A pack of forty 5.1 high-definition surround effects with a L,R,C,LFe,Ls,Rs track layout.
Over two hours of Water, Crowds, Trains, Boats, Aircraft, Birds, Bees and Fireworks all in glorious surround, captured with high-end equipment at a range of locations.
Full Soundminer metadata embedded and a Excel spreadsheet included. Recording equipment includes Soundfield ST250 and ST450 microphones, DPA 5100 microphone, Metric Halo 2882 and ULN-8 interfaces and Sound Devices 788 & 744 recorders.
Impulse is a collection of “designed” impulse responses to expand your design palate, featuring a wide variety of metallic, wooden, glass, and icy reverbs, as well as some delays and effects. The IR included in this collection are unique “spaces” to help you take your sound design to different realms and planes of being. Why settle for just practical, real-world spaces, when you can explore the blurred lines between reality and fiction? Film, tv, and internet productions are exploring realms between conscious reality and the unknown – this library seeks to help you on those journeys.
Whether you’re looking for metallic, wooden, glassy, icy or even watery spaces – look no further. There are small, claustrophobic, metallic spaces; huge, thunderous spaces fit for a Greek god; icy castles only Superman could live in; strange delays that will have you bouncing around the room in a straight jacket; and crazy effects that will make you question your sanity.
The included track list gives short descriptions to help you find something to suite your needs. For example “Short Verb – Box Trap” is described as “Like you’re in a very reverberant, but small, bassy, wooden box.”
Impulse responses included:
• Short Reverbs
• Medium Reverbs
• Long Reverbs
A perfect tone. It’s the thing that you always wonder about when you play with your guitar. We know your needs. This collection of impulse responses, will finally unlock the character of your electric guitar.
It’s a unique collection of accurately sculpted cabinet tones for electric guitars and bass, made with a truly scientific approach focused on precision.
We physically reconstructed the impulse responses of the very best studio equipment, as well as the mic coloration from mathematically-modeled high grade dynamic, condenser and ribbon microphones. It’s a great companion for your convolution engine and amp sim, for the extra vintage feel and mighty character that you as a musician require.
The NRS quest for the perfect guitar tone continues. This time we have covered the grounds that are wild and hard to reach, for most. Our unique team of sound designers have, spent the last 6 months developing a brand new set of cabinet and mic impulse responses for you. Thanks to our custom mathematical equations and processing algorithms that aid us in accurate hardware modeling, we have reached a much wider than usual variety of sound possible.
The final result closes the gap between our previous release and adds an inspiring selection of new tones which will fit both acoustic guitarist and aggressive rock-roll head or pure bass guitar virtuoso. We can guarantee that you will be very positively surprised. Try our mic-coloring IRs for gentle character or creative use, or dive deeper into guitar and bass cabs, to enjoy an experience full of wonderful tones and possibilities. Buckle up, it will be a wild ride.
Make room for our groundbreaking Impulse Responses library! Yes, we are serious, it’s the high quality collection of experimental convolution samples that could easily, if unchecked, contradict the laws of physics and nature. These impulses were recorded and deeply-processed to create reverb tails with unique characteristics as well as creative effects that are not accessible or easily simulated in any other way. Prepare yourself for an immersive experience of sonic trickery applied throughout the included material.
We dive right into additive synthesis, to generate chord and tonal effects, then we throw away the rulebook for pitch-shifting and time-stretching, then we go even further with glitch-like effects; finally, we manipulated the timbres in combination with custom rhythmic-noise generation tools to create the extraterrestrial atmospheres that will let you turn any material into a completely unique experience.
These samples, are designed to be user-friendly, no unwanted resonances; but in the hands of the professionals, these deep impulses can be the new edge for mixing and sound design. Creating Hollywood-style cinematic-effects, futuristic-glitches and ambience goodness, was never so easy. Just drag, drop and feel the air shake.
Let’s continue our scientific journey into experimental-impulse-response research. This time around, we have developed a technique to produce outstanding rhythmic reverb spaces; utilizing intense frequency and amplitude modulation synthesis with the touch of granularity.
Some of them resulting in the most vivid and lush ambiences you could imagine, other with glitchy stuttery twists. Sounds that are truly out of this world, that can yet be tamed to fit your reality. Our impulses will reverberate clearly in your convolution reverb engine, without any harsh resonances or struggles with equalisation.
