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Home Materials & Texture Sound Effects Page 49

Materials & Texture Sound Effects

Sound effects and recordings of various surfaces, textures, objects and elements – soft, hard, organic, wooden, stone, metallic and lots more

  •
    Metal Sound Effects Resonant Metal Play Track 151+ sounds included $49

    Resonant Metal is a sound library built around the resonant and tonal characteristics of metal. It features a wide variety of recordings—from small, high-frequency metal tones to large, heavy impacts with long sustain. The focus is on metallic sounds with rich overtones, clean transients, and tonal clarity.

    The library includes both raw recordings of real-world metal objects (bowls, trays, heavy pans, rods, tools, etc.) and a selection of designed sounds. These designed elements include processed impacts, pitch-shifted scrapes, granular textures, and reversed hits.

    Every sound was recorded using a Sennheiser MKH 8050 microphone and a Zoom F6 recorder and files are delivered in high-resolution 24-bit / 192kHz WAV format.

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  • Hum, Buzz & Glitch Sound Effects Inner Sounds Of A Vintage Juke Box Play Track 60 sounds included, 230 mins total $8.50

    Inner Sounds Of A Vintage Juke Box is a distinctive sound library that reveals the subtle mechanical noises of the NSM Nostalgia Gold juke box.
    Captured using contact mics and LOM Geofon’s, this collection features deep bass sounds, low-frequency hums, clicks, clanks, soft whirrs and the watery movements of the bubble tube lighting.

    Source Files Info

    Mastered : No
    Normalised : No
    Multi Recording Takes For Varying Nuances
    Multiple Microphone Perspectives
    Recorder : Sound Devices Mix Pre 10II
    Microphones : Stille and Klang spot contact microphones, Organic Audio Cjossul v2, LOM Geofon
    Microphone Perspective : Contact / Magnetic / Suction

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  • Materials & Texture Sound Effects Adaptive Triggers Play Track 150+ sounds included $39

    Adaptive Triggers is a sound library focused on the unique haptic mechanics of the PlayStation DualSense game controller. At the heart of this collection are detailed recordings of the controller’s adaptive triggers and rumble features, captured to showcase a range of mechanical and tactile sounds.

    To generate these sounds, custom trigger behaviors were programmed using reWASD mapping and DualSenseX controller software. This allowed for the creation of varied press patterns, resistance levels, and haptic feedback combinations. We created a wide range of sounds: from gritty, grinding trigger pulls to rhythmic press sequences, mechanical clicks, and deep rumbles. These sounds were captured using a Sennheiser MKH 8050 microphone paired with a Zoom F6 recorder, ensuring ultra-clean recordings with extended high-frequency detail—ideal for pitch manipulation.

    The result is a versatile set of controller-based source material, perfect for creating sci-fi weapon reloads or trigger pulls, futuristic interface interactions, robotic mechanisms, or experimental percussion layers for music and sound design.

    The final collection includes 150 WAV files delivered in 24-bit 192kHz format, with a total size of 668 MB. All files are fully UCS-compliant and include detailed metadata for easy integration into your workflow.

    Controllers is especially well-suited for:

    Futuristic interface design and control systems
    Weapon mechanisms or sci-fi gear in video games and film
    Robotic movements, servos, or haptic feedback emulation
    Experimental percussion layers in music production and sound design

    Library Specifications:

    Source: PlayStation DualSense controller
    Focus: Adaptive triggers & haptic rumble mechanisms
    Reprogramming Tool: reWASD / DualSenseX (custom trigger tension, click patterns, rumbles)
    Microphone: Sennheiser MKH 8050 (supercardioid)
    Recorder: Zoom F6 (32-bit float, 192kHz)
    Final Format: 150 WAV files at 24-bit / 192kHz (Mono)
    Library Size: 668 MB
    Metadata: UCS-compliant with embedded keywords

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  • Bundles Esoteric Series Trinity Bundle Vol. 1 – ACQUA / AR / FUEGO (Air, Water & Fire) Play Track 470 sounds included $168

