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Home Materials & Texture Sound Effects Rock / Stone Sound Effects

Rock / Stone Sound Effects

Rock sound effects

  • Destruction & Impact Sounds Cracks Play Track 800+ sounds included, 200 mins total $43

    CRACKS is a large exploration of different cracking sound sources – cracking, crunching, breaking and creaking.
    I have recorded a number of different materials, designed and processed to create some more aggressive, powerful and ready-to-use destruction sounds.
    Bread, Cardboard, Celery, Ceramic, Chips, Glass, Ice, Icy vegetables, Leather, Paper, Pasta, Plastic, Polystyrene, Rocks, Snow, Wood.
    The library contains over 444 sound files – around 2,5 hours of sounds included in total.
    Originally recorded at 192 kHz with two Sennheiser MKH8040 and a Sound devices 702.

    Each sound file has been carefully named and tagged for easy search in Soundminer and is Universal Category System (UCS) compliant.

    (see the full track list below).

    Update 3 – New sounds added to the library:
    Cracks has been updated with 71 new recordings, and completely renamed and tagged in UCS .
    A total of 2 GB of free additional content, bringing the total library size to over 7 GB in 515 files.
    Update 4 – New sounds added to the library:
    Cracks has just been updated with 73 new files, more rock, ice and wood cracks.
    A total of 1,8 GB of free additional content, bringing the total library size to over 8,5 GB in 586 files.
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  • Bundles Geophonic Design Bundle Play Track 166 sounds included $39.50

    Geophonic Design Bundle is a diverse collection of unique and abstract designed sounds with infrasonic frequencies which go as low as 10Hz. The bundle includes three libraries with a total runtime of 217+ mins (7.01 GB) that have strong sci-fi & horror vibes perfect for your films, video games, documentaries and other projects that require a mysterious and ominous soundscape.

    Our Audio Craftsmen used a ‘Geophone’ which is a seismic measurement device used to record seismic waves and vibrations of the earth, to record low heavy vibrations and rumbles of various surfaces and materials, hits and interactions of wood, metal, trees, soil, clay and other natural ingredients. We have also captured sounds from window glass, busy roads with vehicle pass bys, metal posts and rails with impacts, water passing through pipes, metal containers, plastic buckets and much, much more.

    All of the included sounds were then precisely edited and designed by our dedicated in house team to build ambiences such as: outer space, underground bunkers, submarines, weather stations, underground sewers, a labyrinth of metal pipes, nuclear wastelands, research bases, boulder movement, metal ghost voices, spirits calling, subsonic water texture, tree bark connection, wind interference and many more. In addition, all the files are available in 24Bit 96kHz and with UCS compliant metadata to integrate seamlessly with your workflow.

    The sounds will also make a great addition to your library as layered textures, to build a mysterious atmosphere in your projects, and will be perfect as drones and ambiences for futuristic, sci-fi and horror scenes.

    You will be saving 25% of the total cost of the individual libraries when purchasing this bundle, an excellent value for money addition to your sci-fi/horror sound effects libraries.

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  • Game Footsteps is a professional foley studio recorded sound library featuring 1655 footstep sound effects across 20+ surface types and shoe aesthetics. With a focus on recording with boots and sneaker shoe styles, you’ll hear just about every surface you’d hear in games and film. Find hard surfaces like cobblestone, brick, concrete to softer surfaces like sand, wood, snow gravel & more. Most footsteps include different pacing patterns such as: walking, walking slowly, running and jumping. Any movement pace is covered.

    • 1,655 footstep sound effects
    • 22 surface types and shoe aesthetics
    • 59 glued files
    • 774.1MB of sounds
    • All in 96k 24bit .wav
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  • The “Crash & Smash – Designed” sound effects library contains 350 sounds of destruction.

    You get 5 categories (Glass, Metal, Stone, Wood, Plastic) each with 50 edited, layered and designed sounds of destruction and demolition. Additionally you get 100 mixed heavy Crash and Destruction Sounds in 5.0 Surround.

    These were fully created and designed in surround not just upmixed. You also get the downmixed versions in 2.0 Stereo.

    All sounds were designed from the original Crash & Smash.

    You can easily create a vast amount of new crashes by combining, layering and arranging these sounds. Comes with embedded Sound Miner Metadata.

