Home Materials & Texture Sound Effects Page 6
Sound effects and recordings of various surfaces, textures, objects and elements – soft, hard, organic, wooden, stone, metallic and lots more
Introducing SoundMorph’s Sinematic – a sound pack featuring cutting edge impacts, stutters, sub sonic bass, mega horns, stingers, risers, whooshs, bowed cymbals, and source recordings.
Get this collection of cinematic sounds to cater to the most modern and cutting edge productions out there.
• Stutter Risers
• Sub Sonic Bass
• Mega Horns
• Hits and Impacts
• Stingers
• Risers
• Simple Design
• Statics
• Whoosh Bys
• Bowed Cymbals
• Raw Source Recordings
A complete collection of sonic exploration by Slava Pogorelsky.
Grow your sound arsenal with an ever evolving collection of high-end cinematic and fresh sound effects!
Here’s what to expect:
WHAT SOUND PROFESSIONALS SAY:
Philip Eriksson – Audio Director (It Takes Two, Battlefield V, Star Wars: Battlefront I & II)
“Slava has some pretty kick ass sound libraries!”
Victor Mercader – AAA Sound Designer (Apex Legends)
“I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine. The Sci-fi Elements sound library is the perfect library to use and blend into my UI designs in Apex Legends.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
“Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
“Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Stefan Kovatchev – Audio Director (MultiVersus)
“Slava has put together an impressive collection of high quality source assets, recorded cleanly, and at high sample rates. It’s always refreshing to find a new purveyor of good source material. I particularly enjoyed Resonating Metal Force, which is comprised of very useable, unique tonal textures and impacts.”
Shane Tetro – AAA Sound Designer (Remnant II)
“Slava’s libraries feature high-quality, adaptable recordings and designs. There is plenty to dig through in every pack, making each library extremely dynamic for various applications. Their exceptional textures have significantly enhanced my workflow; consider me a fan!”
Samuel Gagnon-Thibodeau – Sound Designer/Sound Effects Editor (Dream Scenario, The Watchers, Hunting Daze)
“Slava’s Cinematic Wood Symphony detailed textures and movements blend so well in what I’m usually looking for in terms of sound design. It really brings proximity and sensitivity to the action while feeling real and natural. The creative blend of the wooden sounds with whooshes and impacts also makes them very unique. I’m finding myself coming back to them more and more as they fit in many situations.”
Yarron Katz – AAA Composer and Sound Designer
“Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Rocks and Stones features 720+ various impacts, slides and rolls sound effects recorded in several locations (forest, castle, cavern, cave, sea and rock slide). The sounds were recorded and processed at 96 kHz and 24 bit. Comes with detailed metadata (embedded and in a spread sheet). With the purchase of Rocks and Stones you will also receive a free sound effects library Whooshers.
• Ground (Impact, Roll, Debris)
• Foliage (Impact, Roll, Debris)
• Wood (Impact and Debris)
• Dirt (Impact, Roll, Debris)
• Garbage (Impact, Roll, Debris)
• Metal (Impact, wobble and roll, recorded with contact mic)
• Water (Impact)
• Pebbles roll
• Designed examples in stereo and mono
Sand & Granules is a sound library containing a variety of granules being poured, handled, and manipulated in various ways.
Includes the sound of:
Features:
SCI FI MECHANICS is a collection of 301mechanical/robotic sound effects.
SFM is a contraction-kit, that allows you to created, heavily synthesized robotic and mechanical sound effects.
Packed with high quality robotic sequences, one-shots, transformations, impacts and experimental mechanical sounds.
Perfect for crafting sound for all sorts of sci-fi/future-tech.
RECORDED WITH: NTG3
CREATED WITH: Pro Tools, Live, Reaktor, Kontakt.
Vegetation & foliage sounds for any production
Do you have bush or tree which needs some sounds?
With 483 sounds, BRANCHES & GRASS has got you covered!
Everything from hits, shakes, to rustles and breaks.
29 Categories of lush greens from the outdoors!
All sounds are tagged with metadata
This Sound Effects library contains 633 files that feature over 1000 sounds of unsettling and unpleasant squeaking and creaking elements. It’s a great starting point for designing a vast number of different soundscapes in various genres – from just using the sounds as general Hard Effects, to Science Fiction and Horror.
