More than 120 room tones in 5.1 surround sound (7 GB)
• Living room, bath, kitchen, office, heating, fans, clocks
• Cleaning, working, natural noise, humming, buzz, soundscapes and more
• Recorded with INA 5 surround microphone array
• Compatible with ITU-R BS.775 recommendation
• Realistic room impression and sound location, true to original sound color
• Perfect balanced surround sounds for drag and drop integration in Cinematics, games, radio plays
• 24 Bit / 96 kHz / low noise recording
• Interleaved surround sound file (L/R/C/LFE/LS/RS), simply drop into your DAW
• EBU/BWF and WAV-Metadata made with Soundminer for use in any DAW
• Equipment: INA 5 surround microphone array, RME UCX, RME Quadmic 2
Dehumaniser 2 is a powerful vocal processing tool perfect for creature sound design. Utilising incoming live or pre-recorded signals, the software allows you to dynamically tailor effects while creating multi-layered sound instantly.
Perfect for audio professionals, this versatile tool makes a strong addition to any film, TV or video game post-production process. Its flexibility also makes the plugin ideal for use in live environments, including theatre performances, Halloween attractions or voiceover/dialogue sessions.
Ships with over 100 monstrous presets and 133 high-quality animal recordings, including Tigers, Leopards, Pigs, Parrots and more.
Water in pipes-sounds are very useful for illustrating places like sewers, underground caves and cavities, or simply a shower room. This collection delivers you water flows and leaks from a range of pipes and cavities – from large drain pipes, tunnels to drips in a bathroom.
Drive My Car is a collection of 56 sound files from 9 different vehicles. From sport cars to electric compact cars you will certainly find one that will match. All of those sounds are in ambisonic B-format. Get ready for an an immersive vehicle passenger compartment sound collection.
The first VST/AAX/AU plug-in from SoundMorph, DUST is a synthesizer plugin based on a real-time particle simulation, where each particle is a separate granulating sound source. The motion of each particle is determined by the flow field, which determines the force applied to each particle at each point.
Just like how the flow of a river determines the path of a leaf floating down in it. This is our most ambitious software release to date, and you are going to love it! Not only is DUST addictive to play with, but it generates some of the coolest sounds you've ever created.
• Presets by Richard Divine, Ivo Ivanov, Robert Clouth, Yan David
• 8 particle emitters
• convolution reverb
• Binaural Audio Panning
• Save and recall presets
• Custom Flow Field equations
• over 60 sounds included
• import your own sounds
• 4 modulation options on parameters
• Available in VST, VST3, AAX and Audio Unit format
• Compatible with Mac and PC (32 bit and 64 bit)
• Compatible with most major Daws
An Intel® Mac with Mac OS X 10.9 (or later), OR a PC with Windows 7 (or later); Multicore processor; 2 GB RAM; 1024×768 display.
This library is a bit different from the rest. Dx (“Diagnostic”) is a grouping of different audiometric and audiological elements in a neat, diversified package. Our goal was to aggregate audio tests from multiple disciplines and build them into a one-stop-shop collection that most sound designers, engineers, researchers, and artists could utilize as a mainstay in their audio toolbox.
In this collection you will find sets of: binaural beats, audiometric sweeps, full frequency sweeps, multi-spectrum noise, spatializations, resonance tones, impulses, dynamics tests, intermodulated distortion tests, aliasing tests, phase tests, and a few fun examples just for kicks.
These diagnostic sounds are provided in 96kHz/24-bit, 48kHz/24-bit, and 44.1kHz/16-bit resolutions. There are various length and loudness combinations as well, so you don't have to edit these files to use them for their intended tests. That being said, this diagnostic audio can also be used very quick and precise ways in layered SFX designs. Because they are so specific in their development, they can be used with an automatic mathematic disregard…and that, is a good thing.
Quick, clean, and precise. Enjoy.
This library is the result of a really special recording trip, with field recording legend Chris Watson. Chris Watson's work as a wildlife sound recordist has covered television documentaries and experimental musical collaborations. We spent 4 days in Delta Ebro learning from him!
We recorded in ambisonic (Zoom F8 and Sennheiser Ambeo VR Mic), and decoded and mixed in Dolby ATMOS at AdHoc Studios.
We recorded 13 beautiful tracks in ambisonic format. As always, top quality recordings specially designed for film audio projects.
EDV3RB is designed to be a complete toolbox to create a realistic sounding room atmosphere up to 5.0 surround.
A full 5.0 Surround WAV-file of each room in different perspectives will give you the base and the real sound of the location.
With the exact same room as an Impulse Response you’ll be able to add all types of different sounds to the ambience to get a perfect natural-sounding environment.
EDV3RB’s Impulse Response Library is made for the IR-Reverb PlugIns Audio Ease Altiverb, Avid Space, Waves IR-1 and others supporting WAV impulses.