They are like pieces of glass, beautiful and clean with outstanding shapes and textures, yet coloured if need be. Trust your ears, these spatial shapes can be what it takes to transform your tracks into cinematic wonders or completely reinvent them as spatial masterpieces.
The journey continues. This time we focused our attention on resonant chambers, unusual small-spaces, rooms and corridors (spiced with unique tonal character). These impulse responses will put your instruments in tight-spaces that are unreachable in the real world.
Including organic, futuristic environments and psychedelic chambers, all surprisingly fitting in a natural way. Just for this project, we pushed granular synthesis to the limits, mixing it with great sounding analog gear and a handful of our special algorithms, to make sure we delivered the most versatile and dynamics-rich product. Everything is ready for professional use, right out of the box; thanks to the precisely controlled tonality of the IRs.
You won’t find anything like this in any other place, and we are fully proud of it. Just try it.
We are proud to present the next step in our impulse response research; Impulse Exploration 4. This time we have combined all the algorithms and processing techniques used in our previous IR-based products including FM, AM, time stretching, pitch-shifting, spectral-synthesis and multi-faceted manipulations, then added rhythmic elements, which result in tape echo-like sounds or metallic-comb textures.
All of these new impulses were optimized with a slightly soft-warm feel which perfectly fits the mix. It’s an entire world of brand new processing effects and possibilities which can be easily unraveled within any convolution engine, ready to be explored. We hope you enjoy the trip.
Have you heard about fractals, if so then you probably know that they can be used as art; to an almost-infinite detail creating mind boggling patterns. Luckily, it so happens that one of our core team sound-designers is also a well known fractal artist.
With the help of “photo-synthesis” and “spectral-manipulations”, we extracted the unique impulse responses straight out of some of the most mathematical pieces of art we have ever seen. These visually insane patterns resulted in some truly unique sonic experiences, which we have been unable to find anywhere else. More importantly, now you can add an extra layer of complexity and dimension to your sound with the easy-to-use impulse responses.
These are not the typical reverb tones that can be found or created, in most already-existing convolution reverb plugins.
Think about these Mathematical Impulse Responses, as unique effects and textures, a sound designer’s’ paradise. Make your math-rock mathematically richer than ever before, or give your EDM a new harmonically otherworldly twist, go where you want to go without the fear of being held back by the tools you use.
Let’s step into the wonderful world of classic hardware reverbs. The Lexicon legends; the 960, the 480L, the PCM90 and so forth used in thousands of tracks across tens of thousands of albums, and a number of the world’s’ greatest hits. Everyone knows what’s special about them, and how good they sound. We just love the natural beauty of the “Lexicon 960”, “Lexicon 480L” and “Lexicon PCM90”.
However, instead of giving you our sampled Impulse Responses from those marvelous pieces of audio engineering, we decided to step up the game and combine them into one new device. All three of them were combined into one product, thanks to the use of FFT algorithms and complex audio processing aimed for precision and sound quality.
The final result is just astonishing, we named it “Lexi”; a new hybrid with a natural and richer sound that keeps the warm tonal character of the classics. Our team also couldn’t resist to the temptation to push our audio-processing scripts to the limits, so you not only get the great sounding regulars, but also a few of the modern (both brighter and way deeper) Impulse tones that those original devices couldn’t produce. Now it’s your turn to decide which way you use them. Will it be the remaster of a classic rock song or the new EDM club hit? The decision is truly yours.
Indecent Machines is a sci-fi sample pack inspired by a concept of mechanical disrepair and emergent AI consciousness. It features 1.7 gigabytes of 24-bit/96khz samples and bundled Kontakt kits, created by producer/sound designer Chad Glenn.
These sounds originated from field and studio recordings of various machines which were then processed through custom DSP algorithms using Kyma and other sound design tools.
The result is a unique set of mutant robotics, mechanical snippets, evolving textures, rhythmic artifacts and menacing atmospheres appropriate for music and sound design projects of all kinds. Features 347 .wav files and 5 Kontakt kits (full version of NI Kontakt required for the Kontakt files).
“Infinite” specializes in dark drones, wide ambiances and thrilling textures that play with great depth and large stage.
Each of the 160 included samples was carefully handcrafted by treating various sources with a complex chain of hardware FX units. The resulting sounds can be used out of the box whenever it comes to the creation of impressive background layers or establishing otherworldly movie scenes.