    Available in two versions:

    Crash & Smash – Designed (Full):
    Number of files: 450 Files (350 in stereo + 100 in 5.0 Surround)
    Quality: 96kHz / 24bit / Stereo
    Total Size: 2,99 GB

    Crash & Smash – Designed (Stereo only):
    Number of Files: 350 Files
    Quality: 96kHz / 24bit / Stereo
    Total Size: 1,45 GB

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  • Break’n’Shards is a high-resolution, ultrasonic-grade library about much more than hitting and breaking. Its also about shards: stepping, jumping and stomping, friction sliding, scooping up, pouring ground and more. Bright, sharp, screeching and crackling delicate details.

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  • Foley Sound Effects Vaeyan IV Play Track 1000+ sounds included, 122 mins total $23

    Vaeyan IV delivers a massive set of assorted sound design ingredients for your audio alchemy. It includes assets captured from natural ambiances, vehicles, tools, cameras, slingshots, scissors, clay whistles, flutes, ceramic jars, dumpsters, kitchen appliances, deconstructed fans, toys, doors, windows, vintage furniture, fountains, projectors, and even a slap bracelet. That’s right, a slap bracelet.

    As with Vaeyan I, II, and III, this is a huddling of field recordings and sound designs that do not quite form a library on their own. However, together they make up an audio FX treasure chest gleaming with gold and silver audio loot!

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  • Creature Sound Effects Outward Inversion Play Track 593+ sounds included, 151 mins total $20

    From creating the breath of a behemoth, to the palpable aura of an ambiance, this is a plethora of contact mic goodness providing you with frequency-deep content for layering, embellishing, bolstering, and new sound creation.

    Contact mics are delicate creatures. They can give you insights into the most excitable yet unheard facets of a soundscape, and then almost immediately get destroyed by the slightest of impacts. We’re just going to forget about how many incredible captures were thrown out of the running for this library due to such slight disruptions, and instead focus on the positive: this is a huge collection of super flexible, totally malleable sounds. One of our favorite libraries to make because it satisfied the inner tinkerer’s ear, Outward Inversion is our microscope applied to the aural world.

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  • Need the sound of objects being pushed, pulled, dragged, moved – or perhaps sliding and scraping over different surfaces? The Drag & Slide SFX library gets you exactly that: More than 500 dragging and sliding sounds that are ready to be used as they are – or for intense sound design.

    Drag & Slide features recordings from sources such as:

    Bags, Barrels, Blades, Bottles, Cabinets, Chairs, Coat-hangers, Crates, Dining Tables, Fridges, Frying Pans, Iron Boxes, Iron Tables, Metal Cans, Metal Chairs, Nightstands, Pallets, Paper bags, Plates, Racks, Rakes, Shoes, Shovels, Sledgehammers, Spray cans, Stones/rocks, Toolboxes, Vacuum Cleaners, Various heavy objects, Wooden Boards – and more!

    Technical details:

    All sounds were cleaned, edited and filled with BWF-Metadata for instant use in your projects – and many of the files in the pack contain more than one sound. Recorded with Sound Devices 744T, 788T, Sennheiser MKH8050, Ambient ATE208, Sony PCM-D100

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  • Rock / Stone Sound Effects Just Stones Play Track 578 sounds included $19.50

    The “Just Stones” sound effects library brings you a huge amount of sounds created with stones. Ranging from impacts, shatters and rolling stones to scrapes, slides, water hits and tickling fine derbis.
    All sorted in sub folders and with embedded metadata, and recorded with Sennheiser MKH8050 + MKH30 mix setup in 24Bit and 192kHz, cleaned, edited and downmixed to stereo. Since many of the sounds are quite mono-ish you can download the complete library also as mono files from only the MKH8050 mic.

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  • Foley Sound Effects Drawing and Handwriting Collection Play Track 6000+ sounds included, 147 mins total $18.75

    This library has a unique selection of drawing and handwriting sounds, recorded and edited with the utmost care in a recording booth, with a perfect acoustic treatment, for dry and clean sounds.

    Includes 1040 files 24Bit/96kHz, containing more than 6000 sounds from 26 different tools, which makes the most comprehensive drawing and handwriting library ever !

    Each tool includes short sounds ( letters and punctuations with speed variations : fast and slow ), medium ( words ), long ( sentences ) and a part dedicated to drawing, allowing endless possibilities. For even more precision, some tools have been recorded on several materials like Paper ( in books and on desks ), Papyrus, Canvas, etc.

