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Home Materials & Texture Rock / Stone

Rock / Stone

Rock sound effects

  • Foley Rummage Play Track 733+ sounds included $32 $9.60

    Rummage is a collaborative sound library from SoundBits and Glitchedtones with a focus on unsystematic searches through everyday items.
    Created especially for projects calling for careful, hasty or frantic rummaging, these 733 files offer up plenty of variation to cover a wide range of scenarios. Featuring searches through paper, pockets, trash, wallets, retro media, wood, tools, bags, wardrobes, metal and lots more… your movie scene, game environment or even music production in need of some Rummage, is covered, or more appropriately, uncovered!”.

    70 %
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  • Rock / Stone Ringing Rocks Play Track 500+ sounds included, 27 mins total $79

    Ringing Rocks has the chiming, beautiful tones of an ancient boulder field. As hammers strike stone, the powerful clangs resonate like church bells and bring to life a natural sonic wonder. Plus, you receive many types of melodic tones, hammering rhythms, grinding metallic stone, resonant scrapes, and much more. If you need rocks unlike any you’ve heard before, listen to Ringing Rocks.

    2% for the Planet:
    Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!

    Key Features:
    • Featured on Designing Sound: “Our Favorite Sounds of 2016
    • 237 files, 500+ natural chime and bell-like rock sounds
    • Captured in 192 kHz for exquisite detail and sound designing potential
    • Location: Near Upper Black Eddy, Pennsylvania
    • A small hammer, medium sledgehammer, and crowbar were used to create a variety of timbres
    • Audio files with single rock strikes alone
    • Audio files with many sequential, varying strikes
    • Resonant scraping of hammers on rock for tactile textures that are perfect source material for rich metallic drones

    How It’s Made
    Read the full story of these mysterious rocks on the – A Sound Effect Blog!
    Gear Used:
    Sennheiser MKH 50/30 MS pair
    Mid/Side recordings decoded to LR stereo
    Sound Devices 702
    Rycote AG MS Blimp
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  • Impacts, friction, and destruction of large objects on wood, various metals, dirt, leaves, glass, plastic, brick, and concrete! There’s no shortage of destruction and debris in this library with over 350 sounds to choose from.

    These files were recorded at a destination of a heaping pile of debris waiting to be hauled to a landfill. Whether you need smashes, thuds, heavy falls, glass breaking, shingles scraping, shovels digging, wood and metal bending and creaking, and hoisting large objects followed by destruction this library has got your back. Combine these files to create the most epic destructions or use them by themselves for direct impacts or friction of materials. Enjoy You Me & Debris!

    ​The sounds were recorded in stereo at 96 kHz 24 bit. The equipment used was a Sony PCM-M10 and the files were processed, edited, and mastered in Reaper.

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  • Enjoy this freshly recorded library of Rock n Roll Hits, “Literally”. These Rocks were recorded in the Mountains of Lake Tahoe and the Desert of Palm Springs. Boulders, Crunches and Hits. Recorded in Stereo at 192kHz, 24 bit and Mastered at 96kHz with Embedded Metadata. Enjoy!

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  • Foley Vaeyan IV Play Track 1000+ sounds included, 122 mins total $38

    Vaeyan IV delivers a massive set of assorted sound design ingredients for your audio alchemy. It includes assets captured from natural ambiances, vehicles, tools, cameras, slingshots, scissors, clay whistles, flutes, ceramic jars, dumpsters, kitchen appliances, deconstructed fans, toys, doors, windows, vintage furniture, fountains, projectors, and even a slap bracelet. That's right, a slap bracelet.

    As with Vaeyan I, II, and III, this is a huddling of field recordings and sound designs that do not quite form a library on their own. However, together they make up an audio FX treasure chest gleaming with gold and silver audio loot!

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  • Need rock impacts or dirt debris for your projects? Then you're in luck:

    This library offers rock impacts on iron/metal, wood, concrete + dirt & pebble debris – more than 300 files total.

    Here's what you get:

    • 84 files: Rocks rolling down hill
    • 55 files: Concrete impacts on rock
    • 37 files: Rock impacts on iron/metal
    • 96 files: Rock impacts on wood (48 mono files Mkh416, and 48 mono files of Mkh8020)
    • 103 files: Dirt/pebbles/bark debris impacts on Rock/wood/ground. Long rains, and short impacts

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  • City Life Vaeyan I Play Track 228+ sounds included, 40 mins total $23

    This is a special assortment of design fragments from Eiravaein Works.  Libraries in the Vaeyan series will be produced over time as new assorted concepts are explored and designed.  A welcome addition of flavor for any sound designer's archive!

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  • Echo Peak presents: Rock Falls: Recorded in the deserts of Southern California, this collection is perfect for anything from precarious cliffside action to superhero punches. Over 40 rock on rock impacts recorded with an MKH416 into a Sound Devices 788T.

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  • An onslaught of movement and force using various granularities of dirt-like substances. It's all in the name. Dirty, gravelly, and ragged.

    In this library you will find a myriad of gritty movement sounds derived from 4 different granularities: Course, Medium, Fine, and Ultrafine. There are sweeps, smears, crushes, scatterings, drops, scrapes, rubs, and more, with multiple variations of each. The assets chain together particularly well so that you can use them to make long continuous runs.

    The timbre and dynamics of these sounds lend them to be used for many different designs than just scrapes and scratches, such as movement in snow or sand, powerful bursts, high energy flames, shifting heavy objects, large beast vocalizations (dragons, anyone?), and more. As well, their metadata is organized conveniently to allow you to grab chunks of variations on similar movements and drop them into your favorite audio implementation software for quick assignment to random containers or sequences for an asset or call.

