and included Echo Collective's kontakt instrument “Squelch” and accompanying sample library, giving you an additional 100+ real radio samples to work with and playable radio instrument.
We recorded Madrid last winter, capturing 40 beautiful tracks in ambisonic format, 48Khz and 24 bits HD. As always, top quality recordings specially designed for film audio projects. The library was decoded and mixed in Dolby ATMOS.
Included Ambix Ambisonic, 7.1.2 Atmos Bed, 5.1 and ST versions.
Recordings from the Spanish capital. A collection of files containing a wide view of Madrid ambiences: Parks, streets, birds, city ambiences… 50 files of interior and exterior files recorded since 2009 in our city.
All the files have metadata embedded for great Soundminer type programs. They both include Spanish and English description.
MaK is a Kontakt instrument which replicates the sounds of a person using various computer keyboards, mice, or touchscreen devices. This allows you to very quickly perform the foley of using one of these devices via midi.
There are 15 devices available in MaK: 5 Keyboards, 5 Mice, 2 Touchscreens, and 3 digital keyboards. Each of these devices has been meticulously recorded at a number of different velocities for a very realistic playback performance.
The majority of the devices have 5 velocity layers; from soft to hard. Each of these velocity layers have 32 different samples: 16 for the press sound, and 16 for the release sounds of each device. That’s 160 samples per device! MaK will randomly trigger press and release samples for each layer based on the velocity you play the notes. Easy to use controls allow you to adjust additional layers of randomness in both velocity and pitch. All of this adds up to realistic devices, and convincing performance. This library requires the full version of NI Kontakt (not included)
Descend into the sinister depths of madness with MEMORIES, a fascinating sci-fi sound collection that genuinely brings a unique perspective in the indie science fiction framework.
If you are looking for big bold sci-fi futuristic sound design, MEMORIES can add a terrific touch of horror and tension to the darkest sci-fi installment for theatrical audience.
Featuring 280+ organic samples with embedded metadata and 10 categories from genre bender impact and hits, sinister tonal material, dark stingers, intricate glitched atmospheres and designed metal textures.
Kontakt Instruments are based on Photosynthesis an open source engine made by Jeremiah Pena from exoticstates.com. You can easily access filters, 13 effects, a rhythm section featuring a step sequencer, filter sequencer, 2 filter LFOs, and gain/pan/pitch LFOs. The samples can be used as regular .WAV files, but the Kontakt Instruments require the full version of Kontakt 5 (not included).
This bundle includes our popular Metal source material library and ALL future derived sound design libraries from Metal Hits, Scrapes & Squeaks. The first derived library is Metal Souls.
The Metal Forge ensemble included is a simplified version of our Forge ensemble. It comes pre-loaded with various Metal samples for the ability to quickly create new sounds from the provided material.
I spent a great deal of time exploring pitch manipulation with this library. Much of it relied on rendered processing to acquire the aesthetic that I wanted. My vision was to make something ethereal and vocal but also a bit vague.
Metal Hits, Scrapes & Squeaks
Props include objects such as sheet metal, sledgehammers, paint cans, metal buckets, metal grating, metal marbles, cups, pots and pans, dry ice (contributing squeaks and squeals), metal bars, metal stands, chains and more.
SSL15 Metal Workshop Session is a full angle recordings from a metal workshop. All the machines in all the formats and angles. Choose between the close 416 mono mic, with the full power of the engine, or the far or medium surround format recorded 5/20 meters away.
This way we managed to get all the sounds from the visit to the workshop!
Military Buildings is a collection of 5.0 room tones/ambiences and stereo & mono spot effects and activities recorded on location
We extensively explored an array of interesting locations centered around an Abandoned Military Facility.
• Jet engine testing facility with exhaust tunnel.
• Aircraft Hangers used during the late 70’s Cold War era.
• Bomb stores, purpose built for the cold war to secure nuclear weapons.
• Military Barracks.
• A large Squadron Building with unique decontamination stations.
• A series of old dilapidated barns on the site likely used for storage and general purpose.
• K9 Dog kennels, jail cells and an array of lengthy corridors spanning the site.
Our first task was exploring the base in its entirety to record high quality 5.0 room tones of each individual space.
Some of these unique spaces have been untouched since the 70’s and are thus in a state of disrepair. Paint peeling off the walls, cracks scarring each room, window, and ceiling. The dilapidated state of these rooms creates minute details in the sonic architecture which add depth, character and can give a clear indication as to the size of the spaces and so have been left in the recordings.
Next we set about recording spot fx with multiple perspectives (close up and wide) within the different spaces.
These spot fx include:
Doors (manual and electric), light fixtures, buttons/switches/levers, metal impacts, BG activities, compound gates, and any other fixture or fitting we could open, close, turn, twist, rattle, shake, impact
All of our sounds have been recorded in high-quality 24bit, 96kHz using Sound Devices recorders and Sennheiser, microphones. Each file has been tagged with detailed Soundminer metadata to speed up workflow and increase organization.
We’re proud to release our first premier race ambience library, as we continue our exciting journey in sound experimentation with spatial audio. The Monaco Grand Prix 2018 is a genuine sonic document of the 76th edition of the Grand Prix Automobile de Monaco, the world’s most glamorous race.