    Tools used :

    ● Ball Pen   ● Correction Fluid Pen   ● Bamboo Reed Pen   ● Chalk & Chalkboard Eraser   ● Charcoal Stick with Paper Stump and Kneaded Rubber Eraser   ● Dip Pen   ● Finger on Fogged Glass   ● Fountain Pen   ● Graphics Tablet   ● Markers / Felt Pens ( Broad and Fine Point )   ● Paint Brush   ● Pencil with Eraser, Sharpener and Electric Sharpener   ● Quill Pen   ● Sand   ● Scratch Art   ● Stone ( Thin & Thick Chisel )   ● Wax Crayon   ● Whiteboard Marker ( Broad and Fine Point ) with Whiteboard Eraser.

    Includes embedded Soundminer metadata.

     Get The FREE Mini Pack Here ( 101,9 MB )

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  • Destruction & Impact Sounds Gravitas Play Track 428 sounds included, 13 mins total $16

    To build the range and palate of character that we needed for this collection, we transformed community park and green-way bridges into large-scale percussive instruments. We sought out 12 very special bridges in particular locations and sampled many different performances on them to elicit the right sorts of impacts that we were looking for.  Each performed impact has 3 layers, 2 mono and 1 stereo, all with different perspectives due to mic placement.  These sounds are highly dynamic, containing an artful blend of the locale they were captured in, and can add some very rich color to any explosion, impact, or crushing event in your editing mix.  Go ahead and do your best (or worst)!

    These sounds can take a beating.  Enjoy!

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  • Destruction & Impact Sounds Crash & Smash Play Track 1110+ sounds included $15.60

    The Crash & Smash sound effects library contains over 1110 sounds of destruction. For this collection I went on a rampage at several junk yards around my hometown, collecting a vast amount of crash sound effects. This one is highly focused more on crashing sounds with all the rumble and debris, giving you hundreds of variations of glass smashes, rolling stones and stone hits, wood breaks and impacts and metal crashes.

    As usual the sounds come perfectly cleaned and edited so you can instantly place them in your timeline or design new sounds with it. Of course they also got some EQ and compression treatment but weren’t further “designed”, so you have nice and flexible source material for your own productions.

    All sounds come with embedded Soundminer Metadata sorted in subfolders for:• Glass
    • Metal
    • Stone
    • Wood
    • Plastic

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  • Foley Sound Effects Props Box 2 Play Track 2000+ sounds included $15

    Props Box 2 sound library is a collection of different sounds emitted by everyday objects used in weird ways. It can be a great and handy tool in designing more complex sound effects for games, or just a go to pack to quickly fill the gaps in movies and other linear media.

    The library gives you 193 files, featuring more than 2000 sound effects, as each recording contains different variations of the same activity. The total length of the files is 234 minutes.

    Props include:

    Cardboard • electric hair ball remover • foam pipes • glass box • glass jar • glass plates • leather box • metal bowl • metal brush • metal cage • metal chain • metal container • cutlery • garlic presser • keys • knife sharpener • metal bars • nuts • paper book • paper thick and thin • pepper mill • plastic bag • chips • bottles • plastic boxes • calculator • jars • toys • silica gel • sponge • stone mortar • tapes • wooden box • wooden brush • toothpicks • nutcrackers

    As for the post processing, everything was edited and mastered. Editing came down to removing unwanted sounds between takes, and mastering to removing harsh sounding frequencies, compressing and setting everything on level that is comfortable to work with, so you don’t have to constantly adjust the levels while looking for specific sound.

    Inside you’ll find recordings with materials like cardboard, foam, glass, leather, metal, paper, plastic, wood and different objects.

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  • The Falling Rocks and Debris sound effects library offers you many sounds created by rocks of different sizes.

    Ranging from impacts and rolling stones to scrapes, slides, and tickling fine derbis. All sorted in sub folders and with embedded metadata (Universal Category System).

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  • An onslaught of movement and force using various granularities of dirt-like substances. It’s all in the name. Dirty, gravelly, and ragged.

    In this library you will find a myriad of gritty movement sounds derived from 4 different granularities: Course, Medium, Fine, and Ultrafine. There are sweeps, smears, crushes, scatterings, drops, scrapes, rubs, and more, with multiple variations of each. The assets chain together particularly well so that you can use them to make long continuous runs.

