Home Materials & Texture Sound Effects Page 49
Sound effects and recordings of various surfaces, textures, objects and elements – soft, hard, organic, wooden, stone, metallic and lots more
The Master Gun The Fix Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun Kel-Tek KSG Shotgun contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun Nodak RPK Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun AK-101 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun AK-103 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun FN FAL Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun Savage 110 BA Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
Printer Destruction is the result of destroying a desktop Canon MX450 printer/scanner with a 4lb Collins Axe. The collection also includes the printer being dropped from a height of 4 feet, as well as rummaging through the debris.
Specially recorded for sound design, The Guitaresque Power Tools Library include clips featuring bizarre whines, grinding, hums, and more as power tools are “played” on guitar necks and bridges. Clips include rising and falling tones and one-shots.
Multichannel recordings of the ice (in sync): stereo, mono and underwater/under ice recordings. Audio tool for further sound design, production etc.
Multichannel, recordings of the ice; Surface/underwater recordings of the ice. Check the sound list for info/ object of recording.
Each multichannel recording (or position/place of recording) is in a separate folder. Each channel/recording is Metadata tagged with description of equipment/format/character. Each multichannel recording (each folder) consist of:
– 4 Ch STEREO Mix, all channels mixed together (surface and underwater), ready for use stereo file
– Ch 01-MID, mono file, front/MID microphone-cardioid, RAW
– Ch 02-SIDE, mono file, SIDE microphone-figure of eight, RAW
– Ch 03-HYDRO LEFT, mono file, Left side hydrophone, RAW
– Ch 04-HYDRO Right, mono file, Right side hydrophone, RAW
– STEREO HYDRO Mix, stereo file, two hydrophones mixed together, ready to use underwater/ice stereo file
– STEREO (surface) file
You can use mono channels to create your own mix (or use it as mono) or use a stereo-ready to use file (or combination of both).
Using mono recordings/files for multichannel mixing can be very creative for SFX, or maybe in film, for example, to accompany first surface (frame) and then underwater (frame) separated, or half submerged camera (frame).
For mixing stereo (surface) files (microphones) you will need an MS matrix (plugin). This is a very creative tool which allows you to control the amount of stereo field or front to side ratio of the sound captured. If you are not familiar with MS there is a ready to use stereo (surface) file and you can use/mix it with underwater/ice file(s).
(for MS: Sennheiser MKH40 – front microphone/cardioid and Sennheiser MKH40-side microphone/ figure of eight.) Hydrophones are Aquarian audio H2a XLR.
Metal Springs is 444 MB of metal spring sound effects. 662 individual sounds in 78 separate files – recorded in 24bit/96kHz. All sounds are UCS-compatible.
Metal Springs is a collection of spring sounds that don’t just go twang, but explores many other sounds that can be coaxed from these flexible steel wonders.
I recorded a selection of small steel springs pulled from various mechanical and electronic devices, ending up with many sounds that could be used in a variety of sound designs. Whether you want to add some extra authenticity to button presses, operating small office machines, or add a little comedy to any kind of malfunctioning technology, you will find something useful here.
Any time I use a machine or some piece of equipment, and hear a spring-like sound, I feel like I have gained a little more knowledge about the internal workings of that machine or equipment. Spring sounds, or their absence, can also be indicate quality and age of an object. You wouldn’t expect to hear them from a very high-tech console in a super-villains lair, but it wouldn’t be out of place in the movements of a worn down droid.
With 662 sounds in 78 files, most sounds come in multiple variations or takes, adding some life and realism in those situations when you need to play a sound repeatedly.
Military Communication Sound Effect Pack Vol.01
Military intelligence and encryption of communication have always played major role in wars.
This pack contains 50 transmission loop sounds which are based on fictions.
This sound effect collection is ideal for use in game software, applications, commercials, movies, TV shows,
videos, animation, and any other entertainment industry where a high-quality audio effect is essential.
55 Military encryption loop sound effect.
A good choice for military and sci-fi productions.
Any kind of celebration is a good excuse to make some noise!
For this, excellent tools can be some firecrackers, fireworks and various pyrotechnic devices.
If you like these sounds then this collection will blow you away!
This sound effect collection is ideal for use in game software, applications, commercials, movies, TV shows,
videos, animation, and any other entertainment industry where a high-quality audio effect is essential.
55 Sound effects of firecrackers and other pyrotechnic devices.
Original firecracker and firework sounds in several variations.
The Foley Vault is home to an ever-growing collection of original Foley recordings.
Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.
These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.
Mechanical clicks dials and winding from Retro and Vintage cameras and film printing from a polaroid camera that can easily be used in any project.
I left in some movement sounds to help create a naturalistic handling of film cameras but can be easily isolated as recorded in a clean environment.
recorded and exported in 24/192khz
All metadata tagged and updated using the Universal Category System in Soundly
Warehouse Vol. 2 is the second instalment in our collection of authentic of warehouse recordings, including industrial objects, tools and machinery.
Our Audio Craftsmen captured the sounds of metal ladders, fire doors, pallet trucks, trolleys, wooden pallets and a variety of workshop tools.