If you’re looking for unique and modern race engine sounds and ambiences to use in your commercial, movie, television or game projects, here you’ll find lot of sounds with different perspectives to start building real and tactile sport soundscapes.
We made use of two favourite Ambisonics microphones: the Sennheiser Ambeo and the classic Soundfield SPS200, recorded across our Sonosax gear (SX-R4+, SX-R4, SX-M32) and their amazing preamps, which digested the high SPLs of the high-performance cars.
But that’s not all: you’ll also find extremely accurate stereo recordings made with a Sanken CSS-5, an A-B Stereo Technique configuration with a couple of omnidirectional DPA 4060 and, last but not least, a custom MS rig based on a Schoeps MK 41 supercardioid capsule (Mid), plus a MK 8 figure-8 capsule (Side), amplified by their respective CMC 6 units.
Looking for radical transformations? We recorded everything @ 96 kHz, so if you want to turn a pass-by into a dramatic spaceship pass, you’ll be free from any sonic artifacts.
Motion Texures is a broad library with a narrow purpose: to draw sonic lines and create gently moving sonic textures.
The concept is that consistent sound of friction will translate well to visual design elements that have CG and text movement on screen.
We recorded the friction sounds of dozens of small to medium sized props in constant motion. Major categories include metal, plastic, cloth, wood and skin. Some of the most interesting sounds came from the props that had small cavities such as the spray can lid and the water bottle. The constant changing of the cavity state relative to the mics creates strange vocal sounds.
Once the sounds were recorded we employed a proprietary smoothing process as a second pass to the sounds and provided them in addition to the original textures. These smoothed out sounds still have the organic quality of the original recordings, but with far fewer transient events. The end result are sounds that feel straighter than the more circular sounding original textures.
Inside of the Kontakt instruments we stacked layers and effects to create a broad base of deep and interesting textures. Many of the Kontakt presets mangle the sounds far beyond recognition of the original recordings.
This library features 11 beautiful tracks in ambisonic format, 48Khz and 24 bits HD, with recordings of dune and desert wind, desert atmosphere, insects, distant waves, silent deserts & more captured in Namibian deserts. As always, top quality recordings specially designed for film audio projects.
Recorded by sound mixer and designer Jose Luis Alcaine Bartolome., and as always, decoded and mixed in Dolby ATMOS at AdHoc Studios.
Once again, we have mastered all the files in Ad Hoc Studios Madrid (link), Post Production sound studios certified by Avid and Dolby ATMOS, one of the best post-production facilities in Spain.
Nature’s Fury: Rain, Wind, Thunder is a massive collection of storm sounds to help you build your environments.
Whether you need a light rain ambience all the way up to heavy rain, howling winds, and cracking and rumbling thunder blowing through your scene – we have you covered. We even isolated some low rumbling thunder to be used in your sound design.
Consider this a storm toolkit that comes with three 4-minute long 5.1 surround designed thunderstorms to get you started!
One of the greatest cities in the world, New York is always a whirlwind of activity, with famous sites at every turn and never enough time to see them all. Some people come here to enjoy the Broadway shows; others come specifically to shop; and many come simply to see the sights: the Statue of Liberty, Empire State Building, Brooklyn Bridge, Central Park, historic neighborhoods, and numerous world famous museums. All of them offer unique perspectives of the city. Any time of year and any time of day there are an endless array of things to see and do in New York.
We visited New York last summer and once again, we have recorded recorded 22 beautiful tracks in ambisonic format, decoded and mixed in Dolby ATMOS at AdHoc Studios. The New York city sounds will give you the essence of the most iconic film city in the world. AmbiX First Order Ambisonic, Dolby ATMOS 7.12, 5.1 and ST files have been mastered with Pro Tools HD 2018 system are included in the package.
Nordic Nature is a collection of evocative and immersive ambiences recorded by George Vlad and Pete Smith over a three-year period across the wilderness of Sweden and Norway. It is available as 24/96 Stereo and Surround and features highly-detailed metadata and separate documents listing the species identified.
We both plan on returning to Scandinavia and these trips will result in at least two library updates.
This ambisonic library takes us to the historical centre of a magic city of Prague. A listener is surrounded by international crowds with lots of voices and footsteps in all possible distances. The soundscape background is complemented by diffused city noises of all kinds. And you can even meet a procession of Asian tourists!
Highlights:-16+16 crowd ambiences take place in narrow streets and large squares
-from decent pads to significantly sounding moments
-recorded on Sound Devices MixPre-6 and Soundfield by Rode NTSF1 ambisonic microphone
-both first order AmbiX and standard stereo files in the box
-96/24 resolution, 6.2 GB unpacked, 59.5 minutes of the original audio, 119 minutes in total
-all tracks are over 3 minutes length
3 mic perspectives give full coverage on an antique typewriter in good working condition. The typewriter had a loose front plate and we clacked, hit and dropped it for a wide range of cool typewritery sounds. The Kontakt instrument presets requires the full version of NI Kontakt 4.2.3 or later.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.