    The timbre and dynamics of these sounds lend them to be used for many different designs than just scrapes and scratches, such as movement in snow or sand, powerful bursts, high energy flames, shifting heavy objects, large beast vocalizations (dragons, anyone?), and more. As well, their metadata is organized conveniently to allow you to grab chunks of variations on similar movements and drop them into your favorite audio implementation software for quick assignment to random containers or sequences for an asset or call.

    This library will almost always find itself being thrown into a creative media project one way or another. Its full of a particular cornerstone sound that is essential to any sounds designer’s toolbox.  And with such a variety and versatility to explore, we promise it will serve you well.

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  • Foley Sound Effects Rummage Play Track 733+ sounds included $12.80

    Rummage is a collaborative sound library from SoundBits and Glitchedtones with a focus on unsystematic searches through everyday items.
    Created especially for projects calling for careful, hasty or frantic rummaging, these 733 files offer up plenty of variation to cover a wide range of scenarios. Featuring searches through paper, pockets, trash, wallets, retro media, wood, tools, bags, wardrobes, metal and lots more… your movie scene, game environment or even music production in need of some Rummage, is covered, or more appropriately, uncovered!”.

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  • Fire Sound Effects Elemental Magic Play Track 20 sounds included $10.50

    Introducing Elemental Magic, a meticulously crafted sound effects library perfect for professionals in film, gaming, and multimedia projects. This collection brings the mystic elements to life through 20 vibrant and dynamic sound effects.

    Bring your creative vision to life with the enchanting sounds of Elemental Magic. Ideal for sound designers, film editors, and game developers looking for authentic and captivating audio experiences.

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    Ends 1740092400
  • Featured Sound Creators Falling Rock Play Track 109+ sounds included, 9 mins total $50

    • In Falling Rock, get a impactful collection of resonant rockfalls made from the volcanic rocks of the Davis Mountains. Throw hulking rocks down narrow ravines and hear clattering impacts with intense, extended energy. Hear miniature echoes of small stones pinging and gunshot-like reverberations from boulders thrown from clifftops. Hear the thick weight of boulders smashing and symphonies of rock careening down canyons.
    • This library offers you an extensive collection of rocks, thrown with great effort, from lofty desert clifftops and down bottomless, echo-filled gullies.

    2% FOR THE ENVIRONMENT:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!

    KEY FEATURES:
    • Boulders thrown from clifftops
    • Boulders thrown down narrow rocky canyons
    • Small, mid-size, and large volcanic rocks
    • 109 impacts
    • Most impacts have extended tails (of 4 to 10 seconds) as shattered bits careen down cliff sides and canyons
    • The pitch shifted demo is the normal demo at half speed. 
    • Please note: the “Pitch Shifted Demo” was made to demonstrate the potential of the sounds in this library. However, Falling Rock does NOT include pitch shifted sounds, only mastered field recordings.

    TEXT MARKERS:
    •Named markers are included in each file to help find interesting events in files with multiple variations.
    •Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    BLOG POST:
    • Read the full story here: “Why Rock Rock for Creature Sound Design” 
    FILE LIST & METADATA:
    • View larger version or Download CSV.
    MORE INFO:
    • Read 40+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files. 
    GEAR USED:
    •Sennheiser MKH 8040 Matched Pair in ORTF
    •Sound Devices 702
    •Rycote ORTF Blimp
  • Featured Sound Creators Rock Creatures Play Track 900+ sounds included, 39 mins total $85

    • In Rock Creatures, get a visceral collection of guttural and grating vocalizations from the volcanic rocks of the Davis Mountains. Scrape rhyolite with intense pressure and hear guttural screeches with vigorous, physical energy. Hear the thick weight of boulders growling and frenetic stutters of rocks performed to sound like animals. Hear textured squeaks of small stones sliding. Hear rocks rich in titanium clattering to create otherworldly harmonics perfect for creature sound design.
    • This library offers you an extensive collection of rocks painstakingly performed to bring these inanimate objects to life and transform them into intensely vocal creatures.

    2% FOR THE ENVIRONMENT:
    • Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!