The library contains two folders: North and South.
The sounds in the North folder still have trace elements of harmonic structures while the South folder provides textures without decent pitch.
All contained sounds have looppoints embedded so that they can play infinitely in the true sense of the word.
This is achieved best with the two additional Kontakt 4 instruments that have all sounds layered across the keyboard.
Nevertheless, the delivered WAV files can be loaded into any modern software sample with loop support.
Do you want to add a bit of mystery, depth, tension to your ambience stem and influence the emotional state of the listener?
Insectus is a special Ambisonics sfx library: we’ve been through lot of experimentation in that time with different approaches regarding the best way to deliver this bizarre package of sounds.
So what is it exactly? Just think about the sound-designed material as a background sweetener. We’ve called it Insectus not only for its Latin roots, but also because it comes from the fusion of two word: Insect+Tinnitus.
We used the higher octave of the spectrum in an odd way, mimicking insect vocalization and biophony sounds in Symbolic Sound Kyma by layering a lot of synthesised stream of small band of very high frequencies (hence the inspireful source name Tinnitus).
Now you can create soundscape by layering, rotating, expanding and shrinking the FuMa/ambiX file. You can also re-construct the 360° sound panorama from binaural up to 7.1 surround.
You’ll find 100 loopable variations of FOA FuMa/ambiX interleaved files (4 channels), with a duration of 30 seconds each.
Here you can find 61 HD quad surround ambiences of the wild North European nature. They were recorded during a two-week recording trip on foot and by rowing boat in the hot July of 2018 at the heart of the national park in Karelia, North-Western Russia. Spacious, transparent, immersive and absolutely free from any technogenic and anthropogenic sounds. Still air and wind through grass or trees. Birds and insects from single and sparse at the cloudy morning to dense and busy at the hot sunny noon, a mosquito chorus at dawn and ear-piercing grasshoppers at sunset. Distant thunder rolls and disturbed Arctic Loon, huge old trees creaking and grumbling in the wind.
10 % of the library’s revenue goes to nature preserves and animal shelters.
This second volume comprises 71 quad surround ambiences of the hot summer at the national park in Karelia, North-Western Russia. Carrying you away into the land of Mother Nature, untouched with technogenic and anthropogenic sounds. Busy morning of birds and insect in a marsh, streams in forests and a beaver’s dam, a rapid roaring river in a canyon. Mystically whispering and aggressively chattering winds through reed. A swallow feeding their nestlings in front of the microphone. Still evening over lakes with echoing voices of a Hobby falcon, Arctic Loon calls and splashy takeoff runs. Otherworldly silent night with Longhorn beetle larvae creaking communications in the trees at the shore, a bat at 30 kHz and a large beetle cruising around the mic like a helicopter with rumble down to infrasound.
10 % of the library’s revenue goes to nature preserves and animal shelters.
Khao Sok jungle is a unique collection of 30 sounds from Khao Sok national park in south Thailand.
This natural reserve is the oldest evergreen rainforest of the world, it contains more than 1,500 species of tree and plants and over five percent of the world's animal species.
All these sounds has been recorded and produced with high quality equipment and a lot of patience.
In addition to that, 2 bonus tracks from the Mekong delta are included to this library for free.
This library provides authentic and interesting sounds of wild nature, caught with DPA and MBHO mics powered by an Aeta 4minX at 24/96Khz in multichannel.
All Faunethic tracks includes metadata carefully edited, compatible with Soundminer, Soundly and Basehead.
The city of Kolkata, India, is one of the sonically richest locations in the world. This library features over 25 locations and 276 files of both day and night time recordings in 5.1 and stereo formats. Feel the relentless energy of Bagbazar Street, the traffic rumble over Howrah Bridge, walk through the flower market along the Ganges river, and much more…
Kyma Ambiences vol.2 follows the traces of the original collection dated back 2013, but this time it’s bigger and immersive. It contains 100 abstract and evolving ambiences created with our beloved Kyma sound design workstation. Due to the increasing demand of spatialized content for game and VR/AR project, this inspiring collection has been entirely designed as a spherical representation of sound natively in 3rd Order Ambisonics by generating all the Sounds in Kyma and mastering them in Pro Tools through a custom analog setup (Looptrotter Sa2Rate+Elysia xfilter 500+TK Audio BC501).