    Robert Fulton Esoteric Series Trinity Bundle Vol. 1 – ACQUA / AR / FUEGO (Air, Water & Fire) combines three meticulously crafted volumes (Vol. 1 – Third Element – ACQUA, Vol. 2 – First Element – FUEGO, Vol. 3 – Second Element – AR) into a single premium SFX library. Drawing on over seven years of field recordings, this bundle delivers 470 unique sounds reworked in 24 bit/96 kHz Hi‑Res WAV: from lapping waves and bubbling streams to crashing waves and colossal tsunamis, from crackling flames and roaring firestorms to thunderous eruptions and ash‑choked roars, from subterranean springs and tidal surges to razor‑sharp gusts and phantom breezes. Every sample has undergone advanced post‑production to guarantee an immersive, noise‑free experience that elevates your projects.

    Perfect for sound designers, composers and immersive creators working in film, video games, VR, trailers and art installations, this elemental library unlocks the full spectrum of nature’s sonic palette.

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  • Bundles Videogame Foley Essentials Vol. IV Play Track 1325 sounds included, 219 mins total $50

    Continuing the popular Videogame Foley Essentials series (Vol. I, Vol. II, Vol.III), Vol. IV offers an additional 1325 individual sound effects all mixed at the same volume level, carefully cleaned of any unnecessary background noise and artifacts. These sounds are ready to be integrated into any audio middleware solution, such as Wwise or FMOD. Recorded with videogame development in mind, all sounds are short, snappy one-shots with dozens of iterations, making them ideal for layering, stretching and bending to achieve surprising results. The goal is to streamline the workflow for editors and sound designers by providing ready-to-use sound batches for their middleware projects, avoiding auditory repetition and fatigue for gamers while keeping them fully immersed in their upcoming adventures.

    You’ll find in this library the following folders with clear nomenclature and corresponding metadata related to various interactions either with environmental objects or the characters in the game:

    • Cameras: foley sounds of both analog and digital cameras, including manual and digital zooming, button pressing, photographic film and battery insertion, digital power-on and power-off sounds, shooting clicks, and the handling of all camera elements.
    • Disks: CD, DVD and Blu-ray interactions, including the sound effects of respective players’ trays opening and closing, disk insertion and removal from various devices, button pressing, foley sounds of disks being placed, removed and inserted into different cases, and the handling of jewel cases and DVD cases. Also includes mechanical sounds of different recorders and players turning on and off.
    • Radio: long takes of both AM and FM frequencies. AM frequencies prominently feature harsh static, noise and distortion, while FM frequencies include rapid radio station switching with garbled voices, brief musical stings, and smoother static sounds. These frequency types were recorded using both in-line and microphone techniques. Also includes short static bursts from a radio being turned off.
    • Tape Cassettes: everything big, analog and noisy sounding; including cassettes, VHS and Betamax tapes being handled, inserted, and removed from various recorders and devices. Foley sounds of Walkman buttons, cassette and tape cases/boxes. Hums, hisses, ejecting and rewinding sounds from tapes and cassettes. Jack cables being inserted and removed from a tape deck.
    • Vinyl: long takes of vinyl record grain loops, dozens of different needle drops, and over thirty audio files of genuine scratching, slowing down and speeding up sounds (with no digital pitch shifting or other software involved). Also includes foley sounds of records being removed and inserted into sleeves.
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  • Electricity Sound Effects Massive RF Play Track 156 sounds included, 84 mins total $32.49

    MASSIVE RF – 156 files of RF sound effects, at varying distances and intensities. From gentle ringing wide-band resonances to violent roaring microwaves and rhythmic beeping WiFi routers to deep bass pulses and broken radio static. Massive RF comes in at over 1 hour and 24 minutes, of radio frequency noises. Bring radioactive power and static energy to your next project. Recorded at 192kHz and 32bit, using radio sensitive microphones capable of recording radio band frequencies. Massive RF filenames are in the Universal Category System format with additional Metadata baked-in.