Bunker 101 • Carlsberg No 19 • Carpark Big • Carpark Small • Der Saal • Factory Hall Big • Factory – Furnace • Factory Hall Huge • Factory Hall Small • Factory Tunnel • Kitchen • Living Room • Living Room II • Sleeping Room • Staircase
• EdV3rb Stereo
• EdV3rb 5.0 Surround
• EdV3rb 5.0 Surround
• 24 bit / 96 kHz
• 24 bit / 48 kHz
• 24 bit / 96kHz
Eerie Forest is a collection of subtle ambiences recorded at night in dense forests in the regions of Transylvania and Moldova, Romania over two trips in Spring and Autumn 2017. The library features soft wind, distant hum, vegetation rustles, dogs barking at various distances, church bells tolling, a variety of owl species and other birds like ravens and woodcocks. All these elements are not foreground, but rather washed-out, echoey and atmospheric.
Eerie Forest is not suitable for foreground sound elements as the recordings are very soft and subtle. Make sure you check out the demos before you purchase.
ENFORCER, a bass plug-in that adds irresistible punch, powerful body and a rigorous low-end bass impulse to your samples.
You can heavily beef up sounds or add only a hint of weight. You can use it as a kick-drum synth, exchange kick drum tails and tune them easily using semitones or you can completely exchange given source sounds.
ENFORCER – A scalpel for punch with unmatched precision.
WHAT IS ENFORCER?
Ever wasted your time adding sub sweeteners to every single shot of a fully automatic weapon? Ever got stuck layering a kick drum with controllable and tunable low-end or enhance live drums with well defined punch? Having a hard time adding steady weight to every single footstep? Look no further, Enforcer is the Swiss Army Knife for punch, low-end, sub power, kick… you name it.
• A highly requested Midi-mode
• Phase invert
• Link hi and lo pitch
• 15 new presents
MACHINE LICENSE: This activation option is FREE. You can deposit the software license on the computer where you’re running the software. You don’t need an additional iLok USB device. All you need is a valid account on www.ilok.com and the free iLok license manager software.
USB-DONGLE: If you already own a 2nd generation or newer portable iLok USB device, you can deposit the license on the device instead of your computer. Please note that a lot of software plug in creators use the iLok system, so if you already own a 2nd generation (or newer) iLok USB device, you don’t need to purchase another one and if you purchase an iLok USB device now you can use it with software from other manufacturers (one iLok to rule them all).
An iLok device can be purchased directly at ilok.com or – if you want to purchase from outside the USA – here. Additionally, you can get an iLok device from the most music or audio software retailers.
This library is a collection of a wide variety of sounds recorded with high quality equipment over the past few years.
Most of the sounds are field recordings or otherwise raw without any processing such as noise removal, EQ or compression, but still mostly curated and edited so that it's fast to start using them in your projects.
To celebrate the end of one era I decided to put together most of my recordings as one library, it's including recordings with different techniques – from the electromagnetic fields of iPhone and a contact-mic'd sewing machine, to ORTF-stereo atmospheres of greenhouses, and gardens full of crickets recorded in ambisonic, and much more. 45 GB of material should cover your needs for some time :)
I hope it's useful as a source of ready-to-use sound effects, but also as material and inspiration for something more. High quality and high sample rates allow you to manipulate the sounds a lot without losing their energy. Have fun with the library!
To set an exotic scene, or to illustrate a different and luxuriant nature, exotic birdsong is a great asset. Even if it is very difficult to identify each of them, the bird's songs of this collection will bring you far from home. Feel surrounded by those songs recorded in Brasil, Thailand, Maldives and France.
Surround Sound LAB is proud to present our first ambisonic library decoded and mixed in Dolby ATMOS.
After several months recording around Madrid, we are including 22 tracks in ambisonic format, 48Khz and 24 bits HD of Far city Ambiences.
As always, top quality recordings specially designed for film audio projects.
This time we have mastered all the files in Ad Hoc Studios Madrid (link), Post Production sound studios certified by Avid and Dolby ATMOS, one of the best post production facilities in Spain.
We have decoded all the First Order Ambisonic recordings with the HarpeX plugin into a 7.1.2 Dolby ATMOS bed configuration, using the top channel to create totally outstanding ambiences tracks ready to use.
We want to let you know that Surround Sound LAB. new releases will be in Ambisonic format. This way you will be able to decode it from mono to Atmos systems. Also it's important to think in ambisonics as the way to go for VR – and we are ready for it.
This fire collection is about small and unusual burning material. Here is great material that will fuel a large fire. Torch sounds recorded inside and outside. Flame with carbide chemical fire and Nitro gas burning. Pure flame sounds that become massive when slowing them down. And a gas flame thrower that will burn you down. Always ambisonic, definitively immersive.
A collection of fireworks sound effects, mostly recorded from the launching area, close to the mortars for some big booms and fuse sounds. Of course you will find classical fireworks atmosphere here too. And if you are looking for rocket sounds or loud blasts, you should try slowing them down.
Last September we celebrated holidays in our new town, and we recorded more than 20 minutes of the firework night show from a close position. We recorded it in ambisonic (Zoom F8 and Sennheiser Ambeo VR Mic), and decoded and mixed in Dolby ATMOS at AdHoc Studios.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.