    KEY FEATURES:
    • Rocks performed to sound like creature vocalizations
    • Resonant scrapes with shifting harmonics
    • Small, mid-sized, and large rocks
    • Thick grating boulders sliding
    • Squeaking scrapes
    • Titanium rocks rattling and clacking
    • Scraping, grinding, and rasping stones
    • Types of rocks/minerals: rhyolite, quartz, and in unidentified rock I marked as “titanium rock” in the metadata due to its high rating on the Moh’s Hardness Scale.
    • Combine these rock vocalizations with the massive impacts in SD10 Falling Rock or the resonance of SD02 Ringing Rocks for infinite creative possibilities.
    • The pitch shifted demo was made from excerpts of the normal demo at half speed. 
    • Please note: the “Pitch Shifted Demo” was made to demonstrate the potential of the sounds in this library. However, Rock Creatures does NOT include pitch shifted sounds, only mastered field recordings.
    TEXT MARKERS:
    •Named markers are included in each file to help find interesting events in files with multiple variations.
    •Markers are included in the Soundminer and BWAV description fields starting with the prefix “Marker Text”.
    BLOG POST:
    • Read the full story here: “Why Rock Rock for Creature Sound Design” 
    FILE LIST & METADATA:
    View larger version or Download CSV.
    MORE INFO:
    • Read 40+ user reviews for Thomas Rex Beverly Audio
    • Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
    • Browse the Library Info Master List to compare specs on all my libraries.
    • Browse the Metadata Master List to search my entire catalog.
    • MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files. 
    GEAR USED:
    •Sennheiser MKH 50 and 30 in Mid/Side
    •Sound Devices 702
    •Rycote MS Blimp
  • NSL – Rock Bundle is a 105 Files Sound-Pack essentially composed of Rock sounds. You will have access to many samples: Bouncing Rocks , Stone Falling, Break-ups, Moving Gravel Textures, Small Rock Falling over trees, and many more…

  • Go (Baduk/Weiqi) is Asia's infamous and ancient strategy game. Incredibly popular in Japan, China, and Korea for over 2000 years, it rivals chess for the world's most challenging strategy board game. “Game of Go” presents the game's iconic sounds characterized by stone pieces clicking down on a thick wooden board for use in film, game development, and beyond.

  • Nolan Sound Library – ALL IN ONE Bundle.

    Get 1500+ Files in one bundle: Nature Soundscapes, Radio Noises, Motocross, Foley Sounds, Spain Ambiences, Planes, Airports, New York Life, Mountains Winds, Forests and many more…

    Also includes the NSL in ATMOS Format for big productions.

  • Rock / Stone Sound Effects Ringing Rocks Play Track 500+ sounds included, 27 mins total $90

    Ringing Rocks has the chiming, beautiful tones of an ancient boulder field. As hammers strike stone, the powerful clangs resonate like church bells and bring to life a natural sonic wonder. Plus, you receive many types of melodic tones, hammering rhythms, grinding metallic stone, resonant scrapes, and much more. If you need rocks unlike any you’ve heard before, listen to Ringing Rocks.

    2% for the Planet:
    Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!

    Key Features:
    • Featured on Designing Sound: “Our Favorite Sounds of 2016
    • 237 files, 500+ natural chime and bell-like rock sounds
    • Captured in 192 kHz for exquisite detail and sound designing potential
    • Location: Near Upper Black Eddy, Pennsylvania
    • A small hammer, medium sledgehammer, and crowbar were used to create a variety of timbres
    • Audio files with single rock strikes alone
    • Audio files with many sequential, varying strikes
    • Resonant scraping of hammers on rock for tactile textures that are perfect source material for rich metallic drones

    How It’s Made
    Read the full story of these mysterious rocks on the – A Sound Effect Blog!
    Gear Used:
    Sennheiser MKH 50/30 MS pair
    Mid/Side recordings decoded to LR stereo
    Sound Devices 702
    Rycote AG MS Blimp
  • Destruction & Impact Sounds You Me & Debris Play Track 369 sounds included, 11 mins total $25

    Impacts, friction, and destruction of large objects on wood, various metals, dirt, leaves, glass, plastic, brick, and concrete! There’s no shortage of destruction and debris in this library with over 350 sounds to choose from.

    These files were recorded at a destination of a heaping pile of debris waiting to be hauled to a landfill. Whether you need smashes, thuds, heavy falls, glass breaking, shingles scraping, shovels digging, wood and metal bending and creaking, and hoisting large objects followed by destruction this library has got your back. Combine these files to create the most epic destructions or use them by themselves for direct impacts or friction of materials. Enjoy You Me & Debris!

    ​The sounds were recorded in stereo at 96 kHz 24 bit. The equipment used was a Sony PCM-M10 and the files were processed, edited, and mastered in Reaper.

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