    Don’t need a Massive amount of RF sound effects? We offer ‘Mini’ sound effect libraries as companions for all of our ‘Massive’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

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  • Electricity Sound Effects Mini RF Play Track 30 sounds included, 16 mins total $6.49

    MINI RF – 30 files of RF sound effects, at varying distances and intensities. From gentle ringing wide-band resonances to violent roaring microwaves and rhythmic beeping WiFi routers to deep bass pulses and broken radio static. Mini RF comes in at over 16 minutes, of radio frequency noises. Bring radioactive power and static energy to your next project. Recorded at 192kHz and 32bit, using radio sensitive microphones capable of recording radio band frequencies. Mini RF filenames are in the Universal Category System format with additional Metadata baked-in.

    Looking for a Massive amount of RF sound effects? We offer ‘Massive’ sound effect libraries as companions for all of our ‘Mini’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

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  • Bundles MASTERGUN – Nevada Tails Play Track 3812 sounds included $120

    Master Gun Mojave Desert Tails

    Master Gun Mojave Desert Tails was recorded in the Mojave Desert and includes nine different unsuppressed calibers and five suppressed calibers all captured from 6 different distances. These guns were recorded with the soul purpose of capturing the reverb tail produced by the gun with minimal or no mechanical sounds for easy implementation. (135 Files – 15.26GB)
    Recorded deep within in the rolling hills of the Mojave Desert free from human interference. The report of the guns of this location comes out to just a little over 6 seconds. All recordings are delivered at 192Khz 32bit float. We shot each gun 10+ times of which we selected and meticulously cleaned the best 8 shots to deliver. On our DMS Microphone which includes the Schoeps CMIT 5U, CCM 4, & CCM 8, we decoded it into 5.0, XY Front, XY Back, and a mono center.

    Unsuppressed Calibers:
    5.56×45 – 7.62×39 – 9×19 – 12g – 45 ACP – 50 BMG – 50ae – 300 WIN MAG – 308 WIN
    Suppressed Calibers:
    5.56×45 – 9×19 – 12g – 45 ACP – 308 WIN

    Master Gun Desert Forest Tails

    Master Gun Desert Forest Tails was recorded in a remote Las Vegas Forest and includes nine different unsuppressed calibers and five suppressed calibers all captured from 6 different distances. These guns were recorded with the soul purpose of capturing the reverb tail produced by the gun with minimal or no mechanical sounds for easy implementation. (126 Files – 13.62GB)
    We spent weeks searching for the perfect place to record forest tails and we found a perfect location that produces a characterful tail in the remote forests of Las Vegas, free from human interference. The report of the guns of this locations comes out to just a little over 6 seconds. All recordings are delivered at 192Khz 32bit float. We shot each gun 10+ times of which we selected and meticulously cleaned the best 8 shots to deliver. On our DMS Microphone which includes the Schoeps CMIT 5U, CCM 4, & CCM 8, we decoded it into 5.0, XY Front, XY Back, and a mono center.

    Unsuppressed Calibers:
    5.56×45 – 7.62×39 – 9×19 – 12g – 45 ACP – 50 BMG – 50ae – 300 WIN MAG – 308 WIN
    Suppressed Calibers:
    5.56×45 – 9×19 – 12g – 45 ACP – 308 WIN

    Master Gun Small Room Gun Tails

    (Previously Known As Interior Gun Tails Volume 1) Small Room Gun Tails Volume 1 is a collection of gun 10 guns shot from inside a small room. Each gun has 2 interior microphone options and 2 exterior microphone options which provide some occluded options.
    Each gun was shot from within the structure with an opened window which allows you to have outside perspectives of interior gunshots.
    Various distances and perspectives were captured, including 2 inside stereo microphones and 2 outside stereo microphones. In addition to providing the RAW untouched recordings, we have also designed 6 different mixes for you to implement into your projects right away.