    This library will almost always find itself being thrown into a creative media project one way or another. Its full of a particular cornerstone sound that is essential to any sounds designer's toolbox.  And with such a variety and versatility to explore, we promise it will serve you well.

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  • Rock / Stone Falling Rock Play Track 109+ sounds included, 9 mins total $39

    • In Falling Rock, get a impactful collection of resonant rockfalls made from the volcanic rocks of the Davis Mountains. Throw hulking rocks down narrow ravines and hear clattering impacts with intense, extended energy. Hear miniature echoes of small stones pinging and gunshot-like reverberations from boulders thrown from clifftops. Hear the thick weight of boulders smashing and symphonies of rock careening down canyons.
    • This library offers you an extensive collection of rocks, thrown with great effort, from lofty desert clifftops and down bottomless, echo-filled gullies.

    2% FOR THE ENVIRONMENT:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!

    KEY FEATURES:
    • Boulders thrown from clifftops
    • Boulders thrown down narrow rocky canyons
    • Small, mid-size, and large volcanic rocks
    • 109 impacts
    • Most impacts have extended tails (of 4 to 10 seconds) as shattered bits careen down cliff sides and canyons
    • The pitch shifted demo is the normal demo at half speed. 
    • Please note: the “Pitch Shifted Demo” was made to demonstrate the potential of the sounds in this library. However, Falling Rock does NOT include pitch shifted sounds, only mastered field recordings.

    TEXT MARKERS:
    •Named markers are included in each file to help find interesting events in files with multiple variations.
    •Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    BLOG POST:
    • Read the full story here: “Why Rock Rock for Creature Sound Design” 
    FILE LIST & METADATA:
    • View larger version or Download CSV.
    MORE INFO:
    • Read 40+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files. 
    GEAR USED:
    •Sennheiser MKH 8040 Matched Pair in ORTF
    •Sound Devices 702
    •Rycote ORTF Blimp
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  • Rock / Stone Rock Creatures Play Track 900+ sounds included, 39 mins total $79

    • In Rock Creatures, get a visceral collection of guttural and grating vocalizations from the volcanic rocks of the Davis Mountains. Scrape rhyolite with intense pressure and hear guttural screeches with vigorous, physical energy. Hear the thick weight of boulders growling and frenetic stutters of rocks performed to sound like animals. Hear textured squeaks of small stones sliding. Hear rocks rich in titanium clattering to create otherworldly harmonics perfect for creature sound design.
    • This library offers you an extensive collection of rocks painstakingly performed to bring these inanimate objects to life and transform them into intensely vocal creatures.

    2% FOR THE ENVIRONMENT:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!

    KEY FEATURES:
    • Rocks performed to sound like creature vocalizations
    • Resonant scrapes with shifting harmonics
    • Small, mid-sized, and large rocks
    • Thick grating boulders sliding
    • Squeaking scrapes
    • Titanium rocks rattling and clacking
    • Scraping, grinding, and rasping stones
    • Types of rocks/minerals: rhyolite, quartz, and in unidentified rock I marked as “titanium rock” in the metadata due to its high rating on the Moh’s Hardness Scale.
    • Combine these rock vocalizations with the massive impacts in SD10 Falling Rock or the resonance of SD02 Ringing Rocks for infinite creative possibilities.
    • The pitch shifted demo was made from excerpts of the normal demo at half speed. 
    • Please note: the “Pitch Shifted Demo” was made to demonstrate the potential of the sounds in this library. However, Rock Creatures does NOT include pitch shifted sounds, only mastered field recordings.
    TEXT MARKERS:
    •Named markers are included in each file to help find interesting events in files with multiple variations.
    •Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    BLOG POST:
    • Read the full story here: “Why Rock Rock for Creature Sound Design” 
    FILE LIST & METADATA:
    View larger version or Download CSV.
    MORE INFO:
    • Read 40+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files. 
    GEAR USED:
    •Sennheiser MKH 50 and 30 in Mid/Side
    •Sound Devices 702
    •Rycote MS Blimp
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  • Destruction & Impact Gravitas Play Track 428 sounds included, 13 mins total $33

    To build the range and palate of character that we needed for this collection, we transformed community park and green-way bridges into large-scale percussive instruments. We sought out 12 very special bridges in particular locations and sampled many different performances on them to elicit the right sorts of impacts that we were looking for.  Each performed impact has 3 layers, 2 mono and 1 stereo, all with different perspectives due to mic placement.  These sounds are highly dynamic, containing an artful blend of the locale they were captured in, and can add some very rich color to any explosion, impact, or crushing event in your editing mix.  Go ahead and do your best (or worst)!

    These sounds can take a beating.  Enjoy!

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  • Go (Baduk/Weiqi) is Asia's infamous and ancient strategy game. Incredibly popular in Japan, China, and Korea for over 2000 years, it rivals chess for the world's most challenging strategy board game. “Game of Go” presents the game's iconic sounds characterized by stone pieces clicking down on a thick wooden board for use in film, game development, and beyond.

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  • From creating the breath of a behemoth, to the palpable aura of an ambiance, this is a plethora of contact mic goodness providing you with frequency-deep content for layering, embellishing, bolstering, and new sound creation.

    Contact mics are delicate creatures. They can give you insights into the most excitable yet unheard facets of a soundscape, and then almost immediately get destroyed by the slightest of impacts. We're just going to forget about how many incredible captures were thrown out of the running for this library due to such slight disruptions, and instead focus on the positive: this is a huge collection of super flexible, totally malleable sounds. One of our favorite libraries to make because it satisfied the inner tinkerer's ear, Outward Inversion is our microscope applied to the aural world.

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