All sounds are production ready: Cleaned, Edited, levelled, and come with embedded BWF Metadata.
You get heavy doors and furniture creaks, screaming dry ice, creaking leather, rubber and balloons, forks on ceramic tablets, disturbing metal squeaks and much more.
This is a collection of location foley sounds (anything we could find that makes sound) recorded over 3-year period in authentic historical houses and barns.
This includes 1700s peasant village houses, 1700s manor, 1850s farm, 1900s manor and 1930s cottage. These are recorded for film projects so they have the right cinematic feel, dynamic and variation.
The houses were full of period props, so the recordings are rich and have lots of details that take you to the right time and feel.
The library weighs in at more than 18 GB total, and features 4000+ sounds in 2267 files.
Highlights:
• This is an updated version of the library. Now it is properly edited.
• The stereo recordings have often one channel as close-up mic and other as distant / room mic.
• All recordings are 96khz 24bit with metadata.
• We used the best sounding equipment – sound devices recorders (744, 702, mixpre), Sennheiser mkh 8040, mkh416 and DPA 4006a microphones.
All the essential high voltage electricity sounds you’ll need for your sound library. Sounds include sparks, electrical fires, fruit electrocution, electric arcs, shocks, hums, overloaded circuitboards, light bulbs, capacitors and much more. Features recordings from high voltage units such as 2 power supplies, 3 microwave oven transformers, 2 neon sign transformers, a 250k volt Tesla coil, 3 Jacob’s Ladders, an arc electric welding machine and a car battery
This library has the aim of bringing ultra high quality malleable materials for sound designers with extensive organic variations in the realm of horror/gore.
It can help the most gruesome and disgusting scene comes alive with vivid realism.
Each file has a great amount a variations of the same sound.
In the meantime, the extensive frequency range provided by the Sanken co-100k and the Sennheiser MKH-series microphones allows extreme pitch-shifting.
Let’s express creativity by layering these sounds and pitch-shiftings with almost no limits!
Electromagnetic informations are invisible and omnipresent. In every city, especially the big ones, an infinite number of electromagnetic waves is hidden: we can’t hear them, but they’re everywhere! Unseen Noises explores the “invisible” noise pollution transducing electromagnetic fields into audio signals with a telephone pickup: it acts like a radio antenna for hum and weird electromagnetic noises.
“We used telephone tap coils that receive electromagnetic signals around us and convert them into audible information to discover invisible and surprising aspects of the environment in which we live in.
To widen our sound palette, we explored cell phones, tablets, light systems, automated teller machines, wireless communication systems, anti-theft security devices, surveillance cameras, computers, navigation systems, wireless Internet routers, neon advertisings, public transportation networks.
We just used the system of electromagnetic induction as way of amplifying musical sounds. Our efforts were focused on finding “articulated” behaviours and other musical qualities in them.
Note that the files contained in “Unseen Noises” are real performances executed on different devices without editing.” – Matteo Milani
Get the stunning sounds of solo insects recorded with unprecedented quality and ultrasonic frequencies. Discover the hiss of Madagascar hissing cockroaches, the song of crickets and grasshoppers from France and the flight of bees with extreme details. Ready to design sound for beasts, aliens, machines or futuristic UI ?
• Solo insects, no background ambience
• Recorded with Sanken CO-100K and Sound Devices 633
• Ultrasonic content up to 96 000 Hz, allowing crazy pitch-shifting and sound design
• 20 species of crickets, grasshoppers and cicadas from France
• 2 species of Madagascar hissing cockroaches
• 2 species of bees
• 192 KHz/24 bit
• Metadata UCS-compliant
• Each species is identified with common name, scientific name and picture
• No insects were harmed while recording this library
This library was made for the small stuff. I have always had a hard time finding small fire sounds. I work mostly in games, and trying to find a small fireplace sound, or torches on the wall in a castle, or perhaps a candle or oil lamp sound, are impossible to find in commercial libraries! I've always been unhappy with what I had to make for those elements. So, I went to work getting small and delicate fire sounds.
It took multiple field recording trips using a variety of different materials to find the best small fire sounds. Finally, after a lot of hard work (and smoke to the lungs), here is the Small Fire SFX Library!
