Home Materials & Texture Sound Effects Page 7
Sound effects and recordings of various surfaces, textures, objects and elements – soft, hard, organic, wooden, stone, metallic and lots more
Get the movement noise and handling sounds of a wide range of dresses and clothes, bags, necklaces, hats and footwear. Most items include photos too, to make the items easier to identify.
Footwear includes:
Japanese clogs • training shoes • mens' and womens' sandals • leather and canvas • turkish slippers • riding boots • military boots • canvas sneakers
Necklaces include:
Bijou Wooden copper balls • wood cubes • bijou plastic pearl • classified links • metal death head • fiber micro pearl • big plastic pearl and more
Bags include:
Small women's handbag • Grandmother handbag • Mini handbag • Cane handbag • Cane shoulder bag • Braided handbag • Indian shoulder bag • Military canvas bag
Hats:
Woolen hat • summer straw panama hat • basketball cap
Belts & more:
Canvas belt • plastic belt • leather belt • classic leather belt • ties • silk sheets • leather holster
FREE SAMPLES of this pack here
Get a complete arsenal of original melee weapon sound effects for your game with Melee Weapons Sound Effects Pack 1. All sounds are drag-and-drop ready for your project. Every audio file is easily searchable as they were meticulously organized into categories to make it easy to find the perfect sound for your project.
Make your selection from designed categories that include multiple variations so that your weapons never sound the same. Discover a wide range of sounds perfect for melee weapons such as swords, hammers, axes, blades, daggers, maces, spears, and shields.
Acquire sounds for all your weapon needs including weapon swings, slashes, gore, sheathing and unsheathing, and impact sound effects among many others. Professionally recorded and designed, these sounds are a must-have to bring your game that polish you are looking for.
“Old Engines Grab Bag” is a pack of numerous old, unique and characterful engines from early 1900s. It’s a massive collection of 56GB multitrack 192kHz recordings of old tractors and stationary engines, both diesel and gasoline fueled.
The intention wasn’t to cover vehicles driving, but to get isolated and very closely recorded mechanical elements of engines and exhaust pipes as a source material for sound design. There are many starts, idles, revs, offs, RPMs variations, backfires etc. Some are heavy and large sounding, some are small and funny. Tractors were captured EXT and most of stationary engines INT, but since they are very closely recorded there is just a little amount of reverb on most of them.
Most of engines are 1 or 2 cylinders and low horse power and their RPMs are also low. Thanks to this, many of those sounds aren’t tonal and can easily be used as additional layer with other design elements. They work great for adding vintage character, designing junky or funny vehicles, crazy huge steampunk machines or engines malfunction.
Sounds were recorded using multi-mic setup: Sanken CO-100k (most of the time pointing mechanical parts), Sennheiser MKH-8060 (mainly for isolated exhaust pipe), Schoeps CMC6XT mk41/mk8 (general image) and part also with Trance Audio Inducer contact mics (adding unique mechanical perspective).
The library is delivered as multitrack 192kHz files, as well as stereo mix of all microphones. Thanks to using microphones with extended frequency range, drastic pitch changes can be applied.
All files have extensive metadata created in Soundminer, including leg picker with microphone labels.
Demo files include pitched sounds, which are not delivered with library.
Need the sound of utter destruction, debris, bomb blasts, and chaos – recorded in high definition sound, with multiple perspectives and tons of different materials? That's what you get right here:
As sound designers, we always need these types of highly useable sounds, and with the creation of Matter Mayhem, we've gone above and beyond. Spanning 5 months of recording out in the field and designing in the studio, SoundMorph is very proud to bring you one of our largest produced libraries ever! If you need debris and destruction, Matter Mayhem is a solid choice to add to your collection!
Matter Mayhem was created in collaboration with Frederic Devanlay (Sinematic, Solar Sky) and Cedric Denooz (Future Weapons), and contains 1,500+ sounds / 5.75Gb of 24bit/96khz .WAV files, all meticulously embedded with Soundminer & Basehead metadata.