You can use this library for building realistic industrial soundscapes or as source material to manipulate into futuristic vehicles and robots.
All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
This library consists of numerous recordings as a result of experimentation with the H2A hydrophone. Various domestic and suburban appliances were utilised for the creation of this library.
All sounds were recorded using the H2A hydrophone and Sound Devices Mix-Pre 6.
Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.
CLICKS, SWIPES, SCROLLS, NOTIFICATIONS, APPROVALS, DENIALS, WARNINGS, MESSAGES, PICK-UP ITEMS, COINS, TRINKETS, and OBJECT SOUNDS are all in this concise set of 300 interface sound files! Each and every CHIME, DING, PLUCK, POP, TUNE, HIT, ALARM, BLEEP, ZAP, SPLASH, THUMP, WHOOSH, ALERT and much much more has been carefully constructed with a distinct feel using GLASS, WOOD, and ELECTRICITY themed sounds, covering all shapes, sizes and paces you’ll ever need for specific elemental UI sounds!
PERFECT FOR:
…and all other audio-visual productions
ADDITIONAL FEATURES:
GET THE MOST COMPLETE MUSICAL USER INTERFACE NOW!
It’s Cold… It’s Dark… And the snow has frozen over…. Time To Shovel
Driveway Ice Snow Shoveling is a collection of Shoveling Recordings and various ambiences taken while shoveling.
Shovel Recordings recorded using the LOM UsI Pro Microphones feeding into the Zoom H1 Recorder, at 24 bit, 96kHz, clamped onto the shovel. Recordings include Digs, Scrapes, Scoops, Debris, Pokes, Stabs, and more!
Ambience recordings recorded using the Sony D100 Recorder, at 24 it, 192kHz, at various positions. Recordings Include Distant Shoveling, Car Pass Bys, Icy and Crunchy!
Stay in the nice warm house.
All files are meta-data tagged and updated using the Universal Category System in Soundminer, Basehead, and Soundly.
Skillfully performed using glasses as instruments, Sonomar Collection: Crystal Sing features 46 clean, high quality recordings of ringing vibrations perfectly suited for your harmonic tonal needs. This unique collection contains sonorous ringing tones at various pitches as well as sharp squeaks and rubs. Use the raw recordings to add hypnotic resonant layers to your projects, or alter them to experience the depth of Crystal Sing’s harmonic range.
To capture these sounds, sound designer and recordist Martin Pinsonnault (Big Little Lies, Dallas Buyers Club) and the Sonomar team used six different types of glasses including Ricard, cognac and champagne flute glasses. The tonal vibrations created by rubbing a wet finger along the rim of the glass were recorded in 192kHz with MKH-8040 microphones in ORTF setup. Each glass produced its own pitch and tone dependent on its size, shape, and the amount of water added. The rich high frequency response and minimal noise make these clean harmonic tones ideal for pitching and processing.
Each sound file is embedded with comprehensive metadata to help you find the exact sound effect you need with fast, pinpoint search. Enable creativity with detailed descriptions of each recording and their specific sonic qualities. Advanced metadata fields include translated French descriptions and additional info to ensure compatibility across any database search platform such as Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.
Sonomar Collection: Crystal Sing is also included in Pro Sound Effects’ CORE: Standard.
Performed and captured using a specially-constructed metal sculpture, Metalmorphosis features 600 high-quality sounds perfect for adding a dramatic, unsettling edge to your projects. Featuring booming metallic groans, wandering wails and piercing squeals, this collection yearns to texture your sound design with character and provide the groundwork for boundless creativity.
Forged in the spirit of authenticity, the creation of Metalmorphosis began with the construction of a one-of-a-kind layered steel sculpture designed for the sole purpose of generating dense, full-bodied metallic noise. By dragging a violin bow across the contraption, recordist Colin Lechner craftily conceived sonorous layers of scrapes and grinds to add tension and texture to any project and design. These sounds are ideal for injecting your scenes with a shocking, mysterious element and are sure to raise hairs and heart rate alike.
Recorded with high-quality condenser microphones including an AKG C414, Neumann U87, and a Schoeps CMC 6U/MK 22, these resonant screeches and squeals are masterfully recorded for the utmost sonic clarity. The 9GB of raw sounds can be used to add a layer of mystery and shock to your projects, or altered to fit your creative needs. Recorded at the high sample rate of 192kHz, these sounds are ideal for experimental manipulation, giving you the freedom to pitch and process to seemingly no end. Get lost in this comprehensive collection with hundreds of variations at your disposal.
Resonating metallic creaks, groans, impacts, rattles and tremors from two variations of the BlueBird cargo bicycle.
This library covers all the possible perspectives, featuring recordings from the metallic box interior, exterior and contact.
All sounds were recorded using DPA 4060 stereo pair, Jez Riley French C-Series contact microphones, Schoeps CCM4/CCM8 Mid-Side microphone and the Sound Devices 788T.
Mid-Side recordings are presented in their raw, uncoded format as well as decoded stereo files for efficient editing. Recordings have been processed using the Control V2 plugin by Brainworx.
Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
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There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
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And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
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A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.