Ambisonics is a multi-channel technology that lets you spherically capture the sound arriving from all directions, at a single point in space. I used state of the art tools to forge these modern and cinematic soundscapes by blending many encoders to inject different colours into the design process. Each virtual 3D sound environment has been carefully constructed by layering and placing Kyma Sounds at different locations in a virtual three dimensional field using the Audio Ease 360 pan suite. I captured real spatial sound with the AMBEO VR Mic to be encoded-transformed-decoded using Kyma Ambisonic Tookit (1st Order) and then up-mixed to 3rd Order with Harpex-X and PerfectSurround Penteo 16 Pro to extract the maximum amount of spatial information.
“Kyma Ambiences – vol.2” is available in three variants:Stereo Edition:
2 channels interleaved files (100 items)
Size: 3.48 GB
1OA (first-order) B-Format AmbiX:
ACN channel order & SN3D weighting/normalisation: W/Y/Z/X
4 channels interleaved files – ready to use stereo versions are included as well (100 items)
Size: 6.94 GB
3OA (third-order) B-Format AmbiX:
ACN channel order & SN3D weighting/normalisation: W/Y/Z/X/V/T/R/S/U/Q/O/M/K/L/N/P
16 channels interleaved files – ready to use stereo versions are included as well (100 items)
Size: 27.82 GB
If you want to use the 1OA b-format file directly in your VR/AR project, simply keep only the first 4 channels (WYZX) dropping the other ones (TRSUQOMKLNP)
Audio Format: Interleaved Broadcast Wave Files (.wav)
Sample Rate: 96 kHz
Bit Depth: 24-bit
Sometimes emotion comes when you feel together as one. This is happening in stadiums, arenas, demonstrations when people are as one voice. This collection gets you the power of the crowd. People will go through various feelings, sometimes silent or very noisy, you will be able to cover a lot of situations with it. Moreover ambisonic format-B 3D recordings are great to enhance those kind of situations.
Often majestic, big interior spaces are beautiful sets. We created this collection to help you bring some life into them. To take full advantage of those sets, there’s nothing quite like Ambisonic and its faithful sound reproduction of its acoustics in 3D.
This library can be used for a huge range of dynamic foley, ranging from subtile clothing movements to impacts and many more.
Works great with Reformer Pro but if you don’t own the plugin, you can still purchase and use the sounds in this pack separately.
Little Boxes is a curated collection of four unique sound sets designed to compliment one another sonically and texturally. These textures move from acoustic to electroacoustic to analog synthesis – all programmed into beautiful Kontakt 4 instruments (full NI Kontakt
4.2.3 or later required).
A small device meant to be hung flat on the wall, the balls will swing and strike the strings if the ground begins to move.
This box was shaken, plucked, strummed, performed and ebowed to produce a beautiful palette of acoustic string textures.
In Kontakt those sounds evolved into a group of instruments that ran from folksy, zither like patches to lush, shimmering pads.
Get a huge variety of simple or complex lockdown mechanism sounds with a wide array of different latches and impacts with Lockdown, a performable Kontakt instrument and sound effects library.
We brought in dozens of props big and small to generate a massive array of source material recorded at 24 bit 192kHz. These included cameras, carabiners, wrenches, rack cases, knives, can openers, tongs, crimpers, solder suckers, file cabinet doors, vehicle doors and servos and much more – all with multiple unique performances per set.
Great care was taken to record each performance with the highest sonic quality and detail. We chose a pair of MKH50s in XY as our primary setup, creating a big, clean stereo image on every sound.
The designed collection uses samples based on the elements recordings that have been transformed into entirely new and different sounds using heavy processing and layering. It was created to produce interesting design and transition sounds quickly and easily. Lockdown includes over 500 fully lockdowns of all sizes and scales.
This is a collection of sounds recorded at various locations in London, UK. Recordings of landmarks such as Trafalgar Square and Elizabeth Tower (Big Ben), various London streets, and green spaces are all featured, totalling 127 minutes of ambisonic audio, with an average length of 6 mins 22 seconds.
The files have been decoded to AmbiX, but can be converted to FuMa with the free Ambi Converter from Noise Makers, or decoded to any format from mono to 7.1.2 Atmos using Harpex-X or the free Røde Soundfield plug-in.
No noise reduction has been used, apart from on the recording of Big Ben, and the unprocessed version is also included.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.