Singing Bowl features a variety of sounds captured directly from a small Tibetan singing bowl.
The library was meticulously recorded in stereo using a mixture of contact microphones and a Sony PCM D100 recorder. Strikes in a variety of styles, from wood, rubber, fingering, plastic, and metal were recorded, as well as rotation resonances, drops and scrapes. In addition to allowing the bowl to fully ring out, the recordings also include dampened hits.
Also included are a unique set of designed sounds. Utilising a variety of sound processing techniques, the results include user interface effects, abstract drones and moving tones. This sound set was also produced dry so that you can apply your own reverb to taste if required.
Databending: A digital art form where flaws in digital systems are exploited and used for creative purposes.
Data Disruption contains 200 sounds sourced from raw computer files which have been interpreted as audio data. Bitmaps, executables, plugin files and more have been exploited to bring you a unique, varied collection of sound effects and atmospheres ready for a range of productions.
This sound collection has 100 'raw' files which include harsh, random data noises, intense drones and a versatile selection of glitch one shots as well as 100 processed sounds which were subject to extreme editing and mangling to deliver an array of abstract sonic artefacts.
Most useful for scenarios where computer technology – known or otherwise – is glitching out, these sounds are best suited to Science Fiction productions which call for the noise of broken communications, signal failures, ailing machines, industrial settings, planetary ambience and dystopian soundworlds.
That's not to say they won't also come in handy for Glitch/IDM music producers looking to build up an original collection of sounds for their latest kit, or for the creative sound designer to further shape these sounds into anything from user interface clicks, blips and bleeps to surreal soundscapes and beyond.
Inspired by the ASMR (Autonomous Sensory Meridian Response) community, this collection includes 43 mono/stereo pairs of whispers, scratches, taps, rubs, breathing, buzzing, and more. The general goal of ASMR is to induce a bodily response from the auditory stimuli, much like a shiver, chill, or euphoric wave. From an auditory perspective, this is usually approached by using delicate, intimate sounds in a repetitive manner; known as ‘triggers’.
The files are all loopable, averaging ~2’20” in length, so you can leave them on repeat for a continuous ASMR experience. This also allows a sound designer to drop them into any environment where they need an indiscernible loop. The mono+stereo pairing allows for creating the appropriate stereo spread (or eliminating it all together) that a particular event requires. For some of the more common triggers, we provided a few variations.
Definitely intending to be a unique addition to your sonic anthology, this library will provide you with hours of evocative ear candy.
Fire Burning Stove is a 30-minute collection of fire ambiences. With 21 files to choose from, the library was recorded throughout the life cycle of a fire. Featuring multiple variations, examples include the initial start up, full intensity and even down to the last dying embers.
Using both closed and open door perspectives, typical fire traits such as whining, crackling and popping can be heard throughout. A number of recordings also include the metal of the stove expanding/contracting due to to the heat.
Short of incinerating the recording gear, the library was recorded using a close mic'd perspective. With a minimum of 1 minute recorded per file, Fire Burning Stove was also entirely produced with looping in mind.
Here you go! Pick your version below:
This pack features 130+ files and 450 magic sound effects (full tracklist (PDF))
This pack features 430+ files and 2300+ magic sound effects (full tracklist (PDF))
This pack features 570+ files and 2700+ magic sound effects!
The Squelch sound library is a collection of 6 radios, walkie talkies, and CBs recorded both through the speakers and in some cases through the line outs. Each device served up a broad palette of static, beeps, clicks, squelches, and random idle chatter.
Comes with 93 recordings with hundreds of individual sounds + one Kontakt instrument (instrument requires the full version of NI Kontakt 4 or higher).
The Kontakt instrument is a unique performable radio device designed for experimentation and discovery of the broad palette of sounds. It also includes a classic spring reverb unit with a custom interface created from a Pioneer SR202W. See the Kontakt interface here.
These authentic radio recordings are useful in sound design/film applications and can be twisted out into musical and sound design effects.
Welcome to the first in our new Element Series: FIRE. The Element series will feature highly designed sounds as well as expertly recorded raw source recordings. With FIRE we spared no expense to experiment with tons of different props and sources. From a double ended fire staff all the way to a “plasma gun” fire tube. Can you ever have enough FIRE? We don’t think so. FIRE is a collaboration between SoundMorph, Jason Cushing, Tibo Csuko & Boris Karekine. FIre contains more than 3.4GB / 675+ files.
All files are 24bit/96khz .WAV stereo files, all meticulously embedded with Soundminer & Basehead metadata. FIRE contains the following folder categories:
Liquidation is a liquid texture library covering everything from water to slime to fizzes and bubbles. Source material in this library includes wet slimy pasta, giant water balloons, large containers being submerged underwater, leather fizzing in a chemical bath, pool water splashes and more. Plus it was all recorded at 192kHz/24bit so you can really stretch and thrash these sounds – and the vast majority of the sound files are in stereo. Whether you’re designing an underwater adventure or an alien autopsy, this library is full of complimentary textures to layer together.
This package now also includes Contact Mic River, which is a free mini sound library featuring underwater sounds of a rushing river. These recordings were made with contact microphones, but produced hydrophone-style sound which gels nicely with the Liquidation library. (Note that these sounds are only at 48kHz/24bit, but the rest of Liquidation is at 192kHz/24bit.)
Unlock your imagination with this meticulously crafted collection that unleashes 2,300 sounds across spaceships, machines, mechanicals, weapons, user interfaces, ambiences and more. We merged professional real-world recordings and hand-crafted synthetic SFX to inspire.
This SCI FI sound effects library gives you three sonic realms:
• Construction Kit:
1,475 sounds blend raw yet clean and professional recordings with synthetically crafted SFX for highest flexibility.
• Building Blocks:
Swiftly create your scenes with 566 ready-to-use, designed SFX, fueling your creativity.
• Designed:
Elevate your projects instantly with 263 complex and meticulously conceived SFX.
The complete sound library arrives in WAV format, 24 bit and 96 kHz, preserving every nuance. It’s compacted to a substantially size of 11.7 GB within 696 files, neatly categorized with the UCS category system. This collection is a true powerhouse of potential.
Get ready to reshape sound – your auditory voyage awaits.
KEYWORDS:
Sci-fi sounds, Space effects, Futuristic sounds, Sci-fi atmosphere, Alien sounds, Robotic sounds, Spacecraft effects, Sci-fi drones, Sci-fi ambience, Futuristic ambience, Alien ambience, Sci-fi lasers, Space exploration sounds, Sci-fi machinery, Sci-fi engines, Space battle sounds, Sci-fi blaster, Futuristic explosion, Sci-fi ship sounds, Space environment, Sci-fi impact, Space sounds, Alien language, Sci-fi beeps, Futuristic alarms, Space beacons, Sci-fi communication, Space journey sounds, Alien FX, Sci-fi sweeps, High-tech sounds, Sci-fi gadgets, Spacewalk sounds, Deep space, Futuristic drones, Sci-fi environment, Sci-fi toolkit, Outer space sounds, Sci-fi soundscape, Intergalactic sounds, Robotic FX, Sci-fi voices, Futuristic voice, Sci-fi sounds library, Laser sounds, Futuristic UI, Sci-fi pulses, Space drones, Robotic impact, Space exploration FX
This sound library was carefully recorded, processed and crafted to offer a unique toolset for your water and underwater design needs.
Great for hyper realistic or abstract designs, fantasy genre with water based magic, creature or surreal underwater movement, motion graphics with liquid elements and textures.
This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.
WHAT SOUND PROFESSIONALS SAY:
Victor Mercader – AAA Sound Designer (Apex Legends)
“I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
“Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
“Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine
“Cinematic Water Whooshes and Textures’ is great for anything. You won’t be hearing recordings of calm rivers or relaxing streams, but cinematic whooshes and textures for soundtrack works and media projects. Whether you’re into this type of sounds, this pack was recorded quite well, professionally edited and processed with Slava’s own flair.”
Yarron Katz – AAA Composer and Sound Designer
“Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Get the wintry sounds of snow scrapes, slides, crunches, impacts, snowballs, debris, whooshes, and footsteps.
Most of this snow was recorded in 4-6 feet deep snow at about 10,000 feet elevation in the Eastern Sierras in varying temperatures.
Recorded with a Sound Devices 702 recorder + stereo pair of Sanken CS-1e microphones. The recordings are captured in 24 bit / 192 kHz and come with extensive metadata.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.