The library includes sounds like Big Blow Ups – Stoney Structures • Big Blow Ups – Wood Structures • Near, Mid, and Far Perspectives • Bomb Blasts • Blow Ups – Stone, Pebble, Metal, Wood • Debris – Stone, Wood, Glass, Plastic • Collapses • Scaffold Impacts • Whoosh Objects • Designed Debris • First Person Debris • Metal Objects.
So if you're looking for the sound of destruction, this one delivers!
Fireballs is a powerful high-definition collection of whooshing, roaring, bursting, sparking, whipping, zipping, sizzling and crackling fireballs, fire sound effects and infernos – created in collaboration with flame effects expert Cary Sparx.
Aside from the flaming staves, rope darts, fire swords, meteors and flamethrowers that you’d hope for, you’ll also get some additional, unusual, tonal flame effects.
The sounds are also great for more textured whooshes and swishes, or adding punch to impacts, or generally getting that extra bassy oomph out of your badass sound creations.
A collection of 206 ice tension, creaking, and breaking sounds, recorded in a dense pine tree forest in Sweden.
• Very long tension creaking sounds
• Multiple breaking sounds
• Ice impacts on ice
• Ice impacts into ice water
This library is great to quickly place samples for rolling objects but also a never ending collection of source sounds & textures for all things releated to rolling, rumbling, driving, rotating and spinning.
I wanted to cover a lot of grounds, so I have objects rolling on grass, cobblestone, concrete, tar, wood, steel, plastic, carpet …
and these objects include cars, bikes, balls, skateboards, stones, push carts, tires, garbage cans, a buggy, a wheelchair and much more.
In addition, there are a lot of sounds in here I already used for designing otherworldy atmos or futuristic weapons, so lots of options here.
Most sounds are mono recordings with the mic following (or being attached to) the object. But there is also a section with bypass sounds in stereo and some onboard recordings in stereo. And not only the onboard of a car without motor rolling across different types of cobblestone, but also mics attached inside a garbage can which then was rolled through the streets.
This library contains my go-to sounds for all things rolling and most sounds have been recorded in 192kHz/24bit with Earthworks QTC50 mics to allow a maximum pitch / slowing down action. As the library evolved and grew over different years, a broad range of mics have been used. DPA 4060s, DPA 4061, Shure SM 57, JrF Contact C Series, Neumann KMR 81i, Ambient Emesser and on a few recordings I used other sample rates like 96/24 or 48/24.
Hydrophones are the perfect source of interesting sounds and textures, especially for further manipulations with their pitch and spectrum
This library contains cool recordings of melting ice, drips, streamlets, bubbling, rain, fizz, underwater movement, submerging of hot or burning things and even heavy boiling (which destroyed my hydrophone completely). These textures sometimes sound completely out of this world and could spice up your SFX very nicely.
All recordings were made with at 96 kHz sample rate for further manipulation, and the sounds are categorized by their source for easy navigation and contains extensive metadata.
If you are looking for nice addition to your SFX production arsenal – this library is for you!
KEY POINTS:
Metal Atmosphere is a collection of contact microphone recordings of wire fences vibrating in the wind.
The library consists of 29 recordings ranging from 1 minute to over 10 minutes in length. These have been recorded by taping JrF contact microphones to wire fences and other structures through which sound travels easily.
Most of the sounds are made by the wind “playing” the wires as a huge stringed instrument, while a few others are recordings of submerged wooden fences. The tone is generally dark, even menacing, bringing desolate spaces to mind.
The sounds can be used as backgrounds even if they technically aren’t proper ambiences, as there is a certain degree of similarity between the two channels which creates a fake stereo field. About half of the files also include wind gusts and wind-specific dynamics which renders them easily identifiable as wind sounds, only with extra metal elements added. Additionally there are countless impacts, risers and swells included which can easily be cut out and used as spot effects. All files are recorded and mastered at 24/96 quality which makes them excellent sound design elements ripe for serious processing.
In total, more than 2 hours of metal atmospheres and resonances from unique sources – tagged with comprehensive metadata.
Wood Impacts features a large number of organic-sounding wooden crunches, impacts, metal+wood clashes and wood fiber explosions.
The sounds are organized into 10 different categories such as Hits, Movements, Digs, Cracks, Mangles – giving you lots of great and versatile material for your sonic arsenal!
The Electromagnetic Field sound library features 216 stereo 96kHz recordings of more than 80 different electronic devices. The total length of the files is 6 hours and 18 minutes. Post production process was limited to EQ and compression with some noise reduction in few cases, but most of the files are ready for further processing and designing completely new sounds
Everything was recorded in stereo, and in some cases sounds are wildly flying across not only whole frequency spectrum but also pan image. Inside you’ll find a lot of different hum noises, hiss and electrical swipes and whooshes, buzzing high pitch and low pitch sounds, beeps and bleeps, servo and small engines running in a different way, data processing kind of sounds, interference and corruption effects and more. It’s a great all around library when it comes to designing various electronic machinery sound effects.
Recorded devices:
Adam Audio A5x • Alarm Clock • Apple Keyboard • Apple Magic Mouse • Apple Mac Mini • Apple MacBook Pro 13 Retina • Apple MacBook Pro 15 Retina • Apple MacBook White Unibody • Audi A4 • Blender Zelmer Nero • Broken Fluorescent Light • Canon Printer • CD Player • Cisco Router • Coffee Maker • Connect Router • Cooking Stove • Cooking Stove Electrolux • Creative Power Supply • Electric Scale • Epson Film Scanner • Fluorescent Light • Focusrite Forte • Fridge Samsung • Garage Doors • Hair Straightener Remington • Hairdryer Remington • Heater Vaillant • Heating Stove • Induction Stove • iPhone SE • Lacie Porsche • Lacie Quadra • Lacie Rugged • LCD touch screen • LED light • LED photography lamp • Light Switch • Logitech G3 mouse • Manicure Machine • Milk Frother • Modern Fusebox • Modern Mixer Zelmer • Nintendo New 3DS • Nintendo DSi • Nintendo Switch • Nintendo Wii • Nintendo Wii controller • Old Electricity Meter • Old Mixer Zelmer • Old Nokia 105 • Old Router • Phillips Sonic Toothbrush • Phillips Shaving Machine • Power Tool • Samsung Ultrabook • Sony 18-105 f4 • Sony A6300 • Sony Old Amplifier • Sony Bravia • Sony CD player • Sony DualShock 3 • Sony PCM-M10 • Sony PlayStation 3 • Sony PlayStation 4 black • Sony PlayStation 4 white • Sony Playstation TV • Sony Projector Old • Sony Tape Recorder • Sony TV remote • Sound Devices 702 • Thermomix • TP Link Router • Tracer Mouse • TV Decoder • TV Decoder Remote • TV Panasonic • Vacuum Cleaner Zelmer • Vinyl Adapter • Wacom Intuos Pro • Washing Machine • WD Passport • Xbox 360 • Xbox 360 Controller
Wind Textures features blowy and breezy ambiences, both in urban and rural areas as well as outdoor and indoor perspectives.
Key features:
THE GLITCH sound library brings you highly twisted, glitchy, twitchy, gritty, grimy audio madness perfect for various music genres like dubstep, EDM, IDM, hardcore, darkcore, electro-industrial, hardstyle, glitch hop, downtempo, drum‘n’bass, hybrid cinematic music, but also very useful sonic tool for sound designers, editors, and pretty much anyone who likes to play and try different things with sound!
These warped and mangled glitch sounds always work great as a source of inspiration and new ideas as they tend to induce more experimental approach to music making, thus helping in achieving unexpectedly creative and original results. A must have for every producer, musician or sound designer, these glitch sound effects will instantly find a way into your production and bring some serious edge to it!
THE GLITCH sound library contains 331MB (340 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow.
If you like the sound of THE GLITCH sound library then be sure to check out the second installment – THE GLITCH 2 for even more glitched mayhem, and also Signal Interferences sound library that features somewhat similar glitch sound effects!
With Magic Spells & Sorcery sound library Sound Response brings you nine different categories of high quality magic sound effects to choose from! Whether you need those sparkling and shimmering magical spells, buffs, bursts, whooshes and casts sound effects, or the sounds of massive fireballs, flames and swirls, earth, water, air, ice, powerful electric bursts, chimes, or drones, this sound FX collection will provide you with sonic arsenal that will instantly find a way into your production!
Magic Spells & Sorcery soundpack is a result of months of stage and field recording with high-end recorders and microphones, and meticulous sound design process afterwards. Perfect for video games, movies, trailers, videos, but also very useful for music producers, and pretty much anyone who’d like to expand sound collection with various exotic whooshes, transitions and bursts sound effects!
Magic Spells & Sorcery sound library contains 1.48 GB (318 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow, and separated into nine categories: 1.Spells 2.Fire 3.Earth 4.Air 5.Water 6.Ice 7.Electricity 8.Chimes 9.Drones
Daily Doors brings you 147 household doors (those ones present in every project) opening and closing, recorded simultaneously from a close and a distant perspective. One of the main problems with doors is that they tend to sound “too close”. A door will sound different depending on where the microphone is placed. By using two different mics, we tried to achieve that goal and match the camera point of view.
Close perspective is around 50 centimeters far away from the source, whereas the distant one is around 2-3 meters far away, depending on the room size.
Distant perspective is in M/S. Both M/S Decoded and RAW are included in the library, so you can play with it as you please: using only the close one, using both close and distant, using just the distant one, decoding it to mono, wider… The list is endless.
Unless it wasn’t possible due to the nature of the sound, all sounds were recorded in two different intensities: Hard and Soft. Each file contains at least 3 different takes opening and closing, making a total of more than 1400 door sounds.
Some other actions, apart from opening and closing, have been also included, such as knocking on doors, slamming, forcing handles, locking and unlocking doors, door chains and latches.
All files are in 96 kHz/24 bit and meta-tagged, both in Soundminer and BWAV.
Gear Used:
Close Perspective: Sennheiser 8050, Sennheiser 416
Distant Perspective: Sennheiser 418, AKG CK93 & 94, Zoom H2n
Recorders: Zoom F8, Sound Devices 633
UCS compliant metadata. Fields included CatID, Category, Subcategory, FX Name, Filename, Description, BWDescription, Library, RecType, RecMedium, Microphone, Designer, Manufacturer, Keywords.
10% off if you add Daily Doors II to your cart.
Front Door, Kitchen, Living Room, Bathroom, Bedrooms, Hallway, Backyard, Terrace, Fridges, Freezers, Ovens, Windows, Wardrobes, Washing Machine, Cabinets, Drawers, Microwaves, Dryer, Dishwasher, Squeaky Knobs, Latches, Door Chains, Wooden Doors, Sliding Doors.
This is a very rare metal sound library.
The impact of 6 metal weapons produces a very pleasant long echo, and the impact of these weapons is also very good.
There are also some sounds of pulling out weapons, retracting weapons, and some additional armor moves method.
The MIC used in this library is a pair of Sennheiser MKH 8040 with a high frequency range of 20-50kHz. The sounds are recorded in 24Bit/192kHz, to capture a large amount of high frequency information over 20kHz.
The elves have been busy in the Epic Stock Media sound effects workshop this holiday season. And just in time for Christmas, they’ve outdone themselves by crafting the shiny all new Christmas & Holiday Sound Effects Library. It’s a complete collection of Christmas and winter holiday sound effects that’s perfect for YouTube videos, games, home videos, films, app games, podcasts, theatrical performances, explainer videos or any multi-media production.
Professional or novice, sound engineer or hobbyist can save a stocking full of time and immediately boost the quality of any production. Sounds of Jingle Bells, sleigh bells, Santa Claus and character voiceovers, Christmas magic sounds, whooshes and transitions, Santa’s sleigh fly-bys, fire and fireplace sound, toys and wrapping presents, tree decorating and background loops. Over 900 sound effects, loops, source and designed sounds. Premixed and mastered, everything is ready to use out of the box.
Books Alive is a collection of 434 carefully recorded and mastered book sound effects.
Turning pages, set downs, pick ups, drops, opens, closes, flipping pages, handling, sliding across and more!
All audio files have been recorded at superb 192KHZ 24BIT, multiple mic positions to capture
all the wonderful details such as cracking book bindings, handling of fabric and leather covers etc
All files come with rich and detailed Soundminer’s metadata.
BOOK 0 XS Paperback, 506 pages, thin recycled paper
BOOK 1 S Paperback, 62pages, med-thick silk paper
BOOK 2 M Hardback thick gloss finish, 508 pages, thin recycled paper
BOOK 3 L Paperback, 206pages, old, thin carbon-paper like pages
BOOK 4 XL Hardback thick fabric finish, 900 pages, thick uncoated pages
BOOK 5 XXL Paperback, 860pages, med-thick uncoated pages
BOOK 6 3XL Hardback thick fabric finish, 1800 pages, thin papyrus-like pages
BOOK 7 4XL Hardback thick leather finish, 650 pages, thick, coated silk pages
BOOK 8 5XL Hardback thick faux leather finish, 850 pages, thin coated, gloss, silk pages
RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH 8060
EDITED AND MASTERED WITH: Pro Tools, iZotope RX (mildly).
This sound pack is dedicated to marbles rolling, jumping, falling, colliding & being handled.
Most of these sounds have been recorderd with the Barcus Berry Planar Wave System 4000 contact microphones and the Neumann KM184.
2 versions are included:
• Combined Version: versions of a sound are combined into one file (42 files total)
• Split Version: versions of a sound appear as individual files (156 files total)
Looking for electric car sounds? This library delivers 111 files / 123 minutes of 96k recordings in mono and stereo of the Renault Fluence Dynamique electric vehicle.
The Reanult Fluence was one of the first medium sized electric vehicles in Europe, originally produced in 2012. The car is based on the Renault Megane conventional vehicle.
In these recordings, we have recorded the engine with contact mics, capturing the raw sound of the otherwise very quiet electric engine.
We also have a lot of tire sounds on different surfaces, gravel, asphalt and rumble strips on the highway, as well as passby sounds.
This library features recordings of a metal shelf being shaken, slammed, scraped, and other torturous things.
In this library, you’ll find metal slams, moans, squeals, shakes, taps, and sounds of rocks being poured over it.
There are lots of nice resonant sounds filled clangorous textures. Great for creating creepy tones for suspense and tension.
This library was recorded with a Barcus Berry Contact Mic going into a Barcus Berry 4000 preamp and a Sound Devices 702.
This sound library was carefully recorded, processed and crafted to offer a unique toolset for your ice-cold freezing design needs.
Great for fantasy genre with ice based magic, enchantment and supernatural elements, shining motion graphics, time lapse and flow motion freeze sequences.
Bonus Aztec death whistle recordings processed by glass and icy textures.
This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.
WHAT SOUND PROFESSIONALS SAY:
Victor Mercader – AAA Sound Designer (Apex Legends)
“I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
“Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
“Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine
“As far as the sound goes ‘Cinematic Magical Ice’ is both beautiful and mystical. I happen to like the icy textures that are oozing with coldness. Overall, this sound library boasts a good variety of effect samples ready to drop in various cinematic projects.”
Yarron Katz – AAA Composer and Sound Designer
“Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Fight is part of the comprehensive melee and hand combat series from Black Edge Sound Studios (formerly Output Audio). Recorded at Universal Sound, a dedicated foley stage in Amersham, UK with a wealth of experience in crafting sound for feature film, TV and video games.
The Fight sound library has an extensive collection of of punch, kick, cloth, breaks, gore, whoosh and body fall. This includes all the core elements and original recordings needed to build bone crunching fist fights and ultra realistic combat action, whilst providing polished compositions and arrangements of key combat moves in the designed section for quicker results.
The library metadata has been designed to provide a fast, efficient workflow to picture and video game, ideal for quick turn arounds.
Expanding the selection further with the original recordings means that editors can quickly create mixes and then refine and stylise. A Pro Tools session is included (2020.3) that takes all the effort out of arranging the content for mixing. The recordings have been edited and aligned with a choice of microphones. You can drop in your own routing, processing and mixing touches according to taste and quickly establish a new sound set for the picture or video game you are working with.
Content Groups Included:
Blood, gore, bone breaks, body fall, punches, kicks, cloth, whoosh, prop crashes and impacts, bat weapons, material debris, hand combat arrangements and more.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.