    Unsuppressed Calibers:
    5.56×45 – 7.62×39 – 9mm. – 12G – .45 – 50 CAL – 50AE – .338 – 762.54r – 762×51

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  • Bundles MASTERGUN – Browning M2-HB Play Track 775 sounds included $125

    The Master Gun Browning M2-HB Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 26 channels including 12 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – RPK-74 Play Track 1430 sounds included $90

    The Master Gun RPK-74 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the RPK-74 with a suppressor attachment. The suppressed RPK-74 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – MK48 Play Track 1673 sounds included $90

    The Master Gun MK14 Mod 0 EBR Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the MK48 with a suppressor attachment. The suppressed MK48 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – HK MP5A2 Play Track 1028 sounds included $60

    The Master Gun HK MP5A2 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the HK MP5A2 with a suppressor attachment. The suppressed HK MP5A2 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – HK MP5 Play Track 594 sounds included $40

    The Master Gun HK MP5 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – FN P90 Play Track 628 sounds included $40

    The Master Gun FN P90 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – MK14 Mod 0 EBR Play Track 1079 sounds included $90

    The Master Gun MK14 Mod 0 EBR Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the Mk14 Mod 0 EBR with a suppressor attachment. The suppressed Mk14 Mod 0 EBR was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – Steyr AUG Play Track 586 sounds included $40

    The Master Gun Steyr AUG Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Electricity Sound Effects Massive EMF Play Track 259 sounds included, 92 mins total $32.49

    MASSIVE EMF – 259 files of EMF sound effects, at varying distances and intensities. From gentle metallic ringing resonances to violent roaring mainlines and rhythmic beeping to deep bass pulses. Massive EMF comes in at over 1 hour and 32 minutes, of electromagnetic noises. Bring raw power and subtle energy to your next project. Recorded at 192kHz and 32bit, using electromagnetic sensitive microphones capable of recording 90kHz+. Massive EMF filenames are in the Universal Category System format with additional Metadata baked-in.

    Don’t need a Massive amount of EMF sound effects? We offer ‘Mini’ sound effect libraries as companions for all of our ‘Massive’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

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    OFF
    Ends 1753394400
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  • Electricity Sound Effects Super EMF Play Track 102 sounds included, 22 mins total $7

    Intarsia Sound Collections presents SUPER EMF – an extensive and diverse selection of recordings using a variety of processing distortion and spread techniques to push these assets further than ever before.

    • Over 100 Project-Ready Assets and Sources 
    • Designed and Source Recordings 
    • Over 22 minutes of content
    • Universal Category System (UCS) Compliant
    • Deliverables of 192khz & 96khz, 24 bit, Stereo .wav files
    • Royalty-Free for Commercial Use 
    • Embedded Metadata 

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  • Bundles MASTERGUN – L85A1 Play Track 1486 sounds included $90

    The Master Gun L85A1 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the L85A1 with a suppressor attachment. The suppressed L85A1 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – IWI Tavor TAR21 Play Track 1250 sounds included $90

    The Master IWI Tavor TAR21 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the IWI Tavor TAR21 with a suppressor attachment. The suppressed IWI Tavor TAR21 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Foley Sound Effects Wire Cars Play Track 95 sounds included $60

    Experience the world of wire cars, capturing everything from the creation of these handcrafted African children’s toys to the sounds of them navigating different surfaces like dirt, asphalt, and tar. This collection features two types of wire cars: one with plastic wheels and another with metal wheels. The fabrication sounds were recorded in a studio, while the car sounds were captured outdoors, ensuring a rich stereo experience with both onboard and external perspectives.

    Our recordings encompass a variety of actions including wire bending, handling, and cutting with different tools, as well as driving on varied surfaces at multiple speeds. You’ll hear manoeuvres such as pickups, drops, skids, crashes, impacts, and a range of passes at slow, medium, and high speeds.

    The microphones utilised for these recordings include the Sennheiser 8020, Sennheiser 416, and Countryman B6.

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  • Bundles MASTERGUN – Honey Badger SD Play Track 1168 sounds included $90

    The Master Gun Honey Badger SD Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – HK G36K Play Track 1479 sounds included $90

    The Master Gun HK G36K Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the HK G36K with a suppressor attachment. The suppressed HK G36K was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart
  • Bundles MASTERGUN – HK G3 Play Track 686 sounds included $40

    The Master Gun East HK G3 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

